Entertainment
5 Forgotten Movie Trilogies That Are Perfect From Start to Finish
I honestly miss the time when trilogies were simple and wholesome instead of constantly chasing bigger action scenes in every single movie. A lot of modern franchises already start thinking about spin-offs, crossovers, and cinematic universes before the first film even has its own identity. And that’s what ruins the foundation. Older trilogies had a more personal feeling; it felt like we were growing old with those characters after every installment, and they didn’t exactly care about being greenlit for the next season or next spin-off.
I especially love the five trilogies on this list because they are all different from each other. And none of them became giant mainstream obsessions, which, according to me, is the best part. Let’s dig in.
5
‘The Three Colors Trilogy’ (1993–1994)
Krzysztof Kieślowski’s Three Colors films are all built around different ideas, liberty, equality, and fraternity. Blue follows Julie (Juliette Binoche) after the sudden death of her husband and daughter leaves her trying to detach herself from almost every part of her old life. White shifts toward Karol (Zbigniew Zamachowski), a man humiliated after his marriage collapses, while Red centers on Valentine (Irène Jacob) and her strange connection with a retired judge who spends his time secretly listening to other people’s phone calls.
The reason the trilogy works so beautifully together is that every film approaches loneliness differently. Julie tries to erase emotional attachment completely, Karol becomes obsessed with revenge and dignity, and Valentine slowly develops a connection with somebody she barely understands. Small details quietly connect all three stories, though each film still feels emotionally complete on its own. By the final moments of Red, the trilogy somehow pulls everything together without making the connection feel forced or overly dramatic.
4
‘The Apu Trilogy’ (1955–1959)
Satyajit Ray’s Apu trilogy follows Apu from childhood into adulthood, though the films never feel rushed while moving through different stages of his life. Pather Panchali begins in a poor rural village where Apu spends much of his childhood observing the world around him alongside his sister Durga. Simple moments become deeply memorable because Ray pays close attention to how these people actually live day to day. A train passing through the distance or children running through fields somehow becomes just as emotionally important as larger dramatic scenes.
The later films gradually push Apu into completely different environments. Aparajito follows him leaving home for education, while Apur Sansar shows him entering adulthood, marriage, fatherhood, and devastating loss. One thing that makes the trilogy extraordinary is how naturally Apu changes across the years. He is not written like a symbolic character carrying a grand message. He simply feels like a real person growing older, making mistakes, drifting away from people, and trying to understand what kind of life he actually wants.
3
‘The Before Trilogy’ (1995–2013)
The entire Before trilogy is built mostly around conversation, which honestly should not work as well as it does. Before Sunrise starts when Jesse (Ethan Hawke) and Céline (Julie Delpy) meet on a train and impulsively spend one night walking around Vienna together before Jesse has to leave for America the next morning. Very little “happens” in the traditional sense. They talk about relationships, family, religion, death, ambition, and the small fears they would probably never admit to strangers under normal circumstances.
What makes the trilogy so special is watching those same two people meet again at completely different points in their lives. Before Sunset carries the regret of time already lost, while Before Midnight finally shows what happens after the fantasy phase of romance disappears and ordinary frustrations begin taking over. The arguments become harsher, the affection becomes quieter, and the films stop pretending love automatically solves personal unhappiness. By the final movie, Jesse and Céline feel less like fictional characters and more like people the audience has genuinely grown older alongside.
2
‘The Dollars Trilogy’ (1964–1966)
Clint Eastwood’s Man with No Name enters each film in Sergio Leone’s Dollars Trilogy looking almost disconnected from the chaos around him. In A Fistful of Dollars, he arrives in a town controlled by two rival families and immediately starts manipulating both sides for money. For a Few Dollars More expands things by pairing him with Colonel Mortimer (Lee Van Cleef), whose reasons for hunting El Indio (Gian Maria Volonté) become far more personal than simple bounty hunting.
Then The Good, the Bad and the Ugly turns the trilogy into something much larger. Blondie, Tuco (Eli Wallach), and Angel Eyes (Lee Van Cleef) spend the film chasing buried Confederate gold while the American Civil War continues violently around them. Leone constantly stretches scenes longer than most directors would dare, though that patience is exactly why the confrontations become unforgettable. Gunfights feel tense because the films spend so much time around silence, suspicion, and tiny reactions before anybody finally reaches for a weapon.
1
‘The Human Condition Trilogy’ (1959–1961)
Masaki Kobayashi’s The Human Condition trilogy follows Kaji (Tatsuya Nakadai), a man desperately trying to hold on to his morality while Japan moves deeper into the Second World War. At the beginning, Kaji takes a management role at a labor camp believing he can treat workers more humanely than the people around him. Very quickly, he realizes the system itself leaves almost no room for compassion. Every attempt to help somebody places him in conflict with military authority, and each compromise slowly wears him down further.
The later films become even harsher once Kaji is forced into military service himself. Training turns brutal, soldiers begin dying around him, and survival gradually replaces the ideals he started with earlier in the trilogy. What makes these films so difficult to forget is how relentlessly they follow Kaji through humiliation, exhaustion, guilt, and loss without simplifying any of it into easy heroism. By the end, the trilogy stops feeling like a war story and starts feeling more like a portrait of a person being emotionally destroyed piece by piece over time.
The Human Condition III: A Soldier’s Prayer
- Release Date
-
January 28, 1961
- Runtime
-
190 minutes
- Director
-
Masaki Kobayashi
- Writers
-
Zenzō Matsuyama, Masaki Kobayashi, Koichi Inagaki
-
-
-
Tamao Nakamura
Hinannmin no Shôjo
-
Yūsuke Kawazu
Terada Nitôhei
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Mackenzie Phillips is lifting the lid on her time as a child actor.
Phillips, 66, recently claimed to Fox News that she and costar Valerie Bertinelli used cocaine on the set of One Day at a Time, the hit Norman Lear sitcom in which they played teenage sisters Julie and Barbara Cooper.
“So, this might surprise you that during lunch break, Valerie and I would drive to my house, get in the pool, drink wine and snort coke,” Phillips said in an interview published on Sunday, May 31.
“But Valerie talks about it openly, so it’s not like I’m pulling her covers or anything,” Phillips continued. “The thing was that … Valerie didn’t have the kind of addiction that I had; she didn’t have addiction.”
Valerie Bertinelli has experienced multiple loves in the public eye. The actress’ most famous romance was, perhaps, her marriage to late rocker Eddie Van Halen. Bertinelli was married to the musician for more than two decades before they called it quits in 2007. Bertinelli spoke candidly about her relationship with Van Halen after watching their […]
“And, you know, so we would do coke together in the dressing room and stuff,” she said. “I just happened to be the one that got caught. And thank God I got caught, you know?”
Us Weekly has reached out to Bertinelli’s reps for comment.
Phillips and Bertinelli starred on One Day at a Time, which aired on CBS, from 1975 to 1984. The sitcom lasted nine seasons and more than 200 episodes.
During her time on the show, Phillips struggled with substance abuse and addiction, resulting in her being fired twice.
Mackenzie Phillips (as Julie Cooper); Valerie Bertinelli (as Barbara Cooper) and Bonnie Franklin (as Ann Romano). CBS via Getty Images
Bertinelli, meanwhile, has candidly discussed her past drug use over the years.
In 2024, Bertinelli said she got into drugs after she “fell in love” with ex-husband Eddie Van Halen. She said the tumultuous relationship “rapidly declined into drugs, alcohol and infidelity. … Nothing that makes you feel loved, wanted and cared for. Nothing that screams ‘soulmate,’ that’s for sure.”
Bertinelli wed Van Halen in 1981. In her 2008 memoir, Losing It, the actress recalled cocaine being part of their nuptials.
“The priest we tapped to perform the ceremony gave us questionnaires so he could get to know us better and offer more personal words. As we filled out the forms at home, we each held a little vial of cocaine,” she wrote. “Now, if you ask me, those are not two people who should be making decisions about the rest of their lives.”
Valerie Bertinelli is taking a huge — but scary — career step. Bertinelli, 65, revealed via Instagram on June 9 that she’s returning to acting in an upcoming Lifetime project. While the Food Network star didn’t share details about the project, she did admit that she’s “so grateful, if not a bit anxious.” “It’s an […]
Bertinelli and Van Halen divorced in 2007. The rocker died in 2020 at age 65. He is survived by his son with Bertinelli, Wolfgang Van Halen.
“I can’t believe I’m having to write this, but my father, Edward Lodewijk Van Halen, has lost his long and arduous battle with cancer this morning,” Wolfgang confirmed news of his father’s death in an Instagram post at the time. “He was the best father I could ever ask for. Every moment I’ve shared with him on and off stage was a gift. My heart is broken and I don’t think I’ll ever fully recover from this loss.”
If you or someone you know is struggling with substance abuse, contact the Substance Abuse and Mental Health Services Administration (SAMHSA) National Helpline at 1-800-662-HELP (4357).
Tech companies play a dominant role in how news, personal data, and communication are managed, and there is shockingly little oversight of their decisions. Although Silicon Valley was once heralded as a place where innovative startups could change the future in positive ways, it has become associated with the rise of meteoric conglomerates that have increasingly discounted the human experience. The inner circle of these high-earning CEOs and their benefactors was ripe for satire, and The Audacity does for the tech business what Succession did for media empires, with former Succession writer Jonathan Glatzer creating another eerily realistic dark comedy that is ruthless and authentic in equal measure.
‘The Audacity’ Is a Scathing Takedown of Tech Companies
The Audacity is the story of the innovative data analytics company Hypergenosis, spearheaded by the eccentric CEO Duncan Park (Billy Magnussen). Duncan is temperamental, argumentative, and potentially a genius, and has managed to achieve a breakthrough in tracking individualized information that could attract the interest of significant clients. At the same time, Duncan confides in his therapist JoAnne Felder (Sarah Goldberg), who has a tormented private life of her own due to a strained relationship with her husband Gary (Paul Adelstein) and her socially awkward son Orson (Everett Blunck), who suffers from severe health issues. The Audacity is grounded in the idea that those who have power over technology are guided by luck, instinct, and emotion. It’s a notion that can be both terrifying and hilarious.
The Audacity is clear to point out the ethical grey zone that all of its characters are dealing with, as the series considers the dubious impact of mining personal data. There are intimate discussions about what the ramifications of Hypergenosis’ collection of information might have, but the characters are never concerned with the legitimate consequences for those who are analyzed; Duncan is waging a public relations war to appear stable, and he’s also forced to combat any legal concerns that could limit his capacity to grow the company. It’s both a blessing and a curse that Duncan is mostly honest about his intentions, as he does not attempt to mask his selfishness in the same way that some of his rival CEOs do. The Audacity is most similar to Succession in how it shows that the wealthy seem to exist in a completely different reality from everyone else; Duncan is so used to getting what he wants that he can only act like a spoiled child when things don’t go his way.
‘The Audacity’ Review: AMC’s Gritty Silicon Valley Drama Isn’t Perfect, but It’ll Grow on You
Stick with these unlikable characters.
Although it’s easy to draw parallels between Duncan and prominent tech leaders who are frequently in the news, The Audacity has a rich ensemble of complicated characters, none of whom are traditionally “likable.” Goldberg’s performance is refreshing because it’s one of the rare instances in which television depicts therapy as a profession held by fallible human beings, rather than emotionally unavailable geniuses who are completely flawless. The power that JoAnne has over Duncan is fascinating because she can offer him an opportunity to work through his problems and receive feedback, which he can’t do with any of the subordinates who fear him. The situation is complicated by JoAnne’s other client, Carl Bardolph (Zach Galifianakis), whose approval Duncan desperately seeks. The tension between the trio is intimate without ever being romantic, and it’s fascinating to see how their relationships are built up through missed phone calls, insufficient sessions, and unresolved arguments.
‘The Audacity’ Has Some of 2026’s Best Acting
The Audacity isn’t suited for those who don’t enjoy “cringe comedy,” as the series doesn’t shy away from how awkward it is for these figures to retain their personas. That many of the characters’ children attend the same school makes the situation even more prickly, as wealthy parents have a way of fueling their ambitions through their children. While The Audacity raises serious concerns about how decisions that impact millions are determined by a select group of people, the characters aren’t depicted as caricatures and are, at times, given genuinely sympathetic moments. Orson is a particularly endearing character because he isn’t given any support from his mother, making for a difficult situation when he begins to fall for his classmate Jamison (Ava Marie Telek). Even Duncan is afforded some empathetic moments, with one twist near the show’s conclusion tragically revealing his insecurities, resulting in the best performance of Magnussen’s career.
The Audacity is a series that moves quickly to establish its world, but it has tremendous potential to get even better, which makes it all the more exciting that it’s already been renewed for Season 2. The season ends by starting a conversation about privacy that is bound to grow even more relevant in the months to come, especially since Glatzer seems to have his finger on the pulse as to what’s going on in the news cycle. There are also characters like Simon Helberg’s Martin Phister, a peculiar scientist with AI obsessions, who are bound to be more developed when they are afforded more screen time and dedicated storylines. Succession started small before becoming a phenomenon, and it’s easy to envision The Audacity following the same trajectory.
Entertainment
Euphoria Officially Ends With Season 3 as HBO Confirms Series Finale : Coastal House Media
A newly leaked toy description for Spider-Man: Brand New Day may have revealed one of the film’s biggest story details, and it could spell trouble for both Peter Parker and Bruce Banner.
While Marvel and Sony have already confirmed that Mark Ruffalo will return as Bruce Banner in the upcoming Spider-Man sequel, new merchandise details suggest Hulk’s role may be far more significant than fans originally expected.
According to information tied to a leaked toy line, Banner is reportedly using a device designed to suppress his Hulk transformations. However, when the technology fails, the Savage Hulk emerges, forcing Spider-Man into a dangerous situation that could become one of the movie’s central conflicts.
Spoiler Warning:
The following details are based on leaked merchandise information and have not been officially confirmed by Marvel Studios.
According to the toy description, Bruce Banner’s attempt to control the Hulk goes horribly wrong when the device preventing his transformation fails. The leak suggests that Peter Parker finds himself dealing with the aftermath as the Savage Hulk returns.
If accurate, the storyline would mark the first major appearance of the classic Savage Hulk persona in years. Since Avengers: Endgame, audiences have primarily seen Smart Hulk, the version of Banner who successfully merged his intelligence with Hulk’s immense strength.
*Spider-Man: Brand New Day’s Hulk figurine. Image credit: Bandai/Marvel.*
The leak could also explain why Hulk appears to have such a prominent presence in early marketing and reports surrounding the film despite Brand New Day being described as a more grounded Spider-Man story.
For Marvel fans, the possibility of Spider-Man facing Savage Hulk is an exciting prospect. While the two heroes have crossed paths in comics, the MCU has never fully explored a conflict between Peter Parker and an uncontrolled Hulk. Such a matchup would instantly become one of the biggest action sequences in any Spider-Man film.
Of course, fans should take the leak with a grain of salt. Toy descriptions are often based on early story drafts, simplified plot summaries, or marketing material that doesn’t always reflect the final movie.
Still, merchandise leaks have a long history of revealing legitimate details about major superhero films, making this one difficult to ignore.
Whether the leak proves entirely accurate or not, one thing appears certain: Hulk’s role in Spider-Man: Brand New Daymay be much larger than anyone expected.
Spider-Man: Brand New Day is scheduled to swing into theaters on July 31, 2026.
John Oliver is weighing in on the beleaguered Freedom 250 concert series.
Martina McBride, Bret Michaels and more musicians have pulled out of scheduled performances at the Great American State Fair to celebrate the U.S.’s 250th birthday over organizer Freedom 250’s alignment with President Donald Trump’s administration. The 16-day festival is set to take place in Washington, D.C., between June 25 and July 10.
Oliver, 49, recounted the series of events hampering the concerts on the Sunday, May 31, episode of HBO’s Last Week Tonight, quipping, “It is a stacked lineup of people that you haven’t thought about since 2009.”
“Honestly, that sounds less like America’s 250th birthday and more like the playlist at Rhonda’s 50th,” he continued. “The only really surprising thing about that lineup is there aren’t special appearances from the ShamWow guy and the Gushers kid whose head turned into a raspberry.”
Martina McBride, Bret Michaels and several other artists backed out of appearing at the Great American State Fair’s Freedom 250 concerts. The 16-day Great American State Fair has been promoted as a celebration of the 250th anniversary of the United States, with exhibitions, parades and a controversial UFC event at the White House building up […]
In a Saturday, May 30, Truth Social post, Trump, 79, called on organizers to cancel the series due to the number of artists who have backed out.
“We should have a giant MAKE AMERICA GREAT AGAIN RALLY, for 250, instead of having overpriced singers, who nobody wants to hear, whose music is boring, and yet who do nothing but complain. Cancel it,” he wrote.
McBride, 59, was among those who pulled out of the concert series last week.
“I would like to talk to you and clear the air. I will not be performing at the Great American State Fair on June 25,” she said in an Instagram statement. “I was presented with an opportunity to perform at a nonpartisan event but that turned out to be misleading.”
Vanilla Ice is standing by his decision to perform Great American State Fair’s Freedom 250 concerts after multiple acts have dropped out due to President Donald Trump’s association. “Happy birthday America 250 years. It’s gonna be an epic party,” the rapper, 58, wrote via Instagram on Thursday, May 28, alongside a video sharing his excitement […]
McBride said she only agreed to perform after asking “lots of questions and was assured this was a nonpartisan event that was meant to celebrate ALL 50 states.”
“In my mind, I thought this was a great way to celebrate the states and also bring people together in the way that only music can,” she said. “I saw it as just a bigger version of so many state fairs I have performed at over the years, celebrating community and what makes each state special. Sounds fun, right? Wholesome even.”
“I’ve spent my entire career singing songs about real people with real issues,” she continued. “I’ve been blessed with the opportunity to be a voice for those who have felt like they didn’t have one. It greatly upsets me that any fan who has been moved by my music may now feel like I’m abandoning the meaning behind those songs. I assure you that is not the case. I appreciate every single fan who has reached out. I hope to get back to the DC area very soon.”
In a statement on his website, Michaels, 63, said, “Unfortunately, what was presented to us as a celebration of our country has evolved into something much more divisive than what I agreed to be a part of. Concerns have also been raised regarding the safety of my fans, band, crew, family and myself, including threats that are completely unfounded and unforgivable.”
A newly leaked toy description for Spider-Man: Brand New Day may have revealed one of the film’s biggest story details, and it could spell trouble for both Peter Parker and Bruce Banner.
While Marvel and Sony have already confirmed that Mark Ruffalo will return as Bruce Banner in the upcoming Spider-Man sequel, new merchandise details suggest Hulk’s role may be far more significant than fans originally expected.
According to information tied to a leaked toy line, Banner is reportedly using a device designed to suppress his Hulk transformations. However, when the technology fails, the Savage Hulk emerges, forcing Spider-Man into a dangerous situation that could become one of the movie’s central conflicts.
Spoiler Warning:
The following details are based on leaked merchandise information and have not been officially confirmed by Marvel Studios.
According to the toy description, Bruce Banner’s attempt to control the Hulk goes horribly wrong when the device preventing his transformation fails. The leak suggests that Peter Parker finds himself dealing with the aftermath as the Savage Hulk returns.
If accurate, the storyline would mark the first major appearance of the classic Savage Hulk persona in years. Since Avengers: Endgame, audiences have primarily seen Smart Hulk, the version of Banner who successfully merged his intelligence with Hulk’s immense strength.
*Spider-Man: Brand New Day’s Hulk figurine. Image credit: Bandai/Marvel.*
The leak could also explain why Hulk appears to have such a prominent presence in early marketing and reports surrounding the film despite Brand New Day being described as a more grounded Spider-Man story.
For Marvel fans, the possibility of Spider-Man facing Savage Hulk is an exciting prospect. While the two heroes have crossed paths in comics, the MCU has never fully explored a conflict between Peter Parker and an uncontrolled Hulk. Such a matchup would instantly become one of the biggest action sequences in any Spider-Man film.
Of course, fans should take the leak with a grain of salt. Toy descriptions are often based on early story drafts, simplified plot summaries, or marketing material that doesn’t always reflect the final movie.
Still, merchandise leaks have a long history of revealing legitimate details about major superhero films, making this one difficult to ignore.
Whether the leak proves entirely accurate or not, one thing appears certain: Hulk’s role in Spider-Man: Brand New Daymay be much larger than anyone expected.
Spider-Man: Brand New Day is scheduled to swing into theaters on July 31, 2026.
Genre:
Science Fiction, Thriller, Adventure, Mystery
Release Date:
August 14, 2026
Director:
David Robert Mitchell
Cast:
Anne Hathaway, Ewan McGregor, Maisy Stella, Christian Convery
Plot Summary:
After a mysterious cosmic event transports an entire suburban neighborhood to an unknown world, a family must survive against strange dangers while searching for a way home.
Euphoria creator Sam Levinson issued a message to those upset by the series finale by defending that heartbreaking death.
In a segment after the Sunday, May 31, episode of the hit HBO series, Levinson explained why Rue (Zendaya) died from an overdose, saying, “The honest ending is that people like Rue don’t make it.”
Levinson reflected on his own history with addiction — before mentioning Angus Cloud‘s death in July 2025 following an accidental overdose.
“People relapse and they f*** up. They’re not ready to get clean. And they weren’t dying like they are now with the influx of fentanyl into this country,” he explained. “I could say with absolute certainty that if I was going through what I went through when I was younger now then I wouldn’t be here either.”
The Euphoria cast and crew have mourned the deaths of some of their colleagues over the years. Euphoria, which premiered in 2019, originally followed troubled high school student Rue (Zendaya) as she struggled to remain sober after rehab. The hit HBO series was quickly renewed for a second season after its premiere, but it took […]
He continued: “There’s no reason to sugarcoat it. I wanted to tell the story for Angus and for people who weren’t granted a second chance.”
Levinson called the finale “an honest ending.”
“Zendaya’s performance has been so wonderful and layered over the course of these seasons. We fell in love with this character — this girl who was flawed and f**ked up but has a good heart,” he said. “It’s a blessing to work with talented people and people that you love.”
Levinson noted that the show was always building to Rue’s death, adding, “In the end, I wanted to tell an honest story about addiction. I also wanted to tell a story about grief and the emotional turmoil that it can create.”
During Sunday’s episode, Alamo (Adewale Akinnuoye-Agbaje) killed Rue by spiking the drugs he gave her with fentanyl. The moment happened halfway through the finale, which pushed Ali’s (Colman Domingo) story along as he got revenge on Alamo.
Euphoria premiered in 2019 and originally followed troubled high school student Rue as she struggled to remain sober after rehab. The hit HBO series was quickly renewed for a second season after its premiere, but it took nearly three years for the episodes to air.
In between seasons, the cast suffered several losses after Eric Dane, who played Cal, died in February at age 53 after a battle with ALS. Cloud, meanwhile, died at age 25 and Levinson dedicated the season to the actor and his character, Fez.
“Some people ask why it took so long between seasons 2 and 3. There were obvious factors — the strikes, trying to make a schedule work with our very in-demand cast, but the real time was in trying to figure out how to find a way to pay respect to those who we lost,” Levinson said in at the April premiere event for season 3.
He added: “When Angus died, it was tough. I loved him deeply, and I fought hard to keep him clean. The year he died, in 2023, he was one of 73,000 people in America who died of a fentanyl overdose. I learned a whole lot that year, but what I realized more than anything is that death is what gives life meaning. You can’t be arrogant about existence. You’re forced to reckon with the fact that life itself is a wonder, a gift, a profound blessing.”
Levinson said he wanted to honor Cloud, concluding, “I thought that if I couldn’t keep him alive in life then maybe within this show that I can control and keep him alive there. I think the whole thing was to honor him and also I can’t wait for you to see the last few episodes. I think he would be cracking up at his story line. I think he would love it.”
Euphoria is currently streaming on HBO Max.
If you or someone you know is struggling with substance abuse, contact the Substance Abuse and Mental Health Services Administration (SAMHSA) National Helpline at 1-800-662-HELP (4357).
Season 3 of Euphoria is coming to an end — but is the show returning for more episodes?
The hit HBO series, which premiered in 2019, originally followed troubled high school student Rue (Zendaya) as she struggled to remain sober after rehab. Euphoria was quickly renewed for a second season after its premiere, but it took nearly three years for the episodes to air.
Season 3 was originally set to air on HBO in 2025 before facing several obstacles, including creator Sam Levinson’s commitment to his short-lived series The Idol. The dual WGA and SAG-AFTRA strikes, which took place in late 2023, prolonged the already lengthy delay.
After season 2 concluded, the cast also went through two cast losses when Angus Cloud died at age 25 in July 2023 following an accidental overdose and Eric Dane died following a battle with ALS at age 53. The show addressed Fez’s absence in season 3 by keeping him behind bars, while Dane’s Cal made an appearance in two episodes, visibly experiencing the physical symptoms of his diagnosis.
The Euphoria cast and crew have mourned the deaths of some of their colleagues over the years. Euphoria, which premiered in 2019, originally followed troubled high school student Rue (Zendaya) as she struggled to remain sober after rehab. The hit HBO series was quickly renewed for a second season after its premiere, but it took […]
“Some people ask why it took so long between seasons 2 and 3. There were obvious factors — the strikes, trying to make a schedule work with our very in-demand cast, but the real time was in trying to figure out how to find a way to pay respect to those who we lost,” Levinson told Variety in April 2026.
He continued, “When Angus died, it was tough. I loved him deeply, and I fought hard to keep him clean. The year he died, in 2023, he was one of 73,000 people in America who died of a fentanyl overdose. I learned a whole lot that year, but what I realized more than anything is that death is what gives life meaning. You can’t be arrogant about existence. You’re forced to reckon with the fact that life itself is a wonder, a gift, a profound blessing.”
Levinson has yet to properly address the show’s future — but all signs have pointed to the season 3 finale marking the end of the series entirely. Keep scrolling for what has been said so far:
Sam Levinson
Levinson wouldn’t directly confirm — or deny — what is to come for the show.
“[I write] every season like it’s the last season,” he told Variety in April 2026. “[I have] no plans [for season 4].”
He continued: “I want to finish this as strong as I can. I’m cutting [episodes] 7 and 8 still. I’m putting some finishing touches. I just want to deliver a f**king slam dunk season.”
Euphoria fans have watched the cast change on and off screen since the series first debuted. Based on the Israeli series of the same name, Euphoria follows troubled high school student Rue (Zendaya) as she struggled to remain sober after rehab. The series also explores topics including mental illness, toxic relationships, sexuality and more. After […]
Zendaya
During an appearance on The Drew Barrymore Show in April 2026, Zendaya was asked if the series is coming to end. “I think so, yeah,” she said when Barrymore asked if it was the final season. “That closure is coming.”
Jacob Elordi
If Euphoria was to return for another season, it would be without Elordi. His character, Nate, was killed off in season 3 — and the actor addressed the surprise decision.
“It’s a bittersweet thing,” he said in a segment that aired after the May 2026 episode. “This show is a massive part of — not just my career — but my life. It’s been amazing and I’m so proud of being a part of this.”
HBO has finally revealed whether Euphoria will be coming back for more seasons after that shocking death in the season 3 finale.
The network confirmed on Monday, June 1 that the third season was the show’s last. Creator Sam Levinson made the announcement on the “Popcast” before HBO also confirmed the news to Variety.
The news comes after an explosive season 3 finale that permanently wrapped up certain characters’ story lines — including Zendaya‘s Rue and Jacob Elordi’s Nate, who were killed off on screen.
Euphoria’s series finale also aired after a tumultuous return. Creator Sam Levinson specifically received backlash for how he portrayed Cassie’s (Sydney Sweeney) OnlyFans arc after some creators weren’t thrilled with how their line of work was portrayed on screen.
Levinson, however, defended the decision to push boundaries.
“[Cassie] has got her dog house and her little dog ears and the nose, and that has its own humor,” Levinson explained to The Hollywood Reporter in April. “But what makes the scene is the fact that her housekeeper is the one filming it.”
He continued: “What we wanted to always find is the other layer of absurdity that we’re able to tie into it so that we’re not too inside of her fantasy or illusion,” the 41-year-old added. “The gag is to jump out, to break the wall.”
Levinson broke down how he and director of photography Marcell Rév brought the scenes to life.
“An obvious choice would’ve been something modern and very plain and fancy, but we ended up choosing this mid-century home, which is a little tacky, but also stuck in the ‘70s,” Rév explained. “It’s probably a strange choice, but also it gives us possibilities. OnlyFans has its own aesthetic and how you elevate that aesthetic to the show’s aesthetic is a challenge. I’m not going to lie.”
Despite the backlash, Levinson stood by his vision.
“Some of these scenes we only lit with these ring lights that she would use. When you’re inside, it’s a beautiful, glowing front light, but then you jump out of it and it’s just a pool of light and everything surrounding it is dark. It’s just gnarly and jarring,” he added. “We wanted to capture what she’s trying to show the audience and be inside of it. But then also pull back wider and see how depressing it is.”
Euphoria is currently streaming on HBO.
Entertainment
Is“ Euphoria ”over?“ ”Creator“ ”Sam Levinson reveals if season 3 ending was series finale after shocking death
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“It was such a fulfilling journey in terms of this cast,” Levinson said in a new interview.
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