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8 Psychological Thriller Movies Without Any Flaws

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A wounded man leaning on another one in The Wages of Fear

Throughout history, one of the genres that has offered the largest number of tremendous masterpieces has been the psychological thriller genre. These stories, all about suspense driven by the internal emotional and psychological states of its characters, have unsurprisingly given us several of the greatest films the big screen has ever seen. From the birth of cinema as a storytelling medium until the present, this is a genre that has remained one of audiences’ favorites around the world.

From foundational classics like the French masterpiece The Wages of Fear to cornerstones of 21st-century cinema like Mulholland Drive, there may have been many an exceptional psychological thriller over the years, but only a handful of them can be said to be truly perfect. Indeed, there are eight particular movies that have gone down in history not only as some of the genre’s greatest outings, but as some of the most flawless motion pictures the world has ever been treated to.

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8

‘The Wages of Fear’ (1953)

A wounded man leaning on another one in The Wages of Fear Image via Cinédis

French cinema has given the world several of the greatest films of all time, including a few incredible psychological thrillers. Before auteurs like Jean-Luc Godard and François Truffaut rebelled against the classical school of French filmmaking and thus gave birth to the French New Wave, came the many old-school masterpieces whose foundations they wanted to subvert. The peak of pre-New Wave French cinema is arguably Henri-Georges Clouzot‘s The Wages of Fear, one of the best movie classics from 1953.

Exceptional though its 1977 Hollywood remake Sorcerer may be, Wages of Fear is a masterpiece without equal. By tying the physical elements of its high-octane, airtight plot to existential dread, the fragility of the human psyche, and pure human desperation, Clouzot crafted a psychological thriller that was far ahead of its time. Watching Wages of Fear today, it still feels about as modern as any psychological thriller tour-de-force being made nowadays.

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7

‘Woman in the Dunes’ (1964)

A couple embracing in Woman in the Dunes.
Kyōko Kishida in Woman in the Dunes.
Image via Toho

One of the most effective and historied forms of psychological thrillers is the erotic thriller, and as far as those go, it doesn’t get much better than Hiroshi Teshigahara‘s Woman in the Dunes. This cornerstone of 20th-century Japanese cinema was based on screenwriter Kōbō Abe‘s own novel of the same name, and after its remarkable critical and commercial success internationally back in 1964, it has stood the test of time as one of the greatest films ever to have come out of the Japanese New Wave movement.

Though Woman in the Dunes may be called one of the most amazing yet forgotten Japanese movies in history, that only means that it’s one of the most underrated dramas and psychological thrillers out there. It’s a sweaty, sandy, psychologically engrossing erotic thriller that’s both fascinatingly existential and visually gorgeous. Watching it, there is virtually nothing at all to complain about to this day.

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6

‘Cure’ (1997)

Two men showing a photo to a third in Cure-1997 Image via Daiei Film

Directed by Kiyoshi Kurosawa (no relation to Akira Kurosawa), Cure is still widely remembered as one of the greatest international horror movies perhaps not just of the ’90s, but of all time. This psychological horror thriller is one of those thrillers that are an absolute masterclass in suspense; a perfectly directed, perfectly written, and perfectly performed piece of J-Horror that has since been praised as one of the most influential horror gems ever to have come out of the Japanese scene.

People who prefer more lighthearted horror movies or psychological thrillers are definitely better off looking elsewhere, because Cure is purely cruel and gleefully so. It’s the type of horror film that operates not through jump scares or overt supernatural threats, but through the pure psychological horror of the very real evil that has plagued humanity since times immemorial. It’s atmospheric, it’s potently slow-burning, and it’s a must-see for fans of any of its genres.

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5

‘Vertigo’ (1958)

Kim Novak and James Stewart as Madeline and John pressed close together in Vertigo
Kim Novak and James Stewart as Madeline and John pressed close together in Vertigo
Image via Paramount Pictures

Alfred Hitchcock is still known as the Master of Suspense, and that’s for good reason. He laid many of the foundations that the modern thriller genre still continues to build on top of to this day, and continues to be one of the most massively influential filmmakers in history. As such, it’s no shocker that he directed many of the greatest thrillers in film history, including a few exceptional psychological thrillers—the most perfect of which is arguably Vertigo.

Everyone may point to a different Hitchcock outing as his most flawless psychological thriller, and that’s okay; but throughout history, Vertigo has remained one of the most universally acclaimed movies of Hollywood’s Golden Age. It’s one of the most genius mystery movies of all time, a visually striking and brilliantly meta study on themes of romantic delusion and psychological obsession. No self-proclaimed fan of the genre can be a true fan if they haven’t watched Vertigo at least once.











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Collider Exclusive · 8 Questions · 2 Minutes
Which Coen Brothers Movie Would You Thrive In?
Lebowski · O Brother · Fargo · No Country
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Nobody writes people like the Coen brothers. The decent ones. The talkers. The ones who stopped trying years ago. And the ones who can already see how bad this is going to get. Four films, four completely different ways of handling trouble. Eight questions decide which one you would actually walk out of.

🎳Lebowski(1998)

🎸O Brother(2000)

❄️Fargo(1996)

🪙No Country(2007)

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01

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A bag of money lands in your lap. What happens next?
Every Coen film starts roughly here. It never goes smoothly.




02

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Somebody is being completely unreasonable with you. How does it go?
Coen dialogue is mostly people failing to understand each other.




03

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What is your actual relationship with work?
Everyone in these films is either working far too hard or not at all.




04

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Long drive, bad weather, nobody else on the road. How are you?
There is always a drive in these films. It is never a good drive.




05

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You are offered a shortcut that is not quite legal.
This is the moment where the Coens find out who you really are.




06

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The plan has fallen apart completely. What is your move?
In a Coen film the plan always falls apart. That is the genre.




07

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Which of these sounds most like something you would say?
Nobody writes a line quite like the Coens. Which one is yours?




08

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How does your film end?
Eight questions in, this is the one that decides your movie.




The Verdict Is In
Your Coen Film Is…
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Four films, four completely different ways of handling money, trouble
and other people. This is the one you would survive, why it suits you, and what it would cost you to
be there.


The Big Lebowski · 1998

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The Big Lebowski

You have quietly arranged your life so that very little can get
to you, and a surprising number of people find that infuriating. You would be completely at
home here.

  • The Dude is the only person in the film with no ambition, and the only one who comes out
    the other side undamaged. That is not an accident.
  • You do not chase things. You let situations arrive and you deal with them at your own
    pace, which is a genuine skill however lazy it looks.
  • This is a full crime plot happening around a man who mostly wants his rug back, and that
    is exactly the energy you would bring to it.
  • Everything goes wrong. You abide. The film ends.


O Brother, Where Art Thou? · 2000

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O Brother

You talk your way through life and it works far more often than
it should. Give you a bad situation and an audience and you will find a way out of both at
once.

  • Everett never has a plan that survives contact with reality. He has something better,
    which is the ability to keep talking until a new one turns up.
  • You are the optimist in the group, the one who makes a ridiculous idea sound reasonable
    at two in the morning.
  • This is the warmest film the Coens have made. It is a chase, a comedy and a musical at
    once, and nobody in it is quite beyond saving.
  • You would end up famous entirely by accident, and act like you planned it all along.


Fargo · 1996

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Fargo

You would survive Fargo because you are the only kind of person
who does: patient, decent, and completely unimpressed by anybody trying to be clever.

  • Marge Gunderson solves the whole case by being polite, thorough and unhurried while
    everybody around her panics. That is the entire argument of the film.
  • You do the boring parts of the job, which is precisely why you would notice the thing
    everyone else walked straight past.
  • Fargo is about ordinary greed causing enormous damage, and about one person who simply
    refuses to be corrupted by any of it.
  • You would go home at the end of it, have dinner, and sleep perfectly well.


No Country for Old Men · 2007

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No Country

You do not expect the world to be fair and you stopped being
surprised about it a long time ago. That clear-eyed quality is exactly what this film asks
for.

  • No Country is the Coens at their coldest: a film where being smart, fast and careful
    might still not be anywhere near enough.
  • You plan for the worst, you keep your own counsel, and some part of you is already
    working out the exit.
  • Llewelyn Moss is competent, prepared and resourceful, and the film is honest about
    whether any of that is ever sufficient.
  • You would see it coming. Whether that helps is the one question the film refuses to
    answer.

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4

‘Memento’ (2000)

Today, he’s widely seen as one of the undisputed kings of the box office and one of the leading voices in modern Hollywood filmmaking, but back in the day, Christopher Nolan was an up-and-coming indie filmmaker like any other. It was the massive success of his sophomore directorial effort, Memento, that earned him international acclaim and put his name on the map. To this day, many would confidently say that it’s still his magnum opus.

Brilliantly structured in reverse chronological order in a way that invites multiple re-watches, but is never hard enough to follow to make the film frustrating, Memento is easily one of the best mystery movies released since 2000. Anchored by Guy Pearce‘s exceptionally underrated lead performance and what’s far and away the boldest, most daring script in Nolan’s whole filmography, it’s one of the most timeless psychological thrillers of the 2000s.

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3

‘Mulholland Drive’ (2001)

Naomi Watts and Laura Harring looking upward in Mulholland Drive.
Naomi Watts and Laura Harring looking upward in Mulholland Drive.
Image via Universal Pictures

Throughout the latter decades of the 20th century, David Lynch kept further cementing himself not just as one of the most fascinating arthouse filmmakers of his generation, but as one of the most important and influential surrealist auteurs in the history of cinema. However, not even his biggest fans could have predicted the level of quality of what would soon come to be hailed as the crown jewel of his filmography: Mulholland Drive, one of the most beloved thrillers of the 21st century.

An absolute head-scratcher through and through, Mulholland Drive is perhaps not the most accessible introduction to surrealist cinema for those unfamiliar; but for those who enjoy mind-bending extravaganzas like this, it should prove to be a hell of an unforgettable trip. Simultaneously a powerful critique of the dark side of the Hollywood Dream and a deeply humanist study of identity, duality, and sexuality, it’s a must-see gem for those who prefer their psychological thrillers thought-provoking.

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2

‘The Silence of the Lambs’ (1991)

Anthony Hopkins in 'The Silence of the Lambs' Image via Orion Pictures

Jonathan Demme‘s The Silence of the Lambs is a psychological thriller so terrifyingly bleak and violent that it’s typically also labeled as psychological horror; and with that, it’s the only horror film ever to have won Best Picture at the Academy Awards. Based on the book by Thomas Harris, it introduced the big screen to Anthony Hopkins‘ Hannibal Lecter, far and away one of the best movie villains of all time.

On top of Hopkins and Jodie Foster‘s career-defining and Oscar-winning performances, The Silence of the Lambs continues to shine over three decades after its release as one of the scariest, most suspenseful, and most impeccably made thrillers in film history. Rarely have cat-and-mouse games been this psychologically intense on the big screen, and rarely will a psychological thriller ever reach this level of incredible quality.

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1

‘Se7en’ (1995)

Brad Pitt looking pensive in Se7en Image via New Line Cinema

David Fincher has repeatedly established himself as one of the greatest thriller filmmakers working today, one of the directors most deserving of carrying Hitchcock’s torch as today’s Masters of Suspense. However, after the failure that was his directing debut, Alien 3, he desperately needed a hit to show the world what he was capable of. In came his sophomore effort, Se7en, still remembered as one of the most suspenseful mystery movies of all time.

Never has a darker, crueler, or more nihilistic Hollywood film ever made over $300 million dollars at the box office internationally. It’s precisely that bleak tone that makes Se7en so special, though, serving as the scaffolding for its hard-hitting sense of oppressive moral decay and existential helplessness. It’s the closest that a psychological thriller has ever come to true flawlessness, with some of the greatest directing, best performances, tightest writing, and most impeccably production values that the genre has ever seen or will ever see.


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01336708_poster_w780.jpg


Se7en
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Release Date

September 22, 1995

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Runtime

127 minutes

Writers
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Andrew Kevin Walker


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5 Best Dolly Parton Movies and Shows, Ranked

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Dolly Parton in Heartstrings on Netflix

There is a reason Dolly Parton can walk into a scene dressed like Dolly Parton and somehow make everybody else look overdressed. The hair is enormous, the rhinestones are doing their own publicity campaign, and then she starts talking and the whole image becomes secondary to how quick she is. That has always been the fun of watching her. People inside the movie notice the glamour first. Five minutes later, the smartest person in the room is usually the woman they underestimated.

And that is where her screen career gets surprisingly personal. Dolly has never needed movies to prove she is talented. The music already handled that. The good roles understand something more interesting about her, especially the humor, the stubbornness, the warmth, and that very specific ability to tell somebody off while sounding almost hospitable. When a film catches that properly, you stop seeing “country superstar acting” and start wishing she had made twice as many movies.

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5

‘Dolly Parton’s Heartstrings’ (2019)

Dolly Parton in Heartstrings on Netflix
Dolly Parton in Heartstrings on Netflix
Image via Tina Rowden / ©Netflix / Courtesy Everett Collection

Each episode of Dolly Parton’s Heartstrings takes one of Parton’s songs and builds a standalone story around it, with Dolly introducing the material and occasionally stepping directly into the drama. That could have become eight glossy music videos stretched to television length. Instead, the anthology uses songs including “Jolene,” “Two Doors Down,” and “These Old Bones” as starting points for stories about relationships, family, prejudice, regret, and the kind of small-town secrets country songs have always been very good at holding.

The results naturally vary, but there is genuine pleasure in hearing a familiar lyric and then watching the show take it somewhere you did not expect. “Jolene” is especially smart about refusing the easiest interpretation of its title character. Instead of simply turning the famous other woman into a villain, the episode gives her an actual life beyond somebody else’s marriage. Dolly’s presence keeps the whole project from feeling like a museum devoted to her catalogue. She seems genuinely delighted that songs written decades earlier can keep growing new stories. For fans, that warmth does a lot of the work.

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4

‘Straight Talk’ (1992)

Dolly Parton in Straight Talk. Image via Buena Vista Pictures Distribution

Shirlee Kenyon (Dolly Parton) leaves her dead-end life in Arkansas, moves to Chicago, and accidentally gets mistaken for a radio psychologist after walking into the wrong studio. Rather than immediately correcting everyone, Shirlee sits behind the microphone and starts giving callers the kind of plainspoken advice that actually helps. Straight Talk knows exactly why that premise suits Dolly. Of course strangers would call this woman with their problems. Of course she would ignore professional jargon and tell them what they already know but are scared to admit.

The movie gets especially enjoyable once reporter Jack Russell (James Woods) starts investigating the mysterious new radio sensation and discovers that Dr. Shirlee is neither a doctor nor particularly interested in pretending to be sophisticated. Their romance is light, but the radio scenes are the real reason to watch. Shirlee listens to people without treating them like fools, then cuts through their nonsense with a kindness that keeps the advice from sounding cruel. It is basically the screen version of the feeling people have always had about Dolly herself. You suspect she could fix half your problems over coffee, and you would probably thank her after she roasted you.

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3

‘The Best Little Whorehouse in Texas’ (1982)

Dolly Parton in a metallic dress smiling next to a laughing man in a suit Image via Universal Pictures

Mona Stangley (Dolly Parton) runs the Chicken Ranch, a long-established Texas brothel that has quietly existed with the cooperation of local authorities until crusading television personality Melvin P. Thorpe decides exposing it will be excellent for ratings. The Best Little Whorehouse in Texas turns that fight into a huge, cheerfully bawdy musical where politics, hypocrisy, romance, and show-business spectacle keep bumping into one another.

Mona is exactly the sort of character Parton understands from the inside. She is glamorous without being naïve, sentimental without losing practical sense, and completely aware that the respectable people condemning her establishment are often benefiting from the same arrangement. Her relationship with Sheriff Ed Earl Dodd (Burt Reynolds) gives the movie more feeling than the title promises, especially when their affection runs into the public scandal surrounding the Ranch. Then there is “Hard Candy Christmas,” which lands much harder than anyone expects after all the jokes and dancing. The movie may be broad, but Dolly never lets Mona become one.













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Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?

Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country
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Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite

🌀Everything Everywhere

☢️Oppenheimer

🐦Birdman

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🪙No Country for Old Men

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01

What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.





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02

Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?





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03

How do you like your story told?
Form is content. The way a story is shaped changes what it means.





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04

What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?





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05

What do you want from a film’s ending?
The final note is the one that lingers. What do you want it to sound like?





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06

Which setting pulls you in most?
Where a film takes place shapes everything — mood, stakes, what’s even possible.





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07

What cinematic craft impresses you most?
Every great film has a signature — a technical or artistic element that makes it unmistakable.





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08

What kind of main character do you root for?
The protagonist is the lens. Who you choose to follow says something about you.





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09

How do you feel about a film that takes its time?
Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.





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10

What do you want to feel walking out of the cinema?
The best films leave a mark. What kind of mark do you want?





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The Academy Has Decided
Your Perfect Film Is…

Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

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Parasite

You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

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Everything Everywhere All at Once

You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.

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Oppenheimer

You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

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Birdman

You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

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No Country for Old Men

You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.

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2

‘Steel Magnolias’ (1989)

Dolly Parton and Olympia Dukakais gossip at an outdoor event in Steel Magnolias.
Dolly Parton and Olympia Dukakais gossip at an outdoor event in Steel Magnolias.
Image via TriStar Pictures
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Truvy Jones (Dolly Parton) runs a Louisiana beauty salon where hair appointments routinely turn into therapy sessions, gossip exchanges, emergency meetings, and unofficial town councils. Steel Magnolias gathers a group of women around Shelby Eatenton (Julia Roberts)’s wedding and follows their friendships through much heavier years than that celebration initially suggests. Truvy may own the salon, but everybody who walks through the door seems to own a piece of the conversation.

Dolly fits into that ensemble so naturally that it is easy to forget how much star power is sitting behind the styling chair. Truvy’s famous line about there being “no such thing as natural beauty” is funny because the entire salon understands the joke, while her sharper observations usually arrive without announcing themselves. The movie belongs to the whole group, especially as Shelby’s health changes the emotional center, and that is part of what makes Dolly so good in it. She never fights for the spotlight. Truvy is simply there with the hairspray, the gossip, and exactly the right thing to say until suddenly you cannot imagine the room without her.

1

‘9 to 5’ (1980)

Lily Tomlin, Dolly Parton and Jane Fonda next to each other in in 9 to 5 Image via 20th Century Studios
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Judy Bernly (Jane Fonda) is newly divorced and completely overwhelmed by office life in 9 to 5. Violet Newstead (Lily Tomlin) knows the company better than the men promoted over her. Doralee Rhodes (Dolly Parton) is dealing with coworkers who assume she is sleeping with their sexist boss, Franklin Hart Jr. (Dabney Coleman), because Hart himself has encouraged the rumor. 9 to 5 puts those three frustrations in the same office, gets the women stoned together, lets them fantasize about murdering Hart, and then somehow turns a workplace comedy into a kidnapping plot.

Doralee announcing that she will turn Hart “from a rooster to a hen with one shot” is still glorious because the threat arrives after she has spent far too long tolerating his behavior. From there, the movie lets all three women enjoy taking control of the workplace and discovering that many of the supposedly impossible improvements Hart resisted are completely manageable once he is tied up elsewhere. Flexible hours, childcare, equal treatment, actual respect. The joke keeps exposing how ridiculous the original office was. And then there is the title song, written by Dolly using her acrylic nails to imitate the sound of a typewriter. 9 to 5 is angry, warm, hilarious, ridiculously rewatchable, and still painfully recognizable. If somebody wants to understand why Dolly Parton belonged in movies, start here.


9 to 5 1980 Film Poster
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9 to 5

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Release Date

December 19, 1980

Runtime
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109 Minutes

Director

Colin Higgins

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Writers

Patricia Resnick, Colin Higgins

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Presley Gerber Revealed What He Lost After Entering Modeling

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Presley Walker Gerber at Los Angeles World Premiere Of 'Infinite Icon': Red Carpet

Before Presley Gerber followed Cindy Crawford into modeling, his days revolved around sports, surfing, and spending hours in the ocean. Presley later identified the loss of that physically active routine as a turning point in his life. Once work demanded more of his time, he said he exercised less, began taking additional medication, and watched his quality of life deteriorate.

Modeling dramatically changed Presley’s life, replacing the active routine that had once kept him grounded. However, Presley did not claim that modeling alone caused his mental health or substance-use struggles. Instead, he described a complicated transition from a relatively carefree childhood into the responsibilities, pressures, and medical treatment that followed.

Presley Gerber Grew Up In The Water

Presley Walker Gerber at Los Angeles World Premiere Of 'Infinite Icon': Red Carpet
ZUMAPRESS.com / MEGA

Presley was raised in Malibu, California, where surfing and skating were central parts of his childhood. In a July 2025 Instagram video, he described himself as a dedicated athlete who once spent hours in the water nearly every day. The routine gave Presley something consistent to focus on. His immediate concerns were simple: eating, returning to the ocean, and staying active. That lifestyle changed when he began working as a teenager.

“For me it took 10 years of looking back at my life being like, ‘Well, what changed?’ A lot of the time people would ask like, ‘You were such a happy kid; what happened to you?’” Presley recalled, according to The Associated Press.

“What happened was life happened, and I wasn’t able to worry about one thing, which was my next meal and then get back in the ocean,” he continued. “Like I had to start making money, I had to start, I got a job.”

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The change was not simply about having less leisure time. Presley reportedly explained that reduced physical activity coincided with being placed on more medication and experiencing a decline in his quality of life.

Cindy Crawford’s Son Entered Modeling As A Teenager

Presley Walker Gerber at the Los Angeles World Premiere Of CJ 4DPLEX's 'Infinite Icon: A Visual Memoir'
Xavier Collin/Image Press Agency / MEGA

Presley signed with IMG Models as a teenager and made his runway debut for Moschino at 16. His entry into the industry appeared natural from the outside. Crawford was one of the most recognizable supermodels in the world, while Presley had inherited her famous beauty mark and photogenic features.

He quickly began working with major fashion houses, including Calvin Klein, Dolce & Gabbana, Balmain, Burberry, and Celine. In 2018, Presley appeared alongside Crawford in a Pepsi commercial shown during the Super Bowl. The campaign paid tribute to his mother’s famous 1992 advertisement for the brand. That same year, he and his younger sister, Kaia Gerber, appeared together in a Calvin Klein Jeans campaign.

The career gave Presley opportunities most aspiring models could only dream of, but that success came as the everyday routine that once kept him grounded began slipping away. Presley never blamed modeling entirely for his struggles, but he recognized that beginning his career pulled him away from the healthy routine that had once anchored his life.

Physical Activity Became Part Of His Mental Health Advice

Presley Gerber
Xavier Collin/Image Press Agency / MEGA

Years after losing his childhood routine, Presley returned to the importance of movement while discussing his mental health publicly. During what became his final public appearance, he participated in a panel at the We Are ENOUGH x Aviator Nation launch event in Malibu on June 11. Crawford and Rande Gerber attended the mental health-focused event to support their son.

Presley encouraged people facing difficult days to move their bodies and reconnect with the outdoors. “Move your body regardless of how you’re feeling. Get outside. Get some sun,” he told the audience, per PEOPLE. “If you don’t feel like moving, lay on the grass.”

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Presley Gerber Spent Years Searching For Answers

Rande Gerber, Cindy Crawford, Kaia Gerber and Presley Gerber
Phil Loftus/Capital Pictures / MEGA

Presley became increasingly candid about his mental health and substance use during the final years of his life. In a since-deleted December 2025 video, he revealed that he had consulted as many as 15 psychiatrists and was taking several medications, per FOX.

He expressed uncertainty about the conflicting guidance he had received and the potential consequences of stopping certain prescriptions. “The doctors say a lot of different things, so it’s kind of scary, but hopefully between my research and their research … and God, we can figure this out,” Presley said.

He also described mental health as a constant responsibility rather than something that could be addressed once and forgotten. “[Mental health] is an issue. It is such a big part of my life. It’s a 24/7 job, and there’s so much to it,” he explained during a 2023 appearance on the “Studio 22” podcast.

Presley later underwent ibogaine treatment in Mexico as part of his attempt to address addiction. He admitted he was “absolutely terrified” before the experience but believed he needed to confront what he had been avoiding.

Helping Others Gave Presley A New Sense Of Direction

Presley Gerber, Kaia Gerber, Cindy Crawford and Rande Gerber attend 'Her Time' Omega Photocall
KCS Presse / MEGA

As Presley searched for stability, speaking openly about his experiences became an important part of his life. He created a social media series called “Mental Health Mondays” to encourage discussions about subjects people often conceal.

“It’s been incredible seeing how far that message has spread and how many people it’s helped,” Presley said. “I’m proud that something I created has inspired others and started a bigger movement around openness and healing.”

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Presley had previously explained that helping even one person avoid the mistakes he made would give meaning to what he endured. Instead of being recognized primarily as Crawford’s son or for his appearance, Presley wanted his experiences to help people facing similar struggles.

Presley Gerber Died At Age 27

Presley Gerber
Meleah Loya / AFF-USA.com / MEGA

Presley died at a rehabilitation facility in Santa Monica, California, on September 20. Santa Monica Police said officers responded to a report of a possible overdose and found him dead at the facility. His death is being investigated as a suspected overdose, but authorities have not determined an official cause.

The Los Angeles County Department of Medical Examiner completed an autopsy and deferred the cause and manner of death pending additional testing. Police said there were no indications of foul play. “The family is asking for privacy during this very difficult and painful time,” family representative Allie Jenkins said.

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What Simone Biles Did After Her Stolen Porsche Came Back

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Simone Biles at Netflix FYSEE LA

Simone Biles is turning a frightening chapter into a surprising fresh start.

The Olympic champion recently revealed that three masked men broke into her Chicago home and stole her Porsche during the couple’s final months in the city. Although the vehicle was later recovered, Biles’ latest update suggests the incident changed more than just her feelings about her car.

Simone Biles first stepped into gymnastics at just 6 years old after a daycare field trip sparked her interest in the sport. She went on to become a world and Olympic champion, winning four gold medals at the 2016 Rio Olympics and cementing her place as one of gymnastics’ most celebrated stars.

Simone Biles’ ‘Get Ready With Me’ Took A Wild Turn

Simone Biles at Netflix FYSEE LA
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Biles’ latest TikTok began like the most ordinary “Get ready with me” video, with the Olympic champion telling followers, “Get ready with me to go pick up my new car.” But the reason she needed a new ride quickly turned the casual car reveal into a much bigger story.

Biles explained that during her final months in Chicago, “three men in masks came to our house and stole my Porsche GTS.” She then teased the full backstory, saying, “If you guys want to know, I’ll do a storytime on that,” before joking, “I feel like I need a reality show. The things that happen to me are absolute insanity.”

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The unexpected confession instantly hooked fans. One follower joked, “My Toyota Corolla was also stolen from my house too, so we are practically the same [laughing emoji].”

Others were already demanding the promised storytime, with one writing, “I would definitely watch a reality show of your life,” another saying, “Definitely want to hear the story of the car theft,” and a Chicago viewer adding, “As a fellow Chicagoan, I am embarrassed, sorry that happened.

The Porsche Was Recovered, But Biles Still Replaced It

@simonebilesowens

yes we recovered the car, onto the next 🛞

♬ original sound – Simone Biles

The alleged break-in did more than leave Simone Biles without her Porsche. Even after the car was recovered, the experience influenced how she and Jonathan Owens approached security at home, adding another surprising detail to an already wild story.

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The Olympic champion revealed that the alleged robbery inspired one unexpected change at home. “That is one of the reasons we got our Doberman,” Biles explained, while one fan clearly understood the emotional side of losing a car, writing, “If someone stole my car, I don’t even want it back; it is such a gross and personal violation.”

Although Biles revealed in her TikTok caption that the original Porsche had actually been recovered, she ultimately chose to purchase another car: a Porsche Cayenne GTS.

It is a model she had wanted for some time but had hesitated to buy, admitting, “I’ve always wanted this car, but I didn’t necessarily want to pay the price,” before saying the moment she heard it start, she was sold.

Simone Biles’ Stolen Porsche Joins A Long List Of Celebrity Car Thefts

Miley Cyrus at 37th Annual Palm Springs International Film Festival Film Awards 2026
Xavier Collin/Image Press Agency/MEGA

The Gymnast isn’t the first celebrity to see a prized possession taken away. Her Porsche is among an unusual list of celebrity car thefts, all of which demonstrate that even celebrities aren’t always safe from losing their vehicles in the most bizarre ways.

GFR reported that Miley Cyrus was robbed three times between 2013 and 2014, with thieves eventually taking her Maserati Quattroporte along with other belongings.

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Rod Stewart has had two cars stolen over the years, including a 1977 Porsche Turbo-Carrera and a Dodge Viper, while Queen Latifah’s Mercedes-Benz was taken during a 1995 carjacking.

Usher also found himself dealing with a car-related theft after around $1 million worth of cash and jewelry was reportedly stolen from his vehicle in 2010.

With stories involving Miley Cyrus, Rod Stewart, Queen Latifah and Usher all appearing on the same list, Biles has landed in some pretty unexpected company following her own alleged Porsche theft.

A New Car Had Already Become A Tradition For The Gymnast

Long before the stolen Porsche drama, Biles was already turning car upgrades into their own little events. In August 2024, the Olympic champion showed off a sparkling white Mercedes-Benz G 550 after replacing her older black G-Wagon.

The reveal came with plenty of flair. PEOPLE reported that Biles first teased the purchase on Instagram Stories with “Out with the old” before posing on the hood of the new white SUV and declaring, “In with the NEW.

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She even gave followers a peek inside the new ride, showing off its red leather seats while celebrating the latest addition to her growing Texas life with Jonathan Owens. The earlier upgrade now adds another fun detail to the story of Biles and her ever-evolving garage.

Simone Biles And Jonathan Owens Built Their Life Together In Texas

Simone Biles and Jonathan Owens at the 2026 ESPY Awards
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The latest car reveal comes as Biles and Owens continue settling into a life they have been building together for years. Their relationship began during the pandemic in 2020, when the two connected on dating app Raya and started seeing each other soon after.

As reported by The Blast, Biles recalled, “And then I saw that he was in the Houston area, so we started chatting a little bit, and then we went to hang out a week or two later.”

The relationship quickly became serious, with the couple going public on Instagram, getting engaged on Valentine’s Day in 2022, and eventually tying the knot in a Houston courthouse ceremony before celebrating with a larger wedding in Cabo San Lucas.

Since then, the two have continued showing up for each other, from Owens supporting Biles at gymnastics events to the Olympic champion cheering him on from the NFL sidelines.

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With their Texas home becoming another major part of their life together, the new car is just the latest addition to everything they are building beyond the competition floor.

Will Simone Biles eventually give the full story of the car theft?

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Star Trek Is Officially Rewriting ‘Strange New Worlds’ Winning Formula for Season 5 [Exclusive]

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Paul Wesley as James T. Kirk in Star Trek: Strange New Worlds, episode 10, season 4, streaming on Paramount+, 2026. Photo Credit: Jan Thijs/Paramount+

Editor’s Note: This interview contains spoilers for the Season 4 finale of Star Trek: Strange New Worlds.

Summary

  • Star Trek: Strange New Worlds showrunners Henry Alonso Myers and Akiva Goldsman discuss the Season 4 finale, a time-bending ride in which Uhura meets her future self to save Scotty.
  • Myers and Goldsman tease Season 5’s six-episode arc as a goodbye to the characters of Strange New Worlds.
  • The showrunners promise satisfying send-offs, tease Kirk/La’an romance, and the new Bones and Sulu, while revealing their only regret for the series.

Just like that, the penultimate season of Star Trek: Strange New Worlds has come to a close with an epic, time-bending finale that saw Lt. Uhura (Celia Gooding) teaming up with a future version of herself in a bid to save Scotty (Martin Quinn) from an untimely death. In “Tomorrow’s Enterprise,” we get a glimpse of the earliest days of James T. Kirk’s (Paul Wesley) time as the Captain of the USS Enterprise​​​​​​, teeing up the endgame of Strange New Worlds, which is expected to bring the timeline full circle to The Original Series. With gorgeous costumes and a wild plot twist, this episode takes audiences on a wild ride that reaffirms the show’s throughline of found family fighting for a hope-filled future.

Ahead of the finale, I sat down with Strange New Worlds showrunners Henry Alonso Myers and Akiva Goldsman to discuss the episode, while also looking forward to the future of Star Trek. We also discussed what audiences can expect from the show’s fifth and final season, which is expected to air sometime in 2027, following the second and final season of Star Trek: Starfleet Academy. Big changes are coming for Strange New Worlds as Myers and Goldsman confirmed they’ll be abandoning the show’s genre-hopping premise — to an extent — as they use every minute of their final six episodes to give this crew of the USS Enterprise a fitting send-off. Myers and Goldsman also briefly teased further exploration of the relationship between Kirk and La’an (Christina Chong), what to expect from the new Bones (Thomas Jane) and Sulu (Kai Murakami), and how they’ll bring the series to a satisfying end. You can read our full conversation in the transcript below.

COLLIDER: Much of this episode is anchored in Uhura and Scotty’s relationship, which is, I think, mentioned offhandedly in the movies, but I’m curious, what made you want to explore that dynamic for this finale?

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HENRY ALONSO MYERS: Well, part of that was that there’s a lot of stuff that they kind of got into later, I think, in the films that imply that there’s a whole world of emotion that is not really explored throughout the series. It’s one of the fun things that we’ve gotten to do on this show was give those characters some things to play that they didn’t get to do in the original show, but that have been implied.

They had interesting chemistry. We wanted to find, you know, we were interested in, the romance between them, and also it’s an important episode where she’s exploring, trying to make a, you know, like a time travel adjustment, and these things are much better if you have some emotional core that you’re trying to save at the heart of it. And I think that because we felt that was there in the movies, it was something we could dig in and reveal more specifically.

It’s Officially the End of an Era for ‘Star Trek: Strange New Worlds’

Paul Wesley as James T. Kirk in Star Trek: Strange New Worlds, episode 10, season 4, streaming on Paramount+, 2026. Photo Credit: Jan Thijs/Paramount+
Paul Wesley as James T. Kirk in Star Trek: Strange New Worlds, episode 10, season 4, streaming on Paramount+, 2026. Photo Credit: Jan Thijs/Paramount+
Image via Jan Thijs/Paramount+
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When I spoke with Paul a few weeks ago, he mentioned that there might be a little less genre hopping in Season 5, as you guys only have six episodes to really land the ship. Can you speak to whether Season 5 will play out, episodically still, or will it be a little more serialized?

AKIVA GOLDSMAN: It’s definitely still an episodic show, but to some people’s delight and others’ dismay, there will be essentially no genre hopping. Which isn’t to say the tones of the episodes aren’t different, but they are fundamentally a suite of episodes that are about our goodbyes to those characters.

Speaking of those goodbyes, there are several Strange New Worlds characters that we don’t ever meet in The Original Series. Can you tease anything about bringing their stories in particular to a satisfying end?

GOLDSMAN: We will bring those stories to a satisfying end. [Laughs]

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That is great to hear. We do get a little mention of Bones in this episode, and we know you guys have already cast Bones and Sulu. I’m curious what made Thomas Jane and Kai Murakami the right guys to fill those two roles?

MYERS: Well, this feels like something we should talk about next season maybe, but I will say simply, they were both really great and they’re fun to work with and smart, and got to bring something that really, genuinely felt like those characters to us. But, if you really want to see that yourself, you should watch next season.

We do get also a little glimpse of a couple characters that are only seen in The Animated Series in this episode, which I thought was a really cool little Easter egg. How close is this alternate future that we see in this episode to where we end up in Season 5?

GOLDSMAN: So I don’t think this is an alternate future. I think this is an interstitial future. I think there is a…so, this exists in continuity as well. How close it is…

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MYERS: Well, Scotty doesn’t die. That’s the only part that would change.

GOLDSMAN: Correct. So…close.

MYERS: Right.

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‘Star Trek: Strange New Worlds’ Never Wants to Stop Surprising You

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Star Trek: Strange New Worlds, episode 9, season 4, streaming on Paramount+, 2026. Photo Credit: Jan Thijs/Paramount+
Image via Jan Thijs/Paramount+

Jumping back a little bit into this episode. I love that this sort of carries on the tradition of Starfleet delivering space babies. What made you decide to make that part of this finale’s central mystery?

MYERS: I mean, usually what you do in a writers’ room, I will say globally, is you keep playing with something until it surprises you. And I think that we kept taking it to what felt like an ordinary place. And that’s never a great way to have an act out. What you want is an act out that twists the story in some way and makes it, like, genuinely, “What? Oh, my God!” Like, you want to give something to the audience that you look for in a story. And we were genuinely surprised and thought it was not where people expected to go with each turn in this episode. And that’s really what we were going for. I mean, that’s just a global writing thing that we stick to in the room.

I love any time that this sort of trope comes up in Star Trek. I think it’s so much fun. When Uhura mentions La’an in this future, Kirk has a pretty strong but sort of unexplained reaction. I’m curious, is this a hint about where her story goes in Season 5, or is it simply a reference to their star-crossed nature?

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GOLDSMAN: You will have to watch Season 5.

I will be there with bells on.

MYERS: I promise you, there will be surprises and emotion to come.

I really, really enjoyed their alternate universe-ish episode in Season 2, so I am excited for more of that relationship — if it’s there!

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GOLDSMAN: It very well may be, my friend.

‘Strange New Worlds’ Showrunners Only Have One Regret Ahead of the Final Season

Key Art for Star Trek: Strange New Worlds Season 4, featuring Babs Olusanmokun as M’Benga, Melissa Navia as Ortegas, Jess Bush as Chapel, Rebecca Romijn as Una, Anson Mount as Captain Pike, Ethan Peck as Spock, Celia Rose Gooding as Uhura, Christina Chong as La’an and Paul Wesley as Kirk, streaming on Paramount+ 2026. Photo credit: Paramount+.
Key Art for Star Trek: Strange New Worlds Season 4, featuring Babs Olusanmokun as M’Benga, Melissa Navia as Ortegas, Jess Bush as Chapel, Rebecca Romijn as Una, Anson Mount as Captain Pike, Ethan Peck as Spock, Celia Rose Gooding as Uhura, Christina Chong as La’an and Paul Wesley as Kirk, streaming on Paramount+ 2026. Photo credit: Paramount+.

I know that with Star Trek, the possibilities are truly endless. And I know that with you guys having this shorter run of episodes in Season 5, you may not have gotten to check off everything on your Star Trek bucket list. So I’m curious if there’s anything else that you would like to see come to fruition in a future comic series, or another series down the line?

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GOLDSMAN: I mean, I think we’re going to have, you know, we, as Henry says, we leave behind a bunch of ideas every year. I think I regret that we were unable to get Shatner on this show. That would have been wonderful. But otherwise, for me, I feel pretty fulfilled.

MYERS: I think if you get to do five seasons of a show and you get to come up with the actual ending, that’s a win. You know, I’ve worked on a lot of shows, and sometimes you get to say goodbye, and sometimes it just ends. This is the best of all those worlds.

With Star Trek sort of coming to the end of an era, on television for the time being. I am curious if you guys have any advice that you would give to Jonathan Goldstein and John Francis Daley, who are sort of working on bringing back the franchise to the big screen?

GOLDSMAN: I wouldn’t dare. I know them. You know well enough to know that they love Star Trek and that is the only prerequisite in my book. And then the imagination is the limit.

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MYERS: I mean, they’re great writers. I just hope that they get to have as much fun as we did, if not more. Because I feel like that’s usually the sign that things are going well. You get to enjoy it.

Seasons 1–4 of Strange New Worlds are now streaming on Paramount+. The fifth and final season is expected to air next year. Stay tuned at Collider for more.


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Release Date

2022 – 2027-00-00

Network
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Paramount+

Showrunner

Henry Alonso Myers, Akiva Goldsman

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Directors

Dan Liu, Amanda Row, Maja Vrvilo, Akiva Goldsman, Dermott Downs, Eduardo Sánchez, Jeffrey W. Byrd, Jonathan Frakes, Jordan Canning, Leslie Hope, Valerie Weiss, Sydney Freeland, Christopher J. Byrne, Rachel Leiterman

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Writers

Onitra Johnson

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Dolly Parton’s Sister Breaks Silence on Family ‘Feud’ Rumors

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Dolly Parton's Nephew Addresses Her Death in Emotional Video: She 'Deserves to Be Comfortable’

The late Dolly Parton’s younger sister Freida Parton has broken her silence on family “feud” rumors following the legendary singer’s death.

“Hi I’ll say this and this only: there is no feud within our family. No one among the Parton/Owens family is fighting over Dolly’s estate,” Freida, 69, clarified via Instagram on Wednesday, September 23.

Her statement comes on the heels of Dolly’s nephew Bryan Seaver being fired as head of security for her properties last week. The controversial decision to remove Seaver was reportedly made by the executors of Dolly’s estate.

“We all love Bryan, just as we love each other. I love you all,” Freida clarified in Wednesday’s Instagram post.

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A spokesperson for Seaver’s security company SAPS said over the weekend that they were “dismayed by the unexpected and, so far, unexplained actions” by those in charge of Dolly’s estate.

Seaver and his team were reportedly served notice on Wednesday, September 16, that their services were no longer required at Dolly’s Nashville home, museum and warehouse. They were immediately replaced by an entirely new security staff.

“We remain unshakably resolved to fulfill her final directive to protect her family, and we refuse to be intimidated by those whose actions we believe are being taken in bad faith and with the intent to profit from the life of someone who willingly gave so much,” Seaver’s spokesperson told TMZ.

Court documents obtained by Us on Wednesday shed new light on an apparent dispute between Seaver and Dolly’s executors in the days before her death at age 80 on August 25.

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Dolly Parton's Nephew Addresses Her Death in Emotional Video: She 'Deserves to Be Comfortable’


Related: Dolly Parton’s Nephew Addresses Her Death at Age 80 in Emotional Video

Dolly Parton’s nephew Bryan Seaver paid tribute to his late aunt while confirming her death at the age of 80 in a sentimental video. “I am representing the Parton and Owens family today, announcing the passing of my Aunt Dolly Rebecca Parton Dean,” Seaver began in the clip posted to Parton’s Instagram account on Tuesday, […]

She’s Alive, LLC — the organization Dolly appointed to look after her business interests following her death — filed a motion earlier this week, asking for a restraining order against Seaver to be immediately granted.

Parton’s manager Danny Nozell and fellow executors alleged in their court filing that Seaver threatened to use his “self-proclaimed military-contractor experience, access to weapons, and capacity for violence to extort [Parton’s estate] into giving into his demands for money.”

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Per She’s Alive, LLC, Seaver allegedly sent a string of threatening text messages where he described himself as “literally an international arms dealer and mercenary.”

“Her money better be bigger than I can make elsewhere or I’m going to f*** everyone. I am about to become the hand of retribution for my entire family,” Seaver allegedly wrote in one message.

Another purported text message allegedly read, “I’m going to set up a podcast dedicated to ruining Dolly’s brand partnership and telling the violations these people have done on us.”

“I am [seeking] vengeance for my people for the next 50 years. I have no debt. I only own swords and guns,” Seaver allegedly wrote to Nozell. “All I have is animosity and memory. But I’m going to spend the next times I have on earth ratf***ing anyone that has ever betrayed my family… All I do is warfare… Everyone needs to be worried about what I might do.”

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Dolly Partons Sister Freida Breaks Silence on Family Feud Rumors Bryan Seaver

Bryan Seaver
Courtesy Instagram / Dolly Parton

Seaver responded in a statement to TMZ in which he denied he’d ever directly threatened Nozell or anyone from She’s Alive, LLC.

“I am a career soldier and military contractor and do conduct arms deals for foreign governments. I am a security professional and I am a killer,” Seaver told the outlet. “However, nothing in this lawsuit were threats and most of the comments I stand by.”

“I was talking frankly in a private way with Danny, who I thought was my friend and he fancies himself a gangster,” Seaver went on to say. “A lot of these messages are two guys having rage-talk and crying on the phone together while we were grieving.”

As for the alleged “ratf***ing” threat,” Seaver said, “I was talking about people that have done bad to Dolly in business — a specific company that scared her and intimidated her. Those comments were about specific, horrible business partners that have done wrong to her and I stand by that.”

The dispute is particularly shocking since Seaver was chosen by Dolly on behalf of her family to announce her death via an Instagram video last month. (Seaver’s mother is Dolly’s sister Cassie Parton.)

“As her head of security for more than two decades — a role my father Larry held before me — I have imagined the heaviness of this moment but haven’t truly felt it until now,” Seaver said in a video statement posted on Parton’s official Instagram account on August 25. “It is an honor — an honor that is mixed with absolute pride and great sadness. But sadness lies with us, not with Dolly. Dolly has lived in the light and is in the arms of Jesus, surely met by [late husband] Carl, her parents and countless others who have watched over her and longed for her to meet them in the heavens.”

Us has reached out to Seaver’s company for comment.

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Bryan Seaver Responds To Dolly Parton Estate’s Claims

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Dolly Parton

Dolly Parton‘s nephew, Bryan Seaver, has found himself at the center of a legal dispute with his late aunt’s estate after being terminated from his position. The estate has also filed a lawsuit against him, alleging extortion, threats, and retaliation. Seaver has publicly responded to the claims and pushed back on the allegations, offering his side of the story and addressing the circumstances surrounding the “killer” comment.

Dolly Parton’s Nephew Is Facing A Lawsuit Against His Aunt’s Estate

Bryan Seaver is in a legal battle against She’s Alive LLC (SAL), the entity created to protect and manage Dolly Parton’s affairs and legacy, overseen by her longtime manager Danny Nozell.

On September 16, Seaver received a letter terminating him as head of security, a position he took over from his father and held for more than 20 years. In a statement, Seaver said he was “dismayed” by the decision, adding that no explanation was given.

“I was fired. After the estate negotiated with me and my company for services in perpetuity and agreed to that service provision from my company. A week later they fired me for these contrived ‘threats’,” Seaver said.

SAL then filed a lawsuit against him, alleging he made extortion demands, threatened Nozell and estate employees, and vowed to “destroy” Parton’s brand.

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In court documents, the entity alleged Seaver sent messages calling himself a “killer” and wrote, “Everyone needs to be worried about what I might do,” as reported by The Blast.

Bryan Seaver Says Dolly Parton Called Him ‘Her Killer’

Seaver denied the accusations and added context to the situation. He told TMZ that the messages between him and Nozell cited in the court documents were private “rage talk” between them that were misconstrued.

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As for the “killer” comment, Seaver said Parton referred to him by that nickname, per ABC News.

“Dolly called me her killer. It was a joke we used around her camp. I was her ‘baby boy ninja’ and Danny Nozell took that text out of context to somehow imagine that I was threatening him. He’s always called me The Killer,” Seaver explained.

He also rejected the claim that he threatened Parton estate employees, saying that he considers them his friends and co-workers.

Dolly Parton’s Sister Shuts Down Rumors Amid The Controversy

Amid the controversy between Seaver and Parton’s estate, there have been rumors circulating that a feud erupted among the country icon’s family members after her passing.

Parton’s younger sister, Freida, took to social media and shut down the rumors. “There is no feud within our family. No one among the Parton/Owens family is fighting over Dolly’s estate,” she wrote. In addition, she also addressed Seaver’s ongoing dispute, saying that he is loved by everyone in the family.

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The Court Granted A Restraining Order Against Bryan Seaver

Dolly Parton
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Following his firing, Seaver, along with his team from his private security firm Squadrant Augmented Protection Services, was dismissed from Parton’s property. The replacement team immediately assumed their security duties.

In addition to the lawsuit, SAL also filed a temporary restraining order against Seaver, which the court granted.

According to The Tennessean, Seaver was ordered to keep a distance of 1,000 feet from any SAL employee and people who have business with the entity. He is also banned from communicating with them and interfering in business relationships.

A hearing is scheduled on October 7.

Dolly Parton’s Fans Are Left Confused And In Disbelief

Dolly Parton ARCHIVE PHOTOS NEW YORK CITY 2005-2019
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The accusations against Seaver made headlines not even a month after Parton’s death, which left her fans stunned, particularly given his close relationship with the singer. Parton had personally chosen Seaver to announce her death to the public, a decision that reflected the trust she placed in her nephew.

The dispute has grown more complicated, with both sides offering different accounts as the legal battle continues.

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Amid the controversy, there seems to be a shared sentiment that the ongoing dispute is not the kind of situation the country legend would have wanted associated with her legacy.

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Giada De Laurentiis Breaks Silence Over DWTS Elimination

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Giada De Laurentiis Addresses DWTS Elimination Says Shes Honored to Represent Women in Their 50s ABC

Giada De Laurentiis is breaking her silence after processing her elimination from Dancing With the Stars season 35 — and she has nothing but “love” for the whole experience.

“I just wanted to take a second and thank everybody for all of their support through this journey on Dancing With the Stars,” De Laurentiis, 56, said in an Instagram video shared on Wednesday, September 23. “And all the moms that shared their stories. It was really, really, really inspiring.”

The chef revealed, “I’m honored to represent women in their 50s and trying something new.”

De Laurentiis then advised her followers to “try something that scares you, because honestly guys, it is a rush.”

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The cookbook author was sent packing on Tuesday, September 22’s Viral Hits Night alongside dance partner Alan Bersten after their salsa received a low score of 12 out of 30.

“I tried my best and it wasn’t best enough. But I tried my best,” De Laurentiis told viewers as she said goodbye to the ballroom.

Giada De Laurentiis Addresses DWTS Elimination Says Shes Honored to Represent Women in Their 50s ABC

Giada De Laurentiis and Alan Bersten doing the salsa on ‘DWTS.’
Disney/Christopher Willard

While she had little to say following the shocking results, De Laurentiis explained on Wednesday that she was so happy for every part of her journey.

“A shout-out to Alan, he was such a loving partner. Truly,” she said in the thoughtful video. “So patient and helped me get really determined. So, it was really great.”

De Laurentiis noted that her biggest success from DWTS came by seeing how proud her daughter, Jade, was watching from college on the East Coast. (The former Food Network host shares Jade, 18, with ex-husband Todd Thompson.)

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Emma Slater Supports Alan Bersten After DWTS Elimination


Related: Emma Slater Reveals How She’s Supporting BF Alan After ‘DWTS’ Elimination

Dancing With the Stars’ Emma Slater is taking care of her ballroom pro boyfriend, Alan Bersten, after his partner, Giada De Laurentiis, was the third celebrity to be eliminated from season 35. Slater, 37, took to Instagram on Wednesday, September 23, to share how she’s been supporting Bersten, 32, after he and De Laurentiis, 56, […]

“Watching Jade watch me dance, to me, that and having her checking in with me every day, texting me how I was doing and sending support and love from the east coast, that to me was the mirror ball,” she revealed. “That was everything. It was really special and something I won’t forget.”

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While her time was short on the competition series — she was cut after week two — De Laurentiis said she “met a lot of cool people and had a great time” on and off the dance floor.

Giada De Laurentiis Addresses DWTS Elimination Says Shes Honored to Represent Women in Their 50s Season 35

Guillermo Rodriguez, Harry Shum Jr., Giada De Laurentiis, Alan Bersten, Emma Slater.
Disney/Frank Micelotta

“And I pushed myself out of my comfort zone,” she continued with a big smile on her face. “I think that’s what life’s all about. So, I’ve got nothing but love. I can’t wait to root everybody on. Thanks you guys.”

De Laurentiis shared an extra message of love via the caption of her video, writing, “Thank you for all of the DMs, comments, words of support, it has meant more than you know.”

She added, “The biggest thank you to my amazing partner, @alanbersten — what a fun adventure! All my love ❤️.”

Bersten, 32, for his part, shared an Instagram video hugging De Laurentiis after the show, as his own farewell to the season.

“Thank you for everything @giadadelaurentiis,” he captioned the upload.

Dancing With the Stars airs on ABC and Disney+ Tuesdays at 8 p.m. ET.

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Jenna Johnson Explains to Harry Shum Jr.’s Scream During DWTS

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183578CW05342 Jenna Johnson Addresses Harry Shum Jrs Controversial Scream During DWTS

Jenna Johnson is shedding some light on why her Dancing With the Stars partner Harry Shum Jr. punctuated their “Viral Hits Night” routine with a dramatic scream.

“The scream that was heard around the world,” pro dancer Jenna 32, joked via Instagram on Wednesday, September 23. “The scream! The controversy!”

The duo may have made the biggest impression on viewers during “Viral Hits Night” on Tuesday, September 22, with their Viennese waltz set to “Iris” by Goo Goo Dolls. In a climactic moment, Harry, 44, broke away from the dance to scream directly into the camera before Jenna pulled him back into their routine.

“Let me tell you why [that happened],” Jenna teased. “Obviously there were still 14 couples in the competition so our [intro video] packages were so short. Harry and I had discussed this beautiful meaning behind the piece. Unfortunately, there was just no time to show everything that we discussed throughout the week.”

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183578CW05342 Jenna Johnson Addresses Harry Shum Jrs Controversial Scream During DWTS

Harry Shum J. and Jenna Johnson on “Viral Hits Night.”
Disney/Christopher Willard

Jenna explained that the dance was meant to be “so emotional” and showcase “so much yearning” between the pair.

“We had talked about both of our anxiety, how that makes us feel, this constant doubt, this pressure that we have on ourselves, not feeling like you belong,” she noted. “We just dove into the emotion of it all — what does it feel like when you’re about to break?”

The pro dancer told Harry that in moments of high anxiety that she often “just wants to scream.”

“Scream into a pillow. Scream in my car. When you’re at that point when everything is in your chest, the best way to release it is just breathing out and yelling,” she said.

In the rehearsal room, Jenna asked Harry if he’d be willing to “go crazy” with how they expressed anxiety throughout their Viennese waltz.

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“He said, ‘Yeah, we should always go crazy,’” the pro recalled. “I just want to say, I’m so grateful for a partner who is down to do crazy things with me and that supports my ideas, my art and my creativity. [He] is willing to go there — the full visceral experience of his full-body scream was just, honestly, I think my favorite part.”

She added, “You either loved it or you hated it. Totally fine. But that was our art. That was our expression. Art is so subjective. It’s personal and it’s totally fine if you didn’t resonate with that. I hope that people who felt that emotion did [resonate with the scream].”

Jenna acknowledged that their video package “didn’t really explain the emotion” behind the scream because there simply was not enough time.

18313609715v1 Jenna Johnson Addresses Harry Shum Jrs Controversial Scream During DWTS

Harry Shum Jr. and Jenna Johnson on “DWTS.”
(Disney/Andrew Eccles)

The couple’s Viennese waltz was a modest hit with judges Derek Hough, Carrie Ann Inaba and Bruno Tonioli, who scored the routine 18 out of 30 total points.

Derek, 41, called the dance “beautiful” while Bruno, 70, felt it was a “great performance.” Carrie, 58, was less impressed, receiving boos from the studio audience for her harsher critique.

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“The parts when you let go, you let go so far and you’re so amazing, and then when you’re back in hold you’re a little timid and you seem uncertain,” she told Harry. “If you can try to bridge that gap a little bit, I think that is what’s going to make it great.”

Dancing With the Stars airs on Disney+ and ABC Tuesdays at 8 p.m. ET.

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CVS Is a Treasure Trove for High-End Beauty Dupes

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CVS Is a Treasure Trove for High-End Beauty Dupes

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Every ‘It’ girl has go-to beauty staples that stand the test of time, delivering flawless coverage, anti-aging benefits, and real results. The only issue? Some of these top-tier picks stem from luxury brands that are priced higher than we’d like to admit. But as shopping editors, we don’t give up that easily. We scoured the internet for drugstore dupes and found so many popular finds hiding at CVS.

Whether you’re looking for hard-working makeup or skincare, we found some of the best picks at affordable prices at CVS. After all, we’ve covered everything from beauty launches to steeply discounted picks, so you can say we’ve seen it all. Oh, and of course, we’ve had our fair share of real-world testing, too!

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Our favorite beauty dupes below work just as well as the high-end stuff but won’t cost you an arm and a leg to buy them. Bonus: Some of our favorites are loved by celebrities and used by Us Weekly editors, so you know you’re in good hands. Prices start as low as $7, so snap them up before these beauty buys are out of stock.

Luxury Beauty Dupes Available at CVS, From $7

1. Our Favorite: With over 6,800 five-star ratings, shoppers are obsessed with E.l.f. 16hr Camo Concealer. Beauty gurus swear it’s a drugstore version of Tarte’s bestselling concealer, but we don’t mind since this pick provides up to 16 hours of coverage and gives skin a hydrating boost. One CVS reviewer even said it “even lasts during sweat.”

2. Going Viral: L’Oreal’s Lash Paradise Mascara is one makeup essential that cool girls and celebrities stand by. In fact, Beyoncé has reportedly worn this exact mascara, and if it’s good enough for Queen Bey, it’s certainly good enough for UsOne reviewer who has “no lashes at all” wrote, “When I apply this mascara, it makes my lashes look very long and stays applied.”

3. Year-Round Staple: If you’re a La Mer girly but can’t justify the price, do what other beauty lovers do and snap up the Nivea Creme instead. Formulated with Provitamin B5, the cream hydrates your face, hands and body for only $9. A reviewer wrote, “When my best friend purchased this for me many years ago, she likened it to Creme de la Mer. I thought she was nuts. I was so wrong! This stuff is fantastic.”

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4. Editor-Approved: I have both the Clinique Black Honey lipstick and this CoverGirl tinted balm, and honestly, I use them interchangeably. This drugstore dupe gives me that pigmented, wine-stained look I’m going for with each hydrating swipe. “I bought this because I heard it was a dupe of the ultra-classic Clinique Black Honey Almost Lipstick, and it actually lived up to this,” wrote one CVS reviewer. “The color is an almost identical match for Black Honey. It goes on very smooth and stays smooth.”

5. Celeb-Loved: Everyone from Martha Stewart to Eva Longoria is a fan of this L’Oreal Lumi Glotion, and it’s easy to see why. The tinted moisturizer gives off an unparalleled glow for that ‘lit from within’ appearance. It’ll have you saying Flawless Filter, who? Shoppers who use it religiously say their “skin looks luminous” after using the moisturizer and that it gives off a “sun-kissed” effect.

6. Game Changer: Give the delicate skin under your eyes some TLC with the RoC Retinol Correxion cream. It’s apparently as good (maybe even better) than the Shiseido eye cream due to its high retinol content and mineral blend. The results? Smooth, bright under-eyes that’ll make you look five years younger. One fan said their dermatologist recommended this cream, and it did not disappoint. “Literally the best eye cream I have ever used, and it works,” they wrote. “I just started using their other products, and now I am using the whole line, and very happy with the results.”

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Love Hypothesis Movie Cut Scenes From Book, Biggest Changes

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The Love Hypothesis

Fans of Ali Hazelwood’s book The Love Hypothesis might be surprised by the amount of changes — and omissions — in the new Lili Reinhart movie.

Prime Video’s new rom-com follows Ph.D. candidate Olive (Reinhart) and professor Adam a.k.a (Tom Bateman) as they pretend to be in a relationship before real feelings begin to get in the way. Hazelwood’s novel was originally a fan fiction story about Rey and Kylo Ren from the Star Wars franchise. (Bateman’s wife, Daisy Ridley, happened to play Rey opposite Adam Driver as Kylo.)

Ahead of the movie’s debut, Reinhart and Bateman hinted that some shakeups were made in order to bring Hazelwood’s vision to life.

“That’s what the script was able to feel like for me — while still keeping the integrity of both characters and doing the book justice,” Reinhart explained at Prime Video’s Obsessed Fest in June 2026. “Obviously, the importance of the book and the source material [is something we thought about].”

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She continued: “We wanted to totally respect that and I think our writer Sarah [Rothschild] absolutely did. The heart of the book is in the film.”

Bateman agreed about the onscreen differences, adding, “Every single person involved with this had such a deep love for this book and for doing it justice for everyone that loves it, for the amazing characters and the world. The intention was always, ‘We want to make this the best it can be.’ And who better to tell it than a group of people who love it so much?”

Despite the changes that were made for the big screen, the actor insisted the source material “was always front and center” for the cast and crew. “We weren’t trying to get away from it in any way,” he said. “We were just trying to do our very, very best to give everyone what they want out of this story.”

Keep scrolling for the biggest changes in Prime Video’s The Love Hypothesis:

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Adam’s Crush on Olive

The Love Hypothesis
Philippe Bossé/ Prime Video © Amazon Content Services LLC

As book fans know, Adam and Olive originally met prior to the events in the book. Olive, however, was struggling with expired contacts and didn’t realize who she was speaking to. Adam knew — and went on to develop a crush.

The movie does include the flashback, but Adam’s yearning for Olive — which explains why he agreed to fake date her in the book — isn’t included on screen.

Holden’s Absence

The biggest loss — especially to readers — was the character of Holden Rodriguez, Adam’s best friend and the love interest of Olive’s friend Malcolm. Holden was instrumental in bringing Adam and Olive together in Hazelwood’s novel and was often the comical relief to even out Adam’s more grumpy demeanor.

Chapter 16

The Love Hypothesis
Prime Video

The Love Hypothesis fans were on the edge of their seats waiting to see how the movie adapted the famous Chapter 16 — a.k.a Adam and Olive having sex for the first time. The movie version was significantly shorter (it technically spanned across three chapters in the book) and left out some memorable moments, such as Adam’s “you can take it” line.

Changing the Breakup

The Love Hypothesis
Prime Video

Olive is the one who ended her relationship with Adam in the book after being sexually harassed by his friend Tom. Adam later found out what happened and they got back together, which the movie chose to change.

Instead, Adam ended his arrangement with Olive on screen as a way to help her focus on her career.

The movie also addressed the issue with Tom (Arty Froushan) by having Olive’s friend Anh (Rachel Marsh) be the one to fill Adam in. This was a major departure from the book, which devoted an entire scene to Olive playing audio of Tom making an advance on her, leading to a heated confrontation between the two men.

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Olive’s Sexuality

The Love Hypothesis
Philippe Bossé/ Prime Video © Amazon Content Services LLC

In the source material, Hazelwood had fans read between the lines when it came to Olive’s demisexuality. The movie, however, has a whole scene devoted to her learning about the label and how it could apply to her experience.

Anh’s Role in the Story

The Love Hypothesis
Philippe Bossé/ Prime Video © Amazon Content Services LLC

The fake dating plot initially as a way for Olive to convince Anh that she was no longer interested in ex Jeremy (Nicholas Duvernay). The movie turned that into Olive previously having a crush on Jeremy, which made Anh refuse to explore her own feelings for him.

Anh also wasn’t aware that Olive and Adam weren’t really dating on the page, but she figured out that it was fake in the movie.

The Ending

The final scene of Hazelwood’s book has Olive and Adam recreating their first kiss one year later. The movie features a two-year time jump that confirmed that Olive and Anh became Stanford professors with Adam.

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