Kerry Washington has ‘Scandal’ fans rooting for a real-life version of “Olitz” after her sweet birthday shoutouts for Tony Goldwyn. Years after the show wrapped, the Hollywood stars have continued to tease their obvious chemistry. Recently, Tony celebrated his 66th birthday, and Kerry didn’t miss the opportunity to send well-wishes to the “pretend love of [her] life.” As expected, fans are eating the moment UP, hoping for another round of Olivia Pope and Mr. President on-screen — and, maybe one day, off-screen.
Kerry Washington Posts Shoutouts For Tony Goldwyn On His 66th Birthday
As mentioned, Tony Goldwyn welcomed his 66th chapter of life on Wednesday (May 20) and Kerry Washington celebrated his new era with multiple birthday shoutouts. On Instagram, she shared five throwback photos from what appears to be their time filming ‘Scandal.’ Many of the shots are silly and friendly.
Kerry captioned the post, “To the “Itz” in our beloved “Olitz”, Happy Birthday @tonygoldwyn!!!!! ❤️ P.S. maybe one day we’ll take a normal picture together…😂😜😍” In the comment section, Tony replied, “Who needs normal?? Love you KW!! ❤️❤️❤️”
Kerry Washington and Tony Goldwyn reposted the same post on their Instagram Stories. He added three red heart emojis to his repost. Then, on Threads, Washington again dropped a shoutout with a slightly different caption and visual. She shared a video of her fake singing behind Tony while he gives her no reactions…at least for most of the clip. A little over halfway through, he breaks character and smiles. Her caption on the Threads post said:
“Thank you for being my friend, and pretend love of my life, @tonygoldwyn ❤️ HAPPY BIRTHDAY 🎊”
‘Scandal’ Fans React To Kerry & Her “Work Husband”
By now, roommate, you can imagine that her comment sections on both platforms are in shambles! Fans are loving the birthday energy, while also standing on the opinion that the love is wayyy past pretend or platonic. Despite such speculations, they’ve both said over the years that their chemistry is rooted in friendship and collaboration. Nonetheless, here’s a look at how the fans aren’t buying THAT story and crafting their own narratives, instead.
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Yes, Kerry & Tony Are Married To Other People In Real Life
While Kerry Washington and Tony Goldwyn’s chemistry appears undeniable, they each have real-life romances with other people. Washington has been married to former NFL player Nnamdi Asomugha since 2013, but they keep their relationship and family life super private. They have two children together, a daughter and a son and Asomugha also has a daughter from a previous relationship.
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LOS ANGELES, CALIFORNIA – AUGUST 11: Kerry Washington and Nnamdi Asomugha seen at a Special Screening of “The Knife” at Ray Kurtzman Theater on August 11, 2025 in Los Angeles, California. (Photo by Eric Charbonneau/Cinetic via Getty Images)
Meanwhile, Goldwyn has been married to Jane Musky, a production designer, since 1987. They celebrated their 39th wedding anniversary on April 18. Tony and Jane have two daughters together. In 2019, he said on the ‘TODAY’ show that Jane is “the most incredible human being” he knows. Adding, “…She is just a very salt of the earth person… I knew when I was 21 when I met her, I better hang on because I’ll never come across this again.” Tony Goldwyn, Jane Musky during premiere of “The Last Samurai” at Ziegfeld Theater in New York, New York, United States. (Photo by M. Von Holden/FilmMagic)
Zendaya is sharing a glimpse of what it’s like working with her partner, Tom Holland, ahead of the release of their two upcoming projects. The actress, who is notorious for keeping her personal life out of the public eye, revealed what it was like to see Holland at work daily, gushing about how proud she felt to see him in action.
The engaged couple is rumored to have already tied the knot, but both remain tight-lipped about whether or not the speculation is true.
Xavier Collin/Image Press Agency / MEGA
Former Disney star Zendaya rarely talks about her personal life, but in a profile interview with ELLE, the actress opened up about what it was like to work with her longtime partner, Tom Holland. The couple appears in two movies scheduled for release this year, the epic fantasy “The Odyssey” and “Spider-Man: Brand New Day,” the fourth installment in the series.
Zendaya didn’t have any scenes with Holland in “The Odyssey,” and she was able to observe him from the sidelines. “I could have cried, I was so proud,” she gushed. In the film, the actress plays the role of Athena, the Goddess of Wisdom, while Holland portrays Telemachus, the son of Odysseus and Penelope.
When it came to “Spider-Man,” the actress said going back on set was a “dream.” “I get to go to work every day with my best friend, the person that I love… It’s like coming home,” Zendaya shared, adding that they brought their dogs with them on set.
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The Actress Refuses To Confirm Wedding Rumors
Jeffrey Mayer/JTMPhotos, Int’l. / MEGA
Rumors that Zendaya and Holland were already married started circulating when the actress was spotted wearing a wedding band in February. In March, Zendaya’s longtime stylist, Law Roach, was asked when the couple was going to get married, to which he replied, “The wedding has already happened. You missed it.”
Months later, the couple has still neither confirmed nor denied the rumor. ELLE directly asked the actress about her gold wedding band, and she replied by saying, “No, I’m not going to do that. They’re always searching for something,” most likely referring to speculations about her relationship and private life.
Zendaya And Tom Holland’s Relationship
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Zendaya and Holland first met when they were cast as MJ and Peter Parker in “Spider-Man: Homecoming,” which was released in 2017. They developed a friendship, with the actress describing Holland as one of her best friends.
They reunited on-screen for 2019’s “Spider-Man: Far From Home,” in which they shared their first on-screen kiss. Two years later, they starred in the third Spider-Man movie, “Spider-Man: No Way Home,” and in July 2021, paparazzi shots of the two smooching made the rounds online. The two publicly confirmed their romantic relationship later that year.
In January 2025, Zendaya sparked engagement rumors when she attended the Golden Globes donning a large diamond ring on her finger. The rumor was confirmed when Holland corrected a reporter who referred to Zendaya as his girlfriend, saying she was his “fiancée.”
The Moment The Actress Knew Tom Holland Was Her ‘Person’
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In an episode of the “New York Times’ Modern Love” podcast in April, Zendaya talked about her intuition, saying that in her experience, “people can get nervous around people.” When it came to Holland, however, the actress said she’s never nervous around him.
“I don’t feel nervous, I feel really peaceful, and I feel really calm. And feel like, ‘Oh, I actually feel more nervous when I’m away from you than when I’m with you,’” she explained, adding that she listened to her intuition, and her feeling of calmness around Holland was a good sign. “I knew that this is my person,” she said.
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The actress also talked about her privacy, saying that she and Holland don’t hide their relationship from the public, but they would also like to “preserve things” for themselves, their families, and close friends.
Tom Holland On Work Dynamic With Zendaya
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In the “Dish” podcast in 2024, Holland shared his thoughts about having to work with his partner. “It’s a saving grace. Yeah. the best thing that’s ever happened to me,” the actor said.
Holland said that he and Zendaya have mastered communicating non-verbally while on set, explaining that when the director gives them notes they don’t particularly agree with, they have a “familiar glance at each other of like, can’t wait to talk about that later.”
Zendaya and Holland’s upcoming films are set to release just two weeks apart, with “The Odyssey” scheduled to hit theaters on July 17 and “Spider-Man: Brand New Day” following on July 31.
Certain trilogies might well only get kind of heavy for one movie out of three, often the second… see the original Star Wars trilogy as well as The Dark Knight within its trilogy. It’s naturally a downer to have people get invested in three movies’ worth of story, only to have to all end up feeling quite hopeless, so that’s why the second movie being the heaviest is a little more expected, if you’re even going to have a bleak chapter in the first place.
But it’s not the only way to tackle a movie trilogy, because some feel heavy throughout, or have, at a minimum, two out of three movies being intense and/or heavy-going. The following trilogies can all count themselves among the heaviest in cinema history, with the bunch of them being depressing for different reasons, and depressing within different genres, too.
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8
‘Pusher’ (1996–2005)
Image via Nordisk Film
Nicholas Winding Refn might be more well-known for his 2010s English-language movies, with Drive especially being something of a modern cult classic, but his Pusher trilogy shouldn’t be overlooked. These films are incredibly gritty and down-and-dirty, with 1996’s Pusher feeling particularly grimy and low-budget. That goes some way to helping things feel more realistic, and then narratively, it’s also intense, since it’s about a drug dealer losing a great deal of money, and needing to find a way to get it in time, as he’s otherwise in rather hot water.
Things kept going with each subsequent movie focusing on a different protagonist, as a side character played by Mads Mikkelsen in the first movie was the central character in the second, and then the drug lord behind much of the first movie’s conflict/drama was the central character in the third film. They’re all brutal and downbeat in their own ways, but also quite engaging if you don’t mind movies that make you feel like you need a shower right after finishing them.
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7
‘Three Colours’ (1993–1994)
A woman in a pool looking upwards in a dark blue roomImage via MK2 Productions
This is a slightly tricky example, since Three Colours is a thematic trilogy, and each one does go for something a bit different tonally, and even different genre-wise. In terms of heaviness, Three Colours: Blue (the first one released) is the most full-on, as it’s an exploration of grief and accompanying feelings of depression, being about a woman navigating life after losing both her husband and daughter very suddenly, in a car accident.
Three Colours: White isn’t as despair-filled, being a bit more comedic, but it’s still something of a psychological drama alongside being a comedy, and not without a dark sense of humor, either. Three Colours: Red is moody again, and maybe a little more mysterious, but ultimately not as heavy-going as Three Colours: Blue. That first film does the heavy-lifting here, though the two movies that follow it (or don’t really follow it, given this trilogy being a thematic one) do still have some darker moments.
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6
‘Terrifier’ (2016–2024)
David Howard Thornton as Art the Clown in ‘Terrifier 2’ during Sienna Shaw’s (Lauren LaVera) nightmare sequence.Image via Cinaverse
Terrifier probably won’t be a trilogy for long, but for now, it is made up of three movies, and they’re three immensely gory movies, too. That’s kind of Terrifier’s thing, as a series so far: there’s a pretty much unstoppable villain at the center of things, and his whole thing is that he really likes to inflict maximum pain on his victims before killing them, so that’s where all the blood and gore inevitably come in.
There’s also a good deal of emotional and psychological distress he wants to cause certain victims, toying with them in that way before he actually hurts them, and so Terrifier 2 and Terrifier 3 get kind of heavy in that way, on top of all the violence. They are admittedly tongue-in-cheek at times, and not serious or heavy-going dramas in the way most of these other trilogies here are, but there’s a good bit of distress to be found throughout these three movies if you’re not really on board with what they have to offer.
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5
‘X’ (2022–2024)
Pearl closing her eyes praying in ‘Pearl’ (2022).Image via A24
Okay, sorry, it was hard to find heavy-going drama-focused trilogies, so here’s one more trio of horror movies: those belonging to the X trilogy. X (2022) is the first of them, and beyond being pretty savage as far as the violence is concerned, it’s also an oddly sad movie about how miserable it is to get old… once you do get past the kills. It’s not exactly thought-provoking, but it is something.
Pearl (also a 2022 release) is a bit more of a drama and less of a horror movie, and it’s a prequel, laying out the rather somber backstory of the main villain of X, showing who she was when she was younger. Then MaXXXine… well, MaXXXine sort of goes off the deep end, and calling it heavy beyond having some distressingly violent moments would be too much of a stretch, but two out of three ain’t bad and all that.
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4
‘The Apu Trilogy’ (1955–1959)
Image via Merchant Ivory Productions
Across three movies, The Apu Trilogy does something that might sound a little similar to what Boyhood did in one movie, but that 2014 film was surprisingly light on drama and narrative, really just being a slice-of-life thing across 12 years. The films in this Indian trilogy, though, are incredibly heavy on drama, and also generally heavy-going, all the while mostly centering on a boy named Apu who grows into a young man by the third and final film, and is played by a total of four different actors across the trilogy.
The first movie, Pather Panchali (1955), has Apu as more of a passive character, since he’s so young, and much of that film is a very emotionally intense family drama. Further hardships happen in Aparajito (1956) and The World of Apu (1959), and while it’s not heavy-going or depressing 100% of the time, it is certainly downbeat stuff for a good chunk of the trilogy.
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3
‘The Godfather’ (1972–1990)
Essentially, The Godfather is an epic tragedy in three parts, albeit with only two of those movies being essential to get the point across. The Godfather gets the ball rolling on depicting the downfall of the Corleone crime family, while The Godfather Part II showcases the truly messy and despairing stuff, and makes it feel heavier because much of it’s contrasted with a series of flashbacks that depict the rise of the Corleone empire.
It’s a rise and fall kind of thing, but not in a linear fashion, which sets it apart from other gangster movies about a character’s rise and fall. The Godfather Part III doesn’t mine a great deal of new ground thematically or narratively, but it does have further bleak events happen to the characters who are still standing at that point in the series, so for present purposes, it is still able to count itself as a heavy-going part 3.
2
‘Life of Crime’ (1989–2021)
Image via HBO
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While Life of Crime is a documentary trilogy, it’s still worth including here because of how immensely heavy-going it gets, and the fact that it’s all genuinely real does undoubtedly add to that feeling. 1989’s One Year in a Life of Crime began the trilogy, and is what you’d expect, based on that title. It got a follow-up almost a decade later (1998’s Life of Crime 2), and then 2021 saw everything get wrapped up in a distressingly definitive manner.
It’s something of an anti-true crime documentary series, since there’s nothing flashy or intentionally entertaining here.
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That final film is called Life of Crime, 1984-2020, and can sort of be watched on its own, given that it summarizes what happened throughout that whole span of time, including the first two documentaries. It’s still worthwhile watching the entire thing, though, as something of an anti-true crime documentary, since there’s nothing flashy or intentionally entertaining here, and it’s just about downtrodden people stuck in a hopeless cycle. The Life of Crime documentaries are also a bit like a much darker spin on the Seven Up documentary series, which also checked in with a group of people over a span of several decades.
1
‘The Human Condition’ (1959–1961)
A man looking ahead in The Human Condition I_ No Greater LoveImage via Shochiku
More than earning masterpiece status, The Human Condition is one huge film separated into three parts, with more coherence than a good many other trilogies, owing to how this three-part movie was made and then released (in an overall short span of time, by trilogy standards). You get a huge story told over all three movies, with the first part mostly being about the lead-up to World War II, the second part involving the main character having to fight in it, and the third part being about surviving the immediate aftermath of the conflict.
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The protagonist changes a great deal throughout, since he’s put through so much and is initially a pacifist, yet can’t escape some kind of involvement in the war, at a certain point. The Human Condition might well be the best Japanese-made World War II movie, and is up there as a contender for the best World War II movie made anywhere, really. It’s also absolutely grueling, emotionally intense, and unapologetic with the violence it depicts, with all those things – plus its overall length of approximately 10 hours – making it an inevitably difficult (but worthwhile) watch.
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Collider Exclusive · Oscar Best Picture Quiz Which Oscar Best Picture Is Your Perfect Movie? Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country
Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.
🪜Parasite
🌀Everything Everywhere
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☢️Oppenheimer
🐦Birdman
🪙No Country for Old Men
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01
What kind of film experience do you actually want? The best movies don’t just entertain — they leave something behind.
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02
Which idea grabs you most in a film? Great films are driven by a central obsession. What’s yours?
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03
How do you like your story told? Form is content. The way a story is shaped changes what it means.
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04
What makes a truly great antagonist? The opposition defines the protagonist. What kind of opposition fascinates you?
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05
What do you want from a film’s ending? The final note is the one that lingers. What do you want it to sound like?
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06
Which setting pulls you in most? Where a film takes place shapes everything — mood, stakes, what’s even possible.
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07
What cinematic craft impresses you most? Every great film has a signature — a technical or artistic element that makes it unmistakable.
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08
What kind of main character do you root for? The protagonist is the lens. Who you choose to follow says something about you.
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09
How do you feel about a film that takes its time? Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.
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10
What do you want to feel walking out of the cinema? The best films leave a mark. What kind of mark do you want?
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The Academy Has Decided Your Perfect Film Is…
Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.
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Parasite
You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.
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Everything Everywhere All at Once
You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.
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Oppenheimer
You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.
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Birdman
You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.
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No Country for Old Men
You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.
The first Star Wars movie in seven years, The Mandalorian and Grogu, is set to release in theaters this week. Latest box-office projections suggest that the space Western could gross as much as $90 million domestically in its first three days, and around $110 million over the four-day Memorial Day frame. This is roughly in the same range as the domestic debut of Solo: A Star Wars Story, which holds the unenviable distinction of being the franchise’s only theatrical bomb. After a tumultuous production that saw directors Phil Lord and Christopher Miller fired and replaced by Ron Howard, the movie’s budget ballooned to a reported $275 million. It grossed around $390 million worldwide, and was effectively a non-starter internationally. The Mandalorian and Grogu wasn’t as expensive to produce as Solo, but the good news ends there.
Directed by Jon Favreau, the movie serves as a spin-off to the beloved Disney+ series The Mandalorian, which premiered as a launch title on the streamer in 2019. The Mandalorian has aired three well-received seasons, and has spawned the streaming spin-offs The Book of Boba Fett and Ahsoka. In many ways, The Mandalorian paved the way for a new wave of Star Wars content on streaming in the aftermath of Star Wars: Episode IX — The Rise of Skywalker‘s underwhelming critical and commercial performance. But the biggest challenge for Disney ahead of The Mandalorian and Grogu‘s release was communicating to the public that it’s a theatrical movie. And now, the recent streaming success of another space Western raises a new question.
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Collider Exclusive · Star Wars Quiz Which Force User Are You? Light Side · Dark Side · Or Somewhere Between
The Force is not a binary. It is a spectrum — from the serene halls of the Jedi Temple to the shadowed corridors of Sith space. Ten questions will reveal where you truly fall. The Force has always known. Now you will too.
🔵Jedi Master
🟡Padawan
🔴Sith Lord
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⚫Inquisitor
⚪Grey Jedi
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01
What is the Force to you? Your relationship with the Force defines everything else.
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02
When you feel strong emotions — anger, grief, love — what do you do? The Jedi suppress. The Sith feed. Others choose differently.
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03
The Jedi Council gives you an order you disagree with. You: How you handle authority reveals your alignment.
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04
You are offered forbidden knowledge that could give you enormous power. The cost is crossing a moral line. You: The dark side’s pull is never more than a choice away.
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05
Your approach to training and learning is: A student’s habits become a master’s character.
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06
In a duel, your lightsaber fighting style reflects: Combat is the purest expression of a Force user’s philosophy.
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07
A defeated enemy lies at your feet, powerless. You: Mercy — or its absence — is the truest test of alignment.
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08
The Jedi Code forbids attachment. Your honest view on love and bonds: The source of the greatest falls in the galaxy.
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09
Why do you use the Force at all? What’s the point? Purpose is the difference between a knight and a weapon.
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10
At the final moment — light side or dark side pulling at you — what wins? In the end, every Force user faces this moment. What does yours look like?
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Your Alignment Has Been Determined Your Place in the Force
The scores below reveal how the Force sees you. Your highest number is your true alignment. Read on to understand what that means — and what it will cost you.
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🔵 Jedi Master
🟡 Padawan
🔴 Sith Lord
⚫ Inquisitor
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⚪ Grey Jedi
Disciplined, compassionate, and deeply attuned to the living Force, you have walked the path long enough to understand its demands — and accept them. You lead not through authority alone, but through example. You have felt the pull of the dark side and chosen otherwise, every time. That is not certainty. That is courage.
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You are earnest, powerful, and brimming with potential — and you know it, which is both your greatest asset and your most dangerous flaw. You act before you think, trust your gut over your training, and sometimes confuse impatience for bravery. The Masters see something in you, though. The question isn’t whether you have what it takes — it’s whether you’ll be patient enough to find out.
You are not simply dangerous — you are certain, and that is worse. You have decided what the galaxy needs, and you have decided you are the one to deliver it. Your power is genuine and formidable, earned through sacrifice that would have broken lesser beings. But examine your victories carefully. Every Sith believed their cause was righteous. The dark side’s cruelest trick is that it agrees with you.
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You were forged in fire and reshaped by those who found you at your lowest. You serve, because service gave you structure when you had none. Your allegiance is not to an ideology — it is to survival and to the master who gave you purpose. But there is something buried beneath the conditioning. The Jedi you hunt? You recognize them. Because you remember what it felt like before the choice was taken from you.
You have looked at the Jedi Code and the Sith Code and found both of them incomplete. You walk the line not out of indecision but out of conviction — you genuinely believe both extremes miss something essential. The Jedi don’t fully trust you. The Sith think you’re wasting your potential. They’re both partially right. But so are you.
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Middling Reviews Aren’t the Only Hurdle ‘The Mandalorian and Grogu’ Is Facing
According to FlixPatrol, one of the most-watched movies on Prime Video this week was Serenity, the 2005 theatrical spin-off of Joss Whedon‘s landmark 2002 television series Firefly. The movie was produced when Firefly became a home-video hit following its unceremonious cancellation after just one season. But Serenity, which brought back Whedon and the show’s central cast, underperformed at the box office as well. It grossed $40 million worldwide against a reported budget of $39 million, indicating that converting a small-screen series into a theatrical hit can be more difficult than it seems. The Mandalorian and Grogu has received middling reviews so far, which isn’t an encouraging sign. The movie currently holds a 61% score on Rotten Tomatoes, with Collider’s Aidan Kelley writing in his review that it “could very well be the most forgettable and inconsequential entry the franchise has produced yet.” Stay tuned to Collider for more updates.
Kathy Griffin is sharing a self-described “TMI” update on her health.
Posting via her Instagram on Thursday, May 21, Griffin, 65, revealed that she had been hospitalized after a medical procedure.
“I spent the night in hospital because I had complications from my colonoscopy,” Griffin wrote.
While Griffin did not elaborate on why she underwent the procedure, the comedian assured her fans that she is now on the mend despite the health setback.
Kathy Griffin has revealed that she recently underwent a hysterectomy. “Happy Monday! I had a hysterectomy on Friday,” the comedian, 64, wrote via Instagram on Monday, April 7. “That’s right they took out the uterus, the fallopian tubes & the ovaries. Pre-cancerous [sic], blah blah blah.” While Griffin didn’t expand on her condition, she announced […]
“I know, I know, very sexy but I am home now with the doggies where I belong,” she added.
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According to the Mayo Clinic, a colonoscopy “is an examination of the inside of your large intestine (colon). It’s helpful for diagnosing gastrointestinal diseases, such as inflammatory bowel disease and colon cancer. It can also help treat and prevent colon cancer.”
Griffin’s followers flocked to her post’s comments section to send their well wishes after the ordeal.
“Feel better soon ❤️” wrote one, while another added, “Ugh… I’m so sorry this has happened. Bounce back, dear Kathy.”
Kathy Griffin.(Photo by Jon Kopaloff/Getty Images for Versace / Los Angeles LGBT Center )
Another follower wrote, “All that matters is that you are better and home!! Keep resting ❤️!” One fan also chimed in with, “Wishing you a speedy recovery!”
It’s not the first time Griffin has been candid about undergoing health procedures. In 2010, Griffin received a poolside pap smear on her show, My Life on the D-List, in order to raise awareness for how important the medical procedure is for women’s health issues.
Kathy Griffin has been open about the highs and lows of her life. Born in November 1960, Griffin grew up in Illinois before moving to Los Angeles in 1978. She joined the famous improv troupe The Groundlings before starting her stand-up career in the 1990s. Of course, most fans have seen her on TV as […]
A pap smear is a medical test that professionals commonly use to help detect cervical cancer early.
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“I started talking to girlfriends of mine, my age and younger, and I just can’t believe how many women are afraid to get a pap smear or they forget or they’ve gone 10 years without doing one,” Griffin explained to E! News in 2010. “The message is, if you see me doing something so outrageous — some may say repulsive — that should make it easier for you to pick up the phone and call your doctor and go get one in the privacy of your own doctor’s office.”
“I feel happier than I’ve ever been before,” Schumer told Amanda Hirsch during the “Dear Media by Night” event for Hirsch’s “Not Skinny But Not Fat” podcast event. “I actually had, kind of, a botched colonoscopy, so I’m not feeling very sexual.”
Ariana Grande is preparing to step back onto the stage for the first time in seven years, but behind the excitement surrounding her upcoming Eternal Sunshine Tour is a much darker reality.
The singer is reportedly still battling emotional scars connected to the 2017 Manchester Arena bombing that killed 22 people during her Dangerous Woman tour.
As rehearsals intensify ahead of the summer kickoff, insiders claim Grande’s anxiety remains overwhelming enough that boyfriend Ethan Slater has reportedly reshaped his own career plans just to stay by her side.
Jorge Estrellado/Image Press Agency/MEGA
Ariana Grande may be returning to arenas worldwide, but sources say the trauma from Manchester still heavily shapes every decision surrounding the tour.
The singer reportedly struggled with “nightmares” and “a meltdown” after the terrorist attack that injured more than 1,000 people and forever changed her relationship with touring.
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According to insiders, the emotional weight of performing for massive crowds again is something Grande still carries daily.
“Ariana has been prepping for her US and UK concert tour for months, but she’s still haunted by the horrific Manchester Arena bombing,” a source told the Daily Mail, adding, “She had nightmares about it for months. She had a meltdown.”
Grande herself previously opened up about the emotional aftermath while speaking to British Vogue in 2018.
“It’s hard to talk about because so many people have suffered such severe, tremendous loss. But, yeah, it’s a real thing,” she said at the time. The 32-year-old explained that both the victims’ families and her fans experienced lasting anxiety after the attack.
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Grande Demands Heavy Security For Upcoming Shows
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Because of those lingering fears, Ariana Grande has reportedly insisted on major security changes before agreeing to tour again.
Insiders claim the pop superstar refused to move forward with the Eternal Sunshine Tour unless stricter protections were guaranteed for both herself and fans attending the concerts.
“She has insisted on double security on all the dates. She refused to go ahead with it if that clause wasn’t agreed to,” a source revealed.
Grande has long admitted that touring after Manchester fundamentally changed how she viewed safety. During an emotional interview with Apple Music’s Ebro Darden, she confessed that even everyday travel became frightening.
“But the truth is that it’s f-cking scary,” the actress said, adding, “It’s scary going anywhere and you look at places differently and traveling.”
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She also acknowledged the uncomfortable reality of heightened concert security. “I don’t want to have metal detectors or people taking tiny a** bags into my shows, but you better bring a tiny a** bag and walk through that metal detector,” Grande stated.
Her fears reportedly intensified again after a fan allegedly rushed toward her during a “Wicked: For Good” premiere event in Singapore last November. Sources said the unsettling moment deepened concerns among those close to the star regarding her anxiety levels.
Ariana Grande Scales Back Touring As Pressure Mounts
Unlike her previous world tours, Grande’s newest run of concerts has been intentionally reduced in size. The Eternal Sunshine Tour begins on June 6 in California before moving through North America and later heading to London’s O2 Arena for a 10-show residency.
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While previous tours stretched well beyond 70 or even 100 performances, this time the Grammy Award winner is limiting herself to only 30 dates.
Insiders say that decision was directly connected to the emotional pressure touring creates. “The stress of doing around 30 dates is all she can handle,” a source explained.
Grande herself hinted this tour could be her final large-scale concert run for a very long time.
“I do know that I’m very excited to do this small tour, but I think it might not happen again for a long, long, long, long time,” she said during a November appearance on the “Good Hang with Amy Poehler” podcast.
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However, Grande promised to give it her all, noting that she believed the tour will be beautiful. The “God is a Woman” singer revealed that she decided to go back on tour because she wanted it to be “one last hurrah.”
Grande And Ethan Slater Face Relationship Strain
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As Ariana Grande prepares for her return to the stage, distance and scheduling conflicts have reportedly complicated her relationship with Slater.
The couple has recently spent weeks apart, with Grande rehearsing in Los Angeles while Slater remained in New York following his off-Broadway production “Marcel on the Train.”
According to insiders, their separate schedules have created emotional and physical distance despite claims the relationship is still strong.
“Ariana has been in Los Angeles doing tour rehearsals. Ethan has been in New York City while she’s there,” a source told the Daily Mail, further explaining, “He hasn’t visited her and she’s been too busy to get back east for more than a couple days.”
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Fans also noticed the pair attending events separately. Still, insiders insist the lovebirds remain committed, even while acknowledging Grande tends to dominate relationships.
“Ariana definitely has a type and likes things in a relationship to be a certain way – her way. She’s usually the dominant one when it comes to who has the say,” the source explained.
Ariana Grande’s Boyfriend Ethan Slater Makes Huge Sacrifice
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Despite his own acting career continuing to grow, Slater is reportedly putting Grande first as she navigates the emotional demands of touring again.
The actor recently appeared in “Gen V,” guest starred on “Elsbeth,” and reprised his role as Boq in “Wicked: For Good.” Yet insiders say he has already begun sacrificing opportunities in order to support his girlfriend during the tour.
“He plans to be there for her during the tour on as many dates as possible,” an insider shared. The source added that Slater is actively rearranging his work schedule to remain close to her.
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“He has a couple of potential conflicts, but he’s trying to work around them so he’s her support system. He’s even turned down an acting role that would have meant him hardly being by her side,” they shared.
Meanwhile, Grande reportedly remains determined not to let fear stop her from reconnecting with fans despite her ongoing struggles.
“She is very excited about returning to the stage to perform for her fans and to release her eighth album this summer,” another insider said.
Even so, those closest to the singer reportedly know Manchester will always remain part of every performance she gives moving forward.
The news about Dutton Ranch losing its showrunner in a surprise shakeup has finally been addressed.
Executive producer Christina Vorosbroke her silence about Chad Feehan‘s reported firing, telling ScreenRant earlier this month that the screenwriter did “an exceptional job building a world of adversaries for Rip and Beth” in the Yellowstone spinoff.
Voros noted that when it came to “dynamics behind his departure,” she didn’t have much to add. She went on to say that Dutton Ranch had at that point not “come out into the world yet” so a future without Feehan was “beyond” her knowledge on the subject.
Taylor Sheridan‘s TV universe has found immense success — but his projects have also come with many showrunner changes. After getting his start as an actor, Sheridan started writing scripts for movies. He began his TV empire with Yellowstone, which aired from 2018 to 2024. Sheridan then created prequels 1883 and 1923, as well as […]
News originally broke in April that Feehan will not return as showrunner after completing work on season 1. Feehan, who created Lawmen: Bass Reeves with Taylor Sheridan, reportedly departed Dutton Ranch after alleged friction with series stars Cole Hauser and Kelly Reilly, among others.
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Sheridan and his producing partner David Glasser, along with the two leads, were allegedly more unhappy with how Feehan ran the production than with the scripts. None of the cast has yet to publicly address the producer’s exit.
Kelly Reilly and Cole Hauser in Dutton RanchParamount+
Yellowstone, which premiered in 2018, introduced viewers to the fictional Dutton family, who own the largest ranch in Montana. Rip (Hauser) and Beth (Reilly) quickly became a fan-favorite couple as they navigated major ups and downs together.
Since Yellowstone came to an end in 2024, the TV universe expanded with Luke Grimes‘ CBS show Marshals and more. Dutton Ranch, meanwhile, follows Rip and Beth — as well as Finn Little‘s Carter — adjust to life in Texas after their time in Montana.
Annette Bening and Ed Harris are also featured on the show alongside other newcomers such as Jai Courtney, Natalie Alyn Lind, Marc Menchaca, Juan Pablo Raba and J. R. Villarreal.
CBS’ Marshals spinoff picks up after the Yellowstone series finale — but where did every member of the Dutton family end up? The Paramount Network series wrapped up in December 2024 after five seasons with Beth (Kelly Reilly) avenging father John’s (Kevin Costner) death by killing brother Jamie (Wes Bentley). Beth’s husband, Rip (Cole Hauser), […]
“As Beth and Rip fight to build a future together — far from the ghosts of Yellowstone — they collide with brutal new realities and a ruthless rival ranch that will stop at nothing to protect its empire,” read the show’s synopsis. “In South Texas, blood runs deeper, forgiveness is fleeting, and the cost of survival might just be your soul.”
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Sheridan, meanwhile, has been focused on his other shows, including Landman, Mayor of Kingstown, Lioness and Tulsa King. News broke in October 2025 that Sheridan closed a major with NBCUniversal. The five-year overall deal for film, TV and streaming will begin January 1, 2029, after Sheridan’s TV deal with Paramount — which goes through 2028 — officially ends.
Paramount will retain the rights to Yellowstone and the other franchises Sheridan created under his deal with the company, so he is expected to create brand new IP for NBCUniversal. Sheridan’s move came after Paramount’s recent merger with Skydance.
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