The Hunting Party brought season 2 to an end with a main character getting shot — before a surprise last-minute twist.

During the Thursday, May 7, episode of the hit NBC series, Bex (Melissa Roxburgh), Hassani (Patrick Sabongui) and Shane (Josh McKenzie) attempted to take down Lazarus (Kari Matchett) once they realized she was the one who blew up The Pit for her own reasons.

The showdown led to Bex getting shot and Lazarus trying to convince Shane to let her go. Luckily, Bex only got injured in the air and was able to help take Lazarus down. The trio was then left confused about whether they were still on assignment — only for Bex to get offered to be the boss of the operation.

As the potential person in charge of rounding up the inmates still at large, Bex was told that The Pit didn’t just house criminals — they created them.

Related: Shocking TV Exits Through the Years

All good things must come to an end, even when it comes to TV. Over the years, many television stars have suddenly left their roles — while others have been cut from a series without much notice. Anna Faris announced in September 2020 that she was leaving CBS’ Mom after starring as the lead character […]

The Hunting Party, which premiered in 2025, is a crime procedural about investigators who are assembled to track down and capture the most dangerous killers in the country. The twist? The criminals escaped from a top-secret prison that’s not supposed to exist.

Roxburgh’s character is an ex-FBI agent recruited to the task force due to her reputation as a profiler who caught the world’s most dangerous serial killers. After a past connection with Oliver (Nick Wechsler), who was killed off at the beginning of season 2, viewers have focused all their attention on Bex and Shane.

“As far as the characters go, I am always cheering for the history and the relationships where it’s like they’ve been through so much together,” Roxburgh, 33, previously told Us Weekly in February 2025. “If they do build this love story and love triangle, Shane is safe and he’s very calm and cool waters. We have the bad boy who murdered someone and he had a reason. We have the person who didn’t murder someone. We’ll see.”

More recently, the fictional relationship received the stamp of approval from Roxburgh’s Manifest costar Josh Dallas.

“I do know [about them]. I was on set and I am a huge shipper of this,” Dallas, 47, gushed exclusively to Us in April after his guest appearance on the show. “I so want this to happen and I think it would be great.”

Thank You!

You have successfully subscribed.

Dallas urged for the NBC series to lean into the “slow burn” between Bex and Shane. Roxburgh couldn’t help but agree, telling Us that “slow burns are great” when it comes to onscreen love stories.

“What keeps you there episode to episode is the killer and the height of what’s going on and just the craziness of what these killers are doing,” she noted. “But I think what sticks in your brain as you continue through the show is like, ‘But will they or won’t they? What’s going on there? So I think everyone loves a will they or won’t they?’”

The Hunting Party is streaming on Peacock now.

The trailer for the new post-apocalyptic movie The Dog Stars is a clear indicator that director Ridley Scott still hasn’t lost his keen sense for visual storytelling — and it’s fitting that one of his favorite films trades an epic journey at the end of the world for one that takes place at the dawn of time. While on the red carpet for Alien: Romulus, he told Letterboxd what his top four favorite films are, and while he gave some predictable picks like 2001: A Space Odyssey, he threw one major curveball with Quest for Fire. A cult-classic caveman film by Jean-Jacques Annaud, Scott praised the work and it’s easy to see why, given its courage to remain a largely silent movie. Scott said, “A film that people don’t know is so clever and so brilliant — it’s fantastic.”

What Is ‘Quest for Fire’ About?

80,000 years ago, in the prehistoric age, the Ulam tribe is figuring out how to survive. Spending their days fighting off rival tribes and scrounging for food, things seem stable until their measly supply of fire goes out. No one in the tribe knows how to make fire, thinking it’s a finite resource, so the leader sends Naoh (Everett McGill), Amoukar (Ron Perlman), and Gaw (Nicholas Kadi) to explore the land to find fire.

Image via 20th Century Studios

Most of their journey consists of episodes of routine trials and tribulations until they encounter Ika (Rae Dawn Chong) — who they rescue from being kidnapped by another tribe — and she may be the key to finding the fire they desperately need. Quest for Fire exists somewhere in the middle of a series of cross-sections: it’s a story with barely any plot, a cast of characters we observe more than actually “learn” anything about, and a travelogue without the dryness of a nature documentary. It’s a record that relies entirely on empathy, asking you to look past the simplicity and witness what must have been true high drama for our ancient ancestors.

‘Quest for Fire’ Taps Into the Primal Need To Survive

It’s impossible not to immediately take note of how gorgeous the film is in its unvarnished capturing of so many wondrous natural landscapes. Filmed primarily in areas across Kenya and the Scottish Highlands, every location buries you in the harshness with which they crush our hairy protagonists, despite how vast each area is. The journey covers various types of terrain, from quicksand-filled bogs to snow-capped mountain ranges to overgrown savannahs, with the camera often pulled way up into the sky to emphasize how scrawny these individuals seem in the grand scheme of the dog-eat-dog world.

Since the film forgoes any semblance of “backstory” or complicated motivation, it leans more into the unforgiving harshness of the land and the improvised hardscrabble grit of the group, so that the audience will relate through the inherent drive to persevere against the cruelties of nature. Add in sprinkles of prehistoric-flavored action setpieces, like trying to evade sabertoothed tigers and appeasing wooly mammoths so that they stampede an enemy tribe, and it makes Quest for Fire function as high-class adventure silent cinema, thanks to its engaging cast.

‘Quest for Fire’s Cast Brilliantly Shows Evolving Social Skills

If the gnarly eye candy on display isn’t appealing enough for you, then the sociological inquisitiveness embodied by the actors provides the meat on the bone. The film spends a lot of its downtime simply watching these cave people as they communicate in their own language (created by A Clockwork Orange‘s author, Anthony Burgess), pick each other clean, combine verbalization with physical gestures in ways that make their way of life clear to us. It never cheats by giving us subtitles as to what the characters are actually saying, which encourages us to lean forward and pick up on the nuances of their physical behavior to decipher the social dynamics.

The film fulfills the need for a conventional story arc by showing how our protagonists gradually learn how to engage in more sophisticated interpersonal behavior that we modern day humans take for granted. For instance, our characters learn the hilarity of getting bonked on the head, the proper way to have missionary sex, and the wisdom of not carrying fire into a body of water — all making incremental steps toward a better functioning way of life.

In that vein, the cast should be commended for how they can effectively communicate a cohesive theme through their collective action. Even if they don’t have fully developed “personalities,” each character has enough distinct habits and tics that you find enjoyment in how their mentalities bump against each other. It’s fun to watch the main trio all be such “knuckle-draggers” in the beginning, and then gratifying to see how their intelligence has improved thanks to their experiences with the more advanced Ika and how their sense of social nicety improves.

The actors don’t so much give “performances” as they embody an entire sub-concept of humanity that is in flux in response to a world that demands that they not remain stagnant. That combination of grand visuals, anthropological examination of the limits of human intelligence, and marveling at the dangers of the wide world make it obvious why Ridley Scott would consider it such an important film to his cinematic sensibilities, and therefore why it must be seen in order to gain insight on Scott’s vision.

Denim pants will always have their place in our rotation, but not during the spring and summer months. Long, flowy skirts are much more comfortable and elevate your aesthetic without even trying. However, the real magic is in the fit, and these 13 billowy finds are incredibly slimming.

Between high waistbands, gentle A-line silhouettes and subtle tiers, our favorite long skirts skim right past the tummy. Fluid fabrics like rayon, chiffon and crepe drape rather than cling, so you’re not tugging at your outfit the entire time you’re out. Whether you pair them with sandals at brunch or sneakers for errands, these chic picks flatter all body types, offering real comfort and a breezy, feminine swish that never goes out of style.

13 Long Flowy Skirts That Conceal the Tummy — From $7

1. Paisley Princess: Tiered ruffles do the heavy lifting on Trendy Queen’s paisley maxi skirt, adding volume below the waist so that the midsection stays smooth.

2. Smocked and Ready: Bye, bloating! This understated floral midi cinches the waist while the fabric flows loosely over the stomach.

3. Bold Move: Oversized blooms totally steal the show, which is why this oversized floral skirt is a must in our book. The print does the camouflage work for you, keeping the standout design flattering.

4. Boho Babe: With a thick smocked waistband, this bohemian-style skirt stays put without rolling or pinching. It’s stretchy enough to accommodate any large lunch.

5. Wardrobe Staple: Tiny white flowers on a blue background give this delicate floral skirt a quiet, expensive look. It pairs perfectly with a white tee for an easy outfit.

Related: 15 Expensive-Looking Raffia Sandals That Scream ‘Rich Hamptons Aunt‘

You don’t need a Hamptons-dwelling aunt to imagine the effortlessly luxe aesthetic. These gals carry themselves boldly and confidently, which is probably because they wear chic raffia sandals that make them feel their best. We’re copying the rich aunt look from just $12! Woven, breezy and expensive-looking, these classy finds pair as easily with white […]

Advertisement

6. Pretty in Purple: Black is known to be flattering, but this pastel purple skirt offers the same tummy-slimming effect with a color that wakes up your wardrobe.

7. Boutique Find: This bold, breathable skirt looks straight from a Hamptons boutique. Aside from eyelet detailing and the rich cerulean blue shade, it’s made from 100% cotton.

8. Silky Satin: Cooling is right! This silky midi glides over the body, even on the most humid days. The drape creates a long, fluid line that downplays the waist area.

9. Wardrobe Staple: Lace detailing and a linen-like texture give Blooming Jelly’s dreamy maxi more character than your average skirt. Plus, it’s fully lined.

10. Like Loungewear: When you want to wear sweats but have actual plans, PrettyGarden’s buttery-soft skirt feels like loungewear yet looks incredibly put-together.

11. Gingham Print: Pack a baguette, grab a friend and head to the park in a picnic-ready gingham skirt. It’s the outfit equivalent of a checkered blanket and a sunny afternoon.

12. Vacation-Ready: This colorful maxi skirt features a sassy front slit that effortlessly lengthens the legs. The bright print handles the rest.

13. Expensive Look: The hanging ruffle detail on this cream-colored skirt masterfully disguises the midsection. Muted cream reads luxe, not loud.

Related: 17 Chic Two-Piece Sets That Channel ‘New York City Rich Mom‘ Vibes

Everyone’s going somewhere this spring or summer. Whether you’re jetting to Europe or your in-laws’ place in the Midwest, the right outfit makes you appear effortlessly sleek and polished. A two-piece set feels like loungewear yet reads so elevated, perfect for those who refuse to choose between comfort, class and style. Better yet, the chic pieces […]

The White Lotus has faced a surprising amount of behind-the-scenes drama ranging from feuds to characters being recast.

The White Lotus, which premiered in 2021, focuses on the guests and employees at a fictional resort as they experience a slew of personal ups and downs while on vacation. The anthology series is also known for featuring a mysterious murder — or two — that is eventually revealed. Each season films at a new location, with the first taping in Hawaii, before venturing to Sicily and Thailand. Season 4 is currently being taped in France.

While many tune in for the star-studded cast, others are invested in the plot payoff. Creator Mike White has previously stood by his vision for the show regardless of the offscreen reaction.

“It definitely gets under their skin. There was complaining about how there’s no plot,” he said on an April 2025 episode of the official White Lotus podcast. “That part I find weird. It never did. Part of me is just like ‘Bro, this is the vibe. I’m world-building.’”

White was confused by fans who didn’t like his writing style three seasons in.

“If you don’t want to go to bed with me, then get out of my bed. I’m edging you! Enjoy the edging,” he quipped. “If you don’t want to be edged, then get out of my bed. Do you know what I mean? Don’t be a bossy bottom.”

White continued: “Get the f**k out of my bed. Don’t come home with me. Don’t get naked in my bed. Get the f**k out of my bed. Obviously, something is going to happen.”

In addition to conversations about what is taking place on screen, the show faced a surprising amount of drama off screen. Keep scrolling for a full breakdown:

Mike White Vs. White Lotus Music Composer

In April 2025, composer Cristóbal Tapia de Veer candidly addressed his decision not to return for season 4 after multiple creative differences with White. Tapia de Veer told The New York Times that arguments over the season 3 theme music — especially backlash over the lack of iconic “ooh-loo-loo-loos” in the intro — led to his departure.

“I texted the producer and I told him that it would be great to, at some point, give [the fans] the longer version with the ooh-loo-loo-loos, because people will explode if they realize that it was going there anyway,” Tapia de Veer told the outlet. “He thought it was a good idea. But then Mike cut that — he wasn’t happy about that.”

White who didn’t offer a statement to The New York Times about the situation, allegedly wanted the soundtrack to be more background music. “A song that is more like something you would listen to in Ibiza, in some clubby place with a chill, sexy vibe,” Tapia de Veer claimed. “I mean, at that point, we already had our last fight forever, I think. So he was just saying no to anything.”

Tapia de Veer told The White Lotus team months in advance that he wasn’t coming back.

“I didn’t tell Mike for various reasons; I wanted to tell him just at the end for the shock and whatever,” he continued. “Except I told the whole editorial team and music editor and producer and all that, but I didn’t think that they were going to tell him. At some point he heard about that.”

White replied when he told The Hollywood Reporter that he didn’t think Tapia de Veer “respected” him, while slamming the “PR campaign about him leaving the show.” White claimed de Veer just “wants people to know that he’s edgy and dark.”

“He says we feuded. I don’t think I ever had a fight with him — except for maybe some emails,” White continued. “It was basically me giving him notes. I don’t think he liked to go through the process of getting notes from me, or wanting revisions, because he didn’t respect me. I knew he wasn’t a team player and that he wanted to do it his way.”

White referred to the composer’s tell-all interview by calling it a “bitch move.”

Falling Outs in Season 3

Jason Isaacs made headlines when he teased how friendships “were lost” between cast members.

“It was like a cross between summer camp and Lord of the Flies but in a gilded cage,” Isaacs shared in an interview with Vulture in March 2025. “It wasn’t a holiday. Some people got very close, there were friendships that were made and friendships that were lost.”

The actor didn’t name who was no longer on good terms.

“All the things you would imagine with a group of people unanchored from their home lives on the other side of the world, in the intense pressure cooker of the working environment with eye-melting heat and insects and late nights,” he shared. “They say in the show, ‘What happens in Thailand stays in Thailand.’ But there’s an off screen White Lotus as well, with fewer deaths but just as much drama.”

The outlet offered Isaacs the chance to elaborate, which he laughed off, adding, “Absolutely not. I became very close to some people and less close to others, but we still all had that experience together and there’s a certain level of discretion required.”

Isaacs later walked back his statements but it was too late as fans speculated wildly.

Rumors About Walton Goggins and Aimee Lou Wood

Following Isaacs’ claims of behind-the-scenes drama, speculation spread that Walton Goggins and Aimee Lou Wood were at odds off screen. Viewers specifically noticed that Goggins and Wood were no longer following each other on social media but they ultimately broke their silence in a joint interview.

“There is no feud. I adore, I love this woman madly, and she is so important to me,” Goggins told Variety in June 2025, where he got “choked up” about Wood. “This is Goldie Hawn. This is Meg Ryan. She can do anything, and she will. You watch what the next 20 years of her experience will be. I’ll be on an island, I think Greece. But she’s special. There is no feud. She is love and I know that I am that to her. We care about each other very deeply.”

Goggins made it clear that he and Wood “will be friends for f***ing ever.” Elsewhere in the interview, the outlet noted that Goggins began to cry while discussing his character Rick’s journey with Chelsea, played by Wood.

“My catharsis in this experience was different than other people’s, because of my history in this place. I knew what we had gone through, and I knew how close that we had gotten, and I needed to begin to process saying goodbye to Rick and Chelsea,” he recalled. “And I knew that that was going to take a while for me, so I let her know, this is what I’ve gotta do. And she was extremely supportive about that.”

Thank You!

You have successfully subscribed.

Goggins admitted he “needed to just back away from everyone” after filming wrapping, adding, “I haven’t spoken to anyone. I couldn’t handle it. Judge me or don’t. I don’t give a f*** what you think. This is my process. Rick means everything to me, and Chelsea means everything to me. And so that’s what I needed to do for me to process all of this.”

Helena Bonham Carter’s Departure

Helena Bonham Carter’s early exit from The White Lotus made headlines one week into filming for season 4. News broke in April 2026 that Bonham Carter’s character would be scrapped amid reported creative differences with White. Laura Dern then joined the hit HBO series in a new role developed specifically for her.

“HBO, the producers and Mike White are saddened that they won’t get to work with [Helena Bonham Carter], but remain ardent fans and very much hope to work with the legendary actress on another project soon,” a statement from HBO read. “It had become apparent that the character which Mike White created for Helena Bonham Carter did not align.”

Blake Lively and Justin Baldoni have settled most of their legal dispute tied to “It Ends With Us,” but a key issue remains in court.

In a surprising turn of events, the actress is now specifically seeking damages under a California anti-retaliation law after Baldoni’s defamation suit against her was dismissed.

With the trial avoided, a judge will now decide any final compensation owed, and according to Blake Lively and Justin Baldoni’s settlement, they must agree to whatever the judge orders with no appeals.

Lively and Baldoni may have settled most of their explosive legal fight tied to “It Ends With Us,” but one major issue is still heading to court.

Newly filed documents reveal Lively is seeking financial damages from Baldoni under a California law designed to protect people who report workplace harassment from retaliation.

The move comes after Baldoni’s defamation lawsuit against her was dismissed, opening the door for Lively to pursue attorney fees, along with compensatory and punitive damages.

The conflict began after Lively accused Baldoni of sexual harassment, sexual misconduct, and leading a smear campaign during production of the film in 2024.

Baldoni denied the allegations and responded with a countersuit, which has since been thrown out by the judge. Instead of a jury trial, the court alone will now decide whether Baldoni and the other defendants owe Lively money, and if so, how much.

According to TMZ, one significant part of the former co-stars’ settlement agreement is that neither party will challenge the judge’s final ruling through an appeal, effectively making the upcoming decision final.

Blake Lively And Justin Baldoni’s Settlement Labeled A ‘Victory’ By The Actress’s Lawyer

The settlement came just weeks before the highly anticipated trial was set to begin, with both Lively and Baldoni expected to testify in court.

Over the course of the legal battle, filings exposed private text messages and emails involving the two stars and several high-profile figures in their circle.

Lively’s attorneys, Michael Gottlieb and Esra Hudson, described the settlement as a “resounding victory” for the actress, arguing it sends a strong message against using lawsuits and public smear tactics to intimidate people who come forward with harassment claims.

They added that by acknowledging Lively’s concerns “deserved to be heard,” the defendants had effectively put an end to claims that she fabricated allegations of harassment or retaliation.

Sources Claim Blake Lively Was Never After Financial Gain In Her Legal Feud With Justin Baldoni

Sources close to the former “Gossip Girl” star insist her case against Baldoni was never about financial gain.

Instead, they say Lively’s focus has always been “about exposing bad actors who are also harming others.”

According to those sources, Lively refused to settle until documents tied to the alleged smear campaign became public, records that have since reportedly triggered additional lawsuits and investigations.

“She didn’t settle her claims until the documents exposing the bad actors behind smear campaigns were made public – documents that have led to other lawsuits and investigations,” the source told TMZ. “With this motion, she is breathing life into a groundbreaking statute designed to protect survivors from retaliatory lawsuits.”

Lively’s team also argues that the latest filing reinforces a groundbreaking California statute designed to protect survivors from retaliatory legal action.

The Former Co-Stars Released A Joint Statement On Their Settlement

In a joint statement released after the settlement, attorneys for both sides said “It Ends With Us” remains “a source of pride” for everyone involved in bringing the project to life.

They also emphasized their shared support for survivors of domestic violence and the importance of maintaining safe and respectful workplaces.

The statement acknowledged that the legal process had been difficult and noted that the concerns raised by Lively “deserved to be heard.”

It concluded with both parties expressing hope that the settlement would finally allow everyone involved to move forward peacefully and focus on the future.

Legal Experts Weigh In On Why Blake Lively And Justin Baldoni’s Settlement Was Unavoidable

Meanwhile, legal experts say the settlement was hardly unexpected following the dismissal of several major claims and the growing risk that a lengthy public trial could further damage both stars’ reputations.

According to The Hollywood Reporter, Attorney Neama Rahmani said continuing the case “and spending weeks and hundreds of thousands of dollars to litigate the breach of contract and smear campaign claims alone” likely no longer made financial or strategic sense for either side.

He added that the resolution may still leave the public questioning what truly happened between the two celebrities behind closed doors.

Litigator Tre Lovell also noted that in celebrity disputes, public perception often matters more than courtroom victories.

According to Lovell, protecting reputations, careers, and long-term brand value usually becomes the top priority, with legal strategies often shaped around how the fight is playing out in the public eye.