Roomies, A$AP Rocky has the internet talking again after a recent tour stop sparked a wave of reactions online—and this time, he used the moment to directly respond to the ongoing chatter surrounding him. The Harlem rapper paused during his ‘Don’t Be Dumb’ tour performance to address several rumors and narratives that have followed him throughout his rollout, making it clear he was ready to set the record straight.

RELATED: Fans Are Mentioning Rihanna After A$AP Rocky Drops SPICY Comment About Pretty Women At Recent Concert (WATCH)

A$AP Rocky Ain’t Letting ANYTHING Slide

During the show, Rocky called out critics over a string of viral topics that have circulated online in recent weeks. He pushed back on claims about his wardrobe, ticket sales, and personal life, telling the crowd he feels frustrated with the constant speculation surrounding him. “Fuck the internet,” Rocky told the audience. “First they was saying n***a was wearing thongs, then they was saying n***as show wasn’t selling out, nobody wasn’t coming, then they saying I’m disrespectful to my wife. Suck my d**k, n***a.“

A$AP Rocky goes off on the internet 👀

“F*ck the internet. First they was saying I was wearing thongs, then they was saying the show wasn’t selling out, nobody wasn’t coming, then they saying I’m disrespectful to my wife… suck my d*ck.” pic.twitter.com/ZZFK8TGL0F

— Kurrco (@Kurrco) June 27, 2026

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Wait… Who Brought Up A Thong?

Now, A$AP Rocky had the internet in a frenzy after a viral clip from his tour sparked wild speculation about what fans thought they saw on stage. The conversation quickly spiraled online, but Rocky and his creative agency AWGE wasted no time flipping the narrative right back on everyone.

After the footage began circulating, showing what some users believed was a fashion choice involving thong underwear, AWGE stepped in with a sharp response and turned the moment into a marketing play instead. The label teased its own branded line of thongs while shutting down the rumors, writing, “Don’t be dumb you played yaself,” and adding that what people saw was simply a mic pack. In true Rocky fashion, he and his team flip the situation back onto the internet, spark debate among fans, and reject claims of confusion.

RELATED: Spicy Date Night! Footage of Rihanna Dippin’ It Low For A$AP Rocky During Night At Magic City Is Turnin’ Heads (WATCH)

The momentum that Apple TV has accumulated with a series of hit shows in the last few months isn’t slowing down, with another sure-fire winner around the corner. Apple’s streak began with the comedy-drama Margo’s Got Money Problems, and continued with the sci-fi series Star City, the humorous crime thriller Maximum Pleasure Guaranteed, and the horror comedy Widow’s Bay. Each of these titles is “Certified Fresh” on the aggregator website Rotten Tomatoes, with Widow’s Bay emerging as a bona fide cultural phenomenon. Even Cape Fear, arguably Apple’s biggest bet this summer, received positive reviews despite not hitting the viewership benchmarks it was projected to. This streak will continue when one of the most acclaimed sci-fi shows on Apple returns with a new season this week.

The show in question debuted in 2023 and returned with a second season in 2024. Over that period, Apple has cemented itself as the go-to hub for sci-fi content, thanks to shows such as Severance, Foundation, and more recently, Pluribus. Don’t forget, the streamer’s longest-running series is the sci-fi hit For All Mankind, which will conclude its six-season run next year. The 2023 series, created by Graham Yost, has already been renewed for a fourth and final season, which will be released in 2027. The show stars Rebecca Ferguson in the lead role, with Tim Robbins, Steve Zahn, and Jessica Henwick in supporting roles.

Here’s When Apple’s Hit Sci-Fi Series Returns

We’re talking, of course, about Silo. The show holds an overall 90% score on Rotten Tomatoes, with both previous seasons being “Certified Fresh” on the aggregator. The show’s third season is set to premiere on July 3. A new episode will be released weekly, with the 10-episode season coming to an end on September 4. The show is based on a series of dystopian novels by Hugh Howey, which take place in a future where humankind lives in underground silos with their own social hierarchies. Ferguson plays an engineer who becomes entangled in the many conspiracies surrounding the survival and subjugation of humanity. Think of it as a combination of Snowpiercer and Apple’s own Severance. You can watch the show on Apple TV, and stay tuned to Collider for more updates.

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Release Date

May 5, 2023

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Network

Apple TV

Showrunner

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Graham Yost

Directors

Morten Tyldum, David Semel, Michael Dinner, Aric Avelino

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Writers

Graham Yost, Hugh Howey, Jeffery Wang, Lekethia Dalcoe

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Jennifer Lopez is officially getting ready for an empty nest as she took to social media to share a series of wholesome photos from the high school graduation of her twins, Max and Emme [also known as Oskar].

Last month, the singer was full of pride when she revealed that her twins got into all five colleges they applied for with scholarships.

Meanwhile, Jennifer Lopez’s ex-husband, Marc Anthony, has been MIA, and she didn’t hesitate to throw shades at him on how she raised them “with very little help.”

Lopez is seemingly reminiscing on how things have been on the home front as she took to her Instagram account to share several photos that include some from her children’s graduation.

Beginning with photos of herself posing on a couch and another close to a bathtub, the post also featured one where she’s seen tightly embracing Max while closing her eyes and resting her hand on his cheeks.

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Another photo sees her child, Oskar, sit in front of a sign that reads, “Class of 2026.”

One other slide captured a close-up photo of Oskar’s graduation cap, which read, “Not my first rodeo,” while another had several graduation-themed cupcakes.

“They say I got lucky… and I don’t disagree… Just this feeling,” Lopez captioned the post.

Fans Congratulate The Singer On The Twins’ Graduation Post After Emme Revealed Their New Identity And Pronouns

In the comment section of Lopez’s new post, fans were full of praise for the singer while congratulating her twins.

A person wrote, “I love you all!! Congratulations to the coconuts! So happy for them. You are a wonderful mother at all times.”

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Another fan noted, “Congratulations to Emme and Max!!! So proud of them & their hard-earned work and future success!!”

The celebrations mark a phase of major transitions for the family, as it comes after a social media post revealed that Lopez’s child, Emme, is now going by the name “Oskar Muñiz.”

The now-deleted post, which announced that the student in question was going to study theater and visual arts at Sarah Lawrence College, tagged Oskar’s Instagram account, which has a profile picture of Lopez’s child.

In the post, Emme was not only referred to as Oskar but was also described using he/him pronouns.

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The Singer Struggled To Stop Her Tears As She Watched Max Graduate

Meanwhile, Max has yet to share his preferred college destination, unlike his twin sibling, who is likely going to Sarah Lawrence College.

Earlier this month, the “Maid In Manhattan” actress attended his graduation and struggled to keep the tears from flowing down her face as she watched him graduate.

Photos obtained by Page Six showed her Lopez emotional as she hugged him tightly in another wholesome shot.

At the event, she was in the company of her parents, Guadalupe Rodríguez and David Lopez, manager Benny Medina, and Oskar.

Jennifer Lopez Has Been Helping Her Children Prepare For College Life

The “Ain’t Your Mama” singer has been beaming with pride on the stellar academic performance of her children so far.

During a May appearance on “Jimmy Kimmel Live!” she revealed that she has been a major figure in their transition to college life and has been helping them arrange their stuff.

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“I do all the things,” she told Kimmel. “We have sheets at the house. We’re gonna pack up their rooms here, and they’re going to take all the things that they want to take to their dorms.”

Lopez then shared that she was going to miss them and hoped they wouldn’t stay away for too long.

“Then, they’re gonna get there and realize their dorms are too small,” she stated. “They’re going to miss home, I hope and want to come back real soon. That’s my plan.”

The Singer Revealed Both Her Kids Got Scholarships

The road to graduation wasn’t without its own challenges. The singer recently opened up about how proud she is of both of them for overcoming academic hurdles related to ADHD and getting into all 5 universities they applied to with scholarships.

She made the remark in a chat with Extra, saying she’s so proud of them as they’ve seemingly achieved their set goals.

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“They all got into all five colleges that they applied to. They both got a scholarship, you know, one scholarship to each. Each one got a scholarship to a school. And I just felt like they work so hard,” she said.

“I watched how hard they worked, from the time they were like… when school gets serious in the fifth grade, and they just worked hard,” she continued. “They have ADHD, and so they need to learn differently, and there were struggles and times, and I’m just so proud of them because they did what they said they were going to do, and they’re good people.”

Jennifer Lopez Takes A Jab At Her Ex-Husband, Marc Anthony

Lopez recently took a subtle dig at her ex-husband, Marc Anthony, who has notably been absent from graduation photos of the twins.

During an appearance on the “SmartLess” podcast, she dished on how she has become increasingly “emotional” as they prepare to leave for college.

“It’s crazy. And now I can really look at my life, appreciate it for what it is and what I’ve created for myself and be really happy,” she told hosts Jason Bateman, Sean Hayes, and Will Arnett.

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She continued, “Both my kids got into all their colleges, and they both got scholarships, and they’re going where they want to go.”

“It’s just … I was like, ‘You did that sh-t all by yourself.’ That’s great. Like, ‘You had very little help,’ you know?” Lopez added.

Can you believe that it’s been 45 years since Raiders of the Lost Ark first graced the silver screen? When George Lucas and Steven Spielberg get together, incredible things happen, and that was certainly the case here with the very first Indiana Jones adventure. Harrison Ford stars as Indy in this pulse-pounding, globe-trotting thrill, and after all this time, it continues to prove itself to be not only the best adventure movie of all time, but perhaps one of the best films ever made.

Raiders is a masterclass in action, character work, suspense, and pulp-inspired storytelling that helped shape pop culture more than we dared believe it could. Spawning several sequels, a television show, video games, and even comic books, Indiana Jones revived the B-picture genre as an A-list form of entertainment. So, what makes Raiders the best adventure movie ever made? Here are some of the reasons we consider the first theatrical Indy outing to be superior to all others.

It’s Harrison Ford At His Best as Indiana Jones

Image via Paramount Pictures

In his career, Harrison Ford has played Indiana Jones in live-action on six separate occasions (yes, including that one episode of The Young Indiana Jones Chronicles), but when you put them all together, he’s still at his best here in Raiders. His cowboy-like swagger commands every moment he’s on the screen, from that initial introduction with the whip to the moment he shows up with a rocket launcher threatening to blow up the Ark of the Covenant. Ford perfectly embodies Indiana Jones in the same way he does Han Solo, with natural charisma.

Additionally, Raiders of the Lost Ark also allows Ford to explore his more sensitive side. Apart from being a badass teacher-turned-adventurer (and he’s certainly that), the film allows it’s leading star to occasionally offer glimpses of the man underneath, yet without removing that masculine exterior. We see this in his despair at Marion’s (Karen Allen) apparent death, as well as his several defeats at the hands of René Belloq (Paul Freeman). No matter his emotional state, Indy is still Indy.

All the Incredible Sets and Locations

Image via Paramount

It’s not uncommon for movies, and especially Hollywood blockbusters, to be filmed on large blue-screen sets these days. While there is a time and place for digital scenery, Raiders is impressive for its attention to detail and masterfully-constructed set pieces that make the whole thing feel larger than life. The snake temple in Tanis, for example, is a brilliant piece of work that is as much a character as those trying desperately to escape the slithering around them (the use of real snakes also perfectly adds to the suspense).

Additionally, the film’s on-location shoots in Tunisia and Hawaii, in particular, perfectly simulates Egypt and Peru is that we instantly believe it. It doesn’t feel like some poor digital recreation that takes us out of the adventure, but rather adds to the mystique and overall production value. While Raiders spent plenty of time in the studio, its use of place elevates the material.

The Perfect Mixture of Science and Religion

Image via Paramount Pictures

It can be quite difficult for modern blockbusters to so effortlessly balance the notions of science and religion in the same way that Raiders of the Lost Ark does. For every Disclosure Day that does the mixture injustice, there is a Project Hail Mary that honors both faith and fact in different ways. But back in 1981, Raiders of the Lost Ark perfected the idea by sending a skeptic archeologist after one of the most enchanting biblical discoveries out there, forcing him to confront the supernatural despite his opposing beliefs.

Raiders of the Lost Ark never shoves religion down one’s throat, but it does highlight this Old Testament object as a source of incredible power desired by the Nazis in their growing schemes to take over the world. Because the Ark is so central to the plot (not unlike the Holy Grail in The Last Crusade), Indy and those in search of the relic are forced to confront it through more secular, scientific methods — at least until they cannot deny its power. Whether you’re a believer or a skeptic, Raiders feels like it’s made for everyone.

The Practical Effects Still (Mostly) Hold Up

Image via Universal

For years now, audiences have lamented the absence of practical effects in many blockbusters, with many noting the decline in quality of CGI over the years. Wherever you fall in that debate, there’s no doubt that Raiders of the Lost Ark‘s use of practical effects is part of its charm. From the giant boulder that nearly crushes our hero to the sweeping car chases and explosions, everything about the film feels real, tangible, and authentic. Yes, even the infamous face-melting sequence.

Admittedly, not every practical effect used in Raiders holds up to scrutiny. Belloq’s demise, for instance, could have been done better today. That said, there’s a certain charm to terrifying moments like Arnold Toht’s (Ronald Lacey) face melting before our eyes that we cannot deny — the technical aspects alone are so enrapturing as we wonder how Spielberg and company pulled it off.

The Romance Between Indy and Marion

Image via Paramount Pictures

Not all of Indiana Jones’ on-screen romances are particularly engaging, but what made Marion Ravenwood great from the get-go was that she was a woman who could rival Indy’s confidence. When we first meet her in Nepal, she’s drinking her customers under the table, and when Indy arrives looking for her father’s amulet, she is not duped by his pleas, but rather sees right through them. Marion knows Indy better than perhaps anyone, and it’s for this reason that the pair work so well together — and always return to one another.

Raiders of the Lost Ark doesn’t make more of its romantic subplot than it ought, yet Marion remains an important fixture in Indy’s journey that makes it all worth it in the end. The chemistry between Ford and Allen is exceptional, rivaling even the riveting on-screen romance between Brendan Fraser and Rachel Weisz in The Mummy. Without it, Raiders would be without its heart.

It’s Loaded With Meaningful Action

Image via Paramount Pictures

Another thing that sets Raiders of the Lost Ark apart from its contemporaries is the film’s purposeful use of action. There are no over-the-top overly-choreographed fight sequences just for the sake of it, nor does anything come across as ham-fisted or inauthentic. Every action sequence has a clear purpose, and in the moments where Raiders teeters toward redundancy, the picture reins itself in.

One famous behind-the-scenes tidbit from the set of Raiders is that Ford suggested that the initial three-page whip-versus-gun battle between Indy and the Arab swordsman be cut short. Rather than repeat the same “Indy’s whip saves the day” beat as previously expressed earlier in the film, our hero takes the villain down with a single shot — and it works masterfully in the picture. Just another example of how self-restraint can do wonders in moviemaking.

John Williams’ Triumphant and Immersive Score

Image via Paramount Pictures

Although John Williams had already blown audiences away with his scores for Star Wars and Superman, the composer defied the odds by doing so once again with Raiders of the Lost Ark. The famous “Raiders March” is a well-known piece of musical genius that sets a clear tone for the picture, establishing Indy as our leading hero, highlighting each romantic beat, and keeping us on the edge of our seats. It doesn’t just do everything that a good score should do, it excels with each new track.

Part of the reason that the Indiana Jones saga is so thoroughly rewatchable is because of Williams’ score. The rousing tune encourages the viewer to participate in the excitement and every time that familiar trumpet blast is heard, one is instantly transported to 1936 — or, at least 1981.

Visually Speaking, ‘Raiders’ Is Stunning

Image via Paramount Pictures

These days, even big-budget blockbusters feel like they’re shot like commercials and advertisements, but back when Raiders was first released, every shot was constructed like a painting. Part of this was the limited 35mm film stock that forced the filmmakers to be more selective with their time and resources, and part of it was the creative eye of cinematographer Douglas Slocombe, who shot the original trilogy.

In short, Raiders of the Lost Ark still looks great. The shot compositions, character blocking, and expert lighting techniques all combine to craft something that few can emulate today. It’s not just popcorn entertainment (though it is certainly that), it’s truly a work of cinematic art. No wonder it’s considered a crown jewel on the “Mount Rushmore” of Spielberg movies.

The Tight Script Hits All the Right Beats

Image via Lucasfilm

A great film starts long before the cameras ever roll, and Raiders of the Lost Ark was destined for greatness the moment Lucas and Spielberg cracked the Indiana Jones character. Soon after, Lucas and Philip Kaufman went to work on the story, with Lawrence Kasdan penning the screenplay. Frankly, it’s one of the more perfect screenplays out there, especially when it comes to the adventure genre.

Raiders hits every story beat exactly when required, expertly balancing character work with plot in a 115-minute adventure that gives its heroes room to breath while never letting up on the stakes. There’s no excess fat here, as Raiders is well-trimmed and thoroughly brought to temperature. Not once are we bored, and that’s part of the magic.

‘Raiders’ Is George Lucas and Steven Spielberg At Their Best

Although both Steven Spielberg and George Lucas had their own respective careers and creative visions apart from one another, the two will always be tied together by Indiana Jones. Raiders of the Lost Ark is truly the pair at their collaborative and creative best, as Spielberg’s clear cinematic vision is on full display while Lucas’ role as a creative force magnifies the hero and his journey. Without one or the other, Raiders would not be what it is today.

No matter if you adore Star Wars or think Jaws is the best movie ever, when it comes to the adventure genre, Lucas and Spielberg knew how to evoke all the stories they grew up with and repurpose them into an action-packed thrill worthy of its title. As one of the most recognizable heroes in film history, Indiana Jones was only ever possible because of these two filmmakers. It’s just a shame they weren’t creatively involved in Ford’s final installment as the character.

Are you ready to experience “culture’s biggest night” of the year? The 2026 BET Awards are just around the corner, and this year’s edition promises to be the biggest yet in the ceremony’s 25-year history.

Some of Hollywood’s biggest stars are scheduled to perform and present, with several scheduled presentations that highlight several trailblazers in the movie, music and media industries.

Grammy award-winning singer Lauryn Hill is set to receive the Living Legend Icon Award, while Oscar-nominated actress Teyana Taylor will accept the award for Icon of the Year. There’s also a musical tribute to ’90s R&B legend D’Angelo, who passed away last year.

For a complete guide to the 2026 BET Awards, including when and how to watch it, who is hosting and more, Watch With Us has all the information you need below.

Related: 2025 BET Awards Red Carpet Fashion: Ciara, Keke Palmer, More

The biggest names in music, television and beyond descended upon the 2025 BET Awards on Monday, June 9, and brought the heat to the red carpet. Disney Channel alum Skai Jackson and actor and musician Bow Wow were among the first stars to arrive at the Peacock Theater in Los Angeles ahead of host Kevin […]

What Date and Time Is the 2026 BET Awards?

The 2026 BET Awards will take place on June 28 at 8:00 p.m. EST/PST. The ceremony will be held at the Peacock Theatre in Los Angeles, California.

Where Can I Watch and Stream the 2026 BET Awards?

If you want to watch the 2026 BET Awards on cable television, well, you know where to go: BET. It will also be simulcast on MTV, MTV2, Logo, the Paramount Network, and Pop TV.

If you want to stream the ceremony, head over to Paramount+. The two-hour ceremony will be streamed live on the platform. If you miss it, you can watch it anytime afterwards on Paramount+.

Who Is Hosting the 2026 BET Awards?

This year’s host is Druski, the 31-year-old comedian and influencer who stirred up controversy earlier this year when he impersonated Erika Kirk in a viral sketch that was seen by millions and talked about by a lot of media outlets.

When he takes the stage Sunday night, Druski will make history as the ceremony’s youngest host ever.

Who Is Presenting at the 2026 BET Awards?

The following personalities are scheduled to present at the 2026 BET Awards ceremony:

Carl Anthony Payne II
Chlöe Bailey
Chris “Comedian CP” Powell
Deon Cole
DeRay Davis
Diarra Kilpatrick
Gail Bean
Isaiah John
Jaafar Jackson
Jacob Latimore
Keke Palmer
Kelly Rowland
Latto
Luke James
Nia Long

Who Is Performing at the 2026 BET Awards?

The list of scheduled performers is long. Here’s who will be performing the tribute to Lauryn Hill:

Alexia Jayy
Common
Doechii
Doja Cat
Lizzo
Nas
Queen Latifah
Rapsody
selah
Tierra Whack
The War and Treaty
Zion Marley
YG Marley

Here’s who will perform in the D’Angelo tribute segment:

Ari Lennox
BJ the Chicago Kid
Durand Bernarr
George Clinton and RAYE, joined by D’Angelo’s children

Other performers include Cardi B, T.I., Tems, Erica Campbell and Le’Andria Johnson.

Is There a Complete List of All the 2026 BET Awards Nominees?

Yes! Below is a complete list:

Album of the Year

AM I THE DRAMA? — Cardi B

DON’T TAP THE GLASS — Tyler, the Creator

everything is a lot. — Wale

HEARTS SOLD SEPARATELY — Mariah the Scientist

Let God Sort Em Out — Clipse

MUTT Deluxe: HEEL — Leon Thomas

The Fall-Off — J. Cole

The Romantic — Bruno Mars

Best Female R&B/Pop Artist

Ari Lennox

Coco Jones

Ella Mai

Jill Scott

Kehlani

Mariah the Scientist

Olivia Dean

SZA

Tems

Best Male R&B/Pop Artist

Brent Faiyaz

Bruno Mars

Bryson Tiller

Chris Brown

Durand Bernarr

GIVĒON

Leon Thomas

October London

Usher

Best Female Hip Hop Artist

Cardi B

Coi Leray

Doechii

Doja Cat

GloRilla

Latto

Megan Thee Stallion

Monaleo

YK Niece

Best Male Hip Hop Artist

A$AP Rocky

Baby Keem

BigXthaPlug

DaBaby

Don Toliver

Drake

J. Cole

Kendrick Lamar

T.I.

Best Group

41

Clipse

De La Soul

FLO

French Montana & Max B

Metro Boomin & DJ Spinz

Nas & DJ Premier

Terrace Martin & Kenyon Dixon

Wizkid & Asake

Best Collaboration

“Chains & Whips” — Clipse & Kendrick Lamar

“Errtime Remix” — Cardi B feat. Jeezy & Latto

“Go Girl” — Summer Walker feat. Latto & Doja Cat

“Good Flirts” — Baby Keem feat. Kendrick Lamar & Momo Boyd

“Is It a Crime” — Mariah the Scientist & Kali Uchis

“It Depends (The Remix)” — Chris Brown feat. Bryson Tiller & Usher

“Take Me Thru Dere” — Metro Boomin feat. Quavo, Breskii, YK Niece & DJ Spinz

“wgft” — Gunna feat. Burna Boy

Best New Artist

Belly Gang Kushington

DESTIN CONRAD

JayDon

kwn

Miles Minnick

Monaleo

Olivia Dean

RAYE

Trap Dickey

Dr. Bobby Jones Best Gospel/Inspirational Award

“Able” — Kirk Franklin

“ABLE (REMIX)” — Darrel Walls, PJ Morton & Kim Burrell

“All to Thee” — BeBe Winans

“Already Good (Tasha Slide)” — Tasha Cobbs Leonard

“At the Cross” — CeCe Winans

“Church” — Tasha Cobbs Leonard & John Legend

“Do It Again” — Kirk Franklin

“Headphones” — Lecrae, Killer Mike & T.I.

BET Her

“Already Good (Tasha Slide)” — Tasha Cobbs Leonard

“Be Great” — Jill Scott feat. Trombone Shorty

“Beautiful People” — Jill Scott

“First” — Tems

“girl, get up.” — Doechii feat. SZA

“Go Girl” — Summer Walker feat. Latto & Doja Cat

“Gorgeous” — Doja Cat

“Lady Lady” — Olivia Dean

Viewers’ Choice

“Burning Blue” — Mariah the Scientist

“Chains & Whips” — Clipse feat. Kendrick Lamar

“Chanel” — Tyla

“Folded” — Kehlani

“I Just Might” — Bruno Mars

“It Depends” — Chris Brown feat. Bryson Tiller

“Man I Need” — Olivia Dean

“Outside” — Cardi B

“Raindance” — Dave & Tems

“Take Me Thru Dere” — Metro Boomin feat. Quavo, Breskii, YK Niece & DJ Spinz

Video of the Year

“100” — Ella Mai

“Anxiety” — Doechii

“Burning Blue” — Mariah the Scientist

“Chanel” — Tyla

“Escape Room (Short Film)” — Teyana Taylor

“Folded” — Kehlani

“LET ‘EM KNOW” — T.I.

“luther” — Kendrick Lamar & SZA

Video Director of the Year

A$AP Rocky & Dan Streit

Anderson .Paak

Benny Boom

Cactus Jack

Cardi B & Patientce Foster

Cole Bennett

Director X

Hype Williams

Teyana “Spike-Tey” Taylor

The Fashion Vanguard Award (New)

A$AP Rocky

Bad Bunny

Beyoncé

Cardi B

Colman Domingo

Doechii

Rihanna

Teyana Taylor

Zendaya

The Pulse Award (New)

85 South Show

Baby, This Is Keke Palmer

Charlamagne Tha God

Don Lemon

Druski

It Is What It Is

Joe and Jada

On the Radar

R&B Money Podcast

Best Movie

Highest 2 Lowest

Him

Number One on the Call Sheet

One Battle After Another

Relationship Goals

Ruth & Boaz

Sinners

Wicked: For Good

Best Actress

Angela Bassett

Ayo Edebiri

Chase Infiniti

Coco Jones

Cynthia Erivo

Keke Palmer

Quinta Brunson

Regina Hall

Teyana Taylor

Best Actor

Aaron Pierre

Aldis Hodge

Anthony Mackie

Colman Domingo

Damson Idris

Delroy Lindo

Denzel Washington

Michael B. Jordan

Sterling K. Brown

YoungStars Award

Daria Johns

Graceyn “Gracie” Hollingsworth

Heiress Harris

Jazzy’s World TV

Lela Hoffmeister

North West

Thaddeus J. Mixson

VanVan

Sportswoman of the Year Award

A’ja Wilson — Basketball

Angel Reese — Basketball

Claressa Shields — Boxing

Coco Gauff — Tennis

Flau’jae Johnson — Basketball

Gabby Thomas — Track & Field

Jordan Chiles — Gymnastics

Naomi Osaka — Tennis

Sha’Carri Richardson — Track & Field

Sportsman of the Year Award

Aaron Judge — Baseball

Anthony Edwards — Basketball

Caleb Williams — Football

Jalen Brunson — Basketball

Jalen Hurts — Football

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LeBron James — Basketball

Shedeur Sanders — Football

Stephen Curry — Basketball

Queer Eye alum Jonathan Van Ness revealed that they recently had to rehome their pet dog George.

“This has been such a devastating event and I’m sharing to say for every animal family, its not easy, but Im so glad we can show up for these creatures & each other,” Van Ness, 39, announced via Instagram on Friday, June 27.

The celebrity hairstylist explained that there was an incident in their home recently where the pit bull mix physically lashed out at their cat Liza, breaking her jaw in the process.

“This is not a fun pet and family update. That is our cat Liza,” he explained. “Three weeks ago, I think it was June 2nd, our beloved dog George had a situation with Liza where they were trying to cross each other on the stairs. Liza was pissed and she gave him a little swat but George freaked out and went for her.”

Related: Biggest Celebrity Dog Controversies: Rehoming Backlash and More 

Many stars have come under fire for their pet ownership, including Rachel “Raquel” Leviss and Pete Davidson. The Vanderpump Rules star and then-fiancé James Kennedy adopted their pooch, Graham Cracker, amid their early courtship. After they split in December 2021, Leviss retained custody of the dog, but many costars called out his poor behavior. “Rachel would bring […]

Van Ness said that the ordeal was totally shocking for them and husband Mark Peacock because their animals usually get along well. (Prior to this incident, the couple owned eight pets: five cats and three dogs.)

“[George] wasn’t like biting her, but roughhousing [and] going for her and ended up breaking her jaw,” the Queer Eye star said. “I got George off of her, I couldn’t tell what the immediate damage was until I got to Liza and saw what I knew was a broken jaw.”

In the midst of the chaos, Van Ness “started screaming, crying [and] howling” for Peacock to help them get Liza to safety. The couple eventually rushed the cat to a local vet to perform emergency surgery.

“I knew instantly that if she made it, we weren’t gonna be able to keep George and thank God for the people at the animal hospital, they performed a literal miracle on her,” he recalled. “I didn’t think she was gonna make it, and I thought I was gonna cancel my shows.”

Once Liza was out of the woods, Van Ness and Peacock chose to have George immediately removed from their home.

“[George has] been with us for four years, all the animals got along so well for the most part and this just came completely out of the blue. It’s been so gut-wrenching,” they said.

Van Ness confirmed that they quickly found George a new foster home where he could receive individual care without other pets around.

“Our theory on George is that he is not a three dogs, five cats sort of dog and he just needs to be the only dog in the house,” they suggested.

Their announcement drew an array of responses, with some questioning whether Van Ness and Peacock had done what was best for George.

“Why not rehome the cat who was the agitator? If the dog doesn’t have a pattern of aggression?” one person asked, with another chiming in, “If not biting attacking and had been absolutely fine for 4 years… I don’t understand the sudden rehoming/only a one dog home.”

“Pets just like humans have disagreements,” the commenter went on. “There are children that rough play accidentally break their siblings arm or whatever… sports accidents… everyone has to do what’s best for them. But that seems like a sudden conclusion to jump to.”

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However, many sympathized with Van Ness and Peacock’s decision to prioritize the safety of their cat after such a severe injury.

“As a vet tech, I think you made the best decision for everyone involved,” one person noted. “While I understand the people on the dog’s side, it was a choice that needed to be made and it would be cruel to punish the cat, when they are the one suffering for the dog’s actions.”

Another Instagram user added, “This is so heartbreaking and of course such a tough situation to be in. Ignore the people saying you shouldn’t have rehomed the dog, some dog people are genuinely crazy. Liza almost died and that’s such a serious angry thing. It sounds like you’ve done the most rational, if not difficult thing. A lot of people wouldn’t do that.”

Biblical epics have a history of big box office hauls, and one of the most famous arrived over two decades ago, when The Passion of the Christ earned over $612 million worldwide and became the highest-grossing Christian movie of all time. This is despite huge controversy which overshadowed the release of the film, including some claims that it promoted anti-Semitic tropes. Co-produced and directed by Hollywood veteran Mel Gibson, the film has since become one of the most famous of its kind, with it now confirmed that a sequel, 23 years later, is coming to the big screen next year.

Titled The Resurrection of the Christ, the film is set to be split into two parts, released almost two months apart. The anticipation for The Resurrection of the Christ — for better or for worse — continues to build, and one of Gibson’s most underrated performances is about to become available to stream for free. A neo-noir thriller released in 2019 by Brawl in Cell Block 99 director S. Craig Zahler, Dragged Across Concrete features a Gibson performance that earned plenty of critical praise, and even earned a Best Actor nomination at the Saturn Awards following its premiere at the 75th Venice International Film Festival.

The film follows Detective Brett Ridgeman (Gibson) and Detective Anthony Lurasetti (Vince Vaughn) as they descend into the criminal underworld after they are suspended for assaulting a suspect on video. The film had a limited theatrical release, earning less than $1 million in a brief box office run, but earned much more success on VOD, where it made more than $1.5 million. If this action gem seems enticing, you’re in luck, as Dragged Across Concrete will be available to stream for free on Plex this July.

‘The Resurrection of the Christ’ Release Date Has Been Moved

Image via Lionsgate

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It would be impossible for a Passion of the Christ follow-up not to face issues before its debut, but few expected it to have its release date changed already. It was announced in late May that Day Drinker, an action thriller lined up to try and revitalize Johnny Depp‘s career following the legal battle with his ex, Amber Heard, has taken over the release date of The Resurrection of the Christ: Part One (March 26, 2027). Gibson’s biblical epic has now been postponed to May 6, 2027.

Dragged Across Concrete is streaming on Plex this July. Make sure to stay tuned to Collider for the latest streaming stories.

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Release Date

March 22, 2019

Runtime

159 minutes

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Director

S. Craig Zahler

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Since the 1920s, there have been an array of memorable comedy duos, such as Stan Laurel and Oliver Hardy and Bud Abbott and Lou Costello, who left a significant mark on Hollywood, but one act that often gets lost in the crowd of other comedians is Jerry Lewis and Dean Martin. Lewis and Martin were both solo performers when they first met in 1944 and decided to team up, performing for the first time as Martin and Lewis in 1946. In 1949, Martin and Lewis made their feature film debut as the comic relief in My Friend Irma and returned in the 1950 sequel, My Friend Irma Goes West, which was written specifically as a Martin and Lewis vehicle.

Blending Martin’s effortless charm and smooth charisma with Lewis’s wild, energetic slapstick, the pair became one of the biggest box office attractions of the late 1940s and 1950s. Together, they starred in 16 movies before parting ways in 1956, but a few of their films, including The Caddy and The Stooge,brilliantly showcase the duo’s unmatched chemistry and uncanny ability to deliver timeless entertainment. Whether you’re discovering their work for the first time or revisiting classic favorites, these are the six best Martin and Lewis movies that capture the magic of one of cinema’s greatest comedy partnerships.

6

‘Sailor Beware’ (1952)

Image via Paramount Pictures

Sailor Beware is one of Martin and Lewis’ earliest and most popular comedies, which effectively demonstrates the duo at the height of their screen partnership. Set in the U.S. Navy, the film follows Martin as a confident sailor, Al Crowthers, and Lewis as a bumbling recruit, Melvin Jones, as they stumble through military life, leading to a nonstop series of hilarious mishaps and misunderstandings. The film also features a brief appearance by an unknown James Dean, who has one line of dialogue in the locker room scene, as well as future Paramount star, Betty Hutton.

Lewis’ energetic slapstick is perfectly balanced by Martin’s easygoing charm and musical talent, resulting in the chemistry and sheer precision that made the comedic pair such enduring stars. The movie was a massive success and went on to become one of the year’s highest-grossing films. The overwhelming success and rave reviews of Sailor Beware essentially assisted in cementing Lewis and Martin as one of Hollywood’s biggest box office draws. Sailor Beware is packed with memorable comedy routines, lively musical numbers, and plenty of laughs, and remains one of the strongest and most entertaining films in the Martin and Lewis catalog.

5

‘The Caddy’ (1953)

Norman Taurog‘s 1953 classic comedy, The Caddy, is a must-see Lewis and Martin flick that features a perfect balance of comedy, music, and heart, making it one of Martin and Lewis’ finest films. The movie follows Lewis as a talented but timid golfer, Harvey Miller, who, on the advice of his fiancée, Lisa (Barbara Bates), decides to become a golf instructor with his future brother-in-law, Joe Anthony (Martin), being his first client. When Anthony realizes he’s pretty good, he starts competing in tournaments with Miller as his caddie, but his success starts to go to his head, and his overinflated ego eventually comes between the two of them on and off the green.

The Caddy is a monumental Martin and Lewis classic and features one of the duo’s most famous musical moments with the debut of the hit song “That’s Amore,” which became one of Martin’s signature and most recognized tunes. The scene itself is also recognized as one of the most iconic musical numbers in classic movie history. The song went on to earn an Academy Award nomination for Best Original Song, but unfortunately ended up losing to “Secret Love” from Calamity Jane starring Doris Day and Howard Keel. Between the catchy music, lighthearted story, and laugh-out-loud performances, The Caddy is a non-stop laugh fest that remains one of the most beloved and enduring contributions to the Martin and Lewis catalog.

4

‘Artists and Models’ (1955)

Image via Paramount Pictures

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Frank Tashlin‘s one-of-a-kind 1955 comedy Artists and Models is considered one of Martin and Lewis’ greatest films thanks to its colorful blend of comedy, music, and clever satire. The movie centers around a struggling painter, Rick Todd (Martin), who decides to pull some artistic inspiration from the vivid dreams and nightmares of his roommate and avid comic book fan, Eugene Fullstack (Lewis), who talks in his sleep. The movie is an ingenious spoof on the world of comic books and pop culture, and also stars Shirley MacLaine and Dorothy Malone, and features brief appearances by Eva Gabor and Anita Ekberg.

Martin provides the perfect foil with his relaxed charisma and suave musical performances in Artists and Models, while Lewis takes advantage of every opportunity to showcase his energetic physical comedy and imaginative antics, creating an effortless dynamic of oil and water that made the duo one of Hollywood’s most successful. Today, Artists and Models remains one of the most inventive and entertaining Martin and Lewis comedies, and is celebrated for its vibrant visual style, memorable collection of songs, and fast-paced humor, earning its place as a fan favorite and a standout display of Martin and Lewis’ unique partnership.

3

‘You’re Never Too Young’ (1955)

Image via Paramount Pictures

You’re Never Too Young is a gender-swap remake of Billy Wilder‘s The Major and the Minor and stars Lewis as a barber’s apprentice, Wilbur Hoolick, who becomes an unknowing accomplice in a recent jewel heist when the thief (Raymond Burr) secretly hides the precious diamond in his coat pocket. As the thief tries to retrieve the diamond, Hoolick believes a jealous husband is following him and takes a train, where he meets a young school teacher, Nancy (Diana Lynn), unaware that their interaction will lead her fiancé, Bob (Martin), to believe they’re having an affair.

It’s hard to compete with, let alone surpass, any Wilder movie, but Lewis and Martin honor the original material while also forging their own path in the comedy genre. Lewis and Martin play effortlessly off each other in You’re Never Too Young and manage to keep the hysterical premise grounded without diminishing the overall comedic tone. Lewis shines with his energetic physical comedy and childlike antics, while Martin provides his trademark cool charm and musical talent, making them the perfect balance of heart and humor. The film’s clever humor, fast-paced gags, and unforgettable performances, notably by Burr, make You’re Never Too Young one of the funniest and most enduring highlights of the Martin and Lewis partnership.

2

‘Living It Up’ (1954)

Image via Paramount Pictures

Living It Up is one of Martin and Lewis’ most beloved comedies that features a combination of sharp humor, toe-tapping musical performances, and the duo’s effortless comedic banter. The movie is a remake of William A. Wellman‘s 1937 screwball comedy, Nothing Sacred, starring Carole Lombard and Fredric March, and follows a small-town railroad worker, Homer Flagg (Lewis), who is told by his doctor, Steve Harris (Martin) that he’s dying but when Harris learns that his patient isn’t on death’s doorstep, his interest in a beautiful reporter, played by Alfred Hitchcock blonde, Janet Leigh, who has been following Flagg’s story causes him to keep the information to himself.

Filled with clever satire, lively songs, and laugh-out-loud moments, Living It Up was both a critical and commercial success that elevated Martin and Lewis to new heights of stardom and fame. Lewis delivers a wonderfully frantic performance as the bewildered every-day man alongside Martin, who gives a stellar deadpan performance that’s topped off with his smooth wit and relaxed confidence. Leigh successfully holds her own against the powerhouse duo and frequently said that Living It Up was one of her personal favorites. Living It Up also marked a significant moment for Lewis, who directed the jitterbug dance sequence in the film, making it his first unofficial directorial credit.

1

‘The Stooge’ (1951)

Image via Paramount Pictures

The Stooge is one of Martin and Lewis’ finest and funniest films that pairs their trademark comedy with a surprisingly heartfelt story about friendship, ambition, and show business, which hit close to home for both stars. The film’s blend of genuine emotion, energetic humor, and the duo’s unforgettable chemistry makes The Stooge a standout in the Martin and Lewis filmography. Set in the world of vaudeville, the film follows an established performer, Bill Miller (Martin), who believes he’s good enough to be the frontman and parts ways with his long-time partner. When Miller reluctantly teams up with an awkward comic, Ted Rogers (Lewis), the duo is a smash hit, but Miller eventually discovers that his new partner is the real reason audiences keep coming back.

Paramount was initially terrified of releasing The Stooge because of how the audience might react to how Martin’s character treats Lewis’ character, but to their surprise (and relief), the movie was not only a hit with both audiences and critics, but also a big box office success. Martin gives one of his strongest dramatic performances alongside his traditional musical numbers as Lewis delivers some of his funniest and most endearing physical comedy. Out of all the films they made together, Lewis cited The Stooge as his favorite Martin and Lewis film, ultimately solidifying its reputation as the duo’s most rewarding and cherished collaboration.

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Living It Up

Release Date

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July 15, 1954

Runtime

95 minutes

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Director

Norman Taurog

Writers

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Jack Rose

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• 

  Dean Martin

  Dr. Steven Harris

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• 
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  Edward Arnold

  The Mayor of New York

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Earlier this year, Liam Neeson followed up on his comedic success in the laugh-a-minute reboot of The Naked Gun with an adaptation of David Koepp‘s 2019 novel Cold Storage; the same Koepp who recently penned Steven Spielberg‘s long-awaited return to sci-fi in Disclosure Day. Starring alongside Stranger Things favorite Joe Keery, Neeson helped steer the film to critical success, with one reviewer writing, “It’s silly, fun, and gross in the best possible way. While it doesn’t redefine the genre, it settles in comfortably and has a blast with the material presented.”

Cold Storage was yet another reminder of Neeson’s talent and range, as the same man who earned an Academy Award nomination for Best Actor in Schindler’s List and led the gritty action gem Taken. In 2009, Neeson led a Sixth Sense replacement that time forgot, although it’s about to get a second chance on free streaming. The movie in question is the awkwardly titled After.Life, a psychological horror-thriller directed by Agnieszka Wójtowicz-Vosloo, a Polish-American filmmaker who Neeson said “reminds me a little of Kathryn Bigelow.”

Sadly, despite also starring Wednesday and Yellowjackets favorite, Christina Ricci, After.Life failed to hit the sort of success Bigelow has earned, falling to a poor reception from critics, including a 24% average score on review aggregator Rotten Tomatoes. At the box office, the film failed to even return its small budget of $4.5 million, scoring a global haul of $2.4 million, with most coming from overseas markets. In its very limited U.S. release, the film was overshadowed by the likes of Clash of the Titans and How to Train Your Dragon. Next month, After.Life will be available to stream for free on Plex, starting July 1.

What Is Liam Neeson Making Next?

Three new projects are in the pipeline from Neeson, starting with the upcoming black comedy 4 Kids Walk Into a Bank, directed by Frankie Shaw. The film is set to be released in August this year, and will be followed in October by The Mongoose, Neeson’s action thriller, which also stars Marisa Tomei, Ving Rhames, and Michael Chiklis. Finally, Neeson is set to star as Larry in Guy Moshe‘s action thriller Hotel Tehran, opposite Not Without Hope‘s Zachary Levi.

After.Life will be available to stream for free next month on Plex. Make sure to stay tuned to Collider for more streaming updates.

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November 7, 2009

Runtime

103 minutes

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Director

Agnieszka Wojtowicz-Vosloo

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