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In the realm of fantasy, the Lord of the Rings trilogy reigns supreme as possibly the greatest cinematic achievement the genre has ever seen. Based on the seminal, pioneering novels by J. R. R. Tolkien, the trilogy follows Frodo Baggins (Elijah Wood) on a quest to destroy the One Ring, a powerful item capable of subduing all the free people of Middle-earth. The movies broke new ground, dominating the box office and earning a whopping 17 Oscar wins out of 30 nominations. In short, they revolutionized fantasy and marked a distinct before and after, influencing every genre movie released since.
A huge reason behind their success is Howard Shore’s iconic score, which effortlessly captures the mythical, mysterious, and inviting nature of the franchise. The opening track of The Fellowship of the Ring, aptly titled “One Ring to Rule Them All,” is among the most evocative compositions in cinematic history, becoming deeply influential and universally known. Indeed, few cinematic scores have ever achieved the same level of mainstream acclaim or awareness. And yet, one can easily argue that at least three fantasy movie scores are better than The Lord of the Rings. Of course, it’s all a matter of perception and personal taste, and many of you might already be convinced that Shore’s work in Peter Jackson‘s trilogy is simply unbeatable. However, these three movie scores are just as iconic and acclaimed; they all arguably surpass The Lord of the Rings in terms of mainstream awareness, and they might also be better representatives of the fantasy genre.
Gore Verbinski‘s Pirates of the Caribbean: The Curse of the Black Pearl is not a perfect movie, but damn it, it’s fun. The story centers on blacksmith Will Turner (Orlando Bloom), who harbors a crush on the governor’s daughter, Elizabeth Swann (Keira Knightley). When she gets kidnapped by a band of pirates, Will reluctantly teams up with infamous pirate Captain Jack Sparrow (Johnny Depp) to rescue her. As for the kidnapper, they’re a band of undead pirates led by Captain Hector Barbossa (Geoffrey Rush), on a quest to reunite all the pieces of an ancient Aztec cursed treasure so they can regain their mortality.
Pirates of the Caribbean: The Curse of the Black Pearl is a genuine adventure masterpiece, a riotous and thrilling journey that single-handedly revived the swashbuckling genre on the big screen. A huge reason behind its success is Klaus Badelt‘s epic, exhilarating score, which has become synonymous with the adventure genre as a whole. At that point, Badelt was a relative newcomer with only a few movies under his belt. Collaborating with Hans Zimmer for most of the score’s primary themes, Badelt composed an unforgettable score capable of waking the sense of wonder and adventure in anyone who hears it. Indeed, the film’s most famous theme, “He’s a Pirate,” perfectly captures the very essence of pirate life: it’s exciting, enthusiastic, slightly over-the-top, and instantly iconic. Today, the Pirates franchise might not be what it once was, but the score, especially for the first three movies, is among its best and most acclaimed aspects. Listen to “He’s a Pirate” and tell me you don’t want to set sail to the high seas on your own outlaw escapade.
In many ways, the Harry Potter saga is intrinsically tied to The Lord of the Rings. Both Harry Potter and the Sorcerer’s Stone and The Fellowship of the Ring premiered in 2001 to massive critical and commercial acclaim; both played a pivotal role in revitalizing the fantasy genre on the big screen, both were based on literary juggernauts that marked their respective generations, and both spawned billion-dollar film franchises that remain influential to this day. As it turns out, they also both have arguably the most celebrated and well-known scores in the fantasy genre, but while the Rings movies are objectively better by almost every metric, the Boy Who Lived wins the battle for score supremacy.
Composed by the one and only John Williams, the score for Harry Potter and the Sorcerer’s Stone pretty much defined the concept of magic for an entire generation. It’s whimsical, playful, haunting when it needs to be, yet joyous throughout and simply impossible to forget once you’ve heard it. Like the first two movies, the score has a childhood aspect that fits with the story’s tone; however, it’s also surprisingly versatile, easily transitioning to a darker, more somber tone when the moment calls for it. Of all the tracks in the first movie’s soundtrack, it’s “Hedwig’s Theme,” the one considered the main theme of the entire Potter saga, that easily stands out. In fact, “Hedwig’s Theme” might as well be the unofficial soundtrack to fantasy as a whole; chances are that, if you think about the genre, the opening notes to this masterful tune come to mind. To put it simply, “Hedwig’s Theme” is to fantasy what the “Star Wars Main Theme” is to science fiction. There’s really not much else to say.
In 1940, Disney released what remains, to many, the studio’s crowning achievement and its most emblematic effort: Pinocchio. An adaptation of Carlo Collodi‘s 1883 novel The Adventures of Pinocchio, the film tells the tale of the wooden puppet who comes to life thanks to the Blue Fairy. It’s renowned as a masterpiece of animation and arguably the defining version of the seminal novel, favoring the more innocent and playful aspects without forgetting about the darker undertones. Although it was a groundbreaking achievement in animation, it wasn’t a success upon release due to World War II. Today, Pinocchio is a crucial entry in Disney’s canon and widely celebrated as a game-changer and masterwork.
It’s not a tradition for Disney movies to win the Oscar for Best Original Song and Best Original Score, but Pinocchio was actually the first movie to do it. Its most famous song, “When You Wish Upon a Star,” is the soundtrack to cinematic childhood, a sweet lullaby with a poignant message that ranks among the greatest compositions in the medium’s history. It has even become the studio’s signature song, playing before most of their movies while the castle logo appears. Pinocchio‘s score perfectly captures the complexities of being a child: it’s gentle and lighthearted but emotional and profoundly evocative to the point of melancholy. There’s real versatility showcased here: tunes like “Little Wooden Head” are sweet and charming, while “Monstro Awakens” and “Desolation Theme” accompany the darker moments. It’s not an overstatement to say the Pinocchio score captured childhood innocence in a way no other movie score has.
Pop star Taylor Swift is officially the richest female musician in history! Fueled by the success of The Eras Tour and her highly publicized master re-recordings, Swift has bypassed Rihanna and Beyoncé to become the richest female singer. She entered the billionaire club in late 2023 and effectively doubled her net worth by 2026, thanks in part to her world-breaking tour and massive music catalog.

At only 36 years old, Swift is worth $2 billion dollars, according to Forbes. The publication called her “one of the most commercially successful songwriters of all time” and described how she changed the music industry in 2020 when she started to re-record some of her old albums.
“As a result, her royalties flowed straight into her pocket, and she inspired fellow artists to take ownership of their music,” the blurb continued. “In 2024, Swift reached billionaire status thanks to The Eras Tour, which became the highest-grossing concert tour in history with revenue of $2.2 billion.”
Swift then used the money generated from her tour to buy back her original masters for approximately $360 million.

According to Forbes, Beyoncé Knowles-Carter, 44, became the fifth musician to reach billionaire status last December, thanks in part to her country music album, Cowboy Carter. It won Album of the Year at the Grammys and made her the first Black woman to win for Best Country Album. The Cowboy Carter Tour became the highest-grossing concert tour of 2025, earning about $450 million in ticket and merchandise sales. She followed it up with her Renaissance World Tour, which grossed nearly $600 million in 2023.
Unfortunately, neither of them is worth as much as Jay-Z. According to his Forbes profile, he is worth $2.8 billion due to his lucrative liquor businesses. He is also the chairman and cofounder of the entertainment company Roc Nation and has stakes in Tidal, the music streamer, and the 40/40 Club sports bar. His other assets include a fine art collection, his music catalog, and various shares in companies like Block and Uber.
It’s possible that Swift’s net worth can increase following the release of her new song, “I Knew It, I Knew You,” which was featured on the “Toy Story 5” soundtrack. She sang the song live for the first time at the “Toy Story 5” premiere in Los Angeles on June 9. She also took the stage to perform a surprise duet of “You’ve Got A Friend In Me” with Randy Newman.
Swift had nothing but praise for the legendary composer in an exclusive interview for the ABC special “Toy Story 30 Years and Beyond — A Special Edition of 20/20.”‘
“There’s country, pop, folk, rock, Randy Newman,” Swift said. “He has his own signature syncopations to things, and the chords that he would reach for are so different than what anybody else would think to go for.”
“He’s got a way of just writing such intricate, yet beautifully pure, simple lyrics about how you feel that get to the heart of it. They’re so complex,” she continued. “They’re exactly how you feel, and they’re so universal.”
She went on to say that she had Newman’s blessing as she entered the “Toy Story” world.
“Knowing I had his blessing to enter this world was really special for me and kind of helped ease what might have been a stressful situation, if I didn’t know that he was good with it,” she said, noting that he has been “amazing and supportive and encouraging” of her new song.

2026 is another big year for Swift. In addition to the release of her new song, many fans anticipate that she will get married this year. She has been engaged to NFL star Travis Kelce since August 26, 2025.
She broke the news on Instagram, with a post captioned, “Your English teacher and your gym teacher are getting married.”
Although many fans initially suspected she would marry in Rhode Island, where she owns a home, recent reports suggest she will marry at Madison Square Garden later this year.
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Zoey Deutch has a knack for making even the trendiest accessories feel timeless. The actress recently stepped out carrying a sleek black handbag that instantly elevated her outfit. Her bag choice proves that a structured bag can transform even the simplest summer look, and I found a similar version for just $29 on Amazon.
On June 15, 2026, Deutch was photographed in New York City wearing a silky white satin dress and strappy heels while carrying a retro-inspired bowling bag. Her exact accessory is a $3,050 Alaïa design, but the Molodo Retro Shoulder Bag delivers a remarkably similar look for a fraction of the price. The ‘bowling bag’ trend has been quietly building momentum, and Deutch just gave it a celebrity stamp of approval.
Get the Molodo Retro Shoulder Bag for $25 at Amazon! Please note, prices are accurate at the date of publication, June 23, 2026, but are subject to change.
What makes the silhouette so appealing is its versatility. The rounded shape feels vintage, while the structured design makes it look polished and modern. It’s the kind of handbag that works just as well with a sundress as it does with jeans and a blazer.
The Molodo bag is made from PU leather and features the same sleek, curved silhouette that made Deutch’s designer version stand out. Despite its compact appearance, the purse has plenty of room for everyday essentials, including a phone, wallet, keys and makeup.
If black isn’t your style, this pick also comes in cream, brown, burgundy and several other colors. The color range makes it easy to find a version that works with the rest of your wardrobe.
A great handbag does most of the heavy lifting in an outfit, and this one delivers the same vintage-inspired energy as Deutch’s designer pick without the four-figure price tag. At just $25, it’s an easy way to try the bowling bag trend before it inevitably takes over summer.

Obsessed with Deutch’s vintage-inspired bag? Check out more trendy Amazon finds below.
Shop more black bowling bag purses that we love:
Not your style? Explore more bowling bag purses here and don’t forget to check out all of Amazon’s Daily Deals for more great finds!
Melissa Gilbert is saying goodbye to eight years of memories in her New York City apartment.
“So long perfect little one bedroom apartment on the Upper West Side. The last eight years here have been so special,” Gilbert, 62, wrote via Instagram on Tuesday, June 22. “A lot of amazing work was done in and around this city. So many theaters and soundstages. So many wonderful dinners with friends and nights out on the town.”
While Gilbert didn’t provide a specific reason for the move, she expressed hopes of a return in the future.
“I promise we will be back, it’s just that right now…..well….you know,” she wrote. “Excited to live in our wonderful home upstate full time for a good long while. #nyc #goodbye #alwaysanasventure #happytrails #alwaysintherightplaceattherighttime.”
The Little House on the Prairie actress’ post comes as her husband, Timothy Busfield, continues to fight allegations in a child sex abuse case.
Busfield, 69, was first indicted on child sex abuse charges by a grand jury in New Mexico on February 6. The actor was specifically indicted on four counts of criminal sexual contact of a child, the Bernalillo County District Attorney’s office said in a press release obtained by Us Weekly at the time.
Busfield — who has pleaded not guilty to the charges — recently filed a motion to quash the grand jury indictment.
“Timothy Busfield is innocent. This motion describes egregious prosecutorial misconduct during grand jury proceedings, thereby preventing the jurors from hearing testimony, witnesses and evidence even after repeated requests by the grand jury itself,” Busfield’s civil attorney Stanton “Larry” Stein claimed in a statement to Us earlier this month. “The government repressed and suppressed exculpatory evidence, misstated the law and failed in the most basic due process afforded any person under either Constitutional or State laws designed to protect actual innocence from abuse of government power.”
Gilbert has stood by her husband and called his arrest “the most traumatizing experience of our lives.”
“Our life as we knew it is done,” she said on Good Morning America in April. “We are grieving what we had — all of our plans, all of our dreams, all of our ideas, all of our projects. For Tim, it’s done. He’s canceled. Even if he’s exonerated, he will always be that guy. [He’s] the last person in the world who would hurt a child.”
In her latest social media post, Gilbert shared the things she will miss most about her neighborhood as she says goodbye to a property she fell in love with.
“I’ll miss the walking and our neighborhood, the subway rides, the amazing people I’ve met there and on the streets. This city truly has a pulse,” she explained after packing up U-Haul boxes. “You can feel it in your heart. Goodbye favorite newsstand, bodega, dance studio and laundry. Goodbye shoe repair, dry cleaners, nail salon. Goodbye sweet neighbors whom we love so much. And a very fond ‘farewell and see you soon’ to our favorite city in the world.”
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The singer faces a felony criminal damage to property charge after an abruptly canceled show on May 27.
By Chris Snellgrove
| Updated

For a franchise that is known for its progressive messages, Star Trek has always been known for something else: sex appeal. The first pilot episode featured a scantily-clad Orion slave girl; later spinoffs would shamelessly put attractive female characters in skimpy clothing, from the skant of Deanna Troi to the skintight catsuit of Seven of Nine. Eventually, Enterprise one-upped everything that came before with a sexy Vulcan in a skintight suit and a plot contrivance where characters would regularly strip down to their skivvies and massage each other with gel.
While early Trek was insanely popular with women, the franchise has historically been targeted at men. That’s why the above examples predominantly feature sexy ladies wearing as little as possible. However, The Original Series threw the ladies some serious eye candy in “The Naked Time,” an episode in which George Takei’s Sulu ditches his shirt and shows off a seriously buff bod. What most fans don’t realize is how this scene started: with a director demanding that Takei take off his clothes to make sure he’d look good stripping down onscreen!

“The Naked Time” is one of those Star Trek episodes that really shouldn’t work. The plot involves the Enterprise crew getting infected with a weird space virus that makes everyone act drunk. While this is meant to be a dangerous situation (left unchecked, it will get the whole crew killed), the episode is filled with silly situations that are hard to take seriously, including a wonderfully surreal, wonderfully drunk Irish ballad.
Arguably, the most memorable moment from the episode involves George Takei’s Sulu. He inexplicably takes off his shirt and runs around with a sword like a lost member of the Three Musketeers. Because Takei was in such great shape, fans have spent decades fixated on his topless misadventures. Those misadventures were later referenced in Star Trek (2009), which confirmed that even the Kelvinverse Sulu is a master of fencing.
Interestingly, Takei wasn’t originally scripted to run around the Enterprise half-naked. Rather, Sulu was simply written as someone roaming the ship with a sword, fully clothed. Writer John D.T. Black was divided on whether it should be a samurai sword (signaling Sulu’s Japanese heritage) or a fencing blade. He left the decision to Takei, and the actor chose the fencing blade as a way of signifying that in the far future, nobody’s preferences would be restricted by their ethnicity. Takei ended up really taking to the blade: he practiced extensively with it on set, which resulted in a nearly hypnotic performance onscreen.

So, why did he end up stripping down? This was apparently a command decision on the part of director Marc Daniels. He reasoned (correctly, as it turned out) that Sulu’s big fencing scene would have more impact if the character were shirtless, but he didn’t know if the actor had the physique to pull it off.
Accordingly, he visited Takei’s trailer and asked the man to take off his shirt. Daniels liked what he saw and promptly declared that the fencing scene would be shirtless. As for Takei, he was a little nervous about the scene, so he did what most of us would do in his place: he spent the three days before shooting performing as many pushups as humanly possible.

Fortunately, all that hard work paid off, and Takei looked absolutely stunning as he swashbuckled his way across the screen. This became the most iconic moment of a Star Trek episode that was nominated for a Hugo and named by Gene Roddenberry as one of his personal favorites. Later, “The Naked Time” was homaged in the Next Generation episode “The Naked Now,” where Captain Picard’s crew deals with the same space virus (oh, and Data got lucky).
This Original Series episode even put the show on the map, with Leonard Nimoy estimating that his fan mail went from a few dozen letters per week to a few thousand after it aired. As an episode that has entertained audiences for 60 years, “The Naked Time” helped define decades of Star Trek history. However, that might have never happened if a director hadn’t walked into George Takei’s trailer and asked him to strip down!
Netflix has released plenty of new projects this year, but none have shined as bright as War Machine, the epic sci-fi thriller starring Alan Ritchson. Best known for his lead role as Reacher in the hit Prime Video series of the same name, Ritchson proved to be the perfect action star to lead War Machine — the film is among Netflix’s top 10 most-watched titles ever, and the streamer has already confirmed that a sequel is in the early stages of development. Netflix has maintained an edge over other big streaming services like Prime Video due to its commitment to not only releasing fresh new originals but also picking up discarded classics and giving them a new home. Older shows like Dexter and Suits were both in line for revivals after being added to Netflix in recent years, and picking up a larger audience than they ever had while they were on the air.
Netflix has already picked out another series that could be the perfect candidate for a redemption arc, and all episodes of the five-season show are streaming on the platform right now, as of this Monday. The series in question is The Last Ship, the dystopian sci-fi naval thriller led by the late Eric Dane. The show ran for five seasons on TNT between 2014 and 2018, and it even features other notable stars such as Adam Baldwin and Charles Parnell. It’s been only a few days since all five seasons of The Last Ship were added to Netflix, but the show is already climbing streaming charts — it has crept into the Netflix top 10, and it seeks to rise higher in the rankings before it’s said and done.
An official synopsis for The Last Ship, which holds a 69% from audiences on Rotten Tomatoes, reads as follows:
“After a devastating global pandemic wipes out most of humanity, the crew of the USS Nathan James remains one of the last functioning military forces on Earth. Led by Captain Tom Chandler, they embark on a perilous mission to develop a cure, confront emerging threats, and help rebuild civilization while navigating war, politics, and survival on a global scale.”
The show has been compared to The Last of Us due to its dystopian nature, but it also shares similarities to Greyhound, the hit Tom Hanks movie on Apple TV. Fans of either project are sure to find The Last Ship as their next streaming obsession, and if it picks up enough steam in the coming months, it could even be in line for a revival.
Check out all five seasons of The Last Ship on Netflix and stay tuned to Collider for more updates and coverage of the show.
2014 – 2018-00-00
TNT
Paul Holahan, Jack Bender, Peter Weller, Michael Katleman, Bill Roe, Sergio Mimica-Gezzan, Bobby Roth, Brad Turner, Greg Beeman, Jann Turner, Jonathan Mostow, Kenneth Fink, Mario Van Peebles, Michael Nankin, Olatunde Osunsanmi, Tim Matheson, Nelson McCormick, Reza Tabrizi, Anton Cropper, Mairzee Almas
Eric Dane
CO CDR Tom Chandler
Rhona Mitra
Dr. Rachel Scott
Charles Parnell
CMC Jeter
The magical world of spells and potions isn’t always what the children’s books boast. That is the stance that SyFy’s highly underrated dark fantasy series takes during its five seasons of heartwrenching storylines. The Magicians debuted in 2015, adapted from Lev Grossman’s book of the same name. A marriage between Harry Potter and the dark academia genre, the series follows a group of graduate students invited to the magical university of Brakebills.
Viewers came for the magic but stayed for the enduring and sometimes horrifying storylines about adulthood that put a spin on the whimsy of places like Narnia. Quentin Coldwater (Jason Ralph) functions as a proxy for the audience, who is elated to be a magician. He is doused with cold reality, however, when he learns that magic comes with a price, and all the tales he read as a child are more real than they should be.
Who hasn’t wished that they would be spirited away to a magical school to learn spellcasting and witchcraft? The Magicians posits that even in students’ twenties, they could still have such a gift – only this one some may want to return. Quentin and his group of cohorts learn how to bend the laws of reality, but that is only so they can defend the school against an entity known as the Beast.
The first season chronicles the Brakebills’ students’ attempt to power up and fight a creature that no one in the history of magic has been able to defeat. The Beast is the gut-wrenching antithesis to Voldemort, whose origins are not easy viewing. The villains of The Magicians cause real-world consequences as the series depicts harrowing issues such as mental health issues and sexual assault.
This series is truly for the older set, as these adult magicians have adult problems. This dark material is perfect for viewers ready for the next level, but it also contains much-needed levity. In addition to trickster gods and infinite time loops, The Magicians also shows what Narnia would be like if it existed.
The fantasy show’s version of Narnia is Fillory, a place Quentin first perceived as fictional. This turns out to be false when the students learn they can visit the inspiration for the in-show books. However, it isn’t the world full of wonder that Quentin grew up with. This Fillory is full of monsters, torture dungeons, and a declining aristocratic state. The Magicians is perfect from start to finish and pokes fun at the C.S. Lewis series while also exploring mature themes that set the story apart from every other magical school narrative.
SyFy’s five-part series was perhaps too brilliant because it missed the attention of many. Similar to AMC’s The Vampire Lestat, which has a niche audience, The Magicians also uses dark humor and in-depth lore to tell incredible human stories. The show may have premiered over a decade ago, but these intense themes hit harder than ever before. A series truly about reaching adulthood, The Magicians is a must-watch no matter what the era.
2015 – 2020-00-00
Chris Fisher, James L. Conway, Joshua Butler, John Scott, Carol Banker, Scott Smith, Guy Norman Bee, Rebecca Johnson, Salli Richardson-Whitfield, Meera Menon, amanda tapping, Bill Eagles, Jan Eliasberg, Kate Woods, Shannon Kohli
John McNamara, Henry Alonso Myers, David Reed, Noga Landau, Christina Strain, Leah Fong, Alex Raiman, Elle Lipson, David Reed
Olivia Taylor Dudley
Alice Quinn
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Judith Sheldon was one of five children born to “Ben-Hur” and “Roman Holiday” director William Wyler.
Sydney Sweeney’s date night loungewear is a must-see.
The Euphoria actress, 28, showed off her curves in a burgundy red set while promoting her lingerie brand, Syrn, via Instagram on Friday, June 19. In the clip, Sweeney panned the camera down to give a glimpse at her ensemble.. She playfully blew a kiss to the camera while clad in matching mid-rise underwear, which she wore with her Lowdown camp featuring a scoop neck and thin straps.
For glam, Sweeney donned a full beat, including dewy skin, filled-in eyebrows, winged eyeliner, blushed cheeks and long lashes. Her blonde hair was parted down the middle and styled in big, voluminous curls.
“Date Night with Syd ✨,” the official Syrn account captioned the post. Her fans were quick to praise her in the comments section. “OKEY, SHE’S SO CUTE!💗,” one gushed. Another follower commented, “Gorgeous Syd❣️,” while a third commented, “😮 oh My god 😍.”
Sweeney’s sexy snap comes amid her relationship with Scooter Braun. Earlier this month, the actress gushed over the music producer via Instagram while celebrating his 45th birthday.
“Happiest of birthdays to the man with the biggest heart I know ❤️,” she captioned a photo of herself kissing his cheek.
The duo was first spotted together in Italy before Jeff Bezos and Lauren Sánchez’s wedding last summer. A source later told Us Weekly that their relationship was getting “very serious.”
In April, the insider added, “They are the real deal. People around them thought that this would be just a fling, but they are committed.”
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