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20 Greatest TV Drama Show Masterpieces of All Time, Ranked

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Image from Six Feet Under's pilot released in 2001 of people standing at a graveside service.

When it comes to a good television drama, it must be gripping. They need an engaging hook. Whether hero, villain, or antihero, the characters must be worth following. Throughout the history of television, we’ve seen series that not only contain those traits, but also so much more. They’re so extraordinary, we can call them masterpieces.

Though there are certainly many more titles that could make this list, the 20 masterpieces below are not only impactful but also iconic. They’ve moved us through an array of emotions. We’ve been shocked through twists and turns. They’ve left us with cliffhangers that have us anxious until the next season. These 20 drama titles are timeless and universally acclaimed. It’s time to celebrate these masterpieces that got us feeling a lot of feels.

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20

‘Six Feet Under’ (2001-2005)

Image from Six Feet Under's pilot released in 2001 of people standing at a graveside service.
Image from Six Feet Under’s pilot released in 2001 of people standing at a graveside service.
Image via HBO

Though the initial premise may sound morbid, the result was something extraordinary. Everyone loves a family drama, but there was truly nothing quite like Six Feet Under. Following the death of the Fisher family patriarch, Nate (Peter Krause) and his brother David (Michael C. Hall) inherit ownership of Fisher & Sons Funeral Home. Alongside their widowed mother, Ruth (Frances Conroy), and sister, Claire (Lauren Ambrose), Six Feet Under went beyond a conventional family drama. The Alan Ball-created series tackled themes of mortality, grief, sexuality, and finding the beauty and meaning in life’s fleeting moments. And sometimes it’s told through surreal conversations with the deceased to find resolution.

Bookended by a perfect pilot and a perfect finale, the journey with the Fisher family was filled with both viewers and characters accepting the inevitable. Each character had their own personal crises while maintaining a blood is thicker than water mentality. Though conflict was very much the name of the family business. An episodic series where each story begins with a new death, the overarching character development was furthered by each thematic episode. Six Feet Under smartly balanced profound tragedy with dark humor. With five perfect seasons, the legacy of Six Feet Under remains.

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19

‘Law & Order’ (1990-2010; 2022-Present)

Dennis Farina as Fontana, Jesse L. Martin as Green and Sam Waterston as McCoy in Law & Order.
Dennis Farina as Fontana, Jesse L. Martin as Green and Sam Waterston as McCoy in Law & Order.
Image via NBC

Dun-dun. Very few television dramas are instantly recognizable by the sound effect that precedes the title screen. Then comes Law & Order, the iconic, long-running police procedural from Dick Wolf. The show is simple: Law & Order revolutionized the two-part storytelling structure for procedurals where the first thirty minutes involved the detectives investigating a homocide while the last thirty minutes focuses on the District Attorney’s office prosecuting the case. Rarely ever straying away from its mission, Law & Order tells you exactly what you’re going to get in its introductory voice-over. From original stories to ripped-from-the-headlines-inspired narratives, there has never been a shortage of narratives to bring to life.

Avoiding major arcs involving the police and lawyers’ personal lives, the characters became legendary for their exceptional work and their dynamic with others in the field. Focusing on partnership and process made the ensemble its strongest asset. The series has had a wave of stars coming and going throughout its storied run, including Jerry Orbach, S. Epatha Merkerson, Sam Waterston, Jesse L. Martin, and Dennis Farina, among others. And there are very few stage actors in New York City who haven’t popped up on an episode once in their careers. Having spawned an array of spin-offs and crossovers, Law & Order‘s legacy is profound. It’s because of the flagship series that spin-offs like Law & Order: Special Victims Unit have had such an illustrious run. The pinnacle of procedural dramas, Law & Order is rightly addictive.

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18

‘Justified’ (2010-2015)

Timothy Olyphant in a cowboy hat looks pensive and stares off camera as Raylan Givens in Justified.
Timothy Olyphant in a cowboy hat looks pensive and stares off camera as Raylan Givens in Justified.
Image via FX

Who was cooler than Raylan Givens? Absolutely no one. Lifted from the stories and characters by Elmore Leonard, Justified became the blueprint for modern neo-Western crime series. Developed by Graham Yost, the series follows Timothy Olyphant as Deputy U.S. Marshall Raylan Givens, who, after an incident in Miami, is forced back to his backwoods roots in Kentucky’s Harlan County as he enforces his signature style of justice. Known for his unconventional, fast-draw, and sometimes fatal methods, Raylan’s suave demeanor often helps him come out on top. With a distinct Appalachian atmosphere that immerses audiences in Harlan County, Justified is a whip-smart masterpiece that modernizes classic gunslinger tropes while forging its own path.

A gritty, rural crime masterpiece, Justified was all about its characters. The series focuses primarily on Raylan and his method of enforcing the law, but he’s shaped by a strong ensemble around him. Raylan is easily Olyphant’s greatest role, evident in his dynamic with his longtime rival, Boyd Crowder, played by the equally outstanding Walton Goggins. One of the best bad-guy-versus-good-guy duos in modern television, their ongoing cat-and-mouse game, which coincides with each season’s overarching narrative, keeps the series engaging. Whether wide-spanning drug rings or familiar battles for power, the stories that Justifed told were uniquely its own. Though a revival series, Justified: City Primeval, brought Olyphant’s Raylan back for an adventure in Detroit, nothing will match the original run.

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17

‘Severance’ (2022-Present)

Four people in a hallway looking scared in Severance.
Four people in a hallway looking scared in Severance.
Image via Apple TV

Trying to stand out amongst the pack on modern television can often be difficult. Whether being compared to another series or not having an engaging enough premise, if you’re not offering something novel, chances are you’ll be stuck with the pack. But then you have a show like Severance, and its brilliance and ambition make it one of the most original series of the 2020s. Created by Dan Erickson and directed by Ben Stiller, the series follows the employees at Lumon Industries, a biotechnology corporation, who have undergone “severance,” a surgical procedure that splits a person’s memories between work and their personal lives. As the “innies” begin to uncover the sinister plot surrounding their jobs, it leads to a journey of identity, rebellion, and self-discovery. A fascinating mix of psychological mystery with surrealistic satire, Severance immediately became television’s greatest obsession.

Through two seasons thus far, Severance is the gift that keeps on giving. Severance is a masterful fusion of dystopian science fiction, workplace satire, and psychological thriller that forces the audience to think while they watch. Certainly not background fodder, Severance is an enthralling wonderland that continues to leave viewers begging for answers. Thanks to an impenetrable cast led by Adam Scott, Britt Lower, Zach Cherry, John Turturro, Tramell Tillman, and Patricia Arquette, Severance thrives with its immaculate storytelling. Severance also features a fully fleshed-out visual universe. Against a sterile, retrofuturistic backdrop, Severance captures how the mundane can be truly menacing. As the series marches on, it’s likely it will climb closer to the top spot of this list.

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16

‘Hill Street Blues’ (1981-1987)

Michael Conrad as Sergeant Phil Esterhaus addressing the police officers in Hill Street Blues.
Michael Conrad as Sergeant Phil Esterhaus addressing the police officers in Hill Street Blues.
Image via NBC Studios

For many, Hill Street Blues may have been lost to time, but the truth is, without the NBC series, it’s likely the serial police procedurals that followed could never have been. Through seven seasons, Hill Street Blues followed the lives of the Metropolitan Police Department staff of a police station located on Hill Street. As they struggle with their personal and professional lives, the officers must manage a chaotic, crime-ridden inner-city precinct. Avoiding 80s clichés, Hill Street Blues struck a balance between dark drama and humor for levity, without the concise, clear, or happy resolutions typical of the era. A pioneer in the case-of-the-week format combined with long-term, serialized storylines, Hill Street Blues became must-watch television.

With the series featuring an almost documentary-style filming approach, Hill Street Blues immersed viewers in its world. Through a raw and authentic depiction, Hill Street Blues unabashedly showcased police work through truth, moral ambiguity, and corruption. By setting the series in a nondescript U.S. city, the series’ universality made it resonate because this city could be your city. Through the ensemble approach, Hill Street Blues ensured that, for better or worse, they showcased the community within the precinct. They united as an underpaid yet overworked team, battling bureaucracy. In the world of police dramas, Hill Street Blues sincerely set the tone for the genre forever.

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15

‘The Newsroom’ (2012-2014)

Jeff Daniels as Will McAvoy sitting at the anchor desk in The Newsroom
Jeff Daniels as Will McAvoy sitting at the anchor desk in The Newsroom
Image via HBO

Many shows attempt to be topical, but what The Newsroom did extraordinarily well was take the headlines of the moment and use them as a motivation for the action. Created by Aaron Sorkin, the three-season series pulls back the curtain on the fictional Atlantis Cable News channel where news anchor Will McAvoy (Jeff Daniels) and his staff attempt to produce an idealistic, high-integrity news show in the face of corporate, commercial, and personal obstacles. With a focus on news that matters through analysis of real-world events, the Newsroom was one of the most accessible, intelligent dramas that could have easily run for years.

Sorkin used his proficiency with the pen to craft a wonderfully nuanced character set in a fictionalized version of real events. Like many of his previous series, namely Sports Night, he can pull back the curtain on what a newsroom looks and feels like and remind audiences what it’s like to focus on ethical journalism over clickbait. Maybe it’s a fantasy he dreamed up, but his universe was so welcoming that it gave hope that this is how journalism actually is. That said, the idealized ACN newsroom comprised a cohesive ensemble, including Emily Mortimer, John Gallagher Jr., Alison Pill, Thomas Sadoski, Dev Patel, Olivia Munn, and Sam Waterston. Truly a series that was cut too soon, The Newsroom was a conversation series that was very much necessary.

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14

‘Fargo’ (2014-2024)

Lester and Lorne from 'Fargo' speaking in a waiting room Image via FX

There have been quite a few movies that have attempted to turn their product into a TV series. While many aspired to be the next M*A*S*H*, very few succeeded. Then, decades later, the Joel and Ethan Coen masterpiece, Fargo, was transformed into an anthology series, and magic was made. Consisting of five self-contained seasons that share the same continuity as the film, Fargo depicts slightly interconnected “true crime” stories, centering on ordinary people drawn into murderous, chaotic situations involving Midwest niceties, mundane small-town life, and overtly inept criminals. With a twisted dark humor seeping into a tense crime drama that unfold. Created by Noah Hawley, Fargo uses the film’s success as a jumping-off point to become its own masterful project.

Make no mistake, the FX series is intentionally violent. It helps heighten the action as the crime collides with these seemingly innocent denizens of the quaint towns. Whether singular criminals or wide-spanning mafia syndicates, Hawley’s ability to tie the universe together through intricately small details and overarching themes became the draw for viewers to return season after season. As an anthology series, each season’s story lives on its own with a brand-new cast for each. Fargo’s ability to draw in sensational stars to play in Hawley’s sandbox elevated the already appealing series. The legendary list included Martin Freeman, Billy Bob Thornton, Kirsten Dunst, Jesse Plemons, Carrie Coon, Ewan McGregor, Chris Rock, Jessie Buckley, Juno Temple, and Lamorne Morris, among others. Through cinematic quality production and sensational writing, Fargo is television excellence.

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13

‘The X-Files’ (1993-2002; 2016-2018)

gillian anderson david duchuvny the x files
gillian anderson david duchuvny the x files
Image via 20th Century Studios

No show shaped modern science fiction television quite like The X-Files. Created by Chris Carter, the series followed FBI agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) as they investigated marginalized, unsolved cases. Focusing on solving what really is the truth out there, The X-Files entertained through its monster-of-the-week format while tapping into our deepest fears through the supernatural, paranormal, and conspiracy theories. Through its dark tone that effortlessly united sci-fi, horror, and thriller, The X-Files filled a massive void and a desire for something haunting.

With a cinematic approach that takes no shortcuts, The X-Files explored the bigger picture through engaging, shorter narratives. Between the mistrust of the government and the battle between science and faith, The X-Files’ ability to layer it all in under the guise of a sci-fi thriller made it bigger than it is. The X-Files was appointment television because of the brilliant chemistry between Anderson and Duchovny. In a time when dynamic duos in mystery and crime shows were all the rage, Mulder and Scully stood atop the heap. What made their partnership crucial was the flipped role reversal and a strong female co-lead. A masterpiece that continues to resonate, The X-Files remains a piece of its time. With high anxiety in a post-Cold War, pre-Internet world, The X-Files tapped into the zeitgeist with ease.

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12

‘The Pitt’ (2025-Present)

Noah Wyle in The Pitt Season 2
Noah Wyle in The Pitt Season 2
Image via HBO

You might be shocked to see a show that’s barely a year old to make this list, but if you’ve watched The Pitt, you’ll completely understand. Let’s face it, The Pitt is a modern masterpiece and the best series on television right now. You might be shocked to see a show that’s barely a year old to make this list, but if you’ve watched The Pitt, you’ll completely understand. Created by R. Scott Gemmill, the high-octane medical drama chronicles the day in the life of the doctors, nurses, and staff at Pittsburgh Trauma Medical Center’s emergency room. Having to navigate staff shortages and underfunding during an intense 15-hour shift, The Pitt is a gritty, realistic portrayal that highlights healthcare burnout, addiction, and systemic issues. With each episode reflecting a single hour in the shift, The Pitt becomes a wholly immersive experience that medical dramas have never done before.

The Pitt can essentially be called a scripted documentary for how faithfully it depicts the action. When medical professionals deem the story to be authentic, you know you’re doing something extraordinary. The real-time format heightens the stakes tremendously. The characters are literally racing against the clock as obstacles are suddenly tossed in their path. And yet, there’s no shortage of character development through these intimate moments in the emergency room. Noah Wyle is in a career-best role as Dr. Michael “Robby” Robinavitch. He plays the traumatized yet deeply empathetic physician navigating personal and professional crises while simultaneously serving as a selfless mentor. Though Wyle’s Dr. Robby is the de facto leader in the ER, for the show itself, it’s an ensemble effort. Every single primary character is brilliantly built, flaws and all. Two seasons in, and the format keeps the show fresh. With that, the show can continue, introducing new faces as old ones depart. As long as it sticks to a shift per season, The Pitt could outlast ER and Grey’s Anatomy.

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11

‘Deadwood’ (2004-2006)

Seth Bullock (Timothy Olyphant) and Al Swearengen (Ian McShane) stand outside a building in Deadwood.
Seth Bullock (Timothy Olyphant) and Al Swearengen (Ian McShane) stand outside a building in Deadwood.
Image via HBO

Before the Taylor Sheridan Western boom arrived, the 21st century kicked off with the greatest serialized Western drama, Deadwood. The David Milch hit series was a historical fiction that took viewers through the daily lives of the denizens of the Dakota Territory town, Deadwood. Using real-life individuals and events as the launching pad, depicting the trials and tribulations of a South Dakota gold mining camp as it transitioned into a civilized town. Starting with the power struggle between ruthless saloon owner Al Swearengen (Ian McShane) and honest former marshal Seth Bullock (Timothy Olyphant), as they navigate greed and murder and discover what defines a community. Rough and gritty with cursing galore, Deadwood didn’t idealize the West; rather, it showcased the hardships with fervent integrity.

Deadwood showcased sensational world-building of a lawless world. Deadwood’s visceral portrayal of the frontier isn’t meant to be perfect. The grit and dirt of the town contrast with the pristine, clean denizens of Deadwood, showcasing the disparity in power, class, and money. Without its authentic integrity, Deadwood would have lost its allure. The series’ writing became one of its great attributes. Written like a Shakespearean Western. Built into the Westernisms is seamless profanity, but not for shock value. It’s there for authenticity. Rather than sticking to the traditional drama formula, Deadwood remained philosophically character-driven. Beyond Olyphant and McShane, Deadwood featured one of the best ensembles of the decade, which included Molly Parker, John Hawkes, Robin Weigert, Jim Beaver, Dayton Callie, and more. Even with only 36 episodes, Deadwood was a masterpiece. Though a movie was made 13 years later to help tie up an exceptional series, it also served as a thank-you to the fans.

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Lola Young says she's in 'drugs recovery' 6 months after collapsing on stage during music festival

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“I’m doing a hell of a lot better,” said the 25-year-old singer, who suffered an unspecified medical emergency in front of a crowd at the 2025 All Things Go festival.

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Test Your Knowledge With the Collider TV Quiz — March 30, 2026

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Television has long been a modern touchstone for events of the past. Let’s look at eight shows that look at eight moments in history.

Don’t forget to sign in to your account to track your daily progress. You can always play today’s Movie Quiz for more challenges, and all of our current and archived quizzes lie here.

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Have we got a jam-packed slate of content to cover! This week, we’ll look at shows and episodes that feature basketball, beloved series that got unfairly canceled, and the sitcoms of Adam Scott. We’ve even got a wild card day, where you never know what you’re going to find.

For today’s TV challenge, it’s a trip down memory lane. We’ll flip through the pages of history as told through our television sets. Scroll down for the cold open!

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BritBox Officially Renews Their Hit Reboot of a Classic Detective Series

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Sofia Barclay and Leo Suter in Lynley

This article covers a developing story. Continue to check back with us as we will be adding more information as it becomes available.

The BBC announced this afternoon that Lynley, the hit British mystery series starring Leo Suter and Sofia Barclay, has been renewed for Season 2, which is now in production.

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03239869_poster_w780.jpg

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Release Date

September 4, 2025

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Network

BritBox

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  • instar48505554.jpg

    Leo Suter

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    DI Tommy Lynley

  • Cast Placeholder Image

    Sofia Barclay

    DS Barbara Havers

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This article covers a developing story. Continue to check back with us as we will be adding more information as it becomes available.

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Safire W/ Antonio Bibbs Amid Safaree Mom Death

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Internet Users React After Erica Mena Reportedly Shares Clip Of Safire Spending Time With Antonio Bibbs Following Passing Of Safaree's Mom

Internet users are sharing reactions after Erica Mena reportedly shared a clip of her daughter, Safire, spending time with Antonio Bibbs following the passing of Safaree’s mom.

RELATED: Here’s What We Know About Erica Mena’s Apparent New Boo Antonio Bibbs

Erica Mena Reportedly Shares Clip Of Daughter Safire Spending Time With Antonio Bibbs

Over the weekend, Instagram user @livebitez shared a clip from what appears to be a recent livestream of Mena’s. Furthermore, in the clip, Erica Mena’s daughter, Safire, is seen sitting on a couch, while Antonio Bibbs sits a few seats away. Furthermore, Safire and Bibbs play rock, paper, scissors, and ultimately Bibbs appears to win, covering Safire’s rock with his paper.

Internet Users Are Sharing Reactions

Social media users immediately slid into @livebitez’s comment section with strong reactions to Erica Mena’s clip of Safire and Antonio Bibbs. Many noted that they believed it was shared with “wrong” or “poor timing.”

Instagram user @geesixx__ wrote, That man just lost his mother, so if he snap I won’t say a thing! This is poor timing fr and it’s spiteful”

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While Instagram user @sugarslem added,Wrong time Erica- Wrong time ,smh”

Instagram user @dombomb_____ wrote, Now wtf does his mom passing have anything to do with Erica?”

While Instagram user @purifyingglow added, Why should she care what her ex that took her through it is going through”

Instagram user @naga_naga555 wrote, This is beautiful😍she deserves happiness… the family that one man throws away becomes another man’s treasure I’m happy for this blended family I resonate😍”

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While Instagram user @beckk.707 added, Wait didn’t I just see Safari’s mom passed? Idk their relationship but seems like wrong timing”

Instagram user @kat_berryx wrote, Weird”

While Instagram user @talkyoish2024 added, Why is it wrong timing? Y’all don’t know if she gave her condolences. Stop trying to start stuff based off wants you see”

Instagram user @wandabbw1 wrote, 1 thing about us, Scorpios. We take it 2 hell with our Revenge.”

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While Instagram user @merlotvsgtrinity added, That man left her for dead , yes she’s being petty but I completely understand it is what it is unfortunately.”

Instagram user @clearlydgaf_ wrote, She’s so bitter and focused on getting lick back on Safaree b/c come on now girl out of the days”

While Instagram user @nickimonash99 added, Lmao she know his mom died, she wrong”

Instagram user @a.itskima wrote, Wrong time Erica.”

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While Instagram user @unruly_dushi added, Erica is a spiteful woman , the man just lost his momma”

Instagram user @desskardashian wrote,Tf his mama gotta do with her and her Man?? NOT SHIT ! Why tf she gotta be respectful to n***a who did her down bad ?…”

Erica Mena Reportedly Shares Clip Of Daughter Safire Spending Time With Antonio Bibbs Following The Passing Of Safaree’s Mom

As The Shade Room previously reported, on Saturday, March 28, Safaree took to Instagram to confirm the passing of his mother. Furthermore, Safaree wrote that his “life” has been “shattered” and he’s “never” known “pain like this.”

Since then, Safaree has been posting via his Instagram Story. On Sunday, he wrote that “life doesn’t feel real and the pain is unbearable” and “constant.” Additionally, he reposted the clip embedded below.

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Since Safaree announced his mom’s passing, Erica Mena has also remained active on Instagram, sharing a few posts on her feed. At this time, it appears she has not publicly reacted to the news.

RELATED: Awww! Spicy Clip Of Erica Mena & Her Boo Antonio Bibbs Has The Internet Hyping Up Their Romance (WATCH)

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Gloria Estefan’s Timely New Documentary Is Officially on Digital [Exclusive]

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Joan-Rivers

In just a few days, the United States will honor the 25th nationally recognized Sexual Assault Awareness Month. In Latin America, awareness is spreading through the upcoming release of Brisa. The documentary features commentary from global icon Gloria Estefan. The film chronicles Brisa de Angula Losada’s relentless pursuit of justice. That culminated in a landmark ruling at the Inter-American Court of Human Rights. “She’s a warrior; this is hard what she is doing and, in Latin America, even harder because there is such a culture of protection of the male with women in a second tier,” Estefan explains. Now Collider has an exclusive first look at the trailer as the documentary arrives on Digital.

The trailer begins with startling statistics: 70% to 80% of women in the country have encountered some form of domestic violence. In the trailer, Brisa describes how, after her sexual assault, she felt like she was failed by the Bolivian government.

The documentary is described as:

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“A powerful and gripping documentary about Brisa De Angulo Losada’s fight as a survivor and advocate against childhood abuse and sexual violence. Her decades-long pursuit led to a landmark case at the Inter-American Court of Human Rights, reshaping the legal landscape across Latin America. Directed by 24-time Emmy winner Nick Nanton, BRISA features Gloria Estefan and Brisa de Angulo Losada.”

Joan-Rivers


Remembering the Icons of Television — Collider TV Quiz

These television artists were posthumously recognized for their work, and the awards they received were testaments to their lasting legacies.

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Brisa de Angula Losada Says Now Is the “Perfect Time” for Documentary

Losada has translated her personal victory into widespread action through her non-profit, A Breeze of Hope. Her humanitarian efforts have provided free legal aid and support to over 2,600 victims and families navigating the court system. She says the timing of this documentary could not be better:

“I decided to share my story with the world now because now is the perfect time. The Inter-American Court ruled in my favor in my case against Bolivia, and now is the time to bring the horrendous and gut-wrenching reality of incestuous sexual violence to light. Now is the time to pressure governments around the world to comply with heightened child protection standards. With the Court’s judgement, we now have a framework–an advocacy tool–that gives teeth to our stories. Now is the time to show survivors everywhere that their voices can reshape nations, regions, continents, and the entire world. As survivors, we now have a binding case–and a real instrument of change–that lends legitimacy to our voices and our cries for justice.”

Executive producers on the documentary include: Nick Nanton, Nick Ruff, Brian Norton, Mark Evans, Deena Evans, Peter D’Arruda, Chuck McDowell, Didi Wong, Chris Wiser, Kevin Hodes, Wayne Pernell, Jennifer Perri, Pat Ziemer, Fred Rouse, Paul Peters, Julie Meates, Richard Tyler, Francis X. Astorino, Bryan Gallinger, Kimberly Ku, Kathleen Forrest, Gwen Medved, Susan Rucker, Mike Lockwood and Suzanne Nakano.

Director of the project, Nick Nanton explains:

“Brisa is not only a survivor of sexual violence — she is a relentless advocate who refused to be silenced, challenging legal and cultural norms in Bolivia and across Latin America.”

Brisa is currently available to rent on most streaming platforms, including Prime Video. Check out the trailer above. Stay with Collider for the latest updates.

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Sophie Turner Inured On Set, ‘Tomb Raider’ Production Paused

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Sophie Turner at 2019 HBO's Official 2019 Emmy After Party

The highly-anticipated “Tomb Raider” live-action series featuring Sophie Turner has reportedly hit a brief production setback. The actress is said to have sustained an injury while filming, resulting in the temporary pause of production.

Turner has been hard at work on the project since production began in January. While details about the injury have not been disclosed, filming is expected to resume once she has recovered and is ready to return to set.

Sophie Turner Had A Minor Injury

Sophie Turner at 2019 HBO's Official 2019 Emmy After Party
Lumeimages / MEGA

Filming for “Tomb Raider” has been temporarily paused, Amazon MGM Studios announced in a statement sent to Entertainment Weekly. The actress had a “minor injury” during production, and filming was temporarily paused to give the actress time to heal. “We look forward to resuming production as soon as possible,” the studio noted.

A source told Page Six that Turner will most likely be back on set in a couple of weeks. In the meantime, the crew members will be continuing to do prep work needed for the production.

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In January, Amazon MGM Studios posted first-look photos of Turner as Lara Croft, the adventurer and archaeologist who is the main protagonist in the video game franchise, “Tomb Raider,” which the series is based on.

The Actress Said She Has ‘Massive Shoes To Fill’

In September 2025, actress and producer Phoebe Waller-Bridge, who is the project’s showrunner, confirmed Turner will be portraying Lara Croft in the series. “I’m so excited to announce the formidable Sophie Turner as our Lara alongside this phenomenal creative team. It’s not very often you get to make a show of this scale with a character you grew up loving,” Waller-Bridge stated.

Turner expressed her excitement over taking on the role, saying, “I am giving everything I’ve got.” The “Game of Thrones” alum also gave a nod to the actresses who have portrayed Croft in the past, Angelina Jolie and Alicia Vikander, saying she has “massive shoes to fill.”

“I can’t wait for you all to see what we have cooking,” Turner teased.

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Sophie Turner Said The New Lara Croft Won’t Be A ‘Bombshell’

Since the release of the first “Tomb Raider” game in 1996, Croft has been seen as both a heroine and a bombshell, blending her sex appeal with her thirst for adventure. However, Turner said that the series won’t focus on the “sex bombshell” characteristic.

In an interview with the Los Angeles Times in January, the actress said the series will focus on showing Croft’s “other side.” “It’s about her and her story and what drives her, rather than what so many people also love about her, which is how hot she is in the games and the movies,” Turner explained.

“I really want to show the other side. She’s so unashamedly capable. She is not a woman who hides her strengths at all,” the actress added.

The Actress Went Through Intense Training For The Role

Sophie Turner arrives at 2nd Annual Academy Museum of Motion Pictures Gala
MEGA

In January, Turner talked about the gruelling training she had to undergo in preparation for playing Croft. On “The Julia Cunningham Show,” the actress said she started training in February 2025 and has been doing it for “eight hours a day, five days a week” since.

Turner explained that she found out she had a “perpetual back problem” while conditioning her body. In addition, she shared that it was quite difficult for her to build muscle, since she wasn’t used to working out. “It has taken me months and months and months to get into good shape,” she added, jokingly saying that in her role as Sansa Stark in “Game of Thrones,” she was the one who was beaten up and not the one doing the beating.

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While Turner played Marvel mutant Jean Grey in “X-Men” and had to be in shape for the role, she pointed out that she didn’t need physical training since Grey’s special ability was telekinesis. “I didn’t realize I could push my body that far. I feel like I’ve achieved something even before we’ve started shooting,” she said, referring to her role as Croft.

The ‘Tomb Raider’ Franchise

The massive success of the “Tomb Raider” games resulted in a series of movies and series. In 2001, Angelina Jolie played the role of Croft in the movie “Lara Croft: Tomb Raider.” She reprised her role for the second movie, released in 2003, titled “Lara Croft: Tomb Raider – The Cradle of Life.”

In 2018, the “Tomb Raider” movie was released, with Alicia Vikander taking on the role of the archaeologist. The game also spawned two animated series, “Re\Visioned: Tomb Raider” and “Tomb Raider: The Legend of Lara Croft.”

The “Tomb Raider” series starring Turner also features Sigourney Weaver, Jason Isaacs, Martin Bobb-Semple, and Bill Paterson. A release date has yet to be announced.

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Missing ‘The Office’? Steve Carell Says His New HBO Comedy Has the Same “All for One” Vibe

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Greg is turned towards Dylan, dancing, as they walk down a sidewalk.

Summary

  • Collider’s Perri Nemiroff chats with Steve Carell, Charly Clive, John C. McGinley, and Lauren Tsai for HBO Max’s Rooster.
  • Carell and Clive discuss how this series recaptures the magic of The Office and its standout costars.
  • McGinley and Tsai also discuss how Bill Lawrence has once again created magic with his cast and standout costars like Danielle Deadwyler and Rory Scovel.

What made The Office so spectacularly successful is hard to put a finger on, but Steve Carell knows what made it so special for him. Fortunately for fans, the Emmy Award nominee says his HBO Max series, Rooster, recaptures the same lightning-in-a-bottle magic under the guidance of Ted Lasso and Shrinking‘s co-creator Bill Lawrence.

In Rooster, Carell plays a proud but concerned father and best-selling author Greg Russo. Katie, played by Charly Clive (The Lazarus Project), is a college professor whose personal life is in shambles, and it’s beginning to affect her work. When Greg is invited to speak at the university, he realizes his status could be an opportunity to help save Katie’s career, and jumps at the chance to be his daughter’s hero again.

While talking with Nemiroff, Carell and Clive discuss how Rooster‘s talented ensemble cast creates a vibe similar to The Office‘s “all for one” energy. They talk about the moments throughout filming when they found their own unique ways into their characters, with Lawrence’s encouragement, and the costars, like Annie Mumolo (The Idea of You) and Rory Scovel (Physical), who took their parts to the next level. Carell also reveals a very impressive moment from set that we’ll sadly never see on screen. Check out the full conversation in the video above, or in the transcript below.

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Steve Carell Says ‘Rooster’s “Vibe Is Really Similar” to ‘The Office’

He credits this lightning-in-a-bottle energy to creator Bill Lawrence, the crew, and the ensemble.

Greg is turned towards Dylan, dancing, as they walk down a sidewalk.
Greg is turned towards Dylan, dancing, as they walk down a sidewalk.
Image via Warner Bros. Discovery

PERRI NEMIROFF: Steve, I’ll start with a question for you about general casting on this show because I was reading some quotes about it and how you explained that the Rooster ensemble had a little bit of a similar vibe to the ensemble in The Office. So I was wondering, what was that similarity, and what’s the first thing you saw happen on set that signaled to you the Rooster team had that extra-special group attached?

STEVE CARELL: Well, I attribute the success, in my opinion, of the ensemble to Bill Lawrence. Much in the same way that Greg Daniels was instrumental in casting The Office, I think Bill Lawrence has a really good eye, not just for talented people, but for good, nice people, kind people who would potentially get along with each other. I think Bill did the same thing. I think everyone that he cast genuinely wanted to be part of an ensemble and wanted to support one another and wanted it to be the best show.

These are all the things that we felt on The Office. No one was more important than anybody else. Everybody was just part of this group. Cast, crew, writers, everybody just wanted to make it great. And so, in that way, the vibe was really similar.

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I like those vibes. I want to see more of them in this industry.

A question for both of you. This comes from something Bill mentioned in another interview. He was saying that when you all did your first table read, he specifically told you, “Within a couple of weeks, I want you all to have an exceptionally greater percentage of ownership over your character.” So, for each of you, do you remember the first moment when that happened, the first moment you thought of something or you did something, and you’re like, “Wow, this character is uniquely my own now?”

CHARLY CLIVE: Oh, I know what mine is! Before I said my line, I said, “Ew,” and then I said my line. Then Bill thought it was kind of funny, and he was like, “Why did you do that?” And I was like, “Because that to me, if I’m embarrassed, I’d be like, ‘Ew.’” It was something that Greg said, and my instinct was to say, “Ew!” He was like, “Oh, that’s interesting. That’s how Katie shows embarrassment,” and he found it funny. I was like, “Oh, okay, great! That’s funny.” I didn’t realize that was going to happen that way, and it was great.

He was very open to if I had suggestions or if I felt like I wanted to talk, or have ideas about things. Bill just loves to play. He was like, “Okay, great. And then what about this? What about this?” He’s very, very “Yes, and.”

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Katie at a lectern in a classroom, pointing at someone.
Katie at a lectern in a classroom, pointing at someone.
Image via Warner Bros. Discovery

CARELL: Almost instantly, really, everybody was taking ownership. The fact that he said that at the first table read really set a tone, and it all starts from the top. That culture starts with him and the fact that he was saying, “This is yours. This is all of ours, so make it yours, and add to it or subtract, or let’s talk about stuff if it’s not working for you.” And he was true to his word. He never held us to anything that they had written.

The other side of it is that the scripts were great. They were all really funny and heartfelt, and felt lived-in. But within that, just being able to have options and be able to play and being able to try to make each other laugh, that’s another thing that was similar to me in terms of those two experiences. It’s got to be fun. That makes it less work. It’s fun for everybody. It’s fun for the crew, too, to not really know what’s going to happen this take. So, everyone’s sort of in it every time. It’s not just going through the motions.

Dwight from The Office


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“Well, well, well… how the turntables…”

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Annie Mumolo Is a ‘Rooster’ Scene-Stealer

I knew, but I don’t think what a lot of people knew going in was that there’s also an enormous amount of depth to her as an actor.”

Walter and Cristle looking at something on a computer screen in horror.
Walter and Cristle looking at something on a computer screen in horror.
Image via Warner Bros. Discovery
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I’ll build on that a little bit because I love forcing actors to give their costars flowers. I don’t want to spoil anything, but I do want to tease how good everybody around the two of you is in this show. Can you each tell me something you saw another actor do on the Rooster set that would make you want to tell a potential viewer, “You think you know what they’re capable of, just wait until you see what they do on our show?”

CARELL: Well, the first person that comes to mind is Annie Mumolo.

CLIVE: Me too!

CARELL: Who everybody knows is a super funny person. I knew, but I don’t think what a lot of people knew going in was that there’s also an enormous amount of depth to her as an actor. This crazy character she plays can turn on a dime and break your heart in the most grounded, real way, while at the same time doing the most fantastically funny things. Really, it’s masterful.

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But that’s just one example. They’re across the board. The people who play the students in the show, a lot of them, right at first, might have been a little intimidated. It’s a new environment, and they may not be as experienced as some of the older actors, but within hours, almost, they were feeling that vibe. They were able to start taking ownership of their own roles and making them their own and improvising. Incredibly funny! So, it’s really across the board. There are 100 different examples I could give.

CLIVE: I thought of Annie first, too, because Annie also can make a facial expression. Annie, without saying anything, just a simple facial expression, can really make you break character. I didn’t get to do that much with Annie, but I sort of begged to, and Bill was like, “We’ll find a place for you guys to interact.” And it was one of the harder days because I find her so hilariously funny, and every take she did something completely different, which is so much fun.

But lots of people are like that. I’d also like to say a special mention to Rory Scovel, who was just exceptionally funny. Sometimes he’d be like, “Oh, I’ve got this good idea for a joke,” and then sometimes he’d sort of set you up for an open goal that you didn’t realize was there. He always had such a great energy. But everybody did.

CARELL: That’s the other part of it, is that people weren’t thinking about just their own performance. People did want to set other people up. That’s another thing that reflects my experience on The Office. It was all for one. It was, “Let’s share it. This is all of ours.” And I think that shows are better when that happens, when you’re sharing it.

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I’ll end on a somewhat silly question, because I’m obsessed with you throwing the pennies into the jar, and there’s also a particular episode where there’s some good college party games. For each of you, what particular college party game do you either think you would be the best at, or maybe you were the best at?

CLIVE: Beer pong for me.

CARELL: I was pretty good at beer pong, I think.

Are you actually throwing the pennies into the jars or is that movie magic?

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CARELL: I mean, I didn’t hit all of them, for sure, but the ones that you see, I got. And you know the one with the ping pong ball, where I turn around and throw it?

No way!

CARELL: That went in, but they didn’t have it on camera. I swear that actually happened.

I’m going to choose to believe you even without the proof.

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CARELL: It kills me that they didn’t because I did it! But you never know. The first take, I did it, and it went right in, and I felt the whole crew went, “Oh my god!” We could have never used it because they were all screaming. [Laughs]

‘Rooster’ Is a “Hall of Fame” of Talent

Fans will no doubt be falling in love with this cast, as we did with Scrubs, Ted Lasso, and more.

In addition to talking with Carell and Clive, Nemiroff also had the opportunity to speak with Scrubs alum John C. McGinley, who plays Dean Walter Mann in Rooster, and Lauren Tsai (Legion), who plays Sunny, the grad student that Katie’s husband and colleague, Archie (Ted Lasso‘s Phil Dunster), cheats on her with.

During their conversation, Tsai explains what it’s like to go from a tonally varied series like Legion to a Bill Lawrence comedy, saying, “I feel like I’m acting for the first time.” McGinley, a fan favorite on Scrubs as the lovably grouchy Dr. Perry Cox, also shares how he knew Lawrence had done it again with the Rooster ensemble, calling their cast, from Danielle Deadwyler (The Piano Lesson) to Dunster, a “hall of fame” of talent. To dig into how special this cast is, they each share moments from standout castmates, reveal the magic behind the truth barrel, the seemingly easy “human” things that are trickiest to act out, and more. Check out the video above for the full interview.

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Rooster debuts on March 8, available to stream on HBO Max. New episodes premiere every Sunday.


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Release Date
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March 8, 2026

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HBO

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Taylor Swift Avoids Awkward Run-In With John Mayer

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Taylor Swift at the 2019 Billboard Women In Music Presented By YouTube Music

Taylor Swift narrowly avoided what could have been an awkward reunion over the weekend when she attended Paul McCartney’s concert in Los Angeles, only to realize her ex, John Mayer, was also in attendance. 

While the two stars didn’t cross paths, Swift’s quiet exit quickly caught attention. 

The moment comes amid a whirlwind time in her personal and professional life, with major award wins, a high-profile engagement, and lingering history that still sparks conversation years later.

Taylor Swift Avoids Awkward Run-In With John Mayer

Taylor Swift at the 2019 Billboard Women In Music Presented By YouTube Music
Xavier Collin/Image Press Agency/MEGA

According to a report from Page Six, Taylor Swift found herself in close proximity to a familiar face from her past when she attended McCartney’s concert at the Fonda Theatre in Hollywood on Saturday. 

The singer was seen mingling with fellow attendees, including Olivia Rodrigo, but the atmosphere reportedly shifted once it became clear that Mayer was also present at the venue.

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Although both stars were spotted outside at different points during the night, they managed to avoid any direct interaction. 

Swift ultimately exited through a different route, sidestepping what many fans would have considered a tense encounter.

Dressed in a sleek black outfit with her hair styled in a polished updo, Swift appeared composed as she left the venue, treating the event like any other night out. 

Swift And Mayer’s Complicated History Still Lingers

John Mayer at F1 The Movie World Premiere
ZUMAPRESS.com / MEGA

Taylor Swift and Mayer’s connection dates back to 2009, when the two collaborated on the track “Half Of My Heart.” 

At the time, the Grammy Award winner was only 19 while Mayer was 32, a dynamic that later fueled widespread discussion about their relationship.

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Not long after working together, the pair were romantically linked, but their relationship was short-lived. 

By February 2010, they had gone their separate ways, though the aftermath would continue to echo through their music and public statements.

Later that year, Swift released her album “Speak Now,” which included the track “Dear John.” 

The song quickly sparked speculation that it was inspired by her relationship with Mayer, particularly due to its pointed lyrics, including, “Don’t you think nineteen’s too young/To be played by your dark, twisted games when I loved you so?/I should’ve known.”

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John Mayer Opens Up About Taylor Swift’s ‘Dear John’

John Mayer performs in Chicago
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Although Swift never confirmed the subject of the song, the narrative gained traction, especially after Mayer appeared to respond years later. 

In 2013, he released “Paper Doll,” with lyrics like, “You’re like twenty-two girls in one/And none of them know what they’re runnin’ from,” which many believed referenced Swift and her “Red” era.

Months before the release, Mayer shared his thoughts on “Dear John,” telling Rolling Stone that the song left him feeling “terrible” and “humiliated.” 

He insisted, “Because I didn’t deserve it,” and added that he had been caught off guard by the track’s release. 

Reflecting on the moment, he said, “I mean, how would you feel if, at the lowest you’ve ever been, someone kicked you even lower?”

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Swift, for her part, pushed back on the assumption that the song was about their relationship. 

Speaking to Glamour, she called it “presumptuous” to assume the song was about him and reiterated, “I never disclose who my songs are about.”

Swift Celebrates Major Wins Amid Personal Milestones

Taylor Swift at Miss Americana World Premiere, Sundance Film Festival 2020
imageSPACE / MEGA

Despite the resurfacing of old headlines, Taylor Swift has been firmly focused on the present. 

Just days before the concert, she made a major appearance at the 2026 iHeartRadio Music Awards, where she was joined by her fiancé, Travis Kelce.

Swift dominated the night, taking home seven awards, including Pop Album of the Year for her 2025 release “The Life of a Showgirl.” 

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As reported by The Blast, she reflected on the album’s tone during her acceptance speech, describing it as having an “energy of just feeling really happy and strong and confident and free.”

She credited her current happiness in part to her relationship, telling the audience, “Because of my fiance, who’s here tonight. So thank you, thanks for all the vibes,” as Kelce looked on proudly from the crowd.

The couple, who made their awards show debut that night, shared affectionate moments throughout the evening, including a kiss before Swift took the stage.

Taylor Swift’s Engagement And Future Plans Take Center Stage

Taylor Swift And Travis Kelce engagement
ZUMAPRESS.com / MEGA

Away from the spotlight of concerts and award shows, Swift is also preparing for a major personal milestone. 

The singer got engaged to Kelce last August, later sharing the news with fans in her signature playful style, writing, “Your English teacher and your gym teacher are getting married.”

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Sources close to the couple revealed that their engagement has been marked by intimate celebrations, with loved ones expressing excitement and support. 

Plans for the wedding are already underway, with reports suggesting the ceremony could take place at Swift’s Rhode Island mansion.

The rumored date, June 13, holds special significance for Swift, as 13 is widely known to be her lucky number. 

There has also been speculation that close friends, including Selena Gomez and Gigi Hadid, could be part of the bridal party.

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Sophie Turner Injured, Tomb Raider Production Pauses

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Sophie Turner is recovering from an unspecified injury, leading to a production pause on Prime Video’s new Tomb Raider TV show.

“Sophie Turner recently experienced a minor injury,” Amazon MGM Studios said in a statement to Deadline on Sunday, March 29. “As a precaution, production has briefly paused to allow her time to recover. We look forward to resuming production as soon as possible.”

Turner, 30, plays archeologist and adventurer Lara Croft in the new television adaptation based on the Tomb Raider video game series. The series is executive produced by Fleabag creator Phoebe Waller-Bridge.

“I’m so excited to announce the formidable Sophie Turner as our Lara alongside this phenomenal creative team,” Waller-Bridge said in a September 2025 statement announcing Turner’s casting. “It’s not very often you get to make a show of this scale with a character you grew up loving. Everyone on board is wildly passionate about Lara and are all as outrageous, brave, and hilarious as she is. Get your artifacts out… Croft is coming…”

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Feature Sophie Turner Transforms Into Lara Croft for Her New Tomb Raider Series


Related: See Sophie Turner as Lara Croft for Her New ‘Tomb Raider’ Series: Photo

Sophie Turner has officially transformed into Lara Croft. Prime Video unveiled the first look at Turner, 29, dressed as the video game heroine for her new Tomb Raider series on Thursday, January 15. The photo shows the actress dressed in one of Lara’s famous looks: a green tank top, black shorts, red sunglasses, a backpack […]

“I am thrilled beyond measure, to be playing Lara Croft,” Turner added. “She’s such an iconic character, who means so much to so many – and I am giving everything I’ve got. They’re massive shoes to fill, following in the steps of Angelina [Jolie] and Alicia [Vikander] with their powerhouse performances, but with Phoebe at the helm, we (and Lara) are all in very safe hands. I can’t wait for you all to see what we have cooking.”

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Tomb Raider began filming in January and will also star Sigourney Weaver, Jason Isaacs and Martin Bobb-Semple.

In a January appearance on SiriusXM’s The Julia Cunningham Show, Turner opened up about how she prepared for the shoot.

“We’ve been doing eight hours a day, five days a week, since February last year of training, so it’s been a lot,” the actress said.

Feature Sophie Turner Transforms Into Lara Croft for Her New Tomb Raider Series

Sophie Turner as Lara Croft.
Jay Maidment/Prime

She continued, “I’ve learned I have a perpetual back problem, but I also realized that it’s much easier to build muscle if you’ve ever worked out before in your life, which I never had, so it has taken me months and months and months to get into good shape. That’s what I’ve learned.”

Turner also spoke about how her iconic role as Sansa Stark in Game of Thrones did little to help her prepare for her new part.

“I was the cool queen who, like, didn’t have to do that,” she said of playing Sansa. “I also just kind of was the one that got beat up, not the one doing the beating. So, it’s quite nice to learn how to throw a punch and not just take it.”

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Ben Affleck’s Forgotten Adaptation of an Iconic Sci-Fi Thriller Returns to Streaming in April

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Ma-Rainey's-Black-Bottom-Chadwick-Boseman

There is a very specific kind of early-2000s studio sci-fi thriller that feels almost impossible to recreate now. High concept, glossy, a little paranoid, and stacked with stars, those movies usually revolved around one killer premise and enough confidence to carry it through. Paycheck fits that mold perfectly. It has never had the reputation of the biggest Philip K. Dick adaptations, but it has always had its own odd little appeal.

That overlooked genre entry is heading to Paramount+ on April 1 as part of the streamer’s next monthly lineup. It is an easy one to imagine finding a second life there, especially for viewers who have a soft spot for old-school puzzle-box thrillers.

Directed by John Woo, the 2003 film stars Ben Affleck as Michael Jennings, a reverse engineer who takes lucrative jobs under one unusual condition: his memory is wiped after each assignment. When he wakes up after one major project, he discovers he has given up a massive payday in exchange for an envelope full of random everyday items. Naturally, those objects turn out to be the only clues he has to survive what comes next.

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The cast includes Affleck as Michael Jennings, Uma Thurman as Dr. Rachel Porter, Aaron Eckhart as James Rethrick, Paul Giamatti as Shorty, Colm Feore as John Wolfe, and Joe Morton as Agent Dodge.

Ma-Rainey's-Black-Bottom-Chadwick-Boseman


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Is ‘Paycheck’ Worth Watching?

Roger Ebert‘s review stated that Paycheck starts with a genuinely great sci-fi premise and then gradually turns it into something much more ordinary. Built around a Philip K. Dick idea about memory wipes, future tech, and a man trying to decode clues left for himself, the film has all the ingredients for a sharp, paranoid thriller. Instead, it mostly settles for a pretty standard action movie.

“And the attempts of the Allcom security staff to deal with the various locks and alarms in their top-secret lab had me thinking of “Dumb and Dumber.” There are countless fascinating possibilities involved in Philip K. Dick’s story, and I’m kind of sad that the ones ranking highest in the minds of the filmmakers was the opportunity to have chase scenes and blow stuff up real good.”

Paycheck will premiere on Paramount+ on April 1.


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Release Date

December 25, 2003

Runtime
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119 Minutes

Writers

Philip K. Dick, Dean Georgaris

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