John Travolta‘s reign at the top of the Apple TV viewership charts didn’t last very long. The actor made his directorial debut with a 61-minute feature titled Propeller One-Way Night Coach, which divided critics after its premiere at the Cannes Film Festival. The movie was released on Apple TV on May 29, after which it jumped to the number one spot on the viewership rankings. Because Apple TV doesn’t release as many films and shows as competing streaming services, its leaderboards tend to be less dynamic. However, this time around, a major shake-up was in store in less than two weeks’ time. Propeller One-Way Night Coach has already been overtaken by some of Apple’s biggest holdover hits, which doesn’t bode well for its future.
The film follows a child on a cross-country flight to Los Angeles, during which he interacts with several colorful characters who leave a lasting impression on his mind. Propeller One-Way Night Coach stems from Travolta’s own love for aviation and his film career; the child, you see, is being brought to Los Angeles to try his luck at acting. The movie holds a 55% score on the aggregator website Rotten Tomatoes, where the consensus reads, “For all its rough edges and occasionally awkward execution, Propeller One-Way Night Coach conveys a genuine sense of wonder and affection for its characters even when its idiosyncratic vision proves more compelling than its filmmaking.” In her review, Collider’s Emma Kiely described the movie as “equal parts heinous and hysterical” and wrote that “Travolta’s attempt at screenwriting and directing will go down as one of the most atrocious debuts ever committed to screen.”
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Collider Exclusive · Oscar Best Picture Quiz Which Oscar Best Picture Is Your Perfect Movie? Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country
Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.
🪜Parasite
🌀Everything Everywhere
☢️Oppenheimer
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🐦Birdman
🪙No Country for Old Men
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01
What kind of film experience do you actually want? The best movies don’t just entertain — they leave something behind.
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02
Which idea grabs you most in a film? Great films are driven by a central obsession. What’s yours?
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03
How do you like your story told? Form is content. The way a story is shaped changes what it means.
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04
What makes a truly great antagonist? The opposition defines the protagonist. What kind of opposition fascinates you?
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05
What do you want from a film’s ending? The final note is the one that lingers. What do you want it to sound like?
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06
Which setting pulls you in most? Where a film takes place shapes everything — mood, stakes, what’s even possible.
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07
What cinematic craft impresses you most? Every great film has a signature — a technical or artistic element that makes it unmistakable.
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08
What kind of main character do you root for? The protagonist is the lens. Who you choose to follow says something about you.
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09
How do you feel about a film that takes its time? Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.
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What do you want to feel walking out of the cinema? The best films leave a mark. What kind of mark do you want?
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The Academy Has Decided Your Perfect Film Is…
Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.
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Parasite
You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.
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Everything Everywhere All at Once
You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.
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Oppenheimer
You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.
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Birdman
You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.
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No Country for Old Men
You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.
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Apple TV’s Fan-Favorite Hits Are Taking Over the Charts
According to FlixPatrol, Propeller One-Way Night Coach has already been overtaken on the global Apple TV chart by the blockbuster F1, starring Brad Pitt, and the Anya Taylor-Joy and Miles Teller-led sci-fi movie The Gorge. Released in 2025, The Gorge has proven to be a major hit for Apple, having spent more than 450 days on the domestic chart. Directed by Scott Derrickson, the movie received mixed-to-positive reviews, but has clearly been embraced by the audience. Stay tuned to Collider for more updates.
Disney has been trying to find animated shows that can travel the way anime travels, and this new soccer-fantasy series is an obvious swing. Soccer already gives the story a global language, while the magical power system gives it the kind of exaggerated sports energy fans usually associate with anime rather than traditional Disney Channel animation. However, as per ComicBook, that same series was reportedly canceled in the Middle East.
It launched on the Disney Channel on June 9, 2026, and quickly became one of Disney’s more talked-about new animated titles as a sports saga with rivalries, special abilities, team ambition, and a world where the game itself feels larger than ordinary competition, instead of a traditional Disney title. For Disney, that is valuable because it gives the company a franchise lane that can work across TV, streaming, merchandise, and international markets.
The series is Dragon Striker, and reports initially suggested that the show had been blocked from airing in the Middle East. Online speculation was pointing toward the relationship between Odward Stonegarden and Casper Ferreiro as the possible issue, and it wasn’t merely speculation, because this isn’t the first time such a thing has happened with a Disney release. Disney Television, however, has since clarified that the series will air in the region at a later date, which turns the situation from a confirmed permanent ban into a delayed release problem. Even so, it is still a major warning sign for a show clearly designed with global reach in mind.
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Collider Exclusive · Universe Personality Quiz Which Iconic Universe Do You Belong in the Most? Star Wars · Lord of the Rings · Harry Potter · Game of Thrones · Star Trek
Five legendary universes. Five completely different visions of what the world could be — or already was. One of them is the world your instincts, your values, and your particular way of existing were built for. Eight questions will tell you which one.
🚀Star Wars
💍Lord of the Rings
🧙Harry Potter
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👑Game of Thrones
🖖Star Trek
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01
What gives your life its deepest sense of meaning? Every universe is built around a different answer to this question.
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02
Which kind of world do you most want to inhabit? The environment shapes who you become. Choose carefully.
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03
How do you prefer your conflicts resolved? The shape of a world’s conflicts tells you everything about its soul.
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04
Who do you want beside you when things get difficult? Your ideal companions reveal the world you were made for.
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What is your relationship with power? How you seek, wield, or resist power is the map of who you are.
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06
How does your universe treat good and evil? A world’s moral architecture tells you more about it than any map.
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07
What role would you naturally fall into? Every universe has archetypes. Which one fits you without trying?
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08
What do you ultimately believe about the future? The answer to this is the clearest window into which universe already lives inside you.
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Your Universe Has Been Chosen You Belong In…
Your answers point to the iconic universe your values, your instincts, and your particular way of seeing the world were built for. This is where you would find your people — and your purpose.
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A Galaxy Far, Far Away
Star Wars
You believe in the cause — in the idea that freedom is worth fighting for even when the odds are impossible and the empire is vast.
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You are drawn to the moral clarity of a universe where hope itself is a form of resistance.
You’d find your people in the Rebellion — a ragtag coalition of true believers held together by conviction more than resources.
Star Wars is fundamentally a story about ordinary people choosing to matter in an extraordinary conflict — and that is exactly your kind of story.
The Force may or may not be with you. But the will to use it for something larger than yourself certainly is.
Middle-earth
Lord of the Rings
You understand, in the deepest part of yourself, that the journey matters as much as the destination — and that the world’s beauty is worth protecting even at great cost.
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Middle-earth is a world of ancient wonder, deep friendship, and a darkness that only retreats when enough small acts of courage accumulate.
You would thrive here because you value the fellowship more than the glory — the road more than the arrival.
Tolkien’s universe rewards patience, loyalty, and the willingness to carry something heavy across a very long distance.
Those are not burdens to you. They are simply how you move through the world.
The Wizarding World
Harry Potter
You believe that love, loyalty, and doing what’s right are not naive sentiments — they are the most powerful forces in any world, magical or otherwise.
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The Wizarding World is a place of wonder hidden in plain sight, where learning is transformative and the bonds you form at school follow you into every battle.
You would flourish here because you take both the magic and the friendships seriously — and you understand that one without the other is incomplete.
Harry Potter’s universe ultimately rewards those who choose to stand for something even when standing is terrifying.
That choice — made quietly, without guarantee — is something you understand completely.
Westeros · The Known World
Game of Thrones
You see the world clearly — its power structures, its hypocrisies, its brutal arithmetic — and you are not paralysed by that clarity. You use it.
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Westeros is a world that rewards intelligence, adaptability, and the willingness to understand that every alliance is also a negotiation.
You would survive here — possibly thrive here — because you don’t confuse the world as it is with the world as you’d like it to be.
Game of Thrones is a story about what happens when the idealists and the realists collide. You are sharp enough to know which one lasts longer.
Winter always comes. You are already prepared.
The United Federation of Planets
Star Trek
You believe the future is worth building — that curiosity, cooperation, and the expansion of understanding are not just ideals but the most practical path forward for any civilisation.
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Star Trek is a universe where the questions matter as much as the answers, and where encountering something utterly alien is cause for wonder rather than fear.
You would belong here because you are fundamentally optimistic about what intelligence and decency can achieve — while being honest about how hard that achievement is.
The Federation is the universe’s most ambitious thought experiment: what if we actually got better?
You don’t just hope that’s possible. You think it’s the only thing worth working toward.
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Disney Isn’t Facing Regional Limitations in the Middle East for the First Time
The bigger issue here is that Dragon Striker is facing a problem that already hit another animated release this year. The Amazing Digital Circus: The Last Act also ran into trouble in the Middle East after failing to clear the region’s theatrical requirements. That release was a feature-length theatrical event for the show’s final episodes, combining Episodes 8 and 9, and it had strong demand elsewhere, including an expanded U.S. run after major presales. In the Middle East, however, reports said the release stalled after regional approval requirements called for unspecified content changes. The exact material was never publicly confirmed, though.
Dragon Striker was released on the Disney Channel on June 9, 2026. Stay tuned to Collider for more updates.
The back half of 2026 is shaping up to be an embarrassment of riches for drama fans. Westeros is going back to war, the Bennet sisters are getting yet another glow-up, and somehow Timothy Olyphant is in not one, but two shows on this list. Who’s #Blessed? We are.
From prestige juggernauts wrapping up their runs to splashy literary adaptations stacked with movie stars, here are the eight dramas we can’t stop thinking about, ranked from “we’ve cleared our calendars” to “we’ve been seated since January.”
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8
‘The Five-Star Weekend’ (July 9)
Pour the rosé. Jennifer Garner stars as Hollis Shaw, a food influencer reeling from a devastating loss who decides the cure is a picture-perfect girls’ trip to Nantucket. The guest list pulls friends from different chapters of her life, and the ensemble assembled to play them is a delight: Chloë Sevigny, Regina Hall, Gemma Chan, and D’Arcy Carden, with Olyphant and Harlow Jane rounding out the cast of this eight-episode adaptation of Elin Hilderbrand’s bestseller, developed by Bekah Brunstetter.
Streamers have been chasing the beach-read boom ever since Netflix’s The Perfect Couple became a sensation, and Hilderbrand’s brand of sun-soaked secrets practically begs for the treatment. Add Garner, whose girl-next-door warmth makes her the ideal anchor for a story about grief hiding under a shiny veneer, and you have the kind of summer show tailor-made for TikTok’s clipping era. The trailer already has our book club group chat buzzing.
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7
‘The Good Daughter’ (November 12)
Rose Byrne and Meghann Fahy in The Good DaughterImage via Peacock
Karin Slaughter is adapting her own novel for this one, which should tell you how protective she is of it. Rose Byrne and Meghann Fahy play Samantha and Charlotte Quinn, sisters who have spent twenty years trying to rebuild lives shattered by a single night of violence. When a new attack rocks their small town, Charlotte, now a lawyer like her father, is the first witness on the scene, and the case starts prying open every secret the family buried. (Brendan Gleeson is also in this thing.) Byrne and Fahy as trauma-bonded sisters? Someone in casting deserves a raise.
Fahy has been on an absolute tear since The White Lotus, and Byrne remains one of the most underrated dramatic actors working. All episodes drop on November 12, which means this crime thriller is built for a single, gut-wrenching weekend binge.
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6
‘Pride & Prejudice’ (Fall 2026)
Mrs. Bennett walking in a field with her daughtersImage via Netflix
Yes, another one. No, we’re not complaining. Dolly Alderton penned this six-part take on Jane Austen’s most beloved novel, with Heartstopper director Euros Lyn at the helm. Emma Corrin steps in as Elizabeth Bennet opposite Jack Lowden’s Mr. Darcy, and the supporting cast is stacked: Olivia Colman, Rufus Sewell, Jamie Demetriou, Daryl McCormack, Freya Mavor, and Louis Partridge among them.
Every generation gets its Lizzie and Darcy, and the internet has been litigating this pairing since the casting news broke. The February teaser only poured gasoline on the discourse. Alderton understands modern romance and its humiliations better than almost anyone writing today, which makes her the most exciting person to take a crack at Austen in years. Expect yearning. Expect hand flexes. Expect think pieces. A lot of think pieces.
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5
‘The Gilded Age’ Season 4 (Late 2026)
Harry Richardson as Larry with Carrie Coon and Morgan Spector at Gladys’ wedding in The Gilded Age Season 3.Image via HBO
Bertha Russell changed society, and now the bill is coming due. Season 4 finds Carrie Coon’s social titan reckoning with the cost of her triumphs while Christine Baranski’s Agnes van Rhijn seizes a chance to claw back her old position. Marian (Louisa Jacobson) forges a new path, and Peggy (Denée Benton) fights to win over her future in-laws. Cynthia Nixon, Morgan Spector, Taissa Farmiga, and Audra McDonald are all back too for this next eight-episode season.
But the new arrivals are half the fun here. Dennis Haysbert, Jim Gaffigan, Elizabeth Marvel, and Tony winner Bonnie Milligan are all joining the party, and Jordan Donica has been promoted to series regular. This show has steadily transformed from a polite curiosity into appointment television, and the petty warfare of old New York money has never been more delicious. Late 2026 cannot come soon enough.
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4
‘Lucky’ (July 15)
Anya Taylor-Joy: con artist, on the run, working the hell out of a blunt blonde bob. Sold yet? In this limited series based on Marissa Stapley’s bestselling novel (a Reese’s Book Club pick, naturally), Taylor-Joy plays Lucky, a grifter forced to flee when a multimillion-dollar heist goes sideways. Jonathan Tropper (Banshee) created the series, Reese Witherspoon’s Hello Sunshine produces along with Taylor-Joy, through her own banner.
The supporting cast is basically a heist crew of character actors: Annette Bening, Timothy Olyphant (him again), Aunjanue Ellis-Taylor, Drew Starkey, William Fichtner, and Clifton Collins Jr. The explosive trailer promises a pulpy, propulsive ride, and frankly, Taylor-Joy has been owed a great TV vehicle since The Queen’s Gambit. Count us in.
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3
‘East of Eden’ (Fall 2026)
Florence Pugh in East of EdenImage via Netflix
Florence Pugh as one of American literature’s great monsters? We are, as we said earlier, seated. Zoe Kazan spent years shaping this seven-episode adaptation of John Steinbeck’s sprawling classic, retold through the eyes of Cathy Ames, the manipulative antihero whose life entangles generations of the Trask family. Christopher Abbott and Mike Faist play brothers Adam and Charles Trask, with Ciarán Hinds, Tracy Letts, Martha Plimpton, and Hoon Lee filling out the ensemble.
Garth Davis (Lion) directed the first four episodes and Laure de Clermont-Tonnerre took the final three, and the May teaser, in which Pugh murmurs about wanting to disappear, already looks gorgeous and devastating in equal measure. Pugh doing capital-V villainy is uncharted territory for her, and centering Cathy reframes a novel that has been adapted before but never quite like this. Sorry to Austen, but this is the literary event series of the fall.
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Collider Exclusive · Taylor Sheridan Universe Quiz Which Taylor Sheridan Show Do You Belong In? Yellowstone · Landman · Tulsa King · Mayor of Kingstown
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Four worlds. All of them brutal, complicated, and built on power, loyalty, and the price of survival. Taylor Sheridan doesn’t write heroes — he writes people who do what they have to do and live with the cost. Ten questions will reveal which one of his worlds you were made for.
🤠Yellowstone
🛢️Landman
👑Tulsa King
⚖️Mayor of Kingstown
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01
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Where does your power come from? In Sheridan’s world, everyone has leverage. The question is what kind.
02
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Who do you put first, no matter what? Loyalty in Sheridan’s universe is always absolute — and always costly.
03
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Someone crosses a line. How do you respond? Every Sheridan protagonist has a line. What matters is what happens after it’s crossed.
04
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Where do you feel most in your element? Sheridan’s worlds are as much about place as they are about people.
05
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How do you feel about operating in the grey? Nobody in a Sheridan show has clean hands. The question is how they carry the dirt.
06
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What are you actually fighting to hold onto? Every Sheridan character is fighting a war. The real question is what they’re defending.
07
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How do you lead? Authority in Sheridan’s world is never given — it’s established, maintained, and constantly tested.
08
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Someone new arrives and tries to change how things work. Your reaction? Every Sheridan show has an outsider disrupting an established order. Sometimes that outsider is you.
09
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What has your position cost you? Nobody gets to where these characters are without paying for it. The bill is always personal.
10
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When it’s over, what do you want people to say? Sheridan’s characters all know the ending is coming. The question is what they leave behind.
Sheridan Has Spoken You Belong In…
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The show that claimed the most of your answers is the world you were built for. If two tied, both are shown — you’re complicated enough to straddle two Sheridan universes.
🤠 Yellowstone
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🛢️ Landman
👑 Tulsa King
⚖️ Mayor of Kingstown
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You are a Dutton — or you might as well be. You understand that some things are worth protecting at any cost, and that the modern world’s indifference to history, to land, to legacy, is not something you’re willing to accept quietly. You lead from the front, you carry your family’s weight without complaint, and when someone threatens what’s yours, you don’t escalate — you finish it. You’re not cruel. But you are absolute. In Yellowstone’s world, that combination of ferocity and loyalty doesn’t make you a villain. It makes you the only thing standing between everything that matters and everyone who wants to take it.
You thrive in the chaos of high-stakes negotiation, where the money is enormous, the margins are thin, and the wrong word in the wrong room can cost everyone everything. You’re a fixer — the person called when a situation is already on fire and needs someone with the nerve to walk into it. West Texas oil country rewards exactly what you are: sharp, adaptable, unsentimental, and absolutely clear-eyed about what people want and what they’ll do to get it. You’re not naive enough to think this world is fair. You’re smart enough to be the one deciding who it’s fair to.
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You are a Dwight Manfredi — someone who has served their time, paid their dues, and arrived somewhere unexpected with nothing but their reputation and their wits. You adapt without losing yourself. You build loyalty through respect rather than fear, though you’re not above reminding people that the two aren’t mutually exclusive. Tulsa King is for people who are still standing when everyone assumed they’d be finished — who find, in an unfamiliar place, that they’re more capable than the world gave them credit for. You don’t need a throne. You build one, wherever you happen to land.
You carry the weight of a system that is broken by design, and you do it anyway — because someone has to, and because you’re the only one positioned to do it without the whole thing collapsing. Mike McLusky’s world is for people who are comfortable operating where there are no good options, only less catastrophic ones. You speak every language: law enforcement, criminal, political, human. That fluency makes you invaluable and it makes you a target. You’ve made your peace with both. Mayor of Kingstown belongs to people who understand that keeping the peace is not the same as being at peace — and who do the job regardless.
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2
‘House of the Dragon’ Season 3 (June 21)
Emma D’Arcy in House of the Dragon (2022)Image via HBO
The Dance of the Dragons stops dancing around its promised destruction and goes straight to open war. Season 3 picks up right where the finale’s mobilizing armies left off, headlined by the long-awaited Battle of the Gullet, a naval bloodbath between the Velaryon fleet and the Triarchy. Emma D’Arcy’s newly emboldened Rhaenyra gains the North as Cregan Stark’s Winter Wolves march south, Matt Smith’s Daemon emerges from Harrenhal fully committed to the cause, and Ewan Mitchell’s Aemond keeps making choices that should prompt his mother, Alicent (Olivia Cooke) to have him committed.
Book readers know the carnage that awaits, and with showrunner Ryan Condal confirming the series ends with Season 4, every episode of these eight counts.
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1
‘The Bear’ Season 5 (June 25)
Carmy Berzatto standing with Sydney Adamu behind him, both of them looking upset, in the Season 4 finale of The BearImage via FX
Last call at The Bear. The fifth and final season opens after Sydney (Ayo Edebiri), Richie (Ebon Moss-Bachrach), and Sugar (Abby Elliott) learn that Carmy (Jeremy Allen White) has walked away from the industry entirely, leaving the restaurant in their hands. With no money, a possible sale looming, and a literal torrential storm bearing down on Chicago, the new partners have to rally the whole crew for one last service and one last shot at a Michelin star. White, Edebiri, Moss-Bachrach, Elliott, Lionel Boyce, Liza Colón-Zayas, and Matty Matheson all return, with Oliver Platt, Will Poulter, and Jamie Lee Curtis also popping up in and out of the kitchen.
No show wrecks us quite like this one, and knowing it ends here makes the anticipation almost unbearable. FX confirmed in May that this is the final season, and all eight episodes hit Hulu on June 25. Will Carmy find peace? Unclear. Will we be crying into a bowl of risotto by the finale? Yes, chef
Sure, we’re only halfway through 2026, but there are so many K-dramas that are already trying to ruin people’s sleep schedules. There are revenge thrillers, time-jumping superhero comedies, workplace romances that somehow make auditing look hot, and—I am not making this up—a military fantasy about a recruit who levels up through cooking.
The past few months have been absurdly stacked with Korean television, and the year just plans to be bigger and bigger with many other brilliant shows. So when we discuss the perfect K-dramas you should watch in 2026, it’s dramas that respect your time and your intelligence that have come out recently and made everyone clear their weekend plans. Brush up on your ‘saranghae’ and ‘joayo,’ and let’s jump in.
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10
‘If Wishes Could Kill’ (2026)
Hyun Woo-seok showing a deadly app to someone off-screen in If Wishes Could KillImage via Netflix
If you’ve ever wondered what would happen if a classic Japanese horror a la The Ring and Final Destination had a baby, If Wishes Could Kill is your answer. This is Netflix’s first young adult horror K-drama, and it follows five high school students and friends who discover “Girigo,” an app that grants wishes with a horrifying twist: once your wish comes true, a supernatural 24-hour countdown to your death begins. It’s an exciting, tense, and high-quality series that will win you over in the first 5 minutes.
The YA horror series centers around Se-ah (Jeon So-young), a track athlete secretly dating her friend Geon-woo (Baek Sun-ho); the popular girl who’s been in love with Geon-woo for a long time, Na-ri (Kang Mi-na); and the stoic genius Kang Ha-joon (Hyun Woo-seok), who tries to crack the app’s code and put a stop to it. Soon, the youngsters realize that they might need help from someone more apt—Ha-joon’s sister, the shaman Haetsal (Jeon So-nee). Its eight episodes are tightly written and plotted; If Wishes Could Kill is a perfect entry-level horror for those who like their dread delivered with a side of high school melodrama. Just don’t download any suspicious apps afterward.
Park marvelously plays Chae-ni, a 27-year-old town “trainwreck” with a congenital heart condition who, after a chemical explosion at the local dump, gains the uncontrollable power to teleport anywhere in the world. She isn’t the only one, though: her best friend Ro-bin (Im Seong-jae) gets super strength, while their older-brother-like friend, Mr. Son (Choi Dae-hoon), becomes sticky and stuck to things and people. The trio becomes the worst superhero team imaginable, led by the mysterious “Wunderkind,” Un-jeong (Cha Eun-woo), who has the power of telekinesis. They fight the local church that harbors a lab where scientists experiment on people like our foolish trio, and Un-jeong helps them destroy the place. It’s weird, scrappy, and genuinely hilarious—the perfect antidote to overly serious caped dramas.
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8
‘Can This Love Be Translated?’ (2026)
Kim Seon-ho smiling and looking ahead in ‘Can This Love Be Translated?’Image via Netflix
If YA horror or goofy superheroes aren’t your thing, you might just prefer a beautiful, globe-trotting romance that understands love is a language of its own—Can This Love Be Translated?Kim Seon-ho plays Joo Ho-jin, an emotionally restrained multilingual interpreter hired to work for a global dating show. Enter Go Youn-jung as Cha Mu-hee, a world-famous actress who is impulsive, dramatic, and lonely—and a participant in the dating show. Having worked together before, the two struggle (but eventually manage) to find a mutual language that doesn’t require interpretation or translating.
The Hong sisters (Hotel Del Luna, Alchemy of Souls) return with another hit series, and Can This Love Be Translated? is like a throwback to old-school romance, with Kim and Go displaying an electric chemistry in every shot. The series was shot across multiple countries, showcasing the stunning cityscapes and landscapes of Japan, Italy, Canada, and South Korea, and it has been a consistent top-ten performer ever since it came out in January 2026. It’s warm, witty, and emotional, touching enough to get you in touch with your romantic side once again.
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7
‘Teach You a Lesson’ (2026–Present)
Na Hwa-jin grinning for ‘Teach You a Lesson’Image via Netflix
Teach You a Lesson is a very, very fresh release; it’s the cathartic revenge fantasy everyone who was bullied in high school has been waiting for. Based on the popular webtoon Get Schooled, this Netflix action series follows a fictional “Education Rights Protection Bureau,” a team of inspectors who step in when schools fail to discipline their worst bullies. Led by Education Minister Choi Gang-seok (Lee Sung-min), who believes the bureau exists to fight against “monsters,” he works with the inspectors—played by Kim Mu-yeol, Jin Ki-joo, and Pyo Ji-hoon (Block B‘s P.O.)—to knock some sense into entitled students who bully others.
Released just last week (June 5, 2026), Teach You a Lesson immediately debuted at No. 1 on Netflix’s non-English show chart, ranking in the top 10 across 85 countries and getting Kim Mu-yeol to the top of the drama charts. It was received with mixed impressions among real-life teachers, with some criticizing its fantasy-like discipline and vigilante justice, while others praised it for its depiction of declining problems in South Korea’s school system. As pure, brutal entertainment, Teach You a Lesson is an absolute knockout. Watch it now while it’s still hot, and you might just have the freshest K-drama knowledge out of anyone in your group.
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6
‘Filing for Love’ (2026)
Gong Myoung and Shin Hye-sun standing in a hallway in Filing for LoveImage via tvN
Workplace rom-coms are a dime a dozen, but Filing for Love elevates the formula by setting its romance inside the audit department of a major conglomerate. The incredible and highly versatile Shin Hye-sun plays Joo In-ah, the tough-as-nails head of the audit team who hides a secret, while Gong Myung plays Noh Ki-jun, the department’s ace who gets suddenly demoted to handle internal misconduct. Their interactions and the plot twists introduce a delightful mix of corporate intrigue, chaebol succession drama (featuring Kim Jae-wook as the conflicted vice chairman), and genuinely swoony romantic tension that makes filing papers feel incredibly romantic.
The 12-episode series aired on tvN between the end of April and May 2026, and it’s currently trending on Viki. It’s sharp, stylish, and understands that the sexiest thing two people can do is audit a suspicious balance sheet together at 2 a.m. Reviews call the series beautiful and, most importantly, deep—being able to balance romance, some light comedy, and seriousness, showing its two protagonists that they also need to add balance to their busy lives. Shin is having one of the best years of her career, and Filing for Love is Exhibit A.
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Collider Exclusive · TV Medicine Quiz Which Fictional Hospital Would You Work Best In? The Pitt · ER · Grey’s Anatomy · House · Scrubs
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Five hospitals. Five completely different ways medicine goes sideways on television — brutal, chaotic, romantic, brilliant, and ridiculous. Only one of them is the ward your instincts were built for. Eight questions will figure out exactly where you belong.
🚨The Pitt
🏥ER
💉Grey’s
🔬House
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🩺Scrubs
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01
A critical patient comes through the door. What’s your first instinct? Medicine under pressure reveals who you actually are.
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02
Why did you go into medicine in the first place? The honest answer says more about you than the one you’d give in an interview.
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03
What do you actually want from the people you work with? Who you want beside you under pressure is who you are.
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04
You lose a patient you fought hard to save. How do you carry it? Every doctor who’s worked a long shift has had to answer this question.
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05
How would your colleagues describe the way you work? Your reputation on the floor is usually more accurate than your self-image.
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06
How do you feel about hospital protocol and procedure? Every institution has rules. What you do with them is a choice.
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07
What does this job cost you personally? Nobody works in medicine without paying a price. What’s yours?
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08
At the end of a long shift, what keeps you coming back? The answer to this question is the most honest thing about you.
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Your Assignment Has Been Made You Belong In…
Your answers have pointed to one fictional hospital above all others. This is the ward your instincts, your temperament, and your particular brand of dysfunction were built for.
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Pittsburgh Trauma Medical Center
The Pitt
You are built for the most unsparing version of emergency medicine television has ever shown — one that puts you inside a single fifteen-hour shift and doesn’t let you look away.
You need your work to be real, not romanticised — meaning over drama, honesty over aesthetics.
You find purpose inside the work itself, not in the chaos surrounding it.
You’ve made peace with the fact that this job takes from you constantly, and gives back in ways that are harder to name.
Pittsburgh Trauma Medical Center demands exactly that kind of person — and you would not want to be anywhere else.
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County General Hospital, Chicago
ER
You are the person who keeps the whole floor running — not the most brilliant in the room, but possibly the most essential.
You show up, do the work, absorb the losses, and come back the next day without needing the job to be anything other than what it is.
You care about patients as individual human beings, not as cases to solve or dramas to live through.
You believe in the system even when it fails you — and you understand that emergency medicine is about holding the line just long enough.
ER is television about endurance. You have it.
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Grey Sloan Memorial Hospital, Seattle
Grey’s Anatomy
You came to medicine with your whole self — your ambition, your emotions, your relationships, your history — and you have never quite managed to leave any of it at the door.
You feel things fully and form deep attachments to the people you work with.
Your personal and professional lives are permanently, chaotically entangled — and that entanglement drives both your greatest disasters and your most remarkable saves.
You understand that extraordinary medicine often happens at the intersection of clinical skill and profound human connection.
It’s messy at Grey Sloan. You would not have it any other way.
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Princeton-Plainsboro Teaching Hospital, NJ
House
You are drawn to the problem above everything else — the symptom that doesn’t fit, the diagnosis hiding underneath the obvious one.
You’re not primarily motivated by the patient as a person — though you are capable of caring, even if you’d deny it.
You work best when the stakes are highest and the standard answer is wrong.
Princeton-Plainsboro exists to house one extraordinary, impossible mind — and everyone around that mind is there because they’re smart enough to keep up.
The only way forward here is to think harder than everyone else in the room. That is exactly what you do.
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Sacred Heart Hospital, California
Scrubs
You understand that medicine is tragic and absurd in almost equal measure — and that the only sane response is to hold both of those things at the same time.
You are warm, self-aware, and funnier than most people in your field.
You use humour to get through terrible moments — and at Sacred Heart, that’s not a flaw, it’s a survival strategy.
You lean on the people around you and let them lean back. The laughter and the grief are genuinely inseparable here.
Scrubs is a show about learning to become someone worthy of the job. You are still very much in the middle of that process — which is exactly right.
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5
‘The Art of Sarah’ (2026)
Shin Hye-sun in The Art of Sarah, standing in a red and white roomImage via Netflix
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What if Inventing Anna was Korean, moodier, and a mystery thriller that is at times genuinely unsettling? Netflix’s first Korean thriller of 2026, The Art of Sarah, follows Sarah Kim (Shin Hye-sun in Exhibit B), a Korean-American woman who builds a fake luxury brand called “Boudoir” from scratch, targeting Seoul’s wealthy elite. When a body is found and her story keeps changing, Detective Park Mu-gyeong (Lee Jun-hyuk) tests every version of her elaborate deception, trying to figure out who Sarah Kim really is.
The Art of Sarah is an eight-episode limited series, a sharp, slow-burn dissection of elitism, narcissism, and the desperate desire to be famous, seen, and recognized. It premiered on February 13, 2026, to positive reviews from fans and critics alike, though some parts warrant a suspension of disbelief. It’s wildly entertaining in all of its plot twists and delicious turns, while Shin becomes absolutely mesmerizing as a woman who has lied so much she might no longer know the truth herself. It’s a binge-watch that wastes none of your time, and it’s a deeply rewarding watch.
4
‘Bloodhounds’ (2023–2026)
Bloodhounds Season 2Image via Netflix
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Three years after the brutal first season, Netflix’s grittiest, most exciting action noir returns, and somehow, it’s even better than before. While one episode shorter,BloodhoundsSeason 2 is a stunning watch that will keep you on your toes throughout its entire run. Woo Do-hwan and Lee Sang-yi reprise their roles as boxing brothers Kim Gun-woo and Hong Woo-jin (calling themselves Gun-woo-jin), now trying to live legit lives as a pro boxer and a coach. But an underground boxing league run by Im Baek-jeong, played by K-pop legend Rain in his first-ever villain role, drags them back into violence after Baek-jeong insists on fighting Gun-woo.
The action in Bloodhounds Season 2 is absolutely stunning; it’s longer, more brutal, and shot with visceral, documentary-style realism that makes every punch hurt off-screen. The fighting form of the main cast is incredible, and they move with such intent and speed that you’ll admire them and want to become like them. Despite all that, the heart of the show remains the Gun-woo-jin bromance—their friendship is so loyal that they feel like actual brothers who owe each other everything. One note, though, it ties back to Season 1, so this is the perfect excuse to watch every single episode of Bloodhounds. It’ll only take a couple of days, and you won’t be the same after it.
3
‘The Legend of Kitchen Soldier’ (2026–Present)
Park Ji-hoon in The Legend of Kitchen Soldier.Image via CJ ENM
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The biggest surprise of the year is a military fantasy-comedy about… cooking. The Legend of Kitchen Soldier was based on a popular web novel of the same name and stars Park Ji-hoon (of Weak Hero fame), who plays Kang Sung-jae, a recruit who accidentally discovers a hidden talent in the kitchen during his mandatory military service. But there’s a twist: a mysterious game-like system appears, giving him increasingly impossible cooking missions that enhance his skills every time he completes them. It sounds absurd, and it is, in the best way possible.
The Legend of Kitchen Soldier is the only show on this list that is still ongoing; it’s a 12-episode series that has quietly become a global streaming hit, and it (somewhat unexpectedly) airs on HBO Max. Yoon Kyung-ho, Han Dong-hee, and Lee Sang-yi (his second appearance on this list) co-star, and the show is wholesome, weird, and deeply addictive. You didn’t know you needed a show about a soldier who must cook his way through hardship, but trust me: you do.
2
‘The Scarecrow’ (2026)
Park Hae-soo and Lee Hee-joon standing next to a vintage car in front of a field full of police officers in The ScarecrowImage via ENA
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The Scarecrow is a stunning mystery thriller that comes close to being the best K-drama of 2026 so far. Park Hae-soo stars as Kang Tae-joo, a disgraced former ace detective who returns to his hometown of Kangseng to investigate a serial murder case that mirrors the infamous real-life Hwaseong serial murders (the same case that inspired Bong Joon-ho’s Memories of Murder). Forced to work alongside his former rival, prosecutor Cha Si-young (Lee Hee-joon), the two men must overcome a thirty-year grudge to catch a killer who has never stopped.
The 12-episode run is tense and shot beautifully, with some incredible choices in camerawork, especially as the killer is revealed. The Scarecrow starts off slow, but when it warms up, it’s really hard to let go; it’s a chilling watch that avoids sensationalizing the case. Just like in real life, in the series, the killer isn’t discovered until 2019, but the show doesn’t take real life for granted—all of its characters and plots are fictional, drawing attention to police brutality against innocent suspects, and taking shots at public officials burying the truth for personal gain. The Scarecrow offers a conclusive and satisfying answer, and it’s genuinely thrilling and a must-watch.
1
‘We Are All Trying Here’ (2026–Present)
Koo Kyo-hwan talking on the phone and pointing something out in We Are All Trying HereImage via Netflix
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We Are All Trying Here is a black comedy slice-of-life melodrama from JTBC and Netflix and, moreover, a triumphant return of Park Hae-young, the writer of My Mister and My Liberation Notes, two of the most powerful and touching dramas that delve deep into life, existence, and purpose. We Are All Trying Here hits harder than the previous shows, immediately drawing us to Hwang Dong-man (Koo Kyo-hwan), an aspiring director who has spent twenty years trying to make his debut film while watching all his film school friends find success. The themes of envy, jealousy, and desperation of watching everyone else win while you’re still waiting for your turn weave through, but depression, anxiety, and anger are prevalent emotions of the show, seeking a reckoning for all the people who complain loudly and leave “all their doors open.”
Koo is fantastic here, and he’s joined by an even more ethereal Go Youn-jung (pulling double duty on this list), who co-stars as an overwhelmed film producer helping Dong-man rediscover his self-worth. They appear alongside an absolutely stacked ensemble, including Oh Jung-se, the busiest man in K-drama, and Park Hae-joon, the quiet pillar of the drama whose role here is incredibly poignant. Like all other shows written by Park, this one, too, is a slow, meditative burn that finds profound humanity in failure and frustration. If you’ve ever felt like everyone is moving forward except you, this one will hit straight to the dome, but it’ll still make you feel seen.
Jason Momoa is finally getting the chance to play one of his favorite DC characters, but if the actor ever headlines a solo Lobo film, he already has one non-negotiable demand.
While speaking with Collider, Momoa made it clear that he has no interest in a watered-down version of the infamous intergalactic bounty hunter.
“It’s all I want, and I promise — I’m just going to put this out there right now — I do not have any interest in making a Lobo PG-13 movie. So, will he be a part of some other movies? If they want me, I’ll be there. But if I make a solo movie, I’m not doing it unless it’s rated R.”
The statement is likely to be welcomed by longtime DC fans. Since his debut in the comics, Lobo has earned a reputation as one of the publisher’s most outrageous antiheroes. Known for his brutal violence, dark humor, and complete disregard for authority, the character has often been viewed as a natural fit for an R-rated adaptation.
Momoa has spent years expressing his desire to play the Main Man. Long before his casting was officially announced, the actor frequently mentioned Lobo as a dream role and one he felt personally connected to. That dream finally becomes reality with his upcoming appearance in Supergirl, where audiences will get their first look at the new DC Universe’s version of the character.
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The casting has generated significant excitement among fans, many of whom believe Momoa’s larger-than-life personality, physical presence, and love of the source material make him an ideal choice for the role. Unlike many comic book castings that take fans by surprise, Momoa’s portrayal of Lobo feels like a pairing that has been years in the making.
Although DC Studios has not announced a standalone Lobo movie, Momoa’s comments suggest he is more than willing to continue playing the character across multiple projects. However, he drew a clear line when it comes to a solo adventure. While he is open to appearing in other DCU films, he believes a proper Lobo movie should embrace the character’s mature roots rather than tone them down for a broader audience.
The idea may not be as far-fetched as it once seemed. Under the leadership of James Gunn and Peter Safran, DC Studios has shown a willingness to explore projects aimed at different audiences. With R-rated comic book films continuing to find success both critically and commercially, an adult-oriented Lobo film could fit comfortably within the evolving DC Universe.
For now, fans will have to wait and see how audiences respond to Momoa’s debut in Supergirl. But if the actor ultimately gets his wish, the Main Man’s first solo outing will likely be every bit as loud, violent, and unapologetically over-the-top as fans have always imagined.
“It’s not that therapy doesn’t work for other people,” Usha, 40, told CBS’ Sunday Morningnational correspondent Robert Costa on the Sunday, June 14, episode of the news program, confirming that she once told her husband, “Therapy didn’t work for you, church does.”
“JD just didn’t have the right kind of trust in that [therapy] process,” Usha continued. “He just didn’t feel at home in it, really exploring some of the feelings that he had in trying to figure out how he wanted to be the person that he wanted to be for the rest of his life.”
The vice president, 41, who converted to Catholicism in 2019, says part of his constant and relentless search for something that makes him feel “rooted” and “grounded” comes from his tumultuous upbringing in Middletown, Ohio, with divorced parents who split when he was a toddler and a mother who struggled with substance abuse issues.
A spokesperson for Usha Vance is clarifying the status of the second lady’s marriage after she was spotted without her wedding ring. “[She is] a mother of three young children, who does a lot of dishes, gives lots of baths, and forgets her ring sometimes,” a rep for Vance, 39, told People in a Saturday, […]
“I grew up in some ways in a very non-traditional household,” JD explained in the same Sunday interview. “Revolving door of people coming in, people coming out. Raised by my grandparents at some points and my parents at some points — my mom, my dad. So there was a certain movement and chaos to my youth. And I do think that I was searching for something that, again, was a little more rooted and a little more stable.”
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Second lady Usha Vance and U.S. Vice President JD VanceGetty Images
Despite his faith bringing him a sense of self-understanding and direction, JD has found himself at odds with the leader of his Catholic faith, Pope Leo XIV, over his alliance with President Donald Trump’s and his controversial administrative priorities, including immigration and the war in Iran.
“When it comes to disagreements with the Vatican, we’re going to have disagreements from time to time,” the vice president told Fox News back in April. “I think it’s a good thing, actually, that the Pope is advocating for the things that he cares about. But we’re always going to have disagreements on matters of public policy.”
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JD added at the time, “The Pope has been critical of our immigration policy, but ultimately the immigration policy of the United States is set by Donald Trump. The Pope is going to have disagreements on other issues. We certainly respect the Pope, we certainly have a good relationship with the Vatican.”
Fox News host Dana Perino firmly believes that Americans are more alike than they are different. “We are in a period of pretty extreme polarization, but once you strip away social media and you actually meet people, it doesn’t matter where they are in the country,” Perino, 53, exclusively shared with Us Weekly while promoting […]
Despite the vice president’s claims that the Trump administration is on good terms with the leader of the Catholic faith, the president himself has taken public and seemingly personal aim at Pope Frances.
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“[The Pope] talks about ‘fear’ of the Trump administration, but doesn’t mention the FEAR that the Catholic Church, and all other Christian Organizations, had during COVID when they were arresting priests, ministers, and everybody else, for holding Church Services, even when going outside and being ten and even twenty feet apart,” Trump claimed via his social media platform, Truth Social, on April 12, going on to call the Pope “weak on crime and terrible for foreign policy.”
“The Princess Diaries 3” may finally be closer to reality. More than two decades after audiences first watched Mia Thermopolis transform from awkward teen to royal icon, producer Debra Martin Chase says the long-awaited third installment is actively moving forward.
ZUMAPRESS.com / MEGA
Chase, who produced the first two “Princess Diaries” films, recently shared an encouraging update while attending the Black Women on Broadway Awards in New York City.
Speaking with PEOPLE, the longtime producer said momentum on the highly anticipated sequel is building. “We are more than hopeful,” Chase said. “We are moving in that direction. We’ve done a lot of groundwork.”
The producer added that the team had originally hoped cameras would begin rolling this year. “We had hoped to be shooting this year. So, it’s coming. We’re intent upon making it happen. And we’re excited that the people are excited,” she said. “Every time something happens and we get the thing, it’s like, ‘Yay, okay, keep going!’ ”
Anne Hathaway Is Expected To Return As Mia Thermopolis
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Though plot details remain tightly under wraps, Anne Hathaway is expected to reprise her beloved role as Mia Thermopolis. Fans last saw the character in 2004’s “The Princess Diaries 2: Royal Engagement,” where Mia officially stepped into her role as Queen of Genovia.
The third installment was officially confirmed in 2024, sending longtime fans of the Disney franchise into celebration mode.
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Garry Marshall’s Daughter Recently Shared Another Encouraging Update
River / MEGA
Earlier this year, Kathleen Marshall, daughter of late “Princess Diaries” director Garry Marshall, also hinted that the project was making real progress. While attending the opening night of Beaches on Broadway in April, Kathleen shared an optimistic update about the film’s future.
“We’re working on ‘Princess Diaries 3,’” she said, adding that she’s “excited to be a part of anything” connected to the franchise. “It’s working out,” Kathleen added, noting that they hope the movie is “the next thing” for Hathaway.
“We’re moving it along,” she continued. “I mean, there’s just an incredible team in place. So it’s coming. It’s coming.”
Anne Hathaway Previously Admitted She Wants To Return
mpi099/MediaPunch / MEGA
Long before Disney officially announced the sequel, Hathaway made it clear she was eager to return to Genovia. Speaking to Vanity Fair in April 2024, the Oscar winner described “The Princess Diaries” as “the film that changed my life.”
“It’s so weird to watch it, I haven’t seen this movie in maybe 20 years, and it’s, I’m a little bit speechless with this one,” she continued. “Actually, it’s very emotional to see it.”
She also addressed fan anticipation during a 2023 interview with PEOPLE, admitting the long wait for a third movie could understandably feel frustrating. Still, Hathaway reminded fans that movie development takes time. “It’s a process that requires patience … this is how long it actually takes to make things,” she said.
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Anne Hathaway Previously Reflected On Julie Andrews’ Lasting Influence
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Also during her April 2024 Vanity Fair cover story, the actress looked back on filming 2001’s “The Princess Diaries,” where she starred opposite Julie Andrews, who famously played Queen Clarisse Renaldi. “I’ve learned that I want to handle myself in a way that I’m going to be proud of at a later date,” Hathaway said while recalling Andrews’ kindness on set.
According to Hathaway, Andrews made a point to stay behind after filming each day to sign autographs for fans, something that left a lasting impression on the actress. “She respected that they had a relationship to her work that spanned their entire lives and made it a beautiful experience for them,” Hathaway said of the Oscar-winning “Mary Poppins” star.
While fans eagerly await her return to Genovia, Hathaway has remained booked and busy in Hollywood. More recently, the Oscar-winning actress returned to another fan-favorite franchise, reprising her role as Andy Sachs in “The Devil Wears Prada 2.” The highly anticipated sequel brought Hathaway back alongside original stars Meryl Streep, Emily Blunt, and Stanley Tucci, more than 20 years after the beloved 2006 film first hit theaters.
“The Devil Wears Prada 2” proved to be a major box office hit, earning an impressive $675.9 million globally against its $100 million production budget. Of that total, approximately $217 million came from domestic ticket sales in North America, while international markets contributed an additional $458.6 million.
Former The Ellen DeGeneres Show child star Sophia Grace Brownleeis pregnant with her third baby.
“We are so excited to meet you 🤍,” Brownlee, 23, wrote via Instagram on Sunday, June 14, alongside footage of herself showing her son River, 3, and daughter Athena, 18 months, holding ultrasound photos.
Brownlee also added “Pregnant,” “Pregnancy,” “Mom of 3” and “3 Family Siblings” hashtag to her announcement.
Brownlee, who rose to fame as a child dancing to Nicki Minaj’s “Superbass” on DeGeneres’ now-defunct talk show, welcomed River in March 2023. Athena followed in December 2024. (Brownlee has never publicly identified the father of her children.)
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“I was quite young when I had River. I was 19, which I do feel like is quite young,” the social media star recalled on the “Private Story” podcast in February, recalling her experience as a young mother. “I don’t regret, like, doing anything because I’m quite happy with where I am now. When I had Athena, I was 21, which is a bit more older.”
She continued at the time, “It’s obviously young to have kids, but I don’t really think there’s a right age to have kids as long as you’re ready and you’re mature enough, that’s all that matters.”
For Brownlee, she stated that she felt “financially stable” enough to have a family because of her childhood fame and salary.
“If I wasn’t, like, I would have been struggling a lot,” she acknowledged. “So, yeah, I’m blessed to have been in that situation.”
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While Brownlee has enjoyed motherhood, it has taken her awhile to feel comfortable after an admittedly scary childbirth experience.
“It actually went quite bad with River. It wasn’t a nice experience,” she recalled on the podcast. “I went into labor naturally, and I was just a week early, which is common. That’s not a problem, and everything was fine. It just, kind of, got bad when you’re actually trying to push the baby out. He was getting really stressed out, and he just wouldn’t come down properly like how [babies] are supposed to.”
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Brownlee added, “Loads of different doctors and surgeons [came into my room], which is so scary. I was, like, ‘What’s happening?’ They were, like, ‘We think we’re going to have to do a C-section because the baby’s getting distressed.’ I was just so scared that they were going to put me to sleep ‘cause that is one of my biggest fears because I think I’m not going to wake up.”
Courtesy of Rosie McClelland/Instagram Two weeks after announcing the birth of her second child, Sophia Grace Brownlee is sharing an update. On January 5, Brownlee announced that her second child, a baby girl, was born on December 29. Now, Brownlee is announcing her infant daughter’s name. On January 19, the social media star, who became […]
Brownlee, who found her emergency C-section to be “one of the scariest times” in her life, later had a vaginal delivery — also known as a VBAC, or vaginal birth after C-section — with baby No. 2.
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“Because I had a C-section, they were like, ‘We’re going to book you in for another one,’” she said in February of welcoming Athena. “That’s what they like to do, but the midwives were, like, ‘No, we think you can have her naturally, so at least try.’ I did, and it went so quickly. … I was so proud of myself, and I was glad I got to experience a natural birth, which I would choose every time over a C-section.”
It’s been nearly a year since one of America’s favorite British detective series last aired, yet anticipation for its return remains as strong as ever. The previous season’s eight episodes aired on PBS Masterpiece in the U.S. from June 15 to August 3, 2025, while the season was broadcast on ITV in the UK from January 7 to February 19, 2026. Fortunately for American viewers, the new season arrives in just a few days and will feature several new faces, including a fan favorite from another beloved British drama, All Creatures Great and Small.
According to new reports, Grantchester returns on June 14, 2026, for its 11th and final season, with Nicholas Ralph set to make a memorable appearance. Ralph is best known for playing veterinary surgeon James Herriot in All Creatures Great and Small, which was renewed for seventh and eighth seasons last November. In Grantchester, the Scottish actor will appear in the July 12 episode as John Planer, a clergyman who has recently returned to England after serving on a mission in Africa. Showrunner Daisy Coulam revealed that the Grantchester episode was inspired by the award-winning film Conclave, with the idea of “getting loads of religious men together and seeing what happens.” However, she noted that the episode is considerably funnier than the acclaimed film.
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Collider Exclusive · Action Hero Quiz Which Action Hero Would Be Your Perfect Partner? Rambo · James Bond · Indiana Jones · John McClane · Ethan Hunt
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Five legends. Five completely different ways of getting out alive — with style, with muscle, with charm, with luck, or with a plan so intricate it probably shouldn’t work. Ten questions will reveal which action hero was built to have your back.
🎖️Rambo
🍸James Bond
🏺Indiana Jones
🔧John McClane
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🎭Ethan Hunt
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01
You’re dropped into a dangerous situation with no warning. What do you need most from a partner? The first few seconds tell you everything about who belongs beside you.
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02
You have to get somewhere dangerous, fast. How do you travel? How you get there is half the mission.
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03
You’re pinned down and outnumbered. What does your ideal partner do? This is when you find out what someone is really made of.
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04
The mission is paused. You have one evening to decompress. What does your partner suggest? Who someone is when the pressure drops is who they actually are.
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05
How do you prefer your partner to communicate mid-mission? Good communication is the difference between partners and a liability.
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06
Your enemy is powerful, well-resourced, and has the upper hand. How should your partner approach them? The approach to the enemy defines the partnership.
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07
Things go badly wrong and you’re captured. What do you trust your partner to do? Who someone is when you need them most is the only thing that matters.
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08
What does your ideal partner bring to the table that you couldn’t replace? A great partner fills the gap you didn’t know you had.
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09
Every partnership has a cost. Which of these can you live with? No one comes without baggage. The question is whether you can carry it together.
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10
It’s the final moment. Everything is on the line. What do you need from your partner right now? The last question is the most honest one.
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Your Partner Has Been Assigned Your Perfect Partner Is…
Your answers have pointed to one action hero above all others. This is the person built to have your back — for better or considerably, spectacularly worse.
Rambo
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Your partner doesn’t talk much, doesn’t need to, and will have assessed every threat in your immediate environment before you’ve finished your first sentence. John Rambo is not a man of plans or politics — he is a force of nature shaped by survival, loyalty, and a capacity for endurance that goes beyond anything training can produce. He will not leave you behind. He has never left anyone behind who deserved to come home. What you get with Rambo is the most capable, most quietly ferocious partner imaginable — one who has been through things that would have broken anyone else, and who chose to keep going anyway. You’ll never need to ask if he has your back. You’ll just know.
James Bond
Your partner will arrive perfectly dressed, perfectly briefed, and with a cover story so convincing it’ll take you a moment to remember what’s actually true. James Bond is the most professionally dangerous person in any room he enters — and the most disarmingly charming, which is the point. He operates in a world of layers, where nothing is what it appears and every advantage is used without apology. You’ll never be bored. You’ll occasionally be furious. But when it matters — when the mission is genuinely on the line and the margin for error has collapsed to nothing — Bond is exactly the partner you want. He has survived things that have no business being survivable. He does it with style. That is not nothing.
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Indiana Jones
Your partner will know the history, the language, the cultural context, and exactly why the thing everyone else is ignoring is actually the most important thing in the room. Indiana Jones is brilliant, reckless, and occasionally impossible — but he is also one of the most resourceful, most genuinely knowledgeable partners you could find yourself beside. He approaches every situation with a scholar’s eye and a brawler’s instinct, which is an unusual combination and a remarkably effective one. He hates snakes and gets personally attached to objects of historical significance, both of which will slow you down at least once. It doesn’t matter. What Indy brings is irreplaceable — and the adventures you’ll have together will be the kind people write books about. Assuming you survive them.
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John McClane
Your partner was not supposed to be here. He does not have the right equipment, the right information, or anything approaching the right odds. He has a sarcastic remark and an absolute refusal to accept that the situation is as bad as it looks. John McClane is the greatest accidental hero in the history of action cinema — a man whose superpower is stubbornness, whose contingency plan is improvisation, and whose capacity to absorb punishment and keep moving would be alarming if it weren’t so useful. He will complain the entire time. He will make it significantly more chaotic than it needed to be. And he will absolutely, unconditionally, without question come through when it counts. Yippee-ki-yay.
Ethan Hunt
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Your partner has already run seventeen scenarios by the time you’ve finished reading the briefing, and the plan he’s settled on involves at least two things that should be physically impossible. Ethan Hunt operates at the absolute edge of human capability — technically, physically, and intellectually — and he brings the same relentless precision to protecting his partners that he brings to dismantling organisations that shouldn’t exist. He is not easy to know and he will never fully tell you everything. But he will carry the weight of the mission so completely, so absolutely, that your job is simply to trust him — and the remarkable thing is that trusting him always turns out to be the right call. The mission will be impossible. He will complete it anyway.
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What Happens When ‘Grantchester’ Returns?
In Ralph’s episode, Alphy (Rishi Nair) encounters John during a visit to Bishop Grey’s (Stuart Bowman) palatial home, where a group of vicars has gathered for a weekend retreat. Nair, who made his Grantchester debut in Season 9, had nothing but praise for his new co-star, describing Ralph as “a great actor to work with” and someone he got along with very well.
As for what unfolds in the episode, the gathering takes a dark turn when the vicars, all eager to curry favor with the bishop, become suspects in the death of a man whose body is discovered nearby. With the victim found clutching a Bible, detectives Geordie Keating (Robson Green) and Larry Peters (Bradley Hall) enlist their resident crime-solving clergyman to help with the investigation. Matters become even more complicated for Alphy when he realizes that some of his fellow men of the cloth are not being truthful, further fueling his ongoing struggle with his faith. Also returning for Grantchester Season 11 is Alphy’s love interest, Meg (Christie Russell-Brown), whose father, as viewers may recall, is Bishop Grey.
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Grantchester Season 11 premieres this month on PBS.
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Release Date
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2014 – 2024
Network
ITV1
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Directors
Harry Bradbeer
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Writers
Daisy Coulam, Richard Cookson, Tolula Dada, Tumi Belo
When JJ Maybank (Rudy Pankow) died at the end of Season 4 of Outer Banks, fans were dealt a major blow. However, creators Jonas Pate, Josh Pate, and Shannon Burke have actually made the best decisions for the show’s upcoming and final season. For the first four seasons, JJ was a great character who helped move the storyline forward, but his own personal character arc fell flat, leaving little room for the Pogues to grow as individuals or as a group. It was often the Pogue’s altercations with the Kooks — namely, Rafe Cameron (Drew Starkey) — led to countless twists and turns for all the characters in Season 4.
Now, with JJ dead, it’s clear that Rafe is one of the best replacements. Yes, Rafe is known for his volatile relationships, especially with his Kook-Turned-Pogue sister Sarah (Madelyn Cline). Although Season 4 had a ton of flaws, it still set the stage for a reformed version of Rafe to emerge. Rafe’s interactions with the Pogues could create just enough drama to make Season 5 the Outer Bank’s best season yet. And there’s no reason Rafe’s proposed redemption character arc can’t make this happen.
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Rafe Joining the Pogues Will Change the Show’s Entire Dynamic
Whether it’s television or a movie, character arcs set the tone for the entire performance, and Rafe is primed to fill this role. He’s demonstrated himself to be a person of highly questionable morals, especially when you consider his despicable actions towards his sister. But throughout Season 4, audiences saw a lighter side of Rafe. He reached out to Sarah, trying to fix the bond he had broken, even if indirectly. He even helped the Pogues toward the end of the season, securing them a boat for their next venture. Sure, it wasn’t altruistic, as Rafe had ulterior motives. However, these are signs that signal that all hope is not lost for him.
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Collider Exclusive · Action Hero Quiz Which Action Hero Would Be Your Perfect Partner? Rambo · James Bond · Indiana Jones · John McClane · Ethan Hunt
Five legends. Five completely different ways of getting out alive — with style, with muscle, with charm, with luck, or with a plan so intricate it probably shouldn’t work. Ten questions will reveal which action hero was built to have your back.
🎖️Rambo
🍸James Bond
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🏺Indiana Jones
🔧John McClane
🎭Ethan Hunt
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01
You’re dropped into a dangerous situation with no warning. What do you need most from a partner? The first few seconds tell you everything about who belongs beside you.
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02
You have to get somewhere dangerous, fast. How do you travel? How you get there is half the mission.
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03
You’re pinned down and outnumbered. What does your ideal partner do? This is when you find out what someone is really made of.
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04
The mission is paused. You have one evening to decompress. What does your partner suggest? Who someone is when the pressure drops is who they actually are.
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05
How do you prefer your partner to communicate mid-mission? Good communication is the difference between partners and a liability.
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06
Your enemy is powerful, well-resourced, and has the upper hand. How should your partner approach them? The approach to the enemy defines the partnership.
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07
Things go badly wrong and you’re captured. What do you trust your partner to do? Who someone is when you need them most is the only thing that matters.
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08
What does your ideal partner bring to the table that you couldn’t replace? A great partner fills the gap you didn’t know you had.
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09
Every partnership has a cost. Which of these can you live with? No one comes without baggage. The question is whether you can carry it together.
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10
It’s the final moment. Everything is on the line. What do you need from your partner right now? The last question is the most honest one.
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Your Partner Has Been Assigned Your Perfect Partner Is…
Your answers have pointed to one action hero above all others. This is the person built to have your back — for better or considerably, spectacularly worse.
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Rambo
Your partner doesn’t talk much, doesn’t need to, and will have assessed every threat in your immediate environment before you’ve finished your first sentence. John Rambo is not a man of plans or politics — he is a force of nature shaped by survival, loyalty, and a capacity for endurance that goes beyond anything training can produce. He will not leave you behind. He has never left anyone behind who deserved to come home. What you get with Rambo is the most capable, most quietly ferocious partner imaginable — one who has been through things that would have broken anyone else, and who chose to keep going anyway. You’ll never need to ask if he has your back. You’ll just know.
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James Bond
Your partner will arrive perfectly dressed, perfectly briefed, and with a cover story so convincing it’ll take you a moment to remember what’s actually true. James Bond is the most professionally dangerous person in any room he enters — and the most disarmingly charming, which is the point. He operates in a world of layers, where nothing is what it appears and every advantage is used without apology. You’ll never be bored. You’ll occasionally be furious. But when it matters — when the mission is genuinely on the line and the margin for error has collapsed to nothing — Bond is exactly the partner you want. He has survived things that have no business being survivable. He does it with style. That is not nothing.
Indiana Jones
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Your partner will know the history, the language, the cultural context, and exactly why the thing everyone else is ignoring is actually the most important thing in the room. Indiana Jones is brilliant, reckless, and occasionally impossible — but he is also one of the most resourceful, most genuinely knowledgeable partners you could find yourself beside. He approaches every situation with a scholar’s eye and a brawler’s instinct, which is an unusual combination and a remarkably effective one. He hates snakes and gets personally attached to objects of historical significance, both of which will slow you down at least once. It doesn’t matter. What Indy brings is irreplaceable — and the adventures you’ll have together will be the kind people write books about. Assuming you survive them.
John McClane
Your partner was not supposed to be here. He does not have the right equipment, the right information, or anything approaching the right odds. He has a sarcastic remark and an absolute refusal to accept that the situation is as bad as it looks. John McClane is the greatest accidental hero in the history of action cinema — a man whose superpower is stubbornness, whose contingency plan is improvisation, and whose capacity to absorb punishment and keep moving would be alarming if it weren’t so useful. He will complain the entire time. He will make it significantly more chaotic than it needed to be. And he will absolutely, unconditionally, without question come through when it counts. Yippee-ki-yay.
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Ethan Hunt
Your partner has already run seventeen scenarios by the time you’ve finished reading the briefing, and the plan he’s settled on involves at least two things that should be physically impossible. Ethan Hunt operates at the absolute edge of human capability — technically, physically, and intellectually — and he brings the same relentless precision to protecting his partners that he brings to dismantling organisations that shouldn’t exist. He is not easy to know and he will never fully tell you everything. But he will carry the weight of the mission so completely, so absolutely, that your job is simply to trust him — and the remarkable thing is that trusting him always turns out to be the right call. The mission will be impossible. He will complete it anyway.
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With a less-than-stellar father figure (and that’s putting it lightly), Rafe and Sarah were forced to forge their own paths. Sarah found the Pogues, while Rafe continued to run with the Kooks. At times, Rafe was absolutely one of the most selfish men on TV, but his relationship with Sofia (Fiona Palomo) has softened him, and the loss of his father has made him question his life decisions. Even after finding out about Sofia’s betrayal, it’s possible that he could form some alliance or friendship with Kiara (Madison Bailey) and reconcile the bad blood between them that came from when they were captured by Carlos Singh (Andy McQueen).
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New Character Arcs Teach Valuable Lessons
If Season 5 continues to follow Sarah’s pregnancy (instead of fast-forwarding), audiences may get to see the siblings bonding over a new family member instead of constantly rehashing the past. There are opportunities for John B (Chase Stokes) to overcome his aggression towards the Kooks, with Rafe providing crucial insight that may bridge the gap between the two groups. No, there doesn’t need to be a completely harmonious relationship between them, but John B and Rafe burying the hatchet shows that people are capable of change, allowing Outer Banks to have some uplifting moments and show that these two groups can break the cycle of prejudice.
And while it doesn’t excuse his behavior, Rafe has also overcome several obstacles that open the door for honest discussions about unresolved trauma from his childhood. By allowing Rafe to assume JJ’s empty space on Outer Banks, creators allow the show to reach its conclusion with a fresh perspective. Redeeming Rafe makes sense, but it has to feel earned. Rafe’s unique position between the Kooks and the Pogues could also help the show bridge the gap between the two groups. Rafe might help find common ground between the two groups. It would be exciting to see Rafe actually acknowledge the trauma he’s dealt with and find a place among the Pogues. Let’s be honest, JJ’s antics were beginning to feel repetitive, Rafe joining the group could help the Pogues in a way JJ never could.
There are two important reasons why Ryan Murphy’s bloody new series setting its release date is important for psychological-gore fans. The first is that it’s Bret Easton Ellis’s story, and his horror stories usually come dressed as money, taste, youth, parties, beautiful people, expensive rooms, and the awful feeling that everyone is performing normality a little too well. The second is that while the film is helmed by Max Winkler, the development of it all and exec-producing credit go to Murphy, who is the brains behind American Horror Story.
When Ellis’s writing and Murphy’s work are combined, you kind of get a modern American Psycho. And the synopsis of the upcoming Murphy film basically tells that it is “a dark, coming-of-age horror thriller set in Los Angeles in 1981 and follows a group of privileged prep school seniors, whose reality is shattered by a serial killer.” That’s almost American Psycho, but instead of the corporate world, it’s the world of school seniors.
The series is The Shards, and it premieres August 5 on FX and Hulu, with international streaming through Disney+. Igby Rigney stars as a 17-year-old version of Ellis, while Homer Gere plays Robert Mallory. The cast also includes Kaia Gerber, Hayes Warner, Graham Campbell, Wes Bentley, Evan Rachel Wood, and Jordan Roth. Ellis’ novel first appeared as a serialized audiobook before its 2023 publication, and now Wrinkler and Murphy, among others, get to turn it into a full television nightmare about adolescence, class, beauty, and blood in Reagan-era Los Angeles.
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Collider Exclusive · Horror Survival Quiz Which Horror Villain Do You Have the Best Chance of Surviving? Jason Voorhees · Michael Myers · Freddy Krueger · Pennywise · Chucky
Five killers. Five completely different ways to die — if you’re not smart enough, fast enough, or self-aware enough to avoid it. Only one of them is the villain your particular set of instincts gives you a fighting chance against. Eight questions will figure out which one.
🏕️Jason
🔪Michael
💤Freddy
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🎈Pennywise
🪆Chucky
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01
Something feels wrong. You can’t explain it — you just know. What do you do? First instincts are the difference between the survivor and the first act casualty.
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02
Where are you most likely to find yourself when things go wrong? Setting is everything in horror. Where you are determines which rules apply.
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03
What is your most reliable survival asset? Every survivor has a quality the villain didn’t account for. What’s yours?
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04
What kind of fear is hardest for you to fight through? Knowing your weakness is the first step to not dying because of it.
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05
You’re with a group when things start going wrong. What’s your role? Horror movies are brutally clear about who survives group situations and who doesn’t.
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06
What’s the horror movie mistake you’re most likely to make? Honest self-assessment is a survival skill. Denial is not.
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07
What’s your best weapon against something that can’t be stopped by conventional means? Every horror villain has a weakness. The survivors are always the ones who find it.
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08
It’s the final scene. You’re the last one standing. How did you make it? The final survivor always has a reason. What’s yours?
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Your Survival Odds Have Been Calculated Your Best Chance Is Against…
Your instincts, your strengths, and your particular way of thinking under pressure point to one villain you actually have a fighting chance against. Everyone else — good luck.
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Camp Crystal Lake · Friday the 13th
Jason Voorhees
Jason is relentless, but he is also predictable — and that is the gap you would exploit.
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He moves in straight lines toward his target. He doesn’t strategise, doesn’t adapt, doesn’t outsmart. He simply pursues.
Your ability to keep moving, use the environment, and resist the panic that freezes most victims gives you a genuine edge.
The Crystal Lake survivors were always the ones who stopped running in circles and started thinking about terrain, water, and distance.
You think like that. Which means Jason, for all his indestructibility, would face someone who simply refused to be where he expected.
Haddonfield, Illinois · Halloween
Michael Myers
Michael watches before he moves. He is patient, methodical, and almost impossible to detect — until it’s too late for anyone who isn’t paying close enough attention.
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But you are paying attention. You notice the shape in the window, the car parked slightly wrong, the silence where there should be sound.
Michael’s power lies in the invisibility of ordinary suburbia — the fact that nothing ever looks wrong until it already is.
Your spatial awareness and instinct to map every room, every exit, and every shadow before you need them is precisely the quality Laurie Strode had.
You are not a victim waiting to happen. You are someone who already suspects something is wrong — and acts on it.
Elm Street · A Nightmare on Elm Street
Freddy Krueger
Freddy wins by getting inside your head — using your own fears, your own memories, your own subconscious as weapons against you. That strategy requires a target who can be destabilised.
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You are harder to destabilise than most. You’ve faced uncomfortable truths about yourself and you haven’t looked away.
The survivors on Elm Street were always the ones who understood what was happening and chose to face it rather than flee from it.
Freddy’s greatest weakness is that his power evaporates in the presence of someone who refuses to give him the fear he feeds on.
Your psychological resilience — the ability to stay grounded when reality itself becomes unreliable — is exactly the quality that keeps you alive here.
Derry, Maine · It
Pennywise
Pennywise is ancient, shapeshifting, and feeds on terror — but it has one critical vulnerability: it cannot function against someone who genuinely stops being afraid of it.
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The Losers Club didn’t survive because they were braver than everyone else. They survived because they faced their fears together, and faced them honestly.
You ask the questions others avoid. You look directly at what frightens you rather than turning away.
That directness — the refusal to let fear fester in the dark — is Pennywise’s worst nightmare.
It chose the wrong target when it chose you. You are exactly the kind of person whose fear tastes like nothing at all.
Chicago · Child’s Play
Chucky
Chucky’s greatest advantage is that nobody takes him seriously until it’s already too late. He exploits the gap between how something looks and what it actually is.
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You don’t have that gap. You take threats seriously regardless of how they present — and you never make the mistake of underestimating something because of its size or appearance.
Chucky relies on surprise, on the delay between recognition and response. You close that delay faster than almost anyone.
Your instinct to treat every unfamiliar thing with appropriate scepticism — rather than dismissing it because it seems absurd — is the exact quality that keeps you breathing.
Against Chucky, not laughing is already winning. You are very good at not laughing.
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‘The Shards’ Has a Nuanced Hook Rather Than a Simple-Rich-Kids-in-Danger Thriller
The story of The Shards goes back to Ellis’ own teenage mythology, taking place in 1981 Los Angeles at an elite prep school, where wealthy seniors are already drowning in jealousy, obsession, image, and sexual tension before the murder angle fully takes over. So the show might have some of those Netflix’s Elite-ish vibes in there too. Then Robert Mallory (Homer Gere) shows up, and his arrival happens to coincide with the terror caused by a serial killer known as The Trawler. That is where the series gets its classic Ellis pressure.
The Shards is coming to FX and Hulu starting August 5, 2026. Stay tuned to Collider for more updates.
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