Entertainment
15 Movies To Watch if You Like ‘Game of Thrones’
Quite amazingly, five years have elapsed since Game of Thrones concluded its eight-season run in 2019, and although fans remain divided with the final season, the series’ relevance has never waned. While the prequel series House of the Dragon has been partially responsible, a significant reason for its enduring quality is its sheer brilliance, not only for its mesmerizing fantasy spectacle but for its political intrigue, scintillating suspense, and its arresting and often confronting intensity as well.
As such, fans don’t have to stay within the realm of fantasy to recapture the heart-stopping thrill that Game of Thrones so famously provided. While several fantasy titles are simply must-watch movies for all Game of Thrones fans, everything from modern political satires to grueling war films, classic mobster pictures, and even dystopian sci-fi may prove to be just the tonic for those still missing the hit HBO series. These movies are perfect for every Game of Thrones fan, acting as inspired and, sometimes, perfect companions.
15
‘The Green Knight’ (2021)
One of the most overlooked films of the 2020s thus far, The Green Knight presents exactly what one would expect from an epic fantasy adventure handled by the bold creativity of A24. A commanding spin on the Arthurian legend, it follows young Sir Gawain (Dev Patel) as he embarks on a quest to prove his honor and bravery by defeating the Green Knight (Ralph Ineson). On his quest, he encounters ghosts, giants, and thieves while wrestling with his courage and resolve.
The comparisons to Game of Thrones are plain to see, with The Green Knight excelling as a dark and gritty fantasy with its sights firmly set on human nature. Its intriguing reworking of myth and legend to create a unique and spellbinding adventure gives it an alluring and enigmatic quality that is utterly transfixing. Bolstered by breathtaking visuals and Patel’s outstanding lead performance, The Green Knight is a modern masterpiece of fantasy cinema.
14
‘The 13th Warrior’ (1999)
Far better than its poor reviews and abysmal box office figures would suggest, The 13th Warrior is a gritty yet wondrous marriage of historical fantasy and swords-and-sandals action that all lovers of the genre should see. For Game of Thrones fans, it is particularly good for those who enjoyed the story of The Wall and its themes of duty, honor, and standing strong against a formidable and unnatural enemy.
It follows an exiled Arab ambassador as he joins forces with a group of Viking warriors to defend a remote village from an evil and mystifying force descending upon them from the nearby woods. Granted, The 13th Warrior isn’t without its flaws, but it does triumph as a compelling tale of dark fantasy eeriness and the valor of a warrior. Complemented by John McTiernan’s nous for action direction and practical production elements that feel especially immersive and intricate when the film is revisited today, The 13th Warrior stands as a forgotten gem of fantasy action that is perfect for Game of Thrones fans.
13
‘Dragonslayer’ (1981)
Despite being released as a box office flop, Dragonslayer has become an enduring fantasy adventure, one that has steadily amassed a cult following over the decades. Another brilliant dose of pure fantasy for Game of Thrones fans, it follows a young apprentice wizard who must kill a terrible dragon that terrorizes the kingdom of Urland, only sparing its people so long as they provide him with human sacrifices to feed on. The situation takes an urgent turn when the deceptive king’s daughter is to be the dragon’s next sacrifice.
Rich with dark fantasy adventure, exciting action, a wonderfully unconventional love story, and a lovable, bumbling hero worth cheering for, Dragonslayer is an underrated highlight of Disney’s forays into action-fantasy storytelling. In a piece written for The Daily Beast, George R. R. Martin himself heralded Dragonslayer as the fifth-best fantasy picture of all time and labeled its villainous dragon, Vermithrax, “the best dragon ever put on film.”
12
‘Dragonheart’ (1996)
Another forgotten fantasy gem to appeal to those who loved the dragons of Game of Thrones, Dragonheart substitutes the terrifying might that the magical beasts are sometimes presented with in favor of humanity, heart, and gentle wisdom. The 1996 fantasy adventure follows the unlikely partnership between Draco (Sean Connery), the last dragon, and Bowen (Dennis Quaid), a disillusioned dragon-slaying knight, as they work together in defiance of an evil king’s tyrannical reign.
It’s cheesy, childish, and its CGI effects haven’t aged all that gracefully over the years, and yet Dragonheart holds an enduring charm that is difficult to resist, particularly for those who love medieval fantasy indulgence and the air of majesty that surrounds dragons. Complemented by the efforts of its impressive ensemble cast and Randy Edelman’s genuinely exceptional score, Dragonheart stands as a commendable guilty pleasure that plenty of Game of Thrones fans would embrace for its fantasy allure and its surprisingly poignant tale.
11
‘Come and See’ (1985)
Taking a significant stride away from fantasy entertainment, Come and See is a grueling and deeply disturbing war film that may appeal to Game of Thrones fans who were left contemplating some of the brutal horrors the series depicted, particularly in war. Episodes like “Battle of the Bastards” and Season 5’s “Hardhome” are among the highest-rated Game of Thrones episodes on IMDb for their commitment to exhibiting the terror of war and showing humanity at its destructive and savage worst.
Very few films in history have managed to excel in this regard quite like Come and See, a Soviet-Belarussian WWII drama from 1985 that tracks a young boy as he joins a Resistance movement and experiences the atrocities committed in the war. It is a punishing picture, but an important and necessary one that is perfect for fans who enjoy grappling with the more challenging and confronting aspects of Game of Thrones’ morally ambiguous characters.
10
‘Children of Men’ (2006)
Science fiction and fantasy are often lumped together, largely due to both genres taking audiences to vastly different realities and featuring stories with great scope and thematic poignancy. Another aspect that makes them easy to link is their necessity to efficiently and masterfully build a new story world that audiences can understand quickly. While Game of Thrones did this brilliantly, there has perhaps been no greater cinematic achievement in this regard than the criminally underrated 2006 sci-fi drama Children of Men.
Set in a dystopian future where humanity has lost the ability to procreate, it follows a reluctant former activist as he safeguards the first pregnant woman in 18 years through to a mysterious safe harbor at sea. Children of Men is a masterpiece in immersive storytelling, one that thrives as a gripping, action-packed thriller, a contemplative sci-fi spectacle, and a deeply affecting human drama.
9
‘Gladiator’ (2000)
The lack of fantasy allure aside, Gladiator is a perfect movie for Game of Thrones fans on account of its astonishing scope, rich historical setting, and its ability to weave together a story of stirring, vengeful passion with overtones of political corruption and the elusive nature of power. Russell Crowe stars as Maximus Decimus Meridius, a Roman general who is betrayed by the emperor’s son when he kills his father to seize power and orders Maximus and his family to be murdered. Surviving the assassination attempt, Maximus becomes a gladiator with a mission to return to Rome to instill the vision Marcus Aurelius (Richard Harris) had for the senate while avenging his slain wife and child.
Ridley Scott’s ability to realize such a vast sense of scale while still delivering a rousing revenge story is brilliant, as is the brutal realization of the combat sequences, the gripping intensity of the performances, and the captivating atmosphere of power, corruption, and Roman glory. With even John Mathieson’s cinematography and Hans Zimmer’s gorgeous score worthy of singling out for praise, Gladiator soars across all disciplines of filmmaking as a defining triumph of epic cinema.
8
‘The Death of Stalin’ (2017)
Beneath all the fantasy glamour and the confronting violence, Game of Thrones is ultimately a political thriller, with each character a ruthless and cunning figure hoping to secure power and prestige. While this basic, oversimplified concept makes for pulsating drama, it can also conjure riotous satire, as is the case in Armando Iannucci’s underrated, darkly comic masterpiece The Death of Stalin.
Featuring an exceptional cast, it focuses on several advisors and followers of Joseph Stalin as they scramble to outwit each other in the wake of the Soviet Union leader’s sudden and unexpected demise. Running with a razor-sharp wit and a deliciously cynical perspective on humanity, The Death of Stalin mercilessly skewers politics to be a hilarious historical film that draws clear parallels to the modern day. Replacing the Red Wedding with the Red Scare and bloodshed with belly-laughs, The Death of Stalin is a great comedy for those who enjoy Game of Thrones’ scheming politics.
7
‘The Lives of Others’ (2006)
Another foray into political cinema, The Lives of Others is an Academy Award-winning German spy movie set in East Germany in 1984. It follows Gerd Wiesler (Ulrich Mühe), an espionage agent for the Stasi who is assigned to observe the conversations between a playwright and his lover. As he grows interested in their lives, Gerd begins to doubt the purpose of his task.
While the film may not closely replicate the political scheming that made Game of Thrones so intoxicating, The Lives of Others does maintain the same sense of moral ambiguity, using its bleak tone and historical setting to present an intriguing story about human connection. Additionally, spycraft played a significant though largely invisible role throughout Game of Thrones, and fans who were interested in that underlying deceit would do well to seek out The Lives of Others as a rewarding and surprisingly sincere movie about invading someone’s privacy while living behind the Iron Curtain.
6
‘The Last Duel’ (2021)
With its gritty, high-stakes medieval atmosphere, compelling focus on political intrigue and codes of honor, and its penchant for graphic and brutal violence, The Last Duel is able to match the intensity, aesthetic, and general themes of Game of Thrones, even with the stark differences between the stories. The biggest difference resides in The Last Duel’s basis, with the movie depicting true events that transpired in 14th-century France when the friendship of two knights is stained by an accusation of sexual assault and a looming fight to the death.
Like Game of Thrones, The Last Duel excels at conjuring a tone of imposing tension. It delivers a promise of violence and death that isn’t exciting or thrilling so much as it is stomach-churning. Also armed with a realistic understanding of human nature in all its egotistical and selfish complexity and an intriguing true story of a woman’s charge for justice in the Middle Ages, The Last Duel holds a certain gravitas that will resonate with many Game of Thrones fans.
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Theo James had certain fears about becoming a boy dad.
“Capitalism is the dominant force and if you are celebrated, no matter what you are, if you are stinking rich and driving around in flash cars [that] has been epitomized by Trumpism and everything that goes with that,” James, 41, said on the Wednesday, April 8, episode of Josh Smith’s Great Chat Show, referencing the cultural influence of President Donald Trump. “It’s terrifying having a son because people get lured into this idea very easily.”
He continued, “You don’t have to be ‘hyperwoke,’ but it’s about a base level of empathy and some semblance of morality. I think now that isn’t cool. It’s not cool to talk about those things. It’s cool to be like, ‘F*** you, I earn loads of cash.’ But, at the end of the day, there’s a deep emptinessiness within that as we all know and eventually all those people will find out.”
James and his wife, Ruth Kearney, welcomed their son in late 2023. (The couple also share a daughter, who was born in 2021.)
Theo James surprised fans at the 2023 Emmys when he announced that he welcomed his second baby with wife Ruth Kearney last year. “We have a 4-month-old. We’re in the thick of it,” James, 39, announced during the KTLA5 Emmys red carpet show on Monday, January 15. “We have a daughter and then a 4-month-old […]
“We have a 4-month-old. We’re in the thick of it,” James said at the Emmy Awards in January 2024, confirming that Kearney, 41, gave birth months earlier. “We have a daughter and then a 4-month-old son.”
James and Kearney, who have been married since 2018, have not publicly revealed their children’s names and maintain a private family life. As they remain out of the public eye, James is hopeful to raise his son without the influence of toxic masculinity.
“I [also] try and have conversations with my friends and be open about mental health and if you’re struggling with things,” James said on Wednesday’s episode. “I think it’s super important because mental health affects a lot of men.”
The White Lotus alum further believes that toxic masculinity “comes down to a fact of an unclear identity.”
“They feel untethered, reduced. I think the misogyny comes from lots of successful, strong women around them. They don’t know how to deal with that,” he speculated. “They’re confused by who they are or who they should be, and the easiest thing to do is to latch on to something [whether it’s] money, going to the gym a lot of telling people to ‘go f*** themselves.’ That’s easy.”
A man’s identity can also affect body image, which James believed is “a problem.”
“It constantly evolves and changes when we talk about men, obviously, women have dealt with it for thousands of years and they continue to do so,” James acknowledged. “With men, I think the idea of, and again it goes into this kind of toxic masculinity thing about identity and forming identity through your body [where] you have to be bigger and more muscular, more swole.”
While David Fincher is typically associated with dark thrillers, arguably his most acclaimed movie, The Social Network, is a psychological comedy-drama. In fact, another of his gut-wrenching thrillers, Gone Girl, is funnier than most viewers might remember. What this proves is that Fincher’s talents are still rather underrated, despite the highly acclaimed career that he has cultivated so far. But his biggest creative leap, both in terms of scale and ambition, has to be a fantasy epic that combines sweeping romance with character-focused drama and American history. It was the recipient of several Oscar nominations over 15 years ago, but is rarely counted among Fincher’s top movies even though it’s displaying its staying power this week on streaming.
It reunited the filmmaker with his Se7en star Brad Pitt and also featured Cate Blanchett, Mahershala Ali, and Taraji P. Henson. The movie grossed $335 million worldwide against a reported budget of approximately $165 million. Why was it more expensive than, say, Interstellar? Well, because Fincher used cutting-edge digital aging techniques throughout the film, years before the technology became mainstream with Captain America: Civil War and The Irishman. In fact, Fincher movie was released two years before Tron: Legacy, which is remembered for being one of the earliest Hollywood movies to experiment with digital de-aging.
David Fincher’s Epic Holds an Oscars Record
We’re talking, of course, about The Curious Case of Benjamin Button. Written by Forrest Gump screenwriter Eric Roth, the film tells the fantastical story of a man who ages in reverse — going from an old man to a young child while experiencing all the heartbreak and euphoria of life. The movie received mostly positive reviews and is now sitting at a 72% score on Rotten Tomatoes. The website’s consensus reads, “The Curious Case of Benjamin Button is an epic fantasy tale with rich storytelling backed by fantastic performances.” The movie earned a leading 13 nominations at the 81st Academy Awards, including Fincher’s first in the Best Director category. It also remains notable for being the first film entirely shot using digital cameras to be nominated in the Best Cinematography category at the Oscars. According to FlixPatrol, The Curious Case of Benjamin Button was among the most-watched movies on the global HBO Max chart this week. Fincher’s all set to reunite with Pitt for this year’s The Adventures of Cliff Booth. Stay tuned to Collider for more updates.
- Release Date
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December 25, 2008
- Runtime
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166 minutes
Former United States Secretary of Homeland Security Kristi Noem‘s husband, Bryon Noem, is at the center of a growing scandal involving allegations that he’s explored online fetish communities.
Byron was accused of speaking with models in the “bimbofication” on online forums, referring to individuals who have undergone surgical enhancements to look like dolls.
“Ms. Noem is devastated,” a spokesperson for Kristi said in a March 2026 statement. “The family was blindsided by this, and they ask for privacy and prayers at the time.”
Keep scrolling for more details:
Former United States Secretary of Homeland Security Kristi Noem‘s husband, Bryon Noem, allegedly told a dominatrix that he was willing to leave his wife for her. “He really liked a confident woman,” Bryon’s alleged dominatrix, Shy Sotomayor, told the Daily Mail in an interview published on Friday, April 10. “I don’t embrace the airhead, ditzy […]
Initial Reports About Bryon Noem Surface
In late March 2026, the Daily Mail published photos of Bryon Noem allegedly dressed in pink hot pants and wearing fake breasts apparently made of balloons. He was also pictured wearing green leggings in another set of images obtained by the outlet.
The outlet reported that Bryon allegedly paid $25,000 to chat with online models in the online “bimbofication” scene, which involves people who use silicone injections and various surgical enhancements to appear doll-like. He allegedly sent a message to one model and shared his love for “huge, huge ridiculous boobs.”
Kristi Noem responded to the allegations through a spokesperson.
“Ms. Noem is devastated,” the spokesperson told the New York Post in a March 31, 2026 statement. “The family was blindsided by this, and they ask for privacy and prayers at the time.”
An OnlyFans Model Claims Bryon Noem Offered Her Money
The allegations deepened when OnlyFans model Nicole Raccagno claimed she had been in contact with Bryon Noem, who allegedly offered to finance a breast augmentation for her.
“I f***ing want to pay it,” Bryon allegedly wrote to Raccagno, according to text messages obtained by the Daily Mail in March 2026. “You’re the one that I love. I would love to marry you.”
Raccagno, who goes by “Plastic Trophy Bimbo” online, claimed she started interacting with Bryon in 2020, when he allegedly subscribed to her OnlyFans page under the name “Jason From Chicago.” Bryon allegedly paid $1,500 per month to view Raccagno’s content.
“The arrangement was he’d get all my videos for $1,500 every month, to help me pay half my rent,” she told the Daily Mail. “He would never say no to me. He had to pay for my fillers, my Botox. Whenever I was not looking like a hot bimbo, he would give me money.”
Bryon has not publicly addressed the allegations.
Bryon Noem’s Alleged Dominatrix Speaks Out
Bryon Noem’s alleged dominatrix, Shy Sotomayor, told the Daily Mail in April 2026 that Bryon claimed that he would leave wife Kristi Noem for her.
“He really liked a confident woman,” Sotomayor said. “I don’t embrace the airhead, ditzy personality that a lot of bimbos do. I expect to be worshipped, not degraded.”
Sotomayor claimed that she connected with Bryon in 2025, during which he reportedly said that he could see them both “leaving [their] spouses for each other” and asked to be called “Crystal.”
“I was just jaw to the floor, thrown for a loop that he wanted to be called that,” Sotomayor said, acknowledging that “Crystal” sounds similar to Kristi’s name. “[It is] so close to her name, when he could have gone with Stephanie or something.”
Sotomayor revealed that Bryon agreed to pay $20,000 to meet in person, though neither the payment nor the meeting actually took place. She further alleged Bryon did pay her $7,600 in November 2025 for her services.
Megyn Kelly Claims That Byron Noem Attempted to Go to Rehab
Conservative commentator Megyn Kelly claimed on an April 2026 episode of her podcast that Bryon Noem once attempted to enter a rehabilitation program for alleged sex addiction.
“I can report that he was — he texted — I have been reliably told by a source and sent the text messages which my source, who I believe, has provided to me that he attempted a 12-step program for sex rehab,” Kelly said on The Megyn Kelly Show. “It was a place called Pure Desire, and it incorporates the 12 steps. We looked that up to see if that was a known rehab place in South Dakota and we found that it’s, like, a ministry.”
Kelly claimed that she obtained a screenshot of an alleged text from Byron.
“I’m entering a therapy program. Much needed and much overdue. 40 days,” the text apparently read. “I appreciate the conversations we had in getting to know you better. You seem like a great person. I’m a work in progress!”
According to Kelly, Bryon did not complete the program.
Who Is Byron Noem’s Wife?
Kristi Noem testifies before the Senate Judiciary Committee in March 2026. Chip Somodevilla/Getty Images
Kristi Noem and Bryon Noem have been married since 1992, tying the knot in Watertown, South Dakota. They share three children: daughters Kassidy and Kennedy and son Booker.
Kristi briefly served as the secretary of Homeland Security during President Donald Trump’s second term in the White House. Trump, who fired her in early March 2026, has since addressed the accusations against Byron.
“They confirmed it? Wow, well, I feel badly for the family if that’s the case, that’s too bad,” Trump told the Daily Mail on March 31, 2026. “I haven’t seen anything. I don’t know anything about it. That’s too bad, but I just know nothing about it.”
Us Weekly reached out to both Bryon and Kristi for comment.
This story was compiled with the help of AI tools and edited by journalists.
The Wrong Turn franchise is part of the low-budget horror boom of the 1990s and early 2000s. The films followed a similar pattern where strangers find themselves in a dangerous part of the country after taking a… wrong turn. The movies were not well received by critics, with many in the franchise receiving low ratings — if any — on the review aggregator Rotten Tomatoes. However, they delivered pure horror fun with their twists, suspense, and gore. There are seven movies in the franchise, with the latest being released five years ago.
Wrong Turn 7 (2021) is one of the franchise’s top-rated films, with a 64% score on Rotten Tomatoes. The other top-rated installment is the second one at 67%. Wrong Turn 7 is now available to stream on Prime Video, and the movie is making waves. Streaming data from FlixPatrol shows it has found a sizable audience, ranking sixth on the streamer’s global chart at the time of writing. It’s still quite a distance from dethroning the number one film, Crime 101, and it might not.
Wrong Turn 7 is a slight departure from the other movies but follows similar beats. It takes place in the backwoods inhabited by a secluded community. While hiking, Jen (Charlotte Vega) and her friends encounter one such community after taking a wrong turn. Named The Foundation, this community of mountain dwellers is bent on protecting their centuries-old way of life by any means necessary. The task for Jen and her friends is to stay alive until her father (Matthew Modine) can find them, but that’s easier said than done. The film marked Alan B. McElroy‘s return to the franchise after he started it in 2003 by writing the first film. Wrong Turn 7 was directed by Mike P. Nelson and also stars Adain Bradley (Darius), Emma Dumont (Milla), Vardaan Arora (Gary), Dylan McTee (Adam), and Daisy Head (Edith), among others.
Will There Be ‘Wrong Turn 8?’
Hollywood loves success stories, and whenever a cult classic like Wrong Turn or Final Destination sees renewed interest, another installment is almost guaranteed. So what does that mean for this franchise? “I had planned two more films, so there would be a trilogy, based around this idea of The Foundation and these characters,” B. McElroy said in an interview when asked what the future looks like for the franchise. “I’d love to finish it and see it all come out the way I wanted.”
Stream Wrong Turn on Prime Video in the U.S., and stay tuned to Collider for more updates.
- Release Date
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January 26, 2021
- Runtime
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120 minutes
- Director
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Mike P. Nelson
- Writers
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Alan B. McElroy
- Franchise(s)
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wrong turn
Tron is a film that’s a study in contrasts. Upon its release, it received mixed reviews but went on to become a cult classic, not to mention part of a watershed moment in science fiction history. It revolutionized visual effects, yet most of Disney’s animation department didn’t want to work on it. It’s even spawned two sequels, Tron: Legacy and Tron: Ares, with each film receiving a wildly different reception upon release. Yet Tron‘s strangest claim to fame is inspiring the short-lived sci-fi television series Automan, especially since that series cribbed its entire visual language and plot ideas from the movie.
Automan follows Walter Nebicher (Desi Arnaz Jr.), a brilliant but socially awkward police officer who works in the computer programming department. Desperate for action, Nebicher creates artificial intelligence in the form of “Automan”, a holographic being (Chuck Wagner) that can fight crime with Nebicher’s help. The two work together to solve crimes, while also passing Automan off as a FBI agent that befriended Nebicher. Even by the standards of 80s-era television, Automan was utterly ridiculous — and it didn’t help that it felt like the poor man’s version of Tron.
‘Automan’ Owes Its Concept & Visual Language to ‘Tron’
Automan‘s debt to Tron is evident in its premise, which features a human being and a computer program joining forces, to the vehicles that Automan uses. Both the “Autocar” and the “Autochopper” feature the same glowing blue hues as the original Tron, and Automan even wears a blue suit similar to the programs in Tron‘s Grid. To its credit, Automan did try to introduce some original ideas. One of those ideas involved Automan merging with Nebicher to form a singular being that possessed the former’s abilities and the latter’s intelligence. Chuck Wagner would later talk about what drew him to Automan in a documentary chronicling the series’ creation:
“I loved the script. I loved the honesty and simplicity of the script…I approached it really honestly and it was a gift, but my focus, my imagination, and my whole life had geared me toward superheroes. So this was like a magical signpost, and the fact that I got cast was a real blessing.”
Automan also boasted a superstar creator in Glen A. Larson, who brought some of the ’80s biggest television shows to life. In addition to creating the original Battlestar Galactica and Buck Rogers in the 25th Century, Larson was also the man behind Knight Rider. Much like Automan, Knight Rider features a cool car and a cutting-edge sci-fi concept, as the car is powered by a living computer. What separates the two shows is that Knight Rider had the charismatic presence of David Hasselhoff; despite the best efforts of Chuck Wagner and Desi Arnaz Jr., Automan lacked the same flair as Larson’s other productions.
Screenwriter Jesse Wigutow, who serves as EP for ‘Daredevil: Born Again,’ also drops exciting details for Seasons 2 and 3 of the Disney+ series.
‘Automan’ Lasted for a Single Season
During its short-lived run, Automan ran into a combination of problems. Not only were its special effects extremely costly, but it was also crushed in the ratings by other shows. Its biggest competition was the spy series Scarecrow and Mrs. King, which, ironically, featured Bruce Boxleitner — Tron himself — in a starring role. Another factor that contributed to Automan being relegated to the annals of sci-fi history is the fact that, for years, the only place you could get the complete series on DVD was in the UK. That would eventually change in 2015, when Shout! Factory released the entire series on DVD.
Despite its short run, Automan showed a fair amount of promise. The idea of a digital being taking human form would be explored in other television series, most notably with the iconic anime Ghost in the Shell. Automan was also proof that Tron had plenty of appeal, whether it was the cutting-edge visuals or the potential in its story. Time will tell if someone manages to unlock that potential, but considering Tron: Ares exists, this is far from the worst thing someone’s done with the Tron franchise.
- Release Date
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1983 – 1984-00-00
- Directors
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Kim Manners, Winrich Kolbe, Allan Burns, Allen Baron, Bruce Seth Green
- Writers
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Sam Egan, Larry Brody, Bruce Kalish, David Garber
Whew, Roomies! Things between Drew Sidora and Ralph Pittman are far from over. Folks are tuned in as Drew just came through with a major update amid their ongoing divorce.
RELATED: Drew Sidora Reportedly Ordered To Move Out As Custody Ruling Shakes Up Divorce Battle With Ralph Pittman
Drew Sidora Speaks Out Amid Divorce And Custody Update
Drew Sidora is breaking her silence following reports that she has been ordered to vacate the Georgia home she shares with her estranged husband by May 31. In a statement shared to social media, Drew kept things focused on her role as a mother, making it clear where her priorities lie. She shared that she and Ralph Pittman are committed to co-parenting and doing what’s best for their children. Drew also emphasized that she’s choosing to move forward with grace, while continuing to show up as the best mom she can be despite the public nature of their situation.
Taking to X, Drew set the record straight, sharing:
“Good morning. Some details regarding my divorce have recently become public, although the process is not yet finalized. During this time, Ralph and I are committed to co-parenting and doing what’s best for our children. While certain things are beyond my control, my focus remains on showing up every day as the best mother I can be. Living in the public eye comes with challenges, but I’m choosing to move forward with grace, growth, and intention. My children are my priority, and I’m committed to leading with love, peace, and positivity. There is no ill intent toward anyone just a continued focus on healing, evolving, and becoming the best version of myself.”
Fans Share Mixed Reactions In The Comments
Folks wasted no time running to The Shade Room Instagram comment section and sharing their thoughts. Some said Drew Sidora doesn’t owe anyone an explanation, while others pointed out that just because the dad has custody doesn’t mean the mom did anything wrong.
This Instagram user @prettydarkskin_witdimples commented, “A man won’t be your peace but they will take it!“
And, Instagram user @heatheralexia_ said, “Something is off for a mom to not receive primary custody of her kids. Maybe it’s just her unstable work schedule.“
While Instagram user @_sunshiineex4_ claimed, “Girl you don’t owe nobody nothing. It’s 2026 🗣️🗣️”
Then Instagram user @saaphyri added, “Word to the wise NEVER DIVORCE IN GEORGIA.. it’s a man’s state“
The Instagram user @_littyandwitty joked, “Drew have a blast. ❤️😂”
Lastly, Instagram user @itsjustnitza said, “Just bc he has custody, doesn’t mean there HAS to be something wrong with her…“
What Exactly Is Drew Sidora Speaking Out About?
Now, let’s get into what Drew Sidora is speaking out about. As previously reported, a judge has ordered her to move out of the Georgia home she shares with Ralph Pittman by May 31, with both of them continuing to split household expenses in the meantime due to their current financial situation. On top of that, things get even more layered as the court reportedly granted Ralph primary physical custody of their children during the school year, while Drew will have weekend parenting time starting in August—though they will still share joint legal custody.
The update is just the latest twist in their ongoing divorce, which has been playing out since they filed dueling petitions back in March 2023. However, Drew’s legal team made it clear this isn’t the final word, noting the current ruling is only temporary as the case is still actively being litigated—meaning this situation is far from over.
RELATED: Okay, Sis! Drew Sidora Sparks Reactions After Flexin’ Her Vocals To Kehlani’s ‘Folded’ (WATCH)
What Do You Think Roomies?
A surprising detail has emerged in the ongoing legal battle between Blake Lively and Justin Baldoni and it involves none other than Taylor Swift. According to newly filed court documents, Lively’s legal team submitted additional evidence that includes what has been described as “a Taylor Swift cookie recipe that was linked in other correspondence,” adding an unexpected twist to the high-profile case.
Taylor Swift has long been known for her love of baking. The pop star’s chai sugar cookie recipe famously went viral years ago, becoming a fan-favorite among Swifties and widely shared across social media. More recently, she’s reportedly leaned into sourdough baking, making homemade bread for friends and family.
Justin Baldoni’s Team Pushes Back On New Evidence
In response to the latest filings, which include Taylor Swift’s cookie recipe, Baldoni’s legal team has asked the judge for more time to review the materials, which reportedly include dozens of exhibits.
His representatives have also downplayed the likelihood of the recipe being presented in court, stating it “is exceptionally unlikely” to be shown to the jury during the trial, which is set to begin May 18.
Alongside the recipe, Lively’s submission reportedly includes personal photos with Swift and a speech about her husband, Ryan Reynolds.
Witness List Expands As Trial Date Nears
As the case intensifies, Lively has expanded her witness list to include Reynolds, who has publicly supported her throughout the legal dispute. He is expected to testify about issues related to production and promotion, as well as alleged retaliation and damages tied to the case.
Lively herself is also expected to take the stand, along with Baldoni, after both parties declined settlement efforts earlier this week.
Additional names on Lively’s witness list include her sister Robyn Lively and “It Ends With Us” co-stars Jenny Slate and Isabela Ferrer. She has also identified several individuals connected to Baldoni, such as former podcast co-host Liz Plank, former publicist Stephanie Jones, and PR manager Melissa Nathan, as potential witnesses.
Meanwhile, author Colleen Hoover has been listed as a possible witness, though her testimony is expected to be delivered via deposition rather than in person.
Legal Fight Heats Up As Baldoni Objects To Witnesses
Baldoni’s team has raised objections to several proposed witnesses, including Hoover, arguing her testimony should not be included since she was not present during the film’s production.
They have also pushed to exclude certain claims made by Slate, asserting that any prior issues had already been resolved.
The legal battle stems from a lawsuit filed by Lively in December 2024, in which she accused Baldoni of sexual harassment, retaliatory conduct, and intentional infliction of emotional distress.
Taylor Swift’s Connection Adds To The Legal Drama
Swift’s name has surfaced multiple times throughout the case. The singer was drawn into the situation after Baldoni’s legal team sought access to communications between her and Lively, including text messages and emails. In one exchange, Lively reportedly referred to herself as a character from “Game of Thrones” and described Swift as one of her “dragons.”
There have also been claims that Swift was present during a meeting at Lively’s New York penthouse related to script changes, though sources close to the singer have denied she had any prior knowledge of the gathering. According to those sources, Swift arrived unaware that a meeting was taking place and later felt “exploited” by the situation.
Trial Set To Begin Amid Growing Tensions
Baldoni recently scored a major legal win after a judge dismissed the bulk of Lively’s claims, but not necessarily on substance. The court ruled her sexual harassment allegations couldn’t proceed because she cited a California law, despite the alleged conduct taking place in New Jersey. The judge made it clear, however, that the decision was not based on whether her claims were valid.
The court also threw out Lively’s defamation claim, which centered on statements made by Baldoni’s attorney, Bryan Freedman, including accusations that she fabricated the situation. In total, 10 of Lively’s 13 claims against Baldoni were dismissed.
As more evidence keeps dropping and both sides brace for court, this legal showdown between Lively and Baldoni is only getting messier. With the May 18 trial date looming, even something as random as a cookie recipe tied to Swift proves just how wild this case has become.
By Chris Snellgrove
| Published
You want the really short review of They Will Kill You? Here it is: “We’ve got Ready or Not at home.”
As a movie about a young woman (played by Zazie Beets) who must fight for her life against rich devil worshipers, it’s clear that this film was inspired by Ready or Not, a film in which a young woman (played by Samara Weaving) must, well, fight for her life against devil worshipers. The blunt truth is that They Will Kill You really suffers from the inevitable comparison: Ready or Not had better kills, better humor, and better characters, and the sequel (which brought the awesome Kathryn Newton into the mix) arguably perfects this quirky narrative formula. By comparison, They Will Kill You comes across like someone is frantically copying a better student’s paper.
With that said, it’s a fairly good copy. Zazie Beets (who genre nerds will best know for her appearances in Joker and Deadpool 2) is really great in the role of a young woman who infiltrates a wealthy household as their latest maid. It turns out that she is on a mission to rescue her little sister, and she’s spent the last decade in a particularly brutal prison. Constant fighting with other inmates has given her the kind of fighting skills that would make John Wick blush, but she must now fight the ultimate foe: Satanists who, through a demonic pact, seemingly can’t stay dead.
Destined For A “Cult” Following
As you have probably sussed out, They Will Kill You doesn’t really have a lot of plot to get in the way of the movie. The highly unoriginal premise is just an excuse to get our main character into a series of memorable fights with bland characters. Interestingly, the fights are heavily flavored by martial arts movies; while Ready or Not favored more realistic combat, often emphasizing Samara Weaving’s vulnerability against stronger, better-armed foes. They Will Kill You transforms Zazie Beets into a borderline superhuman kung-fu star who never truly seems like she’s in danger because she is infinitely more dangerous than her enemies.
That’s not inherently a bad thing, of course: if you want to see a gorgeous woman engage in scene after scene of ultraviolence, They Will Kill You is an entertaining, nonstop thrill ride. Beets imbues her character with passionate intensity that makes every kill feel transgressively intimate, which helps make up for how bland almost everyone she fights is. Plus, the film as a whole is anything but boring: once the barebones plot is established, almost every single scene is nonstop, stylized violence that you can’t tear your eyes away from.
She Didn’t Start The Fire
The result is a mixed bag of a movie, and how much you enjoy it will depend on your sensibilities as a film lover and simply what you’re in the mood for at the time. As a “turn your brain off” action picture, They Will Kill You is stunning: we get killer fight after killer fight, all of which culminates in a demonic showdown that’s as fierce as it is funny. Horror fans will enjoy all the buckets of blood Zazie Beets spills, and Quentin Tarantino fans will enjoy high-energy battles that were very clearly inspired by Kill Bill.
If you want something more, though, you’re out of luck. The plot (minus a few very fun twists near the end) is depressingly by the numbers, and Beets is basically the only actor who gets to shine. This is a film that also stars genre heavyweights Tom Felton and Patricia Arquette, but they are given so little to do that they feel like just another pair of blood-soaked set pieces. The attempts at quirky humor (the kind that Ready or Not excelled at) often fall flat, and even the breathless action scenes get repetitive over time. This is ultimately a film that only has one gear, and whether or not you enjoy it depends greatly on what your expectations are.
Obviously, having watched Ready or Not 2 recently, I couldn’t help but be a little disappointed by They Will Kill You, a movie that copied that Samara Weaving franchise’s core idea without adding much to the formula. But “little” is the operating word here: Zazie Beets does her best work yet as the lead, the action is fun and memorable, and the climax is bonkers in the best possible way. Is all of this highly derivative of better films? Of course! But for better or for worse, They Will Kill You is the best unoriginal movie you will ever see.
Yellowstone‘s Luke Grimes moved out to Montana — but why was it met with some backlash by locals?
Grimes rose to fame playing Kayce Dutton on Yellowstone, which ran from 2018 to 2024. He reprised the role for CBS’ Marshals spinoff, which came years after Grimes relocated from Los Angeles to the Bitterroot Valley in Montana.
The actor and his wife, Bianca Rodrigues Grimes, moved in 2020 after Grimes fell in love with the area after Yellowstone. The decision to start fresh was met with a surprising reaction from his neighbors.
“I was going up there three or four months out of the year, and then anytime we’d get done filming, and I’d come back here, it sort of felt like I was leaving home rather than going back home,” Grimes told Fox News Digital in February. “It was just a gear change that slowly happened over a course of a few years and then, yeah, my wife and I just fell in love with it and decided to live there.”
Yellowstone may not always have romance at the forefront of the story, but Kevin Costner and Luke Grimes are just some of the cast members who found love off screen over the years. Costner, for his part, met Cindy Silva while they were both in college in 1975. After three years of dating, the duo […]
Grimes later revealed that some of the Montana locals haven’t been as welcoming to him and his family. (Grimes and his wife welcomed a son in 2024.)
“I can’t go to bars there anymore ‘cause whatever that one idiot is, is at the bar, and he can’t wait to start a fight with me,” he shared on the Joe Rogan Experience in March. “Just like can’t wait to do it because it’s like a win-win for him, you know? He gets to sue me or something. I don’t know, but it’s a lose-lose for me.”
Grimes continued: “The valley that I live in, we had some people come visit us. Our friends from California drove out, and we went on a hike, and we were in their car. And they had, you know, Cali plates. We get off the hike, and someone had written ‘go back’ in the dust on their car. Like, people are super weird about it. So I don’t tell anyone exactly where I’m at because they would get really mad at me.”
Yellowstone is known for its over-the-top plot lines and complicated family drama, but the show’s cast and crew has also been involved in plenty of offscreen controversy over the years. Since the Paramount Network series premiered in June 2018, actors along with cocreator Taylor Sheridan have fended off criticism that the show is written with […]
At the time, Grimes also addressed criticism that Kayce isn’t a Dutton who deserved his own Yellowstone spinoff, Marshals.
“I’m my own worst critic,” Grimes told Entertainment Weekly in February. “I was like, ‘If you take a poll of who people want to have a spinoff, I don’t know if Kayce would be top of that list. I think there’s other characters that they would rather see.’”
Grimes used that as motivation, adding, “So there was a fire under me. Like, it has to be good. If it’s not good, I’d rather not do it. We tried really hard to make sure that any of the original Yellowstone fans would have something to grasp onto.”
He continued: “But if you’d never seen Yellowstone, we wanted this show to make sense on its own as well. I think we accomplished that as much as we possibly could.”
By Jonathan Klotz
| Published
Stargate SG-1 took a few seasons to find its footing, which is why Season 1 is so uneven, from the R-rated Showtime pilot to “Emancipation,” the cast and crew had to figure out how the show’s world was going to work and where the SG-1 team fell into the grand scheme of things. Episode 6, “The First Commandment,” broadens the world with the introduction of SG-9, except it’s after the unit was wiped out, and now the SG-1 team has to clean up their mess.
In doing so, they re-enact the plot of Francis Ford Coppola’s Vietnam War classic, Apocalypse Now, the first of many times when the series bases plots off the classics. It mostly works, too, except there’s one Samantha Carter-shaped problem at the center of the episode.
Going Native And Playing God
“The First Commandment” kicks off with the remnants of SG-9, another exploratory unit under Stargate Command, after their leader, Captain Jonas Hanson (William Russ) convinced the native tribe he was a God. His plan is to force the construction of a temple and turn on an abandoned Goa’uld device that will “turn the sky orange.” It’s deduced to be a solar radiation shield, necessary for survival on the planet where the solar radiation levels are so high that it will burn anyone to a crisp if they stay in the sunlight for too long. It’s a simple plot about an officer going native, exactly the sort of thing Star Trek’s Federation designed the Prime Directive to prevent, but it’s complicated by Carter (Amanda Tapping) revealing Hanson is her ex-fiancée.
After saving a native boy from Hanson’s soldiers, Carter is brought face-to-face with her ex, and the problem he faces as he can’t figure out how to turn on the solar shield. He admits that he hope sone day, she’ll become his goddess, mere seconds before threatening to kill every single cave-dweller and then the two of them. Yet, when Carter has the chance to kill him, she hesitates and can’t make the shot.
Hanson still wants to make a grand display for his followers. An activated Stargate looks like the gateway to heaven to undeveloped civilizations. Using the portal as an execution device, Hanson attempts to drop Jack (Richard Dean Anderson) and Teal’c (Christopher Judge) into one without the safety of an IRC signal. Instead, the solar shield is activated by the team, and Hanson is tossed into the Stargate to his death by his own followers. It’s poetic, it’s a little darker than 90s fans expected of their sci-fi, and it’s proof that early on, no one knew what to do with Samantha Carter.
Stargate SG-1’s Growing Pains
Carter would go on to become one of the franchise’s most important characters, with appearances in every series, and her role only decreased when Amanda Tapping became the lead of Sanctuary. “The First Commandment” puts her in the role of Willard from Apocalypse Now, the assassin sent to take out Colonel Kurtz (Marlon Brando), who, similarly, can’t make the shot (for different reasons, but the spirit is there). Stargate SG-1 could have given her the same role, the same results, without her having been engaged to Hanson. It’s an unnecessary wrinkle that’s close to having her role listed as “girl” back when the writers thought she needed a man to play off of.
Later seasons would rehabilitate Carter’s character, and there’s a reason why she appears in every series: she became the breakout character of Stargate SG-1. It took a while, and there were some growing pains to get there, but later episodes, such as Season 7’s “Space Race,” let Carter be Carter, and the result is some of the stories in the series.
Stargate SG-1 ended its run as an ensemble series, with every character important to the team’s dynamics, even after the addition of Farscape stars Ben Browder and Claudia Black. The first few seasons have awkward episodes for each of the main cast, but the end result is worth the journey to get there.
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