Beef tallow has become one of the buzziest DIY skincare trends online, and much of that momentum traces back to Nara Smith. Since she first shared her homemade beef tallow moisturizer recipe on TikTok in May 2024, the video has racked up millions of views, sparking a wave of curiosity about rendered animal fat as a skincare ingredient.

With all this renewed focus on beef fat, let’s take a look at what beef tallow actually is, walk through Smith’s viral TikTok recipe and see what dermatologists have to say about the trend.

What Is Beef Tallow for Skin?

Beef tallow for skin is rendered fat from cows — specifically the suet that surrounds the kidneys and other organs — according to UT MD Anderson. It has become a popular DIY moisturizer ingredient on social media.

A 2024 scoping review published in Cureus found that “tallow is rich in triglycerides, specifically oleic acid, palmitic acid, stearic acid, and linoleic acid, thus lending to its wide range of industrial applications.” The same review noted that beef tallow contains essential vitamins, including vitamins A, D, K, E and B12.

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The skincare appeal comes down to chemistry. Dr. Michele Green, a board-certified cosmetic dermatologist in New York City, told GQ in May 2026 that beef tallow’s “fatty acids closely resemble the natural oils of the skin, allowing it to effectively replenish moisture.”

Does Nara Smith Have a Homemade Moisturizer Recipe?

Smith, the social media star known for her ASMR-style cooking videos, helped push beef tallow further into the mainstream beauty conversation. She regularly goes viral for sharing DIY recipes, and her homemade beef tallow moisturizer — first posted to Nara Smith’s TikTok in May 2024 — is a perfect example.

The video shows her husband, model Lucky Blue Smith, mixing the moisturizer in their kitchen after running out of his usual product. “This morning, my husband ran out of some moisturizer that he usually uses and he didn’t love it enough to repurchase, so he just decided to make his own,” Nara said at the start of the video.

How Do You Make Nara Smith’s Beef Tallow Moisturizer at Home?

Nara’s beef tallow moisturizer combines beef tallow, beeswax, squalene, jojoba oil, vitamin E oil, hyaluronic acid and glycerin — melted together over a double boiler, mixed in stages and chilled in the fridge to set.

The full method appears in her viral homemade moisturizer recipe on TikTok. Here are the steps as Nara laid them out in the video:

• Combine beef tallow and beeswax in a metal bowl
• Place the bowl over a pot of boiling water
• Once melted, remove the metal bowl from the heat
• In a separate bowl, mix squalene and jojoba oil
• Combine the squalene and jojoba oil into the tallow and beeswax bowl
• Add vitamin E oil, hyaluronic acid and glycerin separately, mixing well after each addition
• At this point, the mixture should be thickening up
• Transfer the moisturizer into a cup of your choice with a lid
• Place it in the refrigerator to set

Smith said the couple tried the homemade moisturizer recipe after their showers and liked it. Because she lives with eczema and dry skin, the formulation deliberately skipped essential oils so the same batch her husband mixed would work on her face and body too.

What Other Ingredients Are in the Homemade Moisturizer Recipe?

In addition to beef tallow, Nara Smith’s homemade moisturizer recipe relies on beeswax, squalene, jojoba oil, vitamin E oil, hyaluronic acid and glycerin. Each ingredient brings a specific moisturizing or skin-conditioning role to the beef tallow moisturizer, and several are backed by published skincare research.

A 2023 study found that beeswax can be used as an occlusive, humectant and emollient. Humectants attract water into the skin to hydrate, while occlusives create a physical barrier to seal in that moisture and prevent evaporation. Emollients are moisturizing treatments that soften and soothe the skin.

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Squalene is the main component of skin surface polyunsaturated lipids and mimics oils found naturally in the skin.

According to a 2009 study, squalene can function as both an emollient and antioxidant. A note on labeling: squalane — the more shelf-stable version of the ingredient — might be the better choice for long-term storage, per Allure.

Jojoba oil is a liquid wax derived from the seeds of the Simmondsia chinensis plant. A 2021 study found it is widely used in skincare to moisturize, balance oil production and soothe skin.

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Hyaluronic acid and glycerin both act as humectants in the formula. According to CeraVe, “both hyaluronic acid and glycerin are humectants and serve the same function of drawing in moisture to hydrate the skin.”

Vitamin E rounds out the ingredient list. The fat-soluble antioxidant is found naturally in the skin, and per Oregon State University’s Linus Pauling Institute, it moisturizes the skin, protects cells in the skin and can also absorb the energy from ultraviolet (UV) light.

As always, viewers should consult their dermatologist before making a homemade beef tallow moisturizer. Everyone’s skin is unique and can have different reactions to certain ingredients.

By Robert Scucci
| Published 22 seconds ago

Sometimes, if you want to see something vaguely original, you have to go back to the 80s for some good old-fashioned sci-fi police work. While there are plenty of dystopian features set in the not-so-distant future from this era, 1984’s Runaway is the most insane one you’ve never heard of. Thankfully, the kind of movies that have stars who would probably rather you forget they exist all end up on Tubi sooner or later, and then we have to talk about them.

Runaway has all the beats you’d expect from a police procedural, except in its version of the future (1991), robots have been modified into murder machines operated by Gene Simmons, and Tom Selleck (and his mustache) has to save the day before there’s too much collateral damage to ever realistically consider repairing.

While I’ll admit to laughing out loud at this film more than writer-director Michael Crichton intended, I have to give it props for being a constant source of entertainment. Everybody plays it super straight in Runaway, which, to me, seems like an impossible task, especially when you consider the fact that this is the villain’s first acting role outside of Kiss Meets the Phantom of the Park.

Magnum P.I. And The Guy From Kiss At Constant Odds

Runaway, at its core, tells a story about robots versus humans. First, we have to learn about Sgt. Jack Ramsay (Tom Selleck), one of those classic “damn, he’s good” officers with a troubled past. He used to be a beat cop, but made a career change after his fear of heights resulted in a criminal getting away and murdering six people. Now, he’s a robotics expert working for the “Runaway” squad, a designated task force devoted to homicides involving only robots, an occurrence so common in 1991 that there’s an entire unit for it.

Working alongside his partner, Officer Karen Thompson (Cynthia Rhodes), Jack finds himself in hot pursuit of disgraced defense contractor Dr. Charles Luther (Gene Simmons). Luther went rogue years prior when he realized the technology he created, like robotic smart bombs and heat-guided bullets, could be sold for a profit on the black market. He killed off his whole team and went out on his own, bringing us to the present day, where Jack needs to track him down and lock him up before this sophisticated military tech falls into even wronger hands.

The missing link between our heroes and their enemy is Jackie Rogers (Kirstie Alley), Luther’s ex-lover who has access to the templates he needs to carry out his plan of mass-producing an army of evil robots. After being thoroughly strip-searched, it becomes clear she wants to be on the right side of history when push comes to shove, and it’s the cops against the robot overlords.

As you would expect, Jack is afraid of heights and haunted by his past because of it, so, you know … third-act skyscraper fight. Everything in this movie hinges on simplicity, and if you’ve ever found yourself craving a movie with a clear good guy and bad guy, this is it.

Gene Simmons Has One Face

Throughout the film, we learn just how great Sergeant Jack Ramsay is. He knows everything there is to know about robots, even though it appears that Tom Selleck himself completely glazes over when he has to go into technobabble. He’s framed as the best dad ever, even though his interactions with his son Bobby (Joey Cramer) are minimal, most often involving Jack tucking him in after spending days away from home working cases.

Don’t worry about the potential neglect, though, because Jack has a sophisticated robot house maid that handles all the chores, cooking, and more domestically inclined activities that an active parent would typically engage in. Whether that robot gets wired to explode at the worst possible time is something you’ll just have to find out for yourself.

Runaway’s real draw, though, comes from Gene Simmons. Outside of any KISS-related intellectual properties, this was his first acting role, though it’s been reported that he’d been practicing the craft since 1981 while waiting for the perfect moment to make his feature film debut. Luther, as far as villains go, is pretty stock. He’s a total robot nerd, and his one-liners, if you could call them that, aren’t even memorable. Point in case? I don’t remember any of them.

However, Simmons is really good at making this one face that tells the viewer, without any sliver of doubt, that he’s the antagonist in Runaway. He’s got this signature snarl, so before we even know the full scope of his evil intentions, all you need is a simple shot of him walking around and being himself before saying, “Yup! That’s him! That’s definitely the bad guy!” To Simmons’ credit, it’s a pretty good face, there’s just no great acting or dialogue coming from it.

He does walk around brandishing giant, futuristic guns and has a legion of miniature mechanical spiders to do his bidding, so it’s totally worth checking out for that alone.

Runaway leaves very little to the imagination, but for what it’s worth, it’s a straightforward sci-fi action flick to throw on that doesn’t require a whole lot of mental bandwidth to enjoy. As of this writing, you can stream it for free on Tubi.

Martha Stewart turned a New York City brunch into a full-blown fashion moment, and it’s all because of her denim skirt style. The look has Us tossing our jeans to the wind, especially since it’s just as chic as our go-to pants. To seal the deal, Stewart’s classic look is so much comfier.

Stewart stopped by the Barbour X Tea & Sympathy gathering in the West Village looking effortlessly cool. Her denim maxi skirt was the star, reading ‘put together without even trying’ energy, while elevating her top and sandals ‘fit. This Amazon lookalike has the same effect, and might be just as comfy than Stewart’s.

Get the Cider Tiered Denim Maxi Skirt for $42 (was $50) at Amazon! Please note, prices are accurate at the date of publication but are subject to change.

Lyocell-and-cotton-blend fabric is the secret to this skirt’s stretchy yet breathable feel. It’s airy enough for warm spring afternoons, but substantial enough for cool summer nights. With a denim structure and loungewear feel, this skirt hangs loosely without clinging. It’s a major win in anyone’s book.

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Better yet, the breezy maxi skirt has a tiered construction and high-rise design that visually elongates your legs. Plus, the waistband hits at the smallest part of your torso, creating the illusion of a slimmer middle. Translation: You’ll look as good as you feel.

One shopper called it “super cute and flattering for any shape” and wrote, “It has pockets, which I love, an elastic waist in back and a button-front closure. . . I will definitely wear it dressed up with cute heels and [a] top.”

There’s a reason that breezy denim skirts are taking over rich mom closets. This Amazon winner is equally comfortable and stylish, looking much more polished than a simple pair of jeans. Whether you’re running errands, shopping downtown or attending brunch like Stewart, this wardrobe staple delivers.

Get the Cider Tiered Denim Maxi Skirt for $42 (was $50) at Amazon! Please note, prices are accurate at the date of publication but are subject to change.

Not what you’re looking for? Shop other skirts on Amazon and don’t forget to check out Amazon’s Daily Deals here!

By Chris Snellgrove
| Published 12 seconds ago

In many ways, Thor is the most dynamic character in the Marvel Cinematic Universe. We first saw him as a serious god who talked like a bad Shakespearean actor and seemed fully engrossed in the tangled mythology of his people. However, Thor: Ragnarok effectively reshaped its titular deity into the MCU’s most consistently funny character. That film capitalized on Chris Hemsworth’s impressive comedy chops and made those first two Thor movies feel like a bad memory.

Now, Kenneth Branagh, the man who directed the first film, wants to direct the final Thor film. In a recent interview, he expressed his interest in returning to the Marvel fold to do one last movie with Hemsworth. However, he doesn’t want it to be a comedic film in the vein of Ragnarok or Love and Thunder. Instead, he wants to direct a gritty, Twilight of the Gods-type story that takes its creative cues from Hugh Jackman’s Logan. Considering that Hemsworth is one of the last vintage MCU superheroes and can’t keep fighting the good fight forever, Branagh’s idea is the absolute best way to take this fan-favorite character on one last ride.

Thor Up From The Floor Up

Younger fans might not remember, but Kenneth Branagh played a major role in the early days of the MCU. The director was arguably best known for his adaptations of William Shakespeare’s famous plays, and in a fun twist, he was chosen to direct the first Thor film in 2011. He ended up being a great choice because early Thor was presented as a kind of Shakespearean character: he’s all pomp and circumstance, barking out old-timey phrases while dealing with the inevitable drama caused by his conniving brother, Loki.

Marvel wanted Branagh to come back for the sequel, but the director refused; he didn’t like the intense hustle and bustle of producing such a large-scale blockbuster, especially if it meant getting almost no break between films. But in a recent interview with Business Insider, he admitted that “Part of me would love to finish my relationship with [Thor]. I’d always wanted to do more and indeed had a couple of ideas, more in the territory of James Mangold’s brilliant Logan.” As a fan of the various other Thor movies, he declared, “I would love to see Chris Hemsworth and the others have their own individual final story that takes Thor into a glorious twilight.”

Somehow, Logan Returned

Obviously, much of Branagh’s desire to direct a Logan-style movie is his personal drive to give the character a fitting, final story. But he also noted how such a film might resonate with longtime fans of the MCU. “There’s also this unique relationship with a large cinema audience that those characters now have that, for people who have grown up with them and their arc, I think it would be something very beautiful to take those characters into their own particular sunset.” This makes sense, of course: part of why Logan hit so hard is that an entire generation grew up cheering for Hugh Jackman in the various X-Men movies.

Sadly, Branagh didn’t offer any details for what his Thor film would look like. Given the comparison to Logan, it’s a safe bet that it will be a more serious movie, one that strips the character of the silliness that has characterized all of his appearances since Thor: Ragnarok. That might be a good thing, though: the critical failure of Thor: Love and Thunder has proven how hard it is to mix the character’s over-the-top humor with more serious storylines. Instead of having Thor’s final days in the MCU be spent playing a Deadpool Lite character, he could ensure he goes out like, well, a god!

Sadly, we’re not likely to ever see this movie. Branagh hasn’t broached the topic with Marvel Studios, and he’s the first to admit that Kevin Feige and other execs likely have their own plans for this popular character. Still, the super-serious Logan effectively revived audience interest in Wolverine after the lackluster fan reaction to X-Men Origins: Wolverine and The Wolverine. Given Thor’s disappointing appearance in movies like Love and Thunder and even Guardians of the Galaxy Vol. 3, a Logan-style movie featuring everyone’s favorite Asgardian may be the best way to ensure that the fandom still believes in this god long after Hemsworth’s contract expires.

Lisa Kudrow is weighing in on one of television’s most talked-about debates: whether or not Ross (David Schwimmer) and Rachel (Jennifer Aniston) were really “on a break” in “Friends.” Almost three decades after the episode aired, Kudrow, who played quirky, free-spirited Phoebe Buffay, is sharing her candid take on the long-running argument that continues to divide fans of the hit series.

On May 4, Lisa Kudrow appeared on “The Tonight Show Starring Jimmy Fallon” to discuss her show, “The Comeback.” The two also discussed “Friends,” and Fallon brought up the age-old debate about Ross and Rachel, saying that he read Kudrow has a “new thought” about it.

Not knowing how the audience would react, Kudrow said she was “afraid to bring it up.” “What is your take. Were they on a break?” Fallon asked, to which the actress answered, “Well, no.” However, Kudrow explained that her issue wasn’t that Ross slept with another woman while “on a break” with Rachel. “It’s beyond that. It’s beyond break or not. He was a bad boyfriend.”

The audience reacted with cheers and applause, and Kudrow was pleasantly surprised that they agreed with her.

Lisa Kudrow Thinks Ross And Rachel Shouldn’t Have Ended Up Together

AppleTV may seem like Netflix’s less appealing knockoff, but that couldn’t be further from the truth. While Netflix dominates when it comes to big-budget crowd pleasers like Stranger Things, Apple offers the antidote to television fatigue. In 2022, a truly unique series hit the streamer — Severance.

Created by Dan Erickson and produced by Ben Stiller, Severance is a response to corporate culture gone amok. Erickson has always been upfront that the puzzle box mystery came about from his desire to skip through the workday at his desk job. What resulted, however, was a series far stranger and more captivating than any corporate job. Severance follows Mark S. (Adam Scott), one of four Microdata Refiners who elects to undergo the severance procedure. In a desperate attempt to cope with the grief over his dead wife, Mark severs his home memories from his work memories.

Lumon claims that the severance procedure is to protect sensitive material at the tech company, so even their employees don’t know about it. The reality is weirder and largely unexplained at this point. The series requires Severance to have specific dialogue, which makes it one of the most quotable shows on television. There is one line, however, that stands above the rest.

Ms. Cobel Delivers a Stone-Cold Line In the Premiere of ‘Severance’

It would be one thing if Dan Erickson just wrote a piece of great speculative fiction. The reality is much different than that. Severance exists in a world unlike any other. The humor, dialogue, and tone of the series are equally humorous and eerie, making it a rabid success with fans. The show establishes this in the first episode when Mark S. is promoted to team leader after the departure of his best friend, Petey.

Mark comes face-to-face with his floor manager, Ms. Cobel, played with haunting somberness by Patricia Arquette. Over the years, Cobel has delivered some harsh lines like “a handshake is available upon request” and “if you want a hug, go to Hell and find your mother.” However, her early line in Severance not only contextualizes her character, but also the entire thesis of the series. In the first episode, “Good News About Hell,” Cobel nails what Lumon is all about in one cold line.

Cobel explains that her mother is an atheist and told her that there was good news and bad news about Hell. “The good news is Hell is just the product of a morbid human imagination. The bad news is whatever humans can imagine, they can usually create.”

This quote perfectly sets up Cobel’s complex relationship with her mother and the lore being Lumon’s founder, Kier Egan. More importantly, however, it establishes the bedrock on which Severance is built. Lumon is, for all intents and purposes, Hell. The series is a social commentary on the capitalist landscape that has everyone in its grips. Workers like Mark. Helly, Irv, and Dylan are all constrained in a corporate nightmare.

Severance very purposely shows that Lumon, like many companies, only considers its workers property. Lumon severs employees’ memories, condemning them to only experience a life inside the walls of the sterile building. They can never see the sky, have a family, or read literature that isn’t corporate propaganda, like Lumon’s nine core principles. For many, that is the definition of Hell, and corporate America created it.

This dependence on capitalism has turned humans into commodities to be bought and sold. There is no clearer definition of Severance and it comes from Cobel herself. Mark and the rest of the Microdata Refiners are supposed to toil in the hellscape until they are dead or retired. The great gift of Severance is demonstrating this theme in a unique way that challenges most other stories on television.

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Release Date

February 17, 2022

Network

Apple TV

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Showrunner

Dan Erickson, Mark Friedman

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Writers

Anna Ouyang Moench, Wei-Ning Yu

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As his legendary tenure at Paramount nears its end, Taylor Sheridan isn’t stepping off the gas. In fact, his signature franchise, Yellowstone, has been in aggressive expansion mode ever since the flagship show ended in 2024. Sheridan had already released two critically acclaimed prequels — 1883 and 1923 — but the post-Yellowstone era has been dominated by follow-ups to the Dutton family saga. Initially, it was reported that Sheridan’s The Madison would be set in the same universe. But following news of his departure from Paramount in 2029, it was revealed that The Madison‘s ties to the Yellowstone franchise had never existed. However, it’s a different story for the two other shows Sheridan has delivered since then.

The latest is Dutton Ranch, which is slated to premiere on Paramount+ in just over one week. The show follows the characters of Kelly Reilly and Cole Hauser from the flagship series, alongside newcomers Annette Bening, Ed Harris, and Jai Courtney. Dutton Ranch will premiere on May 15, and it is all but guaranteed to claim the platform’s crown, taking over from its predecessor in the Yellowstone universe. The show preceding Dutton Ranch premiered on March 1 and will conclude its first season later this month. Unlike every other installment of the franchise, this show premiered on CBS and is presented more like a network procedural than a streaming series. Perhaps this is why fans haven’t taken to it as readily as they had with the other titles.

The Least-Liked Installment of the ‘Yellowstone’ Franchise Has Been Renewed for a New Season

We’re talking, of course, about Marshals — the show follows Luke Grimes‘ character from the original, Kayce Dutton, as he tackles crime in Montana. The show holds a 42% critics’ score and a worrying 27% audience score on the aggregator website Rotten Tomatoes, where the consensus reads, “Marshals confines Kayce Dutton within a dim procedural that lacks the narrative spark and intrigue that Yellowstone managed instantly, making this one ham-fisted trek.” In his review, Collider’s Michael John Petty wrote that the show “carves out its own identity from the get-go.” Despite the poor reviews, Marshals has remained among the most-watched series on the global Paramount+ leaderboard for over two months. According to FlixPatrol, it recently passed the 60-day mark on the streamer’s domestic chart.

Marshals has been renewed for a second season, and all fans can do is to hope for it to improve with age. Stay tuned to Collider for more updates.

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Release Date

2026 – 2026

Showrunner

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Spencer Hudnut

Writers

Spencer Hudnut, Tom Mularz, Dana Greenblatt

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By Robert Scucci
| Published 22 seconds ago

Getting together with old friends is either a hit or miss kind of scenario. Sometimes, you pick up right where you left off without missing a beat, and it feels like the good old days before life sent you on wildly different paths. Or, if you’re trapped in the kind of plot that Sexy Evil Genius is laying out, it’s the worst kind of reunion. For one thing, you’re not getting together with an old friend. Instead, you’re meeting a group of people who all used to date your most significant ex, and it starts to feel like you’re about to fall into a trap.

The trap, however, has no clear exit. You’re sitting there, dumbfounded, talking to two people you’ve never met before, but still share something in common with. The lover in question shows up fashionably late with her new partner, her defense attorney who successfully got her off murder charges after she (allegedly) poisoned her boyfriend, allowing her to serve time at an institute for the criminally insane.

That’s the kind of fun that Sexy Evil Genius is going for, and in some cases, the humor lands. Overall, it’s an enjoyable watch, especially if you’re a fan of Seth Green or Katee Sackhoff. The film’s limited setting, however, leaves a lot to the imagination, and we don’t get much variation outside of the occasional flashback sequences.

A Table For Five

Sexy Evil Genius kicks off with a salesman named Zachary Newman (Seth Green) sitting down at a bar, seemingly waiting to be stood up on another date. There, he connects with a perfect stranger named Miranda Prague (Michelle Trachtenberg). After talking for a while, they realize they have one thing in common: they both used to date Nikki Franklyn (Katee Sackhoff), the one who got away, and who left an unfillable void in both of their lives. After reconnecting with Nikki through the occasional phone call, Miranda is aware of Nikki’s most recent exploits, namely how she was locked up for murdering her most recent boyfriend.

Zach and Miranda also realize that Nikki, who’s been known to pull elaborate pranks on the people she loves, probably set the evening up this way. Shortly after, another ex-lover, Marvin (Harold Perrineau), shows up, and we get more of the same background on Nikki through their conversations. Nikki, as the stories suggest, is an absolute psychopath who knows how to read the room and use it to her advantage.

For example, Marvin is really into jazz music, and this appreciation was the foundation of his long-term relationship with Nikki, who seemed to know every deep cut, major player, and genre idiosyncrasy, as if she studied jazz her whole life, impressing the professional musician. We learn through Miranda, though, that Nikki actually hates jazz and thinks it’s kitschy, ripping Marvin’s heart in half more than any breakup ever could.

When Nikki does arrive to meet her ex-lovers, she’s in the company of Bert Mayfaire (William Baldwin), her defense attorney from her murder case, who she then announces is now her fiancé.

With no clear motive for the meetup, the stakes eventually become clear when Nikki heads to the bathroom with Miranda to hint at her vague plans for “revenge,” handing her a gun “just in case,” while Bert explains to Zachary and Marvin that she’s legitimately insane and belongs behind bars, but he’s so attracted to her that he lied under oath and bribed multiple doctors and officials to get her sentence reduced. In Nikki’s mind, she’s 100 percent lucid and totally in control, only faking insanity to get out of prison. According to Bert, she’s almost always out of control, but knows how to rein it in when it matters.

A Low-Budget Bottle Thriller

While the mystery in Sexy Evil Genius is pretty basic on its face, it has a lot of fun with the premise by constantly subverting expectations. Every single person who has dated Nikki feels two ways about her: she’s an evil genius and expert-level manipulator, and she’s completely insane. The level of hyperspecificity she conjures while messing with her old flings feels almost superhuman. Her memory recall for even the most mundane details is baffling. Her cracks also show from time to time, demonstrating just how much of a loose cannon she can be if pushed hard enough.

The real fun comes from trying to figure out what her motives actually are. Is she going to murder all of her past lovers in public to prove some kind of point? Or is she trying to get out of her new relationship, subtly dropping hints to the few people who think they know her, hoping they’ll take out Bert on her behalf? There’s no real way to know until you know, but I can assure it doesn’t play out the way you’d expect.

Sexy Evil Genius is one of those low-budget bottle stories that doesn’t come around too often, but feels like a well-kept secret. Its premise is absurd enough to keep you hooked, but the tension from not knowing, even when you think you’ve figured it out, is what keeps driving things forward. As the mystery unfolds, you’ll get a few solid laughs, mostly stemming from Seth Green’s ability to play things as awkwardly as possible on command. But the real staying power comes from Katee Sackhoff’s performance, as she constantly walks the line between charming, manipulative, and completely unhinged.

As of this writing, you can stream Sexy Evil Genius for free on Tubi.