Barbie star Margot Robbieis set to headline an Ocean’s Eleven prequel, scheduled for release on June 25, 2027. Robbie will star opposite Bradley Cooperin the next installment of the beloved heist franchise, as the parents of Danny Ocean attempt to pull off an ambitious heist during the 1962 Monaco Grand Prix. It was recently announced that Wagner Moura, the star of The Secret Agent who recently earned an Academy Award nomination for Best Actor, would join a slowly-building star-studded Ocean’s lineup.
Robbie is no stranger to starring alongside Hollywood’s best leading men, including the likes of Ryan Goslingin Barbie, and she joined forces with Oscar winner Will Smith (King Richard) at a time when he was one of Hollywood’s headline names, in the crime flick Focus. A slick and stylish tale of con artists who push their luck too far, the film received mixed reviews upon arrival, with Collider’s review of the film claiming that there is “no romance and no con.”
Although it didn’t hit the heady heights of other Smith or Robbie blockbusters,Focus was a quiet success at the box office, earning a global haul of $168 million against a reported budget of $65 million. Directed by Glenn Ficarra and John Requa, who previously dazzled with Crazy, Stupid, Love, Focus is an easy-to-watch film featuring two electric leads. If you want to try it out for yourself, you’re in luck, as the movie has just made its way to a new streamer. Starting July 1, Focus is available to stream on Paramount+.
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Collider Exclusive · Oscar Best Picture Quiz Which Oscar Best Picture Is Your Perfect Movie? Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country
Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.
🪜Parasite
🌀Everything Everywhere
☢️Oppenheimer
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🐦Birdman
🪙No Country for Old Men
Advertisement
01
What kind of film experience do you actually want? The best movies don’t just entertain — they leave something behind.
Advertisement
02
Which idea grabs you most in a film? Great films are driven by a central obsession. What’s yours?
Advertisement
03
How do you like your story told? Form is content. The way a story is shaped changes what it means.
Advertisement
04
What makes a truly great antagonist? The opposition defines the protagonist. What kind of opposition fascinates you?
Advertisement
05
What do you want from a film’s ending? The final note is the one that lingers. What do you want it to sound like?
Advertisement
06
Which setting pulls you in most? Where a film takes place shapes everything — mood, stakes, what’s even possible.
Advertisement
07
What cinematic craft impresses you most? Every great film has a signature — a technical or artistic element that makes it unmistakable.
Advertisement
08
What kind of main character do you root for? The protagonist is the lens. Who you choose to follow says something about you.
Advertisement
09
How do you feel about a film that takes its time? Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.
Advertisement
10
What do you want to feel walking out of the cinema? The best films leave a mark. What kind of mark do you want?
Advertisement
The Academy Has Decided Your Perfect Film Is…
Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.
Advertisement
Parasite
You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.
Advertisement
Everything Everywhere All at Once
You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.
Advertisement
Oppenheimer
You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.
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Birdman
You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.
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No Country for Old Men
You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.
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Margot Robbie’s Recent Run of Movies Has Left a Lot To Be Desired
Image via Warner Bros.
Although she is one of the most famous actors on the planet, with plenty of top-tier performances in her filmography, Robbie’s recent run of movies has left a lot to be desired. In the past four years, she has starred in the likes of Amsterdam, Babylon, and A Big Bold Beautiful Journey, with her most recent project also proving underwhelming. Robbie teamed up with director Emerald Fennell andEuphoria‘s Jacob Elordi on a new interpretation of Emily Brontë’s novel, Wuthering Heights, although much of the backlash came from those who deemed the interpretation both misinformed and lacking.
Margot Robbie’s Focus is available to stream now on Paramount+. For more of the latest streaming stories, make sure to stay tuned to Collider.
The world loves a heartwarming sports story, and they don’t come much better than Ted Lasso. Although it seemed the Apple TV flagship series, which once saved the streamer by establishing it as a main player, had come to an end, Jason Sudeikis‘ happy-go-lucky coach is set to return later this year. The hotly anticipated fourth season is set to debut on August 5, 2026, with Ted and Coach Beard (Brendan Hunt) set to take charge of a new women’s division at AFC Richmond. Roy Kent (Brett Goldstein) attempts to lead the men’s team to victory in a season sure to prove one of the most popular of 2026.
Last summer, another sports story with plenty of heart was dominating the streaming charts, as Hollywood’s resident funny-man Adam Sandler starred in Happy Gilmore 2, reprising one of his fan-favorite comedies after almost three decades. The sequel officially debuted to 46.7 million views over three days, marking the biggest U.S. opening weekend for a Netflix original film, and proving once again that Sandler is a huge draw. But this was far from his only sports story, with perhaps his very best now available to stream on a new platform.
The film in question is The Longest Yard, thought by many to be one of the best football movies of all time, which starred Sandler alongside veteran Burt Reynolds. Made for $82 million, the film just about scraped success during its 2005 theatrical run, returning a global haul of $191 million, split between $158 million in domestic revenue and a further $33 million from overseas markets. This is made all the more impressive, considering The Longest Yard was going head-to-head with Star Wars Ep. III: Revenge of the Sith. Over two decades later, you can stream The Longest Yard right now on Paramount+.
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Collider Exclusive · Oscar Best Picture Quiz Which Oscar Best Picture Is Your Perfect Movie? Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country
Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.
🪜Parasite
🌀Everything Everywhere
☢️Oppenheimer
Advertisement
🐦Birdman
🪙No Country for Old Men
Advertisement
01
What kind of film experience do you actually want? The best movies don’t just entertain — they leave something behind.
Advertisement
02
Which idea grabs you most in a film? Great films are driven by a central obsession. What’s yours?
Advertisement
03
How do you like your story told? Form is content. The way a story is shaped changes what it means.
Advertisement
04
What makes a truly great antagonist? The opposition defines the protagonist. What kind of opposition fascinates you?
Advertisement
05
What do you want from a film’s ending? The final note is the one that lingers. What do you want it to sound like?
Advertisement
06
Which setting pulls you in most? Where a film takes place shapes everything — mood, stakes, what’s even possible.
Advertisement
07
What cinematic craft impresses you most? Every great film has a signature — a technical or artistic element that makes it unmistakable.
Advertisement
08
What kind of main character do you root for? The protagonist is the lens. Who you choose to follow says something about you.
Advertisement
09
How do you feel about a film that takes its time? Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.
Advertisement
10
What do you want to feel walking out of the cinema? The best films leave a mark. What kind of mark do you want?
Advertisement
The Academy Has Decided Your Perfect Film Is…
Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.
Advertisement
Parasite
You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.
Advertisement
Everything Everywhere All at Once
You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.
Advertisement
Oppenheimer
You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.
Advertisement
Birdman
You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.
Advertisement
No Country for Old Men
You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.
Advertisement
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What Is Adam Sandler’s Next Movie?
You might not be surprised to learn that Sandler’s next movie is a Netflix project, but you might not have expected it to be a thriller. Based on the 2001 French film, Sandler will star in Time Out, which began production back in late March this year. The film, which is directed by Springsteen: Deliver Me From Nowhere‘s Scott Cooper, also stars the likes of Willem Dafoe, Gaby Hoffmann, F. Murray Abraham, Steve Zahn, and Adam Horovitz.
You can stream The Longest Yard right now on Paramount+. Make sure to stay tuned to Collider for the latest streaming stories.
“I just hate men. I always say this,” she said in the Friday, July 3, episode. “I say it outside of here and inside.”
She continued: “They all f**king suck. When will it ever be my turn? It feels like it never is.”
Jen was venting about her issues with Gal Tshnieder after their connection came to an end. The boys were then instructed to choose who they wanted to couple up with — and Gal didn’t choose Jen. As a result, she was sent home as the only single person still left in the villa.
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Before her exit, Jen was surprisingly candid when she previously admitted to struggling when guys in the villa don’t show interest in her.
“I know that I am gorgeous and stunning but here — besides when I was with Gabe — I felt like, ‘Am I hideous?’” she said in a June episode. “Is there something wrong with me? Does my personality suck?”
She continued: “Normally I am used to guys drooling over me. Here, it has been so hard.”
Ben Symons/Peacock)
Love Island USA follows a group of singles who must pair off in order to stay in the show’s luxury villa. The contestants — referred to as Islanders — live in isolation in a villa under constant video surveillance. They must be coupled up to remain on the show and earn a shot at the $100,000 prize.
The show is coming off a record-breaking moment with season 7 bringing in 18.4 billion streaming minutes, making it the most-watched original season of television on the platform.
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“[This season] there’s a lot more emphasis put on the journey as opposed to the result,” narrator Iain Stirling told Us Weekly exclusively in July 2025. ”I think it’s about the journey of finding someone and how you grow as a person by doing that. Whereas five or six years ago, you had, like, proper millennials in there. There was that more traditional approach to dating.”
While some fans questioned the love journeys, Stirling was on board with the Islanders taking a different approach.
“The end goal [was] to be with someone and you have this contract with someone you’re in a relationship with to honor that person and to honor that relationship,” he noted. “I think now there’s a lot more people who make contracts with themselves to have the journey that they want and the experience they’re after.”
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He added, “These people are predominantly speaking in their early 20s. If you can’t be selfish dating then — then when can you? Especially people from my generation, they weren’t selfish in their 20s and maybe did not want to upset people. Then they get to sort of 30 to 40 and get divorced and go insane. Maybe it’s the healthier way to do it.”
New episodes of Love Island USA are released six days a week — except for Wednesdays — on Peacock.
Join Us Weekly and Bracketology.tv in our first-ever Love Island USA fantasy league! This is your chance to predict who you think will win Season 8 and rank the Islanders weekly based on how confident you are that they will survive the next elimination. You will be playing against our editors, get access to exclusive content and have the chance to win fun prizes. Sign up for free today!
When it comes to sci-fi TV shows, no streaming service is operating at as high a level as Apple TV. The platform launched on the back of the popular sci-fi show, See, and while it may have been more heartfelt hits like Ted Lasso (starring Jason Sudeikis) and Shrinking (starring Harrison Ford) that drew people to the service, it’s been sci-fi that kept them coming back. Apple TV’s greatest sci-fi accomplishment to date is Severance, which first premiered back in 2022 before going on hiatus for three years and coming back with its second season in 2025. Apple TV picked up Severance for Season 3, but it’s unlikely that the show will make it back to streaming before the end of this year. The same can be confirmed for another Apple TV sci-fi masterpiece, one with enough gusto to break all of Severance’s records.
The only show big enough to surpass Severance in terms of viewership came last year with the release of Pluribus, which hails from creator Vince Gilligan. The legendary TV scribe is best known for his work penning one of the greatest TV shows of all time in Breaking Bad, and he also wrote the spin-off series Better Call Saul. Pluribus premiered in November, and the first season wrapped up on Christmas Eve, but the fate of the show was decided long before then when Apple TV renewed it for Season 2. Gilligan has confirmed that he’s chipping away at the writing process for Pluribus Season 2, but also that there’s no chance the show will be back before the end of the year. It’s still one of the top 10 most-watched titles on Apple TV, though.
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Collider Exclusive · Sci-Fi Personality Quiz Which Sci-Fi Hero Are You Most Like? Paul Atreides · Captain Kirk · Princess Leia · Ellen Ripley · Max Rockatansky
Five iconic heroes. Five completely different ways of facing an impossible universe. One of them shares your instincts, your values, and your particular way of refusing to back down. Eight questions will tell you which one.
🏜️Paul Atreides
🖖Capt. Kirk
✊Princess Leia
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🔦Ellen Ripley
🔥Max Rockatansky
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01
How do you lead when the stakes couldn’t be higher? The way you lead under pressure is the most honest thing about you.
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02
What is your greatest strength in a crisis? The quality that keeps you alive when everything else fails.
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03
What is the thing you’d sacrifice everything else for? Your deepest motivation is your truest compass.
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04
How do you relate to the people around you? Who you are to others under pressure is who you really are.
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05
You’re facing a threat that no one else believes is real. What do you do? How you respond when you’re the only one who sees it defines everything.
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06
What has your heroism cost you personally? Every hero pays. The question is what — and whether they’d pay it again.
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07
How do you feel about the rules of the world you’re in? Every hero has a relationship with the system. What’s yours?
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08
When everything is on the line, what keeps you going? The answer is the most honest thing about you.
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Your Hero Has Been Identified Your Sci-Fi Hero Is…
Your answers point to the iconic sci-fi hero who shares your instincts, your values, and your particular way of facing the impossible.
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Arrakis · Dune
Paul Atreides
You carry a weight most people would crumble under — the knowledge of what you’re capable of, and the burden of what you might have to become.
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You see further ahead than others and you plan accordingly, even when the vision frightens you.
You are driven by loyalty to your people and a sense of destiny you didn’t ask for but can’t escape.
Paul Atreides is not simply a hero — he is someone who understands the cost of power and chooses to bear it anyway.
That gravity, that willingness to carry what others won’t, is exactly you.
USS Enterprise · Star Trek
Captain Kirk
You lead with instinct, warmth, and an absolute refusal to accept a no-win scenario — because you’ve always believed there’s a third option nobody else has thought of yet.
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You take the mission seriously without ever taking yourself too seriously.
Your crew would follow you anywhere, not because you demand it, but because you’ve earned it.
Kirk’s genius isn’t tactical — it’s human. He reads people, bends rules with purpose, and wills outcomes into existence through sheer conviction.
That combination of warmth, audacity, and relentless optimism is unmistakably yours.
The Rebellion · Star Wars
Princess Leia
You are the kind of person who holds the line when everyone else is losing faith — not because you’re fearless, but because giving up simply isn’t something you’re capable of.
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You lead through conviction. Your voice carries because your belief is unshakeable.
You gave up everything ordinary the moment you chose the cause, and you’ve never looked back.
Leia is not a supporting character in her own story — she is the moral centre of the entire rebellion.
That same fierce, principled, unbreakable core is what defines you.
The Nostromo · Alien
Ellen Ripley
You are not reckless, not grandiose, and not particularly interested in being anyone’s hero — you just refuse to stop when it matters.
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You see threats clearly, you document the truth even when no one listens, and when the time comes you handle it yourself.
Ripley’s heroism is earned, not performed. She doesn’t have a speech — she has a flamethrower and a plan.
You share her composure under the worst possible pressure, and her refusal to pretend the monster isn’t there.
When it counts, you don’t flinch. That’s everything.
The Wasteland · Mad Max
Max Rockatansky
You have been through fire that would break most people — and what came out the other side is something the world underestimates at its peril.
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You don’t ask for help, don’t need validation, and don’t wait for anyone to tell you the rules no longer apply.
Your loyalty, when it finally arrives, is absolute — but it’s earned in silence and tested in action, not in words.
Max is not a nihilist. He is someone who lost everything and found, against his will, that he still has something worth protecting.
That bruised, stubborn, ultimately human core is exactly yours.
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What Else Is Streaming on Apple TV Right Now?
The most popular show on Apple TV at the time of writing is Cape Fear, the remake of the popular Robert De Niro psychological thriller. The Apple TV version of the tale stars Javier Bardem opposite Amy Adams and Patrick Wilson. Cape Fear is holding a narrow edge over Colin Farrell’s popular sci-fi detective show, Sugar, which recently returned for its second season after a two-year hiatus. As for movies, Brad Pitt’s F1 has still yet to be dethroned at the top of Apple TV streaming charts, but Anya Taylor-Joy’s The Gorge is giving it a run for its money.
Check out the first season of Pluribus on Apple TV, and stay tuned to Collider for more updates and coverage of Season 2.
The BFFs quickly hit it off after Swift mentioned Kloss during her January 2012 Vogue cover story, saying, “I love Karlie Kloss. I want to bake cookies with her!” The comment caught Kloss’ eye, and a famous friendship was born.
Through the years, the duo put their connection on full display, both on social media and at high-power Hollywood events. Though it seemed like nothing could ever come between the two, their friendship seemingly hit a snag several years later when eagle-eyed fans noticed that Kloss was left out of Swift’s “Look What You Made Me Do” video, which featured a list of her remaining squad members.
Rumors of a falling out continued to swirl on and off — but Kloss consistently shut down speculation that she and Swift had grown apart. However, Swift hinted that things had gone south after penning a powerful essay for Elle ahead of her 30th birthday.
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“Something about ‘we’re in our young twenties!’ hurls people together into groups that can feel like your chosen family. And maybe they will be for the rest of your life,” Swift wrote in March 2019. “Or maybe they’ll just be your comrades for an important phase, but not forever.”
Years after the alleged friendship rift, fans were shocked when Kloss and her husband, Joshua Kushner, stepped out in New York City for Swift’s July 2026 wedding to Travis Kelce.
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Scroll down to relive all of Swift and Kloss’ friendship highs and lows through the years:
When Jason, who is a center for the Philadelphia Eagles, and Travis, who is a tight end for the Kansas City Chiefs, cross paths on the football field, their parents are often caught in the middle.
In 2022, the duo’s mother, Donna Kelce, traveled over 1,200 miles in one day to see both of her sons play their Wild Card games. She watched Jason defeat the Tampa Bay Buccaneers in Philadelphia before hopping on a flight to Kansas City where she surprised Travis after the game.
At the time, the NFL celebrated Donna’s journey when they noticed her in the crowd. “She made it! Two games. One day. One amazing mom,” their official Twitter account read alongside a photo of her cheering.
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While seeing both her boys in Super Bowl LVII was an exciting moment, Donna explained that it came with its complications. “You know, somebody’s gonna go home a loser, and neither one of them lose very well,” she told WJW’s PJ Zeilger in January 2023.
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Travis and the Chiefs narrowly beat Jason and the Eagles in the February 2023 championship, where Donna went viral for wearing a custom jacket dedicated to both of her sons’ teams.
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When Travis and Jason married Taylor Swift and Kylie Kelce in 2026 and 2018, respectively, the brothers were one another’s Best Man.
Keep scrolling to learn about Travis and Jason’s family:
Survival films like Castaway and The Revenant need to make way for 2023’s Society of the Snow, a one-of-a-kind survival thriller. Based on the 1972 Andes flight disaster, this Netflix film will punch you in the gut and not let up until you’re weeping into your popcorn because there are too many emotions to even consider unpacking upon its conclusion.
Through the tremendous hardships that are portrayed throughout Society of the Snow, you’ll find yourself awestruck by the indomitable human spirit that is so expertly captured on-screen.
The Suffering Of Surviving
Society of the Snow’s story is primarily set in the Andes mountains after a plane carrying 45 passengers crash-lands, ripping the fuselage apart. In one of the most violent depictions of a plane crash in recent cinematic history, those who lived through the initial impact often wished that they had been spared from the suffering of surviving.
Over the course of 72 days, the remaining survivors were put to the ultimate test as they braved sub-zero temperatures with whatever clothes they had on their backs, while tending to the wide array of injuries they sustained.
After eight days of waiting for a rescue plane, a battered radio leftover from the crash broadcasts that search parties have been called off, leaving the traumatized and gravely injured survivors to their own devices and basic survival instincts. Many of the passengers never experienced snowfall, let alone being stranded in the frozen mountains.
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A Terrible And Desperate Time
During the months leading to an eventual rescue, Society of the Snow compassionately points to the desperation that the survivors faced during this unthinkable time.
Enduring multiple avalanches that buried their shelter and meager food supply, they had to resort to cannibalism and had no choice but to rely on their friends’ corpses as a means to fight off starvation. It’s worth noting, however, that although such drastic measures had to be taken, their reluctance to commodify human life as a source of sustenance was one of many moral dilemmas they had to make peace with.
A Climb Through The Mountains
Arriving at the conclusion that nobody will ever find them while they’re still alive, Society of the Snow’s narrative shifts to Nando (Augustin Pardella) and Robert (Matias Recalt), who embark on a 10-day climb through the mountains after spending two months subjected to unimaginable living conditions with 14 other survivors.
With each passing scene that Society of the Snow delivers, the only thought that consumes your mind is “how can things get any worse?” The unforgiving mountains always find a way to deliver on this front up until the film’s conclusion.
Compelling Storytelling
Though Society of the Snow is a Spanish-language film, its storytelling is so compelling that you won’t mind the subtitles. In fact, the subject matter is so heavy that you’ll actually appreciate the storytelling on a whole other level because this layer of abstraction in the form of a language barrier will help keep you anchored.
Society of the Snow’s unrelenting storytelling won over audiences upon its limited theatrical release. Universally praised for its tense delivery of despair and insurmountable struggle, this survival movie garnered a 90 percent critical score against an 88 percent audience score on Rotten Tomatoes.
You’re not going to form an emotional connection with a volleyball named Wilson when you watch Society of the Snow, but this movie is a must-see if you are looking for a gripping and emotionally jarring survival film.
SOCIETY OF THE SNOW SCORE
If you have the stomach for it, it comes with strong recommendations that you watch Society of the Snow on Netflix today.
Every sci-fi fan has a show they’d go to war for that nobody else has heard of. It aired on some cable network that’s since been rebranded, it ran for maybe three seasons before getting axed on a cliffhanger, and it’s the first thing out of your mouth when someone asks for a recommendation. Streaming has made most of these shows easier to find than ever, which means there’s never been a better time to catch up on the weird, ambitious, canceled-too-soon series that built cult followings for a reason.
We’ve rounded up the best of these obscure sci-fi shows. They’ve all got inventive world-building, unfairly talented casts, and the kind of bonkers plotting that keeps you up until 3 AM muttering, “just one more episode.”
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‘Dark Angel’ (2000–2002)
Max (Jessica Alba) in her day job as a bicycle courier in Dark Angel.Image via FOX
Before she was running a billion-dollar company, Jessica Alba was Max Guevara, a genetically enhanced super-soldier on the run in a post-apocalyptic Seattle that James Cameron built for Fox’s Dark Angel. It was 2000, Cameron was fresh off Titanic, and he decided his next move was a cyberpunk television show about a bike messenger with cat DNA and an attitude problem. The show aired for two seasons and made Alba a household name, earned her a Saturn Award, and then got canceled because Fox moved it to the Friday night death slot to make room for 24.
The world-building is pure early-2000s grit. An electromagnetic pulse has crippled the U.S., Seattle looks like a tech-noir fever dream, and Alba’s Max navigates it all while searching for her fellow Manticore escapees, trading barbs with Michael Weatherly’s cyber-journalist Logan Cale, and outrunning government agents who want her back in a lab. Jensen Ackles joined the cast in Season 2 as a fellow supersoldier, and his chemistry with Alba gave the show a jolt it sorely needed. Dark Angel is a time capsule of a very specific era of sci-fi television, the kind that trusted its female lead to carry action sequences and moral complexity, usually in the same scene. We still miss it.
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‘Killjoys’ (2015–2019)
Hannah John-Kamen as Dutch in Season 5 of KilljoysImage via SYFY
Before Hannah John-Kamen was fighting Ant-Man (Paul Rudd) in the MCU, she was Dutch, a lethally charming bounty hunter chasing warrants across a distant planetary system called the Quad with her partner Johnny (Aaron Ashmore) and his ex-military brother D’avin (Luke Macfarlane). Created by Michelle Lovretta, who also gave us Lost Girl, Killjoys ran for five seasons on Syfy from 2015 to 2019 and delivered a fully realized sci-fi universe where class warfare, body-snatching parasites, and interplanetary barroom brawls coexisted with surprising ease. Think Firefly if Mal Reynolds (Nathan Fillion) were a woman with a mysterious past and significantly better hand-to-hand combat skills.
What makes Killjoys such a satisfying binge is its refusal to take itself too seriously. The world-building is dense but never homework-y: you’ve got a feudal corporate hierarchy, a caste system that spans multiple moons, and an ancient alien threat that unfolds slowly across the series, all woven into a show that never forgets it’s supposed to be fun. The chemistry between its three leads carries even the weaker episodes, and the fact that it actually got to end on its own terms, with a proper finale, makes it a rarity in the graveyard of canceled sci-fi.
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‘Revolution’ (2012–2014)
Charlie (Tracy Spiridakos) and her uncle Miles Matheson (Billy Burke) on ‘Revolution’Image via NBC
What if every piece of technology on the planet just stopped working and never came back on? That’s the question at the center of Revolution, Eric Kripke‘s post-apocalyptic NBC drama that aired from 2012 to 2014 and featured J. J. Abrams as executive producer and Jon Favreau directing the pilot. Set 15 years after a mysterious global blackout, the show follows a scrappy band of survivors navigating a fractured America where former U.S. states have become warring militia territories and arrows have replaced drone strikes. Billy Burke, fresh off playing Bella Swan’s (Kristen Stewart) dad in Twilight, reinvented himself here as Miles Matheson, a former Marine turned reluctant hero with a complicated past and a very big sword.
The cast is stacked for a network show that only lasted two seasons. Giancarlo Esposito, doing what Giancarlo Esposito does, plays a militia captain whose ambitions rival Gus Fring’s in a post-electrical world. Elizabeth Mitchell brings gravitas as the scientist hiding the secret behind the blackout. Tracy Spiridakos leads the early episodes as Charlie, Miles’ niece. Kripke himself later joked that if Revolution had been a streaming show with a bigger budget and shorter episode order, it would have been The Last of Us. He’s not entirely wrong.
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‘Mutant X’ (2001–2004)
Victoria Pratt, Lauren Lee Smith, John Shea, and Forbes March in ‘Mutant X’Image via Tribune Entertainment
Here’s a deep cut. Mutant X debuted in first-run syndication in 2001, created by Avi Arad under a Marvel Comics license, and it was immediately so X-Men-adjacent that 20th Century Fox sued Marvel over it. The lawsuit was settled, the show carried on for three seasons and 66 episodes, and it cultivated a following among fans who couldn’t get enough of the mutant-team formula on a weekly basis. The premise follows Adam Kane (John Shea), a geneticist trying to atone for his role in creating “new mutants” by assembling a team of them to protect others from a shady government agency. Victoria Pratt‘s feral Shalimar Fox, Victor Webster‘s electricity-wielding Brennan Mulwray, and Forbes March‘s density-shifting Jesse Kilmartin round out the crew.
Mutant X is not prestige television. The dialogue can be clunky, the effects are of the early 2000s variety, and the plotting sometimes feels like it’s making things up as it goes. But there’s something genuinely charming about its scrappiness, and the team dynamics carry it through the rougher patches. Lauren Lee Smith, who later turned up in CSI, adds a compelling energy as the tele-empath Emma DeLauro for the first two seasons. The show got abruptly canceled after Season 3 when its production company folded, leaving it on a cliffhanger that was never resolved, which is, at this point, basically a rite of passage for any self-respecting cult sci-fi series.
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Collider Exclusive · Sci-Fi Personality Quiz Which Sci-Fi Hero Are You Most Like? Paul Atreides · Captain Kirk · Princess Leia · Ellen Ripley · Max Rockatansky
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Five iconic heroes. Five completely different ways of facing an impossible universe. One of them shares your instincts, your values, and your particular way of refusing to back down. Eight questions will tell you which one.
🏜️Paul Atreides
🖖Capt. Kirk
✊Princess Leia
🔦Ellen Ripley
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🔥Max Rockatansky
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01
How do you lead when the stakes couldn’t be higher? The way you lead under pressure is the most honest thing about you.
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02
What is your greatest strength in a crisis? The quality that keeps you alive when everything else fails.
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03
What is the thing you’d sacrifice everything else for? Your deepest motivation is your truest compass.
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04
How do you relate to the people around you? Who you are to others under pressure is who you really are.
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05
You’re facing a threat that no one else believes is real. What do you do? How you respond when you’re the only one who sees it defines everything.
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06
What has your heroism cost you personally? Every hero pays. The question is what — and whether they’d pay it again.
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07
How do you feel about the rules of the world you’re in? Every hero has a relationship with the system. What’s yours?
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08
When everything is on the line, what keeps you going? The answer is the most honest thing about you.
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Your Hero Has Been Identified Your Sci-Fi Hero Is…
Your answers point to the iconic sci-fi hero who shares your instincts, your values, and your particular way of facing the impossible.
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Arrakis · Dune
Paul Atreides
You carry a weight most people would crumble under — the knowledge of what you’re capable of, and the burden of what you might have to become.
You see further ahead than others and you plan accordingly, even when the vision frightens you.
You are driven by loyalty to your people and a sense of destiny you didn’t ask for but can’t escape.
Paul Atreides is not simply a hero — he is someone who understands the cost of power and chooses to bear it anyway.
That gravity, that willingness to carry what others won’t, is exactly you.
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USS Enterprise · Star Trek
Captain Kirk
You lead with instinct, warmth, and an absolute refusal to accept a no-win scenario — because you’ve always believed there’s a third option nobody else has thought of yet.
You take the mission seriously without ever taking yourself too seriously.
Your crew would follow you anywhere, not because you demand it, but because you’ve earned it.
Kirk’s genius isn’t tactical — it’s human. He reads people, bends rules with purpose, and wills outcomes into existence through sheer conviction.
That combination of warmth, audacity, and relentless optimism is unmistakably yours.
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The Rebellion · Star Wars
Princess Leia
You are the kind of person who holds the line when everyone else is losing faith — not because you’re fearless, but because giving up simply isn’t something you’re capable of.
You lead through conviction. Your voice carries because your belief is unshakeable.
You gave up everything ordinary the moment you chose the cause, and you’ve never looked back.
Leia is not a supporting character in her own story — she is the moral centre of the entire rebellion.
That same fierce, principled, unbreakable core is what defines you.
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The Nostromo · Alien
Ellen Ripley
You are not reckless, not grandiose, and not particularly interested in being anyone’s hero — you just refuse to stop when it matters.
You see threats clearly, you document the truth even when no one listens, and when the time comes you handle it yourself.
Ripley’s heroism is earned, not performed. She doesn’t have a speech — she has a flamethrower and a plan.
You share her composure under the worst possible pressure, and her refusal to pretend the monster isn’t there.
When it counts, you don’t flinch. That’s everything.
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The Wasteland · Mad Max
Max Rockatansky
You have been through fire that would break most people — and what came out the other side is something the world underestimates at its peril.
You don’t ask for help, don’t need validation, and don’t wait for anyone to tell you the rules no longer apply.
Your loyalty, when it finally arrives, is absolute — but it’s earned in silence and tested in action, not in words.
Max is not a nihilist. He is someone who lost everything and found, against his will, that he still has something worth protecting.
That bruised, stubborn, ultimately human core is exactly yours.
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‘Falling Skies’ (2011–2015)
Tom Mason (Noah Wyle) boards an alien ship in ‘Falling Skies’Image via TNT
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Noah Wyle spent over a decade playing a mild-mannered doctor on ER, so naturally, his follow-up was a TNT series where he plays a mild-mannered history professor who picks up a gun and leads a guerrilla resistance against alien invaders. Falling Skies ran for five seasons from 2011 to 2015 with Steven Spielberg as executive producer, and it wears his fingerprints all over it: the Americana, the emphasis on family bonds under impossible duress, and the weird aliens. Wyle’s Tom Mason becomes the reluctant leader of the 2nd Massachusetts Militia Regiment, and the show mines surprisingly effective drama from watching civilians figure out how to fight a war they were never trained for.
The supporting cast gives Wyle plenty to work with. Will Patton is grizzled and excellent as Captain Weaver, Moon Bloodgood brings gravity to the group’s medic, and Colin Cunningham is a scene-stealer as John Pope, an outlaw whose allegiances shift with the wind. The first three seasons are the strongest and the show’s willingness to keep introducing new alien species and political complications keeps the mythology from going stale. The final season rushes its ending, but the journey there offers one of the more satisfying post-invasion narratives cable TV has attempted.
‘Avenue 5’ (2020–2022)
Hugh Laurie as Ryan Clark looking up with a surprised expression while a group of passengers stand behind him in Avenue 5Image via HBO
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Armando Iannucci, the acid-tongued genius behind Veep,set his satirical sights on space tourism with Avenue 5, and the result is a two-season HBO comedy so viciously funny it makes you wonder how it didn’t find a bigger audience. Hugh Laurie plays Captain Ryan Clark, the reassuringly handsome figurehead of a luxury interplanetary cruise ship owned by Josh Gad‘s obnoxious tech billionaire, Herman Judd. When a technical malfunction throws the ship off course, what was supposed to be an eight-week pleasure cruise becomes a years-long ordeal, and the passengers, who are exactly as awful as you’d expect rich people trapped in a tin can to be, start losing it.
The comedy here is bleak and unrelenting, which is probably why it struggled to find its crowd during its initial run in 2020, a year when being trapped in an enclosed space with terrible people hit a little too close to home. Zach Woods is perfect as the ship’s incompetent head of customer relations, as is the supporting cast of Nikki Amuka-Bird, Suzy Nakamura, and Lenora Crichlow. The second season improved significantly, which makes HBO’s decision to cancel it in 2023 sting even more.
‘Dark Matter’ (2015–2017)
Three characters standing together in the SYFY series ‘Dark Matter’Image via SYFY
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Six strangers wake up on a derelict spaceship with no memory of who they are, so they name themselves One through Six and start trying to piece together why everyone in the galaxy seems to want them dead. That’s Dark Matter in a nutshell, a Syfy series that ran from 2015 to 2017 and delivered the kind of pulpy, character-driven space opera that the network hadn’t managed since the Battlestar Galactica days. Created by Joseph Mallozzi and Paul Mullie, who spent years writing for the Stargate franchise, it’s a show built on the bones of everything those writers learned about making sci-fi on a budget feel lived-in and propulsive.
Melissa O’Neil is the standout as Two, the crew’s de facto leader whose backstory turns out to be far wilder than anyone’s, and Zoie Palmer brings a warmth and dry humor to the ship’s android that quickly makes her the fan favorite. The show’s three seasons build an increasingly complex web of corporate wars, alternate dimensions, and identity crises, and it got canceled on a cliffhanger that its fanbase has still not forgiven Syfy for. It never got the sendoff it deserved, but the ride to that point is engaging enough that it’s worth the frustration.
‘The 4400’ (2004–2007)
Megalyn Echikunwoke and Mahershala Ali in ‘The 4400’Image via USA Network
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USA Network’s The 4400 debuted in 2004 as a miniseries and was so well-received that it earned three additional seasons before the 2007 writers’ strike killed its momentum. The hook is irresistible: 4,400 people who vanished at various points over the last century all reappear simultaneously near Mount Rainier, dumped in a ball of light with no memory of where they’ve been and not having aged a day. The catch is that many of them come back with new abilities, and the government isn’t thrilled about it. Joel Gretsch and Jacqueline McKenzie anchor the show as the Homeland Security agents tasked with monitoring the returnees, but the real draw is the sprawling ensemble.
A young Mahershala Ali plays Richard Tyler, one of the 4,400 who disappeared in the 1950s, and Billy Campbell is magnetic as Jordan Collier, a charismatic millionaire returnee whose intentions stay murky right up until they don’t. The 4400 was doing the “ordinary people with extraordinary abilities and a shadowy conspiracy” thing years before Heroes made it mainstream, and its willingness to go truly dark with its mythology still holds up.
‘Continuum’ (2012–2015)
Rachel Nichols as Kiera Cameron knocked to the ground, looking back in Continuum.Image via Showcase
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Continuumis the kind of Canadian sci-fi export that flies completely under the radar in the U.S. and then slowly builds a following that will not shut up about it, for good reason. Rachel Nichols plays Kiera Cameron, a law enforcement officer from a corporately controlled dystopia in the year 2077 who accidentally gets transported back to 2012 Vancouver along with a group of terrorists she was supposed to be guarding. Stranded in our timeline, she teams up with a young tech genius named Alec Sadler (Erik Knudsen) and a local detective (Victor Webster) to hunt down the fugitives while secretly trying to find a way home to her husband and son.
What elevates Continuum past its time-travel premise is the way it complicates its own morality. The “terrorists” Kiera is chasing, a group called Liber8, are fighting to prevent the corporate oligarchy that Kiera serves and protects. The show asks you to root for its protagonist while slowly revealing that her side might be the wrong one, and it threads that needle across four seasons without ever fully tipping its hand. Created by Simon Barry (who went on to make Warrior Nun), it aired on Showcase in Canada and Syfy in the States from 2012 to 2015, and while the truncated final season of six episodes means it wraps up faster than ideal, it does actually wrap up, which counts for something, right?
‘The 100’ (2014–2020)
The elevator pitch for The 100sounds like every other CW show circa 2014: pretty young people, love triangles, post-apocalyptic setting, based on a YA novel series by Kass Morgan. And the first few episodes do lean into that formula hard enough that plenty of viewers bounced. Their loss. By the end of its first season, The 100 had evolved into something ruthless and morally knotty that regularly shocked even its most devoted fans. Eliza Taylor‘s Clarke Griffin starts as a reluctant leader and ends up making the kind of decisions that would give war-criminals nightmares.
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Set 97 years after a nuclear apocalypse, the show follows 100 juvenile delinquents sent from a failing space station back to Earth as expendable guinea pigs. What they find down there, surviving ground-dwellers, a militarized mountain bunker, an AI that wants to end all human conflict by ending most humans, keeps escalating in ways that The CW rarely allowed. Bob Morley, Marie Avgeropoulos, and Henry Ian Cusick round out a strong cast, and the show ran for seven seasons. It’s a slow starter that rewards patience with one of the more ambitious sci-fi arcs network television has produced.
Taylor Swift’s family may not be as famous as she is — but they’re pretty close to it.
The singer’s parents, Andrea and Scott Swift — who got married in 1988 — have become key members of the Swiftie fandom, while her brother, Austin Swift, is making a name for himself in Hollywood.
Taylor, for her part, referred to her parents as “unbelievable” for supporting her career during an interview with CBS Sunday Morning in 2019. Her family uprooted their lives in Pennsylvania and moved to Tennessee all in support of Taylor’s singing career.
“I buy them lots of presents,” Taylor joked when discussing how she thanks her family and brother.
Andrea, for her part, recalled the Swift family’s move to Tennessee, noting that it wasn’t about Taylor “making it” in the music industry.
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“What a horrible thing if it hadn’t happened, for her to carry that kind of guilt or pressure around,” Andrea told Entertainment Weekly in 2008. “We’ve always told her that this is not about putting food on our table or making our dreams come true. There would always be an escape hatch into normal life if she decided this wasn’t something she had to pursue.”
Of course, that wasn’t at all the path that Taylor took. Various Grammy Award wins and multiple sold out tours later, the “Cardigan” singer has reached an untouchable level of fame — and her family is still by her side.
Keep scrolling to learn more about the Swift Family:
Rick Diamond/ACMA2013/Getty Images for ACM
Andrea Swift
Andrea used to work as a marketing manager at an advertising agency but has always been Taylor’s No. 1 fan. Now, she’s often spotted backstage during her daughter’s sold out tour dates and often interacts with fans.
Over the years, Taylor has written multiple songs about her mom — “The Best Day” and “Soon You’ll Get Better.” The latter is about Andrea’s cancer battles. Taylor first revealed her mom’s cancer in 2015, writing a letter to her fans on Tumblr. Andrea’s second cancer diagnosis came years later in 2019 and a year later, Taylor revealed that her mother had been diagnosed with a brain tumor.
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“Everyone loves their mom; everyone’s got an important mom,” Taylor told Variety in 2020. “But for me, she’s really the guiding force. Almost every decision I make, I talk to her about it first. So obviously it was a really big deal to ever speak about her illness.”
Jun Sato/GC Images
Scott Swift
Scott originally worked as a stockbroker and eventually became Vice President for Merrill Lynch. He definitely has the supportive (and embarrassing) father role on lock. In March 2023, Taylor shared a photo of the backstage pass” that Scott had designed himself.
“D.O.H. Pass (Dad of Headliner),” his lanyard read. Taylor posted a picture on Instagram, writing, “Made my Dad’s tour credential. We are a small family business.”
From cowboy boots to Jimmy Choos! Taylor Swift has come a long way since her days as Nashville’s teen queen. Since moving to the Big Apple in March 2014 and embracing the city’s trendy style, the “Blank Space” singer became more fashion-forward than ever. See the pop singer’s amazing red carpet transformation through the years!
“Both of my parents have had cancer, and my mom is now fighting her battle with it again,” Taylor told Elle in 2019. “It’s taught me that there are real problems and then there’s everything else.”
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Gardiner Anderson/Bauer-Griffin/GC Images
Austin Swift
Austin graduated from the University of Notre Dame in 2015 and has a budding career in the entertainment industry. Not only has he acted in a few TV and movie roles — I.T.,Breaking for Whales and We Summon the Darkness, among others — but Austin is often listed as a producer on some of his sister’s projects.
“It is a singularly beautiful thing to see magic right in front of your eyes. After nearly three decades of that happening time and time again, the effect hasn’t worn off,” Austin wrote on Instagram of Taylor in December 2018. “I have always had a best friend, a role model, and a caring, tireless, dedicated champion in my corner. You have pulled me out of fires and carried me up mountains. The gift of getting to witness you become the wonderful person you are today has been the greatest privilege and honor of my life.”
2026 has been a stellar year for video games. With titles such as Pragmata and Resident Evil Requiem, the race for Game of the Year is going to be more challenging than ever, and that isn’t even including what is to come; hint, hint, nudge, nudge, Grand Theft Auto VI. But that isn’t the only game to look forward to in 2026, especially with a jam-packed September, which will put a serious dent in everyone’s wallets. E3 may be long and dead, but gamers are still thriving this time of year because of Geoff Keighley‘s Summer Game Fest, which is an assortment of events that showcase all the upcoming games to get excited about this year and in the future. Other companies, such as Xbox and PlayStation, also held presentations, revealing new games like Persona 6 and God of War Laufey.
However, if Xbox and PlayStation had their time to shine, then fans know Nintendo needs to get in on the action. A Nintendo Direct aired on June 9, mostly revealing more information about their upcoming games, such as Star Fox and Splatoon Raiders. However, Nintendo likes saving the best for last, and ended the direct with an announcement of a remake of The Legend of Zelda: Ocarina of Time. The brief trailer didn’t show off much besides the stellar graphics, a glimpse of what Link looks like, and a 2026 release date. And with it being Zelda’s 40th anniversary, now is the perfect time for the remake, especially as the franchise has hit an all-time high, quality-wise. And yet, Ocarina is still the best video game ever made, and this highly anticipated remake will remind you why.
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What Is ‘The Legend of Zelda: Ocarina of Time’ About?
Originally released in 1998, The Legend of Zelda: Ocarina of Time was the first game in the franchise to enter the 3D realm, reinventing modern action games and establishing itself as the best Zelda game of all time. This N64 classic paved new ground by bringing the franchise into 3D and pioneering Z-targeting, which most action games have used since. Its influence is historic, still felt to this day in most mainstream fantasy efforts. When looking at its polish, innovation, quality for the time, and entertainment value today, it is hard to argue with its reputation as the all-time best game in the medium’s history, because Ocarina of Time holds up surprisingly well.
Set in the fantastical Kingdom of Hyrule, the plot centers on Link, a forest boy who lives a rather mundane life. All the other kids have a fairy companion, except for Link, until a helpful yet annoying fairy named Navi wakes him up, summoning him to the Great Deku Tree. It is revealed that Princess Zelda was kidnapped by the Gerudo King, Ganondorf, taking her away to an unknown land. Link is the only one who can save her, needing to go on an adventure through the past and future, conquering dungeons and defeating bosses in order to resurrect the sages. With the help of the sages, Link must defeat Ganondorf with the power of a third of the Triforce, making sure the evil king doesn’t get the remaining two pieces.
How Different Will the Remake Be Compared to the Original?
The Legend of Zelda: Ocarina of Time still holds up pretty well, even if the graphics are outdated and the controls can feel clunky at times. However, it’s already been remade once on the 3DS, which many fans considerthe best Nintendo game ever. It made many quality-of-life improvements and gave fans updated visuals to make it more palatable. Still, the 3DS remake didn’t change the story, gameplay, or reinvent anything; it simply delivered an upgraded version of the original.
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However, that begs the question: what will this remake look like? There are only so many ways Nintendo could go with this new game: it could be a simple graphics upscale that keeps everything else the same, or it could be a remake with some new mechanics and polished design, or it might be a complete reimagining with new dungeons, side quests, places to explore, and gameplay. Everyone wants something different, but most fans seem keen on something entirely new, with a reimagining being the best bet. At the very least, new graphics and better controls will bring Ocarina of Time into the modern age, where new fans can experience its brilliance.
The first glimpse showed a new look at Link with by far the best graphics in any Zelda game, supporting the claim that the Ocarina of Time remake will be more of a reimagining, maybe adding extra content, redesigning the world, or making it a new experience while keeping the spirit intact. This approach can’t help but worry some fans who want that nostalgic and classic feel again, with a reimagining potentially altering what we all know and love about the game. Either way, it is likely that this remake will be one of the best Nintendo Switch games, with it already being a system seller as many fans try to get a Switch 2 before the price increases in September. The potential price for the game is already raising some eyebrows, but for now, we all remain hopeful.
Will ‘The Legend of Zelda: Ocarina of Time’ Remake Win Game of the Year?
A tapestry of Link and the Deku tree in The Legend of Zelda: Ocarina of Time RemakeImage via Nintendo
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Almost every game that was originally scheduled for the last few months in 2026 has been pushed up to September or delayed to 2027 in order to avoid the inevitable storm that is Grand Theft Auto VI. It seems that everyone will be playing this game come November, and with it being in development for so long, it is likely to be the eventual Game of the Year winner. It does have some competition, and its biggest rival is the newly announced Ocarina of Time remake. As a remake, it is unlikely that Ocarina of Time will take the award, but it is one of the few games capable of giving GTA VI a run for its money. Still, seeing these two juggernauts spearhead a hectic holiday season will be magnificent, as two of the greatest video games of all time come out at the end of 2026.
There aren’t many better games than Ocarina of Time, if any, and that is a legacy which has been kept for decades. A remake is a risky thing, because while it will sell well, what if it doesn’t live up to the original? The 1998 game redefined the modern age of gaming, and while the remake is unlikely to do that, the best it can do is to expand on what made the first game great. Remaking Ocarina of Time must bring something that the audience has seen before, while not straying too far from what made the first one good. Hopefully, it’ll mean new dungeons, voice acting, side quests, incredible visuals, and maybe some new areas to explore.
And yet, it’s hard not to think the remake will cement Ocarina of Time as the all-time greatest video game in the medium’s history. It is the perfect 40th anniversary present to fans, a huge ordeal that Zelda fans are excited about. Plus, with The Legend of Zeldamovie coming out in 2027, fans are eating well. A movie and a remake within half a year is better than anything fans thought they would get, but that truly means Nintendo is putting everything into making this anniversary special. It would be surprising if the Ocarina of Time remake were disappointing. It may not surpass the original, but this reimagining is exactly what the franchise needs, further proving that this is the best year for gaming in a long time.
Fans can play The Legend of Zelda: Ocarina of Time Remake sometime in 2026 on the Nintendo Switch 2.
YouTube ; Courtesy of Laurence Justin Ng/Instagram
Taylor Swiftand Travis Kelceare both on top of their games — and have the workout routines to back it up.
A source exclusively told Us Weekly in March 2024 that Swift trains with Kirk Myers at the gym Dogpound when she’s in either New York City or Los Angeles.
“He has helped her get in shape for her tour,” the insider explained to Us. “They have been working together for many years.
Swift had been performing her three-hour-long Eras Tour concert across the globe since March 2023.
Taylor Swift and Travis Kelce are all anyone can talk about since they got together in 2023. Their 2025 engagement, which came weeks before Swift released her album The Life of a Showgirl (featuring plenty of references to Kelce), has made them an even bigger topic of conversation. Swift and Kelce were first linked in […]
“Every day I would run on the treadmill, singing the entire set list out loud,” Swift previously told TIME in her 2023 Person of the Year profile. “Fast for fast songs, and a jog or a fast walk for slow songs.”
To help her train, Dogpound created a unique program that incorporates strength, conditioning and weights.
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Pre-Eras, Swift also hit the dance studio to learn choreography, crafted by Mandy Moore, for her entire setlist.
“I had three months of dance training because I wanted to get it in my bones,” she added to TIME. “I wanted to be so over-rehearsed that I could be silly with the fans, and not lose my train of thought.”
Since Swift and Kelce started dating in summer 2023, they’ve hit the gym together. However, they engage in drastically different workouts.
Kelce, a NFL tight end for the Kansas City Chiefs, works with multiple trainers throughout his football season and during his offseason hiatus. One of his trainers, Laurence Justin Ng, shared a peek into Kelce’s gym routine in an April Instagram video.
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Per the video, Kelce’s regimen starts with the football star warming up his hip flexors before doing knee drives against the wall. Kelce also runs on a treadmill at an incline and sprints uphill in a parking garage.
Courtesy of Laurence Justin Ng/Instagram
Kelce’s football seasons typically start in July or August when he reports for training camp. Games begin in September and run through postseason the following January. The season ends with the Super Bowl in February. After the big game, the athletes are in their offseason until the next training camp.
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Kelce continues training even when his NFL commitments are over for the season.
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“Bench? Right now everything’s been sort of high reps, low weights,” Kelce previously said in a 2015 YouTube interview with Stack magazine as he showed off his offseason weightlifting regimen. “I throw two 45’s and hit it for about eight to 10 and just do more of the isolation hold to really work the shoulders, so that when I actually do throw some weight on there, I’m not injury-prone to it or anything like it.”
Throughout his NFL tenure, Swift has remained his biggest fan amid their 2025 engagement and 2026 wedding.
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