Taylor Swift’s wedding to Travis Kelce is shaping up to be one of the biggest celebrity events in recent memory, but it’s not just the lavish guest list or rumored castle inside Madison Square Garden that’s making headlines. 

New reports claim the pop superstar has taken complete control over every detail of the celebration, particularly when it comes to filming the event. 

According to insiders, Swift’s meticulous approach has even earned her accusations of becoming a “bridezilla.”

Taylor Swift has built a career around owning her story, and insiders say her wedding will be no exception. 

According to the Daily Mail, the singer has hired a professional film crew to capture every moment of her July 3 wedding to Travis Kelce at New York City’s Madison Square Garden.

The production reportedly matches the scale of the event itself, with a castle being constructed inside the iconic venue to create what is described as a Disney-like fairytale backdrop.

The filming plans don’t come as a surprise to fans familiar with Swift’s business strategy. She previously transformed her record-breaking Eras Tour into a Disney+ documentary series and has released multiple self-produced visual projects that she owns outright.

Exclusive Daily Mail photographs also showed professional monitors, camera rigs, and high-end production equipment being moved into Madison Square Garden ahead of the ceremony.

Despite reportedly receiving offers worth tens of millions of dollars from streaming platforms hoping to broadcast the wedding live, Swift is said to have declined them all.

Swift Is Reportedly Determined To Tell The Story Her Way

Sources claim Taylor Swift has no intention of allowing anyone else to shape how her wedding is presented to the public.

“This isn’t about privacy – it’s about control. Taylor wants to own the footage, oversee the edit, and decide exactly what people see. No one else gets to tell this story,” one insider told “Naughty But Nice.”

A permit approved by New York City’s Mayor’s Office of Media and Entertainment appears to support claims that filming has already begun.

The paperwork covers a “Special Event at Madison Square Garden” running from June 29 through July 4 and lists the event type as “Theater Load in and Load Outs.”

Insiders say Swift intends to follow the same blueprint she has used successfully throughout her career. “It’ll happen on Taylor’s timeline, after she’s edited it and is ready,” one source said of the wedding footage.

Another insider added, “If Taylor wanted total privacy, she could have quietly gotten married at home with a handful of people. Instead, she’s planning an event big enough to shut down part of a city. She’s never hidden her personal life – she’s managed it.”

Taylor Swift’s Business Empire Could Extend To Her Wedding

Beyond the cameras, industry watchers believe Swift’s business machine is already preparing for what comes next.

Her company, TAS Rights Management, has reportedly filed more than 300 trademark applications with the United States Patent and Trademark Office covering everything from album titles to merchandise.

The approach mirrors her handling of “The End of an Era,” the six-part Disney+ documentary chronicling her Eras Tour.

That project, along with the Vancouver concert film released alongside it, was produced on Swift’s own terms, with no outside studio controlling the final product.

If history repeats itself, fans may eventually see the wedding, but only when the 36-year-old decides the time is right.

Swift’s Wedding Weekend Is Set To Rival The Met Gala

The celebration itself is expected to be massive. According to sources, over 1000 guests are expected to attend the July 3 festivities after receiving electronic invitations accompanied by non-disclosure agreements.

Guests were reportedly instructed only to arrive in New York between July 3 and July 5. The evening before, around 100 guests will attend a more intimate rehearsal dinner.

Guests will begin arriving at 3:30 pm, followed by a cocktail hour at 4 p.m. on the arena’s sixth-floor concourse. 

The ceremony is scheduled for 5:30 pm on the arena floor, before the reception begins at 6:30 pm and continues until 2 am. 

The rehearsal dinner will be held in Madison Square Garden’s Infosys Theater, with the venue selected in part because its entrance provides privacy from photographers.

Taylor Swift’s Guest List And Security Plans Reflect The Scale Of The Event

The wedding’s star power extends well beyond the bride and groom. According to reports, confirmed guests include Selena Gomez, Karlie Kloss, Zoë Kravitz, Ed Sheeran, the Haim sisters, Suki Waterhouse, and Gigi Hadid.

Music legends Stevie Nicks and Tim McGraw are reportedly set to perform during the celebration. 

The guest list also includes influential music executives such as Republic Records chairman Monte Lipman and Universal Music Group CEO Lucian Grainge.

Outside Madison Square Garden, preparations are equally extensive. New York City police have reportedly been alerted to expect large crowds of fans gathering around the venue, while the National Guard has been deployed nearby.

A permit filed with the city’s Street Activity Permit Office by Winick Productions outlines planned street closures surrounding Madison Square Garden from July 2 through midday July 4. 

The filing also references a tent or canopy structure outside the venue and lists attendance of up to 999 people.

Sadie Sink has opened up about one aspect of British theater that she simply can’t stand.

Reflecting on her time in the production of “Romeo & Juliet,” the “Stranger Things” star admitted that seeing glowing screens in the crowd fills her with “so much rage.”

The Marvel Cinematic Universe newcomer will next appear on the big screen in the latest installment of the “Spider-Man” franchise.

Sadie Sink is currently on a theater run in the UK, where she plays one half of the famous lovebirds in a production of “Romeo & Juliet.”

Taking on the role has also seen her embrace the culture of British theater after first cutting her teeth on stage in the U.S.

When asked in a recent interview about theater etiquette during her time on the West End, the actress said she has found it enjoyable, except for one thing.

“The lights go off, and then I just see all these faces in the audience because everyone is turning their phone on,” she said of the scene where her character gets knifed. “I’m like, ‘Guys, give it a minute. Take it in for a second!’”

“I am filled with so much rage when I see, like, three iPhones in the audience,” she added.

Sink Makes A Surprising Bootleg Confession

After criticizing fans who are more focused on filming performances than taking in key moments, Sink ironically admitted she also appreciates those recordings because they often end up online.

Growing up, she spent hours watching bootlegs of stage productions, which played a key role in nurturing her passion for the craft.

“They raised me, those bootlegs, and inspired me so much,” the actress said.

But since she is fully aware that bootlegs are not appropriate, Sink is advocating for greater access so that more theater enthusiasts can legally watch their preferred plays.

“That’s why we need to make theater very accessible, so that everyone can go in and see it, but also people from all over the world,” the actress said. “That wasn’t accessible to me in Texas, so I get it, but wait for the pro-shot.”

Sadie Sink Says Leaving London Will Be Difficult

In a few weeks, Sink will wrap up her theater run in London and return to her home base in the U.S.

Reflecting on her upcoming departure, the actress admitted it would not be easy, having grown accustomed to life in the UK during her time there.

“It’s felt like such a chapter, being in London and really feeling like I’ve made a home for myself here,” Sink said of her time in the UK. “So, to leave it and go back to my actual home, I’m like, ‘Wait, I don’t know…’”

Regardless, Sink says there is no turning back on her decision at this point.

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“But it’ll be good. I miss my home. The cats are ready to go back. They’re telling me all the time,” she added.

Sink Reveals Her Plans For More Stage Work

Fans can likely expect to see Sink back on Broadway before long, as the actress revealed that the stage will remain a “priority” following her acclaimed roles in “Romeo & Juliet” and “John Proctor Is the Villain.”

“I love filming TV, too, and there’s so many things that I want to do in that space as well, but I think the work that I have [accomplished] just in the last two plays that I’ve done, it feels like…I don’t know, it just feels right,” she said.

For “John Proctor Is the Villain,” Sink was nominated for a Tony, something she described as “so exciting.”

“I’ve never been nominated for any kind of award like that. For the first time that happens, for it to be the Tonys — it feels really important to me and very unexpected.”

Sadie Sink Says Marvel Is A ‘Whole Different Beast’

Guess who’s back? Back again? Zemo’s back, tell a friend. Daniel Brühl has officially suited back up as Baron Zemo for his long-awaited return to the Marvel Cinematic Universe, having last appeared in The Falcon and the Winter Soldier, and Zemo looks like he’s up to his old tricks.

Brühl’s Zemo appears in the advert from his hidden base, where he is seen playing a Villains deck from the new Marvel Magic: The Gathering set. It is a fairly light-hearted bit of marketing, but it also marks the first time Brühl has stepped back into character since The Falcon and the Winter Soldier. What’s different this time around is Zemo’s outfit. His new purple jacket feels a lot closer to the character we know from the comic books. Zemo’s costume, on the page, has long used colors like magenta and purple. Admittedly, he doesn’t have the full purple mask this time around, but the overall silhouette still feels like a clear nod to his more traditional Marvel design.

How Many MCU Appearances Does Daniel Brühl Have?

The German first played Helmut Zemo in Captain America: Civil War, where the Sokovian colonel set out to destroy the Avengers from within after losing his family during the Battle of Sokovia. His plan ultimately worked better than anyone’s, splitting Earth’s Mightiest Heroes before he was taken into custody by T’Challa.

He returned in The Falcon and the Winter Soldier, teaming with Sam Wilson and Bucky Barnes to take down the Flag Smashers. That series finally gave Zemo a more overtly comic-inspired supervillain look, complete with his iconic purple mask, gloves, and long coat, but what we remember most of all is his outstanding dance moves that quickly went viral. By the end of the show, though, he was sent back to the Raft, where he has remained ever since, to our disappointment. Now, this ad may not exactly be considered canon but at least it proves that Zemo is still close to Brühl’s heart and that he’s able to slip right into the character whenever he feels like it.

The Falcon and the Winter Soldier and Captain America: Civil War are both available to stream now on Disney+.

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Release Date

2021 – 2021-00-00

Writers

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Derek Kolstad, Malcolm Spellman, Michael Kastelein, Dalan Musson, Josef Sawyer

Franchise(s)

Marvel Cinematic Universe

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DJ Jewelz Blu is stepping into the booth at one of Europe’s biggest bass music festivals, and she’s bringing serious credentials with her. The content creator and longtime drum and bass enthusiast is making her festival debut at Rampage Belgium with UK-based producer Sudley, and the two are playing a B2B set that’s been months in the making.

What many fans don’t realize is that Jewelz has deep musical roots. She grew up playing multiple instruments and has been a dedicated member of the EDM and drum-and-bass community for years. This isn’t a celebrity dipping her toes into music for a quick headline. This is a lifelong passion finally getting its moment.

“People see one side of me, but I’ve always had this other world,” Jewelz explained. “I grew up surrounded by music, playing instruments, and I’ve been obsessed with drum and bass for the longest time. When the opportunity came to actually DJ my first festival, especially with someone as talented as Sudley, I couldn’t pass it up.”

Meeting the Master: Why Sudley Was the Perfect Partner

Sudley isn’t just any producer. The England-born artist has spent over a decade shaping the drum and bass scene, cutting his teeth in Bristol’s legendary underground rave circuit. That connection to the most influential bass music city in the UK runs deep in his DNA. These days, he’s built bridges between the UK scene and both coasts of the US, constantly traveling and making meaningful connections with the movement’s leaders.

His credibility was the seal Jewelz needed. They’ve already turned heads in the DNB community as a couple, but taking that chemistry into a festival B2B is a whole different beast.

What to Expect From the Rampage Set

The pair has crafted an hour-long journey through genre mashups, original bootlegs, remixes, and euphoric blends that define Sudley’s signature dancefloor, vocal-driven sound. They’ve built this set together from the ground up, carefully selecting every tune and loading in surprises.

“We’ve painstakingly crafted this together,” Jewelz said. “It’s more than just throwing on records. Every moment is intentional, and we’re bringing some things people won’t expect.”

A Moment for Growth

Rampage Festival is one of the biggest bass music festivals in the world, which makes this debut anything but small. For Jewelz, it represents a full-circle moment. She’s moving beyond being known for one thing and stepping into a space where her diverse talents can shine. The musical background, the passion for drum and bass, the chemistry with her partner—all of it comes together in this set.

This is what happens when you give someone the space to be more than the box people try to put her in.

“Truth Hurts” singer Lizzo is opening up about the private struggles she’s been facing after her latest album, “B-TCH,” failed to chart on the Billboard 200. The album’s performance has been debated across social media platforms over the last week, as Lizzo, whose real name is Melissa Jefferson, shared an emotional message revealing she’s been struggling behind the scenes while thanking fans for their continued support. Despite the criticism, Lizzo said she had something to celebrate in her latest update: her single “About D-mn Time” became her second song to surpass 1 billion streams.

Lizzo, 38, uploaded a dramatic photo of herself to her X account. In the caption, she spoke openly about some of the difficult challenges she’s been facing over the last several weeks.

“I’m weeping on the floor; nobody knows what I’ve been going through privately. Its [sic] been a roller coaster,” she said. “Sometimes I feel like my hands are tied behind my back and life is whooping my a**.”

Lizzo went on to say that regardless of the struggles, she’s chosen to show up “EVERY DAY” to “declare victory” over her life and her career.

Lizzo’s confession came weeks after the singer made headlines for her latest album’s poor performance. According to The Blast, the record sold less than 3,000 copies in its first week, and only 650 in the second.

Lizzo Says She’s ‘Working’ Hard And Pouring Into The People Who Have Poured Into Her

Lizzo implied that the negative reaction to her album hasn’t deterred her. She said she’s been “working my a** off” and spending time with people whom she loves.

“I am truly blessed and covered, and God is reminding me who I am and what He made me to do. No weapon formed against me will prosper, no vicious attacks from people who don’t even know me will stick,” she said.

Lizzo added, “I will continue to glow and shine, because that’s what I do. TO EVERYONE WHO HAS SHOWN ME LOVE ON THE INTERNET AND REAL LIFE I LOVE YOU.”

And to wrap up her post, Lizzo pointed out that not everything has been bad, revealing that “About D-mn Time,” her 2022 single, had reached 1 billion streams.

Lizzo Says She Took The Lackluster Response To Her Last Album ‘To Heart’

Following the release of “B-TCH,” Lizzo appeared on the “Swiftologist” podcast and revealed she was upset over how her album was received.

“I think right now, dropping the album, I took it to heart really, really heavily,” she said. “I hurt my own feelings, and I was really stressed, and I was really sad for a few days because I just was like, ‘Wait a minute, this is like some of my best stuff.’”

Before the project’s release, Lizzo hinted that she was worried about how it would perform, considering her record label, Atlantic, allegedly failed to promote it the way she believed it should’ve been.

“… I’m crashing out on my label right now because I just really like – I feel like there’s not any marketing money being put toward my ideas,” she said in a TikTok video.

The Detroit Native Said TikTok Was Hating On Her Latest Album

In another post, Lizzo crashed out on the popular social media platform for allegedly plotting against her. In the video, the “Soulmate” singer claimed TikTok was purposefully hiding videos of her promoting her project.

“My album is out today, and TikTok continues to be a hater,” she said, adding that TikTok has made her videos “ineligible for recommendation.”

“And when I want to promote my album, you don’t want to recommend it to my fans?” she continued. “Well, honey, I’m on my main page to let y’all know that my album is out TODAY. Go run it up. To all of the 26 million people who love me, go get my album; it’s out today. Woo!”

Lizzy Is Also Working On Something Else…

In addition to her music, Lizzo is also set to release her first children’s book, “Lil Lizzo Meets Sasha B. Flootin’,” in September 2026. Speaking with USA Today, the singer said the book carries the same empowering message that has long defined her music.

“It’s about trusting yourself and believing in who you are. The character goes on this adventure trying to find her identity in all these different places, but she realizes it’s been within her the whole time. I also want kids to get excited about music, about playing an instrument, about being creative. That’s what saved me when I was young. And honestly, I just want it to be fun. I want it to feel like music on the page,” she said.

Taylor Sheridan is the king of television, at least for Paramount+, but the reason he became in such high demand to begin with was purely down to his work on the big screen. Acclaimed work like Sicario, Hell or High Water and Wind River proved his chops, and now, he’s returning to the big screen with a new action thriller for Warner Bros. We’ve just seen a first look at the movie, and it reunites him with a Yellowstone universe star.

The image appears to show Brandon Sklenar between takes in Spain, where the production filmed quietly throughout late 2025. Wearing a dark brown jacket outside a production van, the 1923 star looks to be preparing for a potentially physical scene, with his stunt double also visible nearby. Sheridan wrote F.A.S.T., which reunites him with Sklenar after the actor played Spencer Dutton in 1923.

This time around, Sklenar is trading horses for slightly quicker modes of transport, as he plays a down-on-his-luck special forces commando who’s recruited by the DEA for a dangerous operation in his own hometown. Sklenar leads the cast alongside Sam Claflin (The Hunger Games: Catching Fire), Wilson Bethel (Daredevil), and Juliana Canfield (Succession)

The project was filmed in Spain in November 2025, with production reportedly keeping its major locations and set activity under wraps, so getting a sneak peek at what’s going on feels like we’re getting a glimpse through the looking glass for one of the most anticipated projects of next year.

What Else is Taylor Sheridan Making?

While Sheridan penned the screenplay, he is not directing F.A.S.T.. Instead, Ben Richardson is behind the camera. Richardson is already a familiar name in Sheridan-land, having worked on 1923 and other projects from the busiest man in Hollywood, so there should be a natural shorthand between the pair by now.

Sheridan is currently overseeing Dutton Ranch on Paramount+, while his most recent original series, The Madison, has already filmed a second season​​​​​​​ for the streamer. Landman Season 3 is set to begin shooting next month, while Sheridan is also set to join NBCUniversal when his contract with Paramount expires.

F.A.S.T. is currently set to hit theatres on April 23, 2027.

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Release Date

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2022 – 2025-00-00

Network

Paramount+

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Directors

Guy Ferland

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