Coming just three weeks after HIGH END Vienna and on the same weekend as the North West Audio Show in the U.K., T.H.E. Show SoCal 2026 had a lot of competition for industry attention. The Costa Mesa event was clearly smaller than last year, but the rooms stayed busy and there was no shortage of genuinely impressive sound.
Affordable hi-fi was not really the theme. Active systems, ambitious analog front ends, low-powered tube amplification, and six-figure reference rigs dominated the better rooms. These are the systems that stood out most, not because they cost the most, but because they made music convincing enough to keep people planted in the chair.
Legacy Valor ($100K/pair)
Legacy Audio Valor (the big ones) and Talos loudspeakers at T.H.E. Show 2026
Legacy Audio is another multiple Best in Show winner, with the Aeris XD earning the honor at T.H.E. Show SoCal 2025 and the Talos doing the same at AXPONA 2026. At this year’s event, however, Legacy brought its flagship: the Valor system, a nearly six-foot, 288-pound loudspeaker that represents the company’s biggest and most ambitious statement.
Priced at $100,000 per pair, the Valor combines 2,750 watts of onboard amplification per speaker with the Wavelet 2 DSP processor, room correction, and Legacy’s Stereo Unfold processing. It is not quite a “just add streamer” solution, as each speaker still requires an external amplifier channel for the high-frequency section, but it remains considerably less complicated than assembling a conventional reference system around separate passive loudspeakers, multiple power amplifiers, and outboard room correction.
Legacy rates the four-way Valor from 12 Hz to 30 kHz, ±2 dB, and its combination of large bass drivers, passive radiators, and serious internal power gives it the kind of output capability that makes polite background listening feel almost insulting. The dual 4-inch AMT tweeters are arranged in a post-convergent array designed to keep the top end consistent beyond the center seat, helping the Valor deliver a stable and expansive presentation across a wider listening area. It is also available in a deep roster of wood veneers and premium finishes, which matters when your speakers are roughly the size and visual commitment of small monoliths.
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ATC EL50 ($100K/pair)
Staying with the active theme, ATC earns another Best in Show award for its EL50 Anniversary Edition active loudspeaker system, which was an easy unanimous selection at AXPONA just two months ago. Standing almost 56 inches tall and weighing 139 pounds each, these are not modest floorstanders, but they again proved remarkably comfortable in a smaller hotel room.
Lone Mountain Audio kept the core AXPONA system intact: ATC’s SCA2 preamplifier, the Innuos ZENith NG server, Playback Designs MPD-8 DAC, and WireWorld cabling. This time, the distributor also rotated in the Sonorus ATR10 Mk II reel-to-reel deck, which made a strong case for itself as an analog source in a room already blessed with excellent digital playback.
The EL50’s fully active three-way architecture remains the attraction. Each speaker contains dedicated 200-watt bass, 100-watt midrange, and 50-watt high-frequency Class A/B MOSFET amplification, with ATC’s active crossover and in-house drivers doing the heavy lifting. That integration helped the EL50 deliver the same qualities that stood out in Chicago: authoritative but controlled bass, natural scale, exceptionally clean midrange performance.
This was my first experience with Odyssey Audio, and it was not one I am likely to forget. The packed room, littered with flickering faux candles, should have been the first clue that Klaus Bunge was not interested in another polite hotel-room demonstration.
The setup was not remotely conventional. The loudspeakers were positioned very close to the side walls and roughly a third of the way into the room from the rear wall, with each driven by Odyssey’s new Meilenstein monoblocks. On paper, it looked like the sort of placement audiophiles are taught to avoid. In practice, it worked spectacularly well. The speakers disappeared, leaving an image that extended well beyond the front wall with exceptional depth, focus, and clarity.
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More importantly, this was not a demo built around the usual collection of pristine audiophile recordings. The Doors’ “Riders on the Storm” was genuinely immersive, placing the listener inside the recording’s rain-soaked atmosphere rather than merely showing off a wide soundstage. Tracks from Justin Bieber and Stone Temple Pilots followed and proved that the system could do more than flatter one particular type of music. Stella Acoustics’ room treatment clearly played a role as well, helping create a presentation that felt unusually open, three-dimensional, and convincing in a crowded hotel suite.
REL / Acora / VAC
REL Acoustics Carbon Speaker Black Edition (triple stack) subwoofers, Acora Acoustics MRC-3 Loudspeakers, VAC Amps at T.H.E. Show 2026
Acora Acoustics loudspeakers have consistently impressed in rooms built around VAC amplification, but this system showed how much more the company’s MRC-3 floorstanders can deliver when supported by a properly ambitious REL six-pack.
The MRC-3s were partnered with six REL Carbon Special Black Label subwoofers, arranged as triple stacks behind each speaker. At $4,999 apiece, that is essentially $30,000 worth of low-frequency reinforcement, which sounds absurd until you hear what the array does. The subs never called attention to themselves or turned the room into a bass demo. Instead, they added scale, weight, and low-end authority while preserving the speed, clarity, and dimensionality of the Acoras.
REL’s triple-stack approach also helps maintain the height and scale of the soundstage rather than simply adding more rumble below it. That was particularly apparent with the Acora MRC-3s, whose marble cabinets and ceramic drivers already deliver considerable control and resolution on their own. The result was a system that sounded full-range without relying on oversized tower speakers loaded with enough bass drivers to qualify for a municipal permit.
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The rest of the chain was equally serious: Berkeley’s Alpha DAC Series 3P with Alpha Reference USB, Synergistic Research’s Voodoo Server, Soulution’s 541 CD player, and the Sonorus ATR10 MK2 tape machine fed VAC’s Master Preamplifier and 202iQ stereo/mono amplifiers. The system was supported by an Artesania Audio Exoteryc rack, Synergistic Research’s Galileo LUX, SRX XL, and Foundation XL cabling, along with ASC Tube Traps and Synergistic room-treatment products.
This room made a strong case for spending intelligently on bass management rather than assuming the only path to full-range performance is an enormous pair of loudspeakers with a small forest of woofers on the front baffle. The REL array gave the Acoras more authority, more scale, and more convincing low-frequency realism, while letting the speakers do what they do best.
Prodigio WR2 with AGD and Bacch 3D
Prodigio Audio, formerly Popori Acoustics, is another repeat Best in Show winner. The Hungarian-made WR2 electrostatic loudspeakers were again paired with AGD electronics and Theoretica Applied Physics’ BACCH-SP adio processor, a combination capable of extracting spatial information from conventional stereo recordings that most two-channel systems simply leave on the table.
The tall WR2 panels are impressive even without processing. They are fast, revealing, and exceptionally transparent, with the kind of midrange clarity and transient speed that electrostatics can deliver when properly set up. Engage BACCH 3D, however, and the presentation becomes something else entirely. Instruments and effects extended well beyond the speakers, with spatial cues that could reach around the listener rather than remaining trapped between the two panels.
There is a caveat, because there always is. BACCH is a highly personalized, single-listener experience that works best from the precisely calibrated center seat. Move too far off-axis and the effect diminishes. Park yourself in the sweet spot, though, and the result can be startlingly immersive without requiring a room full of surround speakers.
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This year’s larger room also benefited from a pair of REL S/850 subwoofers. The WR2s already offer more low-frequency presence than many listeners expect from a panel speaker, but the RELs added weight and extension without turning into the main event. They blended seamlessly, giving the system more foundation and scale while preserving the WR2’s speed, openness, and almost unnerving ability to disappear.
With the BACCH processor, REL subs, WR2 electrostatics, and AGD amplification, the system starts north of $85,000 before cables, accessories, and setup.
Zesto Tube Amps / DAC with YG Acoustics
Zesto Audio returned with a full tube-based system built around its new Athena DAC, Leto Ultra II preamplifier, and Eros 500 Select Class A monoblocks. At $15,000, $11,900, and $35,000 per pair respectively, the electronics were partnered with YG Acoustics’ Sonja 3.2 loudspeakers, a $106,800-per-pair reference design that requires serious amplification and rewards it accordingly.
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This was not a system chasing syrupy tube warmth or trying to sand down the edges of every recording. The Zesto and YG combination was all about resolution, control, and tonal precision, with Cardas cabling tying the system together. The Sonja 3.2’s aluminum cabinet, proprietary drivers, and exceptionally low-distortion crossover design gave the Eros 500s plenty to work with, resulting in a presentation that was detailed, dynamic, and remarkably composed.
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The Athena DAC also provided a useful real-world demonstration of DSD playback. Switching among 1x, 2x, and 4x DSD files revealed audible differences, although the gains were not equal at every step. From outside the center seat, the move from 1x to 2x DSD seemed to offer the most noticeable improvement in refinement and separation, while the jump to 4x was far more subtle. That does not make 4x DSD pointless, but it does reinforce the reality that implementation matters far more than simply chasing the largest number on the display.
Zesto and YG Acoustics proved to be a highly potent pairing: tube electronics with enough speed, grip, and transparency to let the Sonja 3.2s show why they belong in the reference category.
Rockport / CH Precision
Rockport Technologies and CH Precision delivered one of the most expensive and meticulously assembled systems at T.H.E. Show SoCal 2026, built around the custom Lexus Silver Rockport Lynx loudspeakers and a full complement of Swiss electronics. With the speakers, Aurender N50 music server and NH10 network switch, plus CH Precision’s D10 SACD/CD transport, C10 Reference DAC, T10 Time Reference clock, L10 preamplifier, and M1.1 power amplification, this was a system hovering around the $500,000 mark before anyone started counting racks, power products, and cables.
The Rockport Lynx is a three-way floorstander with a 10-inch carbon-fiber sandwich woofer, 6-inch midrange driver, and waveguide-loaded beryllium tweeter housed in the company’s extraordinarily inert DAMSTIF3 aluminum enclosure. It is a speaker engineered to reveal everything upstream, which made it an ideal match for CH Precision’s ultra-low-noise, no-nonsense approach to solid-state electronics.
This was not a system designed to flatter weak recordings or wallpaper over the rough edges. It was all about control, silence, image specificity, and the kind of precision that makes small shifts in level, decay, and placement feel more obvious.
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Tonian Labs Oriaco D6
Scaling way back from the six-figure excess, Tony Minasian’s Oriaco room delivered one of the most affordable systems in this year’s Best in Show lineup. The previous winner returned with the Oriaco D6 stand-mount loudspeakers, now $6,300 per pair, driven by Denon’s PMA-3000NE integrated amplifier at $3,799. Add a CD player, stands, and cables, and the system still lands in five-figure territory, but compared with the financial carnage elsewhere at the show, this was refreshingly sane.
Minasian used a vintage Marantz CD player as the source, although the Denon’s capable onboard DAC means almost any suitable CD transport with a digital output could do the job. The PMA-3000NE delivers 80 watts per channel into 8 ohms, includes optical, coaxial, and USB-B digital inputs, and has enough current delivery to make the compact Oriacos sound far larger and more authoritative than their size suggests.
What separates Tony’s speakers is not flash or exaggerated hi-fi fireworks. They reproduce transients, decay, and vocal placement with an uncommon sense of natural ease. Percussion has real air around it, piano notes fade with convincing shape and weight, and vocals lock firmly into the center of the soundstage. The D6 uses a carefully voiced 6-inch full-range driver, front-mounted soft-dome tweeter, and a top-mounted ambient tweeter, all selected and tuned with far more care than the relatively understated cabinet suggests.
The most impressive demonstrations came from Minasian’s own recordings with working musicians, which makes sense because he knows exactly what those sessions should sound like. But the system was equally convincing with orchestral material, Snoop Dogg, and everything in between. It was another reminder that intelligent engineering, careful voicing, and good recordings can still embarrass systems costing many times more.
Atlantis Labs AT38 / AT23 Pro / Neoson
Atlantis Lab and Neoson earn a second Best in Show nod following their impressive T.H.E. Show Vegas debut earlier this year. The basic formula remained intact: high-sensitivity French loudspeakers, low-powered Class A tube amplification, and a digital front end designed to get out of the way. This time, however, the room also featured a BennyAudio turntable making its world premiere at the show.
The Atlantis Lab AT 23 PRO is the accessible entry point here at $6,466 per pair, although “accessible” becomes relative once it is partnered with the $11,828 Neoson Evolution tube amplifier and Audiobyte’s SuperHub streamer and SuperVOX DAC. That puts the digital system around $27,000 before cables, racks, and accessories. Add a serious analog front end and phono stage, and the total moves past $40,000 quickly. Welcome to high-end audio, where the inexpensive option can still require a modest conversation with your financial adviser.
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The good news is that the system continues to justify the attention. The AT 23 PRO throws a genuinely wide soundstage, locks vocals firmly into place, and delivers bass with speed and control rather than overhang. The Neoson Evolution’s 20 watts per channel of Class A tube power proved more than sufficient, which is exactly the point of pairing it with loudspeakers this sensitive.
The flagship AT 38 PRO, at $23,939 per pair, brought additional bass weight, greater scale, and a richer, more expansive presentation. Its horn-loaded compression drivers and 38 cm woofer give it a more effortless sense of dynamic freedom, but it did not lose the smaller model’s quickness or ability to make voices feel present in the room.
We will have more to say about the Atlantis Lab AT 23 PRO and Neoson Evolution, both of which are currently under review.
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Wolf von Langa / Cinnamon
My first experience with the Wolf von Langa WVL 11620 ORGANIC loudspeakers was an instant delight. In a show full of systems flexing enormous power ratings, this room took a far more elegant approach.
The $39,995 German-made ORGANIC field-coil loudspeakers were paired with Cinnamon’s $17,995 Malabar VLF bass system, an SW1X PRE III Classic linestage ($28,041), and SW1X MPA V Special monoblocks ($37,836). The analog front end was equally formidable: a PrimaryControl Kinea II turntable ($27,995) with FCL tonearm ($38,995) and Fuuga MC cartridge ($10,995), feeding Cinnamon’s Galle phono stage ($32,995) and Galle step-up transformer ($8,250).
With nearly $250,000 invested in the core system before cables and accessories, this was not a modest setup. But the sound was not about brute force or audiophile fireworks. It was about finesse: natural vocal presence, excellent low-level detail, tonal color, and a sense of musical flow that made it easy to forget about the hardware.
The ORGANIC speakers delivered the speed, clarity, and realism that make a properly assembled low-power tube system so rewarding. Highly engaging at sensible listening levels, this room proved that a system does not need to turn the volume into an international incident to make a lasting impression.
PranaFidelity / E.A.R. / Furutech
Steven Norber of PranaFidelity arrived at T.H.E. Show SoCal with something genuinely new: the Satmata, a three-way prototype floorstander completed just in time for the event. It is not a finished product yet, but based on what I heard, Norber would be wise not to overthink the final formula.
The analog front end was as serious as the speakers. A Merrill-Williams R.E.A.L. 101.3 turntable fitted with a Breuer Dynamics tonearm and OTTA Theorbo moving-coil cartridge fed an E.A.R. 88PB phono stage, while PranaFidelity’s purna/ma amplifier handled power duties. Furutech power distribution and cabling completed a system that looked deceptively straightforward by high-end show standards, at least until the music started.
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The room was packed every time I stopped by. Late on the first day, I finally landed the coveted center seat and understood why. The Satmata created a presentation with real depth, nuance, spaciousness, and remarkably lifelike vocal presence. Rather than simply placing performers across a large soundstage, it pulled the listener closer to the recording without sacrificing scale or composure.
Nima Ben David’s Résonance showed off the system’s ability to reproduce the dynamic bowing, harmonic texture, and natural decay of solo viola da gamba. A mono selection from Porgy and Bess provided the encore, proving that even a straightforward recording can sound deeply immersive when the system gets tone, timing, and scale right. This was one of the most captivating analog rooms at the show.
In the immediate aftermath of Anthony Fauci’s tense congressional hearing on Wednesday, where he refused to answer any questions and invoked the Fifth Amendment, MAGA figures and Republican officials appeared to be seeking one thing: jail time for the former White House chief medical adviser.
“Why, when Fauci walks off of there today, is he not cuffed?” Steve Bannon, a former adviser to President Donald Trump, asked on his War Room podcast on Wednesday. “People are furious today to cut on this and see Fauci hiding behind the Fifth Amendment … He should die in prison.”
“Why isn’t he under arrest?” far-right podcaster Matt Walsh wrote on X. “Why isn’t he facing any real consequences? Why aren’t you actually doing anything?”
Fauci appeared before the US Senate committee investigating his handling of the Covid-19 pandemic and invoked his constitutional right to stay silent, known as the Fifth Amendment, over 100 times. In his opening statement explaining his decision, he described Senator Rand Paul, who chaired the hearing, as having an “unhinged obsession” with him.
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“The only conclusion I can reach is that the sole reason he is calling me before this committee is to get me to say something, anything, that could vindicate his repeated public pledges that I end up, in his words, ‘behind bars,’” Fauci said. Paul has long accused Fauci of covering up what could have been the origins of Covid-19.
As calls for Fauci’s imprisonment grow louder from far-right influencers and podcasters, WIRED turned to legal experts to assess just how likely it is that Republicans in Congress could jail the former public health official.
Last year, Fauci received a preemptive pardon from former President Joe Biden, which covered his actions from 2014 until 2025 and made him immune from prosecution for federal crimes during that period but not for anything that he has said or done subsequently.
Republicans like Paul, however, believe that anyone who has received a presidential pardon automatically loses their Fifth Amendment rights, citing a Supreme Court case from 1896 as proof. “I think there is a very real chance that he could be prosecuted for that,” Paul told CBS News after the hearing. “A court ultimately would have to determine: Does the Fifth Amendment apply to someone who already has a pardon?”
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Paul said his committee will hold a vote next week on whether to hold Fauci in contempt of Congress, a charge that carries a potential punishment of up to one year in jail and a fine of up to $100,000. If passed, it will be sent to the Senate floor where it would require 60 votes to succeed, which is highly unlikely given it would require Democrats to side with Republicans.
In 2020, Trump pardoned numerous people before he left office, including disgraced former national security adviser Mike Flynn and his former campaign chair Paul Manafort. At the time, US constitutional scholar Aziz Huq concluded that the pardons opened up the possibility of contempt if those Trump associates refused to testify before Congress about action they took during Trump’s first term in office.
Bannon himself was pardoned by Trump in 2021, but only for specific federal charges related to his “We Build the Wall” scheme, whose leaders were charged with defrauding donors out of hundreds of thousands of dollars in the name of a border wall between the US and Mexico. So in 2022, when Bannon refused to hand over documents or appear for a hearing in Congress related to his role in the attack on the Capitol on January 6, 2021, he was found in contempt of Congress and sentenced to four months in jail.
An iPhone app designed to alert users when smart glasses may be nearby has climbed to No. 3 on the US paid App Store chart. Its name, AntiZuck Smart Glasses Scanner, leaves little doubt about how the developer feels about Meta’s camera-equipped glasses.
The app costs $2.99 and scans for Bluetooth signals linked to smart glasses. It can spot Meta Ray-Bans, Snap Spectacles, Amazon Echo Frames, and RayNeo glasses, then sends an alert when it believes one is nearby.
Its rise comes as anxiety around being filmed in public continues to grow, particularly among younger people who have spent most of their lives knowing that an awkward moment could be uploaded within minutes.
How does the smart glasses scanner work?
AntiZuck presents detected devices on a radar-like screen, alongside a rough proximity estimate and confidence rating. It can remember repeat sightings, send local notifications, and let users mark familiar devices so they stop triggering alerts.
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Albert Cohen
Unfortunately, the app cannot tell whether someone has started recording or taking a photo. It only detects Bluetooth signals broadcast by supported hardware, often during actions such as powering on, pairing, or opening a charging case.
Other Meta hardware, including Quest headsets, may also trigger a detection. Smart glasses can disappear from the scanner once they stop actively advertising over Bluetooth, so an alert is not proof that someone nearby is secretly filming.
Camera anxiety is already changing how people behave
A recent BBC report found that some young adults are becoming increasingly wary of cameras on nights out. Students said they watch for people holding up phones and club promoters recording content. Smart glasses make the situation harder because they can pass for an ordinary pair, so someone may not realize they are being filmed.
Meta
The discomfort is not limited to clubs or parties. A YouGov survey found that 54% of Americans consider filming and sharing strangers in public without consent usually or always unacceptable. Research also suggests people change how they behave when they know they are being watched. It helps explain why people are willing to pay for AntiZuck, since even the possibility of a discreet camera nearby can make it harder to relax in public.
Ukraine’s MUL.E combines battlefield transport with portable electrical power for frontline units
The electric motorcycle crosses anti-vehicle minefields without triggering many buried explosives
A detachable generator keeps drones and communications equipment powered during extended frontline operations
Ukraine’s Defense Ministry has codified the MUL.E, its first all-wheel-drive electric military motorcycle built for frontline conditions.
The MUL.E cleared for Armed Forces service after completing testing confirming its stated operational capabilities.
Unlike conventional military motorcycles, the vehicle also functions as a mobile power station capable of recharging drones, communications equipment, and other electronic devices during combat missions.
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Beyond battlefield transport
The MUL.E was developed by a Ukrainian defence enterprise following requests from soldiers operating in demanding frontline conditions where mobility and flexibility remain increasingly important.
The motorcycle carries two soldiers, transports wounded personnel, hauls small cargo, and can tow a loaded trailer across difficult terrain where larger vehicles often struggle.
According to the Defence Ministry, the vehicle combines a 2×2 all-wheel-drive layout with two independent electric motors, allowing continued movement even if one motor becomes inoperable.
Officials also said the motorcycle operates with minimal noise, deploys quickly, offers extended autonomous operation, and delivers a range approaching 100 km on a full battery charge.
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Its most distinctive battlefield feature involves travelling across anti-vehicle minefields without triggering many explosives designed for heavier military equipment.
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Its wide off-road tyres combined with low ground pressure reportedly spread the motorcycle’s weight similarly to an infantry soldier’s foot, reducing the likelihood of activating mines intended for trucks or armoured vehicles.
The design also allows movement across sand, marshland, deep snow, washed-out ground, and other challenging environments where military mobility frequently becomes restricted.
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Built to keep drones flying
The motorcycle also performs a second operational role through an onboard detachable petrol generator extending battery life while supplying electricity to frontline units.
Instead of becoming unusable after exhausting its battery, the additional generator recharges the motorcycle before operating independently as a portable energy source.
Soldiers can reportedly use the generator to recharge FPV drone batteries, radios, mobile phones, communications systems, or other electronic equipment.
That combination effectively transforms the motorcycle from a transport platform into mobile infrastructure supporting small units operating far from regular electrical networks.
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The Defence Ministry said testing confirmed the MUL.E achieved its expected performance before entering military service.
Earlier in June, Ukraine approved the WOLFSTORM electric motorcycle capable of reaching 80 km/h while carrying two fully equipped soldiers and reducing thermal and acoustic detection.
The MUL.E extends that concept with additional capabilities designed for frontline mobility and field logistics.
Ukraine also continues expanding motorcycle procurement, with the Defence Procurement Agency contracting 1,500 motorcycles in 2026.
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Military officials also said competitive bidding reduced procurement costs, saving the state budget by nearly $290,000 during the latest motorcycle purchase.
Whether these specialised vehicles achieve lasting battlefield success will likely depend upon operational performance rather than technical specifications alone.
Across the country, federal judges are calling out Department of Justice lawyers, questioning in unprecedented ways whether they can be trusted to tell the truth or uphold centuries-old legal norms.
From Washington, D.C., to Rhode Island to Oregon, federal judges nominated by presidents from both parties, including Donald Trump, have zeroed in on what’s called “the presumption of regularity.” It essentially means that judges must presume that the government — whether it be federal prosecutors, an IRS auditor or an FBI agent — did their jobs according to the rules and in good faith.
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Until Trump’s second term, which has seen an exodus of veteran DOJ lawyers and a transformative shift in priorities from issues like enforcing civil rights to instead defending a mass deportation agenda, this foundational tenet had rarely been discussed in federal courtrooms, former judges, lawyers and scholars say. But as Trump’s DOJ exhibits behavior that judges have called “unlawful,” “unethical,” “unseemly” or otherwise dishonest, adherence to that bedrock standard is now being questioned.
ProPublica reviewed hundreds of cases since Trump retook the White House in which judges criticized the actions of DOJ lawyers and found more than 40 in which they explicitly referenced the presumption of regularity. In many cases, judges have expressed frustration that they can no longer take the government at its word.
“Judges simply don’t believe the representations that are being made by United States attorneys, assistant United States attorneys and the like,” said John E. Jones, a former federal judge for the District of Pennsylvania, appointed by President George W. Bush.
“I don’t think in the annals of the Department of Justice, in the history of jurisprudence in the United States, we’ve ever seen anything close to this.”
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In Rhode Island in May, Trump-appointed federal Judge Mary McElroy rebuked federal prosecutors’ conduct — saying they withheld information and misrepresented facts — as she quashed their requests for a subpoena in their investigation into a hospital’s care of transgender children. The judge alleged the DOJ had inappropriately claimed its investigation was operating out of Texas to secure subpoenas targeting sensitive medical records of patients in another state and that it falsely claimed the Rhode Island hospital hadn’t communicated with the department.
“The discrepancy between the honorable conduct expected of federal prosecutors and DOJ’s tactics in this case is unsettling,” McElroy wrote. “The Court cannot help but share the sentiment that ‘[t]he presumption of regularity that has previously been extended to [DOJ] that it could be taken at its word — with little doubt about its intentions and stated purposes — no longer holds.’”
Judges have emitted a chorus of condemnations against the legal basis for some of Trump’s political agenda, including the mass firings of federal workers, an immigration dragnet that has imprisoned hundreds of U.S. citizens and retribution campaigns against the president’s political enemies.
In doing so, federal judges are imbuing forceful language into their orders in a way that scholars say signals to the Trump administration that the third branch of government is losing trust in the Justice Department.
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Federal judges rarely grant interviews, and none of the judges who criticized the Justice Departmentin their orders granted interviews to ProPublica.
In a statement, a spokesperson for the DOJ said its attorneys are “dedicated public servants who represent the United States with integrity, in accordance with their ethical obligations and the law.”
“The Department stands firmly behind the professionalism and good faith of its attorneys,” said spokesperson Kiersten Pels. The White House did not respond to a request for comment.
Federal judges have found that the government filed statements generated by artificial intelligence that referenced nonexistent case law, wrote briefs that ignored facts and filed declarations with inaccurate dates, the ProPublica review shows.
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In one case, the government included documentation claiming a detainee had been convicted of marijuana possession in 2009. That detainee, the judge noted, citing what she called the government’s persistent “sloppiness,” would have been 4 years old.
“This Court will no longer blindly accept statements of fact from [the U.S. government] unless they are made under oath by an individual with personal knowledge,” Judge Christine O’Hearn, a President Joe Biden appointee, wrote in New Jersey while reviewing a writ of habeas corpus petition filed by a man who claimed he was unlawfully imprisoned by immigration officers. O’Hearn accused the government of defying her orders when, instead of releasing the man, Immigration and Customs Enforcement transferred him to a different facility in New York.
In Minnesota, the state’s top political leaders had publicly clashed with the administration following the violent ICE raids that led to the deaths of two U.S. citizens. Then the administration filed a flurry of subpoenas against them.
Last month, Judge Patrick J. Schiltz, who was appointed by George W. Bush and clerked for Supreme Court Justice Antonin Scalia, slammed the government’s actions and “spurious claims,” saying the presumption of regularity was being abused.
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“Initiating a criminal investigation in order to harass political opponents or to coerce them into taking official action — particularly official action that the federal government cannot directly require those political opponents to take — is a blatantly unlawful and unethical use [of] the grand-jury process,” the judge wrote.
“Breakdown” of a Presumption
The presumption of regularity creates a high bar for those suing the government or defending themselves against it in criminal cases. They often must provide evidence that the government willfully violated a policy or otherwise deviated from its charge — that is, did something irregular — to overcome the standard.
It’s a shield the government wields often, with little notice, and one that is almost always successful. But overcoming that presumption has become increasingly common under Trump’s second term, according to court watchers.
About half of the cases ProPublica identified as questioning the presumption come from districts, including D.C., Maryland and Virginia, where by proximity and jurisdiction many of Trump’s actions are challenged and often heard by Democratic-nominated judges. The Southern District of New York, which has issued repeated rebukes of Trump administration actions, and the Northern District of California, another Democratic stronghold, are other hotbeds of judicial scrutiny.
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Last September, D.C. District Magistrate Judge Zia M. Faruqui accused the administration of working around the federal grand jury process, getting an indictment from a state court after prosecutors had failed to get one in his court, which he called “unseemly,” if not “unlawful.” He fired off one of the earliest signs that the presumption itself could come into question.
“This only deepens the growing mistrust of the actions of prosecutors,” the judge wrote. “That is a sentiment that was once unthinkable, but the irregular is now the regular.” While the case was largely managed by assistant U.S. attorney Caelainn Carney, according to court transcripts, Faruqui was aiming his frustration at her bosses, including senior prosecutor Jonathan R. Hornok, and the leadership at DOJ. Neither attorney responded to requests for comment.
Pels, the DOJ spokesperson, told ProPublica that Faruqui “was wrong on the law” and noted that after the government appealed to the district’s chief judge, his order was overruled. “Judge Faruqui has a long-standing documented pattern of editorializing from the bench beyond the scope of the cases before him,” Pels added.
But in recent months, skepticism about the presumption has also come from judges appointed by Republicans, such as McElroy, or in GOP strongholds.
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In Indiana, Trump-appointed federal Judge James Patrick Hanlon ordered the release of Salah Sarsour, president of the Islamic Society of Milwaukee and a lawful U.S. resident, from ICE custody in March. Sarsour’s lawyers argued the government had targeted him to suppress his First Amendment right to free speech. The DOJ invoked the presumption of regularity and argued his arrest was part of an anti-terrorism dragnet, which the judge threw out.
In the Southern District of Ohio, Judge Michael R. Barrett, appointed by George W. Bush, ordered ICE to release a detainee after concluding the presumption had been overcome because the government hadn’t presented a reasonable argument that the man was a flight risk.
News outlets, including CNN, have documented federal judges’ ire with Trump’s DOJ, and some of the cases under question have been well-publicized, such as the government’s illegal deportation of Maryland resident Kilmar Abrego Garcia to El Salvador. In that case, Judge Paula Xinis, a President Barack Obama appointee, criticized the government, saying, “You have taken the presumption of regularity, and you’ve destroyed it.”
Many of the rulings challenged one of Trump’s hallmark efforts: immigration enforcement and deportations.
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“The presumption of regularity and integrity previously and routinely afforded to the Executive branch and the United States Attorney’s Office has been undeniably eroded in this jurisdiction and across the country,” O’Hearn wrote in February, noting that the federal government had repeatedly violated court orders in her district and others related to immigration operations.
In another immigration detention case, this one in Washington state, Biden-appointed Judge Lauren King said, “[t]he ‘presumption of regularity’ is dislodged here by the numerous factual errors in Respondents’ filings and by their conflicting representations.”
Jeremy Fogel, executive director of the Berkeley Judicial Institute and a former federal judge from California, said what’s happening in the courts feels more like a “political conflict” than the normal ebb and flow of the justice system.
“It’s really one branch that is really sort of questioning the legitimacy of the other one,” Fogel said. “I think the judges are trying to stand up for the legitimacy of their branch.”
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Just Security, an online law and policy journal, has been tracking cases in which federal judges have admonished Trump’s prosecutors, including those involving the presumption.
“We’re witnessing a breakdown in the ways in which any administration ordinarily carries out its responsibilities, through the Justice Department in particular,” said Ryan Goodman, Just Security’s co-editor-in-chief.
Erosion of Trust, Ethics Inquiries
The erosion of trust from the federal bench comes as Trump has profoundly shifted priorities at the DOJ to align with his political platform: ending civil rights and diversity programs, deporting immigrants and stripping away environmental protections.
Those who deal with DOJ lawyers have noticed the difference in court.
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Mitch Bernard, chief counsel at the nonprofit Natural Resources Defense Council, has faced off on environmental issues with the DOJ many times. Although they may disagree, he said, he always expected his opponents to be “fair and above board.”
That dynamic is gone, he said.
“I would call it a transformation of the role of the Justice Department,” he said. “There are many different judges in different jurisdictions not only ruling against the government but calling the government out for dishonesty and dissembling, and that’s an extraordinary thing.”
The result, Bernard said, is that “the government will lose more cases as a result of the way the Justice Department is behaving.”
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Meanwhile, groups such as his are benefitting from the government brain drain. “We hired 10 litigating attorneys last year,” he said. Of those, eight came from the DOJ.
Judges aren’t just losing faith in the DOJ. Some are pushing to sanction Justice Department lawyers.
This month, Miami federal Judge Kathleen M. Williams ruled that Trump’s lawsuit against the IRS was an improper exercise in self-enrichment, citing the president’s lawyers for a series of misstatements in the case.
The Obama appointee referred the lawyer who brought the president’s case against the IRS, Alejandro Brito, to the Florida Bar for potential disciplinary proceedings. She also forwarded her ruling to disciplinary officials in New York, who had earlier received an ethics complaint about acting Attorney General Todd Blanche.
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A DOJ spokesperson called the Blanche case “nothing more than a politically motivated bar complaint, filed by partisan activists who disagree with this Administration’s policies.” Brito did not respond to a request for comment.
In Rhode Island, McElroy referred DOJ lawyers to a review board for possible discipline for their handling of the hospital investigation.
“As citizens, we trust that federal prosecutors, when wielding this awesome power against a state, a company, or certainly against vulnerable children, will play fair and be honest with its counterparts and the judiciary,” McElroy wrote. “DOJ has proven unworthy of this trust at every point in this case.”
Roblox has announced a major update to its app that aims to make discovering games and connecting with friends easier. The redesigned app brings game discovery, chat, and player profiles together in one place. The update adds Moments, Chat, and Me tabs. Players in New Zealand will also see the new Build tab during the initial rollout. Roblox says these changes make it easier to discover games and stay connected with friends. The rollout has started in Canada, New Zealand, and Singapore, with more countries expected to receive the update over the coming months.
Moments Tab Makes Finding Games Easier
The Moments tab brings gameplay videos directly into the Roblox app. Players can browse clips shared by friends and selected content creators to explore new games. Every video links to its featured game through the Join button, making it possible to start playing with one tap. This creates a faster and more seamless game discovery experience. Roblox says the feature helps players connect with games they may want to keep playing. Gameplay videos are currently available for age-verified players aged 16 and above, where supported.
Beyond that, there’s the Chat tab that allows easy communication among players while they are playing. The players can initiate conversations before starting a game and continue while they are playing. Roblox will also be able to enable chats across various games without stopping the chat. This makes it easier to recommend games and invite others to play with them. It also uses age checks and chat safety features to protect users.
Me Tab Brings Profiles and Avatars Together
The game has now changed the title of the Avatar page to Me. Players can manage their profile and avatars from this page. There are also new background options for avatars that players can select for their personal accounts. The update makes it easier to customize their Roblox identity without switching between different sections.
Roblox has introduced the Build tab for eligible users in New Zealand as part of a public alpha rollout. This allows you to develop games using the mobile-first Build Tab that goes hand in hand with Roblox Studio. You also have access to the same back-end, models, and even chat history.
Creators can start building a game on their phones using the Build tab and continue editing it later in Roblox Studio with more advanced tools. Once the feature is fully available, they will also be able to start a project in Studio and track its progress from the Roblox app. Roblox says the Build tab is designed to make game creation more accessible and encourage more users to create games on mobile devices.
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Starting today, we’re expanding Roblox Moments and moving it to its own tab in the app. In addition, we’re expanding Moments beyond gameplay clips to include content from our broader video creator community.
Moments is built to connect great games with the people who would enjoy… https://t.co/b8EAK7eIvt
Apple has spent 12 years strengthening Beats without folding it into AirPods, preserving a separate brand that can reach Android users, compete at lower prices, and sell products that wouldn’t fit under Apple’s own name. Here’s what it looks like inside the Beats lab.
The strategy emerged from a rare look inside Beats’ Culver City operations. Executives described how the company combines its original design and marketing culture with Apple’s engineering resources.
Apple completed its $3 billion acquisition in 2014. Many employees who worked at Beats before the deal remain with the company.
Matthew Costello, Apple’s vice president of hardware engineering, told TechRadar that Beats was developed to complement AirPods rather than duplicate them. The company sells colorful headphones, fitness-focused earbuds and lower-cost products with support for both Apple and Google platforms.
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“We took this bet that we would be sort of the dual ecosystem play,” Costello said. “And we said, Google and Apple together.”
The approach expanded Beats’ potential customer base and gives Apple access to buyers who might never consider AirPods. Beats Studio Buds and other products support native features on Android, while AirPods remain designed primarily around Apple devices and services.
Beats also operates at prices Apple has largely avoided with its own audio products. Solo Buds cost $79.99 and use a case without a battery, charging electronics or a pairing button, allowing Beats to make the smallest earbud case either company has shipped.
The buds instead provide up to 18 hours of listening from a single charge. A mechanical switch inside the case wakes the earbuds when the lid opens, preserving the familiar pairing experience without adding electronics to the enclosure.
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Beats Studio Buds and other products support native features on Android. Image credit: Beats
The design illustrates why maintaining Beats as a separate operation matters. Apple can apply its manufacturing standards and engineering expertise while allowing Beats to make unconventional trade-offs that would be harder to introduce under the AirPods name.
Apple supplies the engineering underneath Beats
Beats products now go through the same reliability, environmental, wireless and quality testing used for Apple hardware. Its engineering facility includes five anechoic chambers, laboratories dedicated to studying human ears, a listening room and equipment used to examine returned products for recurring failures.
“We’ve learned so much from the teams up in Cupertino, and leveraged the core technologies, the processes, the discipline,” Costello said.
Apple’s influence has also changed the Beats sound. Costello acknowledged that early products were “super boomy,” while newer models have moved toward a more balanced profile shaped by customer feedback and improved testing.
Beats has retained control over its product shapes, colors and cultural partnerships. The company maintains a small customization team that produces one-off headphones for athletes, musicians and celebrities while experimenting with materials and finishes that can later reach retail products.
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The transparent Beats Studio Buds Plus followed that path. Engineers originally made a clear prototype to inspect the product’s internal construction, but the marketing team pushed to turn the engineering sample into something customers could buy.
Beats’ value to Apple extends beyond headphones. Image credit: Beats
The positive response influenced the later Solo Buds line, which launched with another transparent option. Beats executives described the custom operation as an incubator where concepts developed for individual partners can eventually become commercial products.
Beats can go where the Apple brand cannot
Beats’ value to Apple extends beyond headphones. The company has moved into iPhone cases and charging cables, and executives said it could explore additional categories as long as the products reflect Beats’ emphasis on design, color and culture.
The difference in style protects Apple from stretching its own brand too far. Beats can support Android, use louder styling, pursue athlete-focused designs and compete at lower prices without changing what customers expect from AirPods.
Apple also benefits from Beats’ approach to marketing. The company has repeatedly placed unannounced products with prominent athletes before formally introducing them, including a forthcoming pair of over-ear headphones spotted at sporting events.
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Beats hasn’t announced the product’s name, price or release date. An FCC filing has confirmed that the headphones are real, but predictions about their features or competitive position remain speculative.
Apple’s ownership strategy is clear from what Beats has become. The company didn’t keep the Beats brand just for its logo or celebrity ties, but turned it into a capable hardware business that reaches customers, price points and platforms beyond AirPods.
Beats still looks and behaves like a separate brand from the outside. Underneath, Apple provides much of the technology and discipline that allow it to remain one.
Although it might have some trouble earning its ‘Ultra’ moniker, Samsung’s premium book-style foldable has never felt more well-rounded.
Really good sustained performance
Thin, lightweight design that’s very easy to open
Battery life is improved from the last generation
Anti-glare coating on the internal display is the real deal
The 3x zoom camera is still quite poor
Battery life still doesn’t match competitors
Cover screen feels a little narrow
No stylus support
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Key Features
Review Price:
£1899
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Upgraded ultra-wide camera
Now bumped up to 50MP
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Larger capacity 5000mAh battery
Alongside faster 45W charging
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Faster Snapdragon 8 Elite Gen 5 chip
Flagship level performance
Introduction
With all the hype around the new, squatter form factor of the Z Fold 8, you could be forgiven for forgetting about the Samsung Galaxy Z Fold 8 Ultra.
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This is, for all intents and purposes, the natural successor to the Galaxy Z Fold 7 – and while a lot of it seems the same as before, there are enough small changes here to make it a much better experience than before too. The real question is, is it enough of an upgrade to be deserving of its Ultra branding?
Let’s get into it.
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Design
Subtly softened edges for nicer in-hand feel
Snappier, more durable hinge
Minimal crease on foldable screen
You could be forgiven for looking at the Z Fold 8 Ultra and thinking, not a lot has changed since the Z Fold 7, its natural predecessor. And, for the most part, you would be right. Beyond some new splashes of paint, not a huge amount has changed since the last one.
Image Credit (Trusted Reviews)
To say nothing has changed would be inaccurate though. There are some very subtle changes that have made the experience of holding and using it better than before.
Samsung might claim this is thinner than the last one, and it may well be if you ignore the clearly chunkier camera bump. But that’s such a small difference, it’s really neither here nor there. And to be fair, it is difficult to see how they’d ever make it meaningfully thinner without removing the Type-C charging port, or, y’know, all the internal components that make it work.
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Image Credit (Trusted Reviews)
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What makes the biggest difference is the shape of the phone, and the upgraded hinge. Every edge, corner and angle has been softened ever so slightly. This makes it a softer shape that’s just that tiniest bit more comfortable in the hand, but more importantly, the slight rounding of the edges means it’s easier to get your thumb between the two halves of the display.
Image Credit (Trusted Reviews)
Opening this phone is much easier for that reason, and for the reason that the hinge has more snap. Literally. There’s such a satisfying clap sound when you open or shut the phone, it’s almost addictive. Good job it’s been designed to be pretty durable too then.
There have been a few more durability tweaks made that aren’t as obvious to the senses though. The raised bumps on either end of the hinge have been increased in size, presumably to offer better obstruction to any dust or fluff from your pockets that might otherwise get in there.
Image Credit (Trusted Reviews)
The display itself has also been sured up with an additional layer of titanium alloy film. So it not only has that backplate from before, but also has another film bonded to the display to make sure this screen can survive daily use as your phone.
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It’s clearly not rigid glass still, so won’t offer much protection against scratches, but it will be better able to cope with being opened and shut repeatedly than any previous fold. And – it’s early days clearly – but the crease on the display is quite minimal.
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Image Credit (Trusted Reviews)
After a few days using it, it went from invisible to just about perceptible on a dark screen, but it’s very much ignorable once the screen is on and you’re in your content. It’s not that big a dip, and so easy to ignore when you run your finger over it as well. Still, not quite on the same level as Oppo’s Find N6 crease, which is virtually non-existent.
Another area it’s not quite at the same level as some of its competition – namely the Honor Magic V6 – is in water and dust resistance. Its IP48 rating means it’s very well protected against water getting inside, but isn’t completely dust-tight.
Screens
Narrow cover screen remains
8-inch internal screen is much better
No S Pen support
It’s safe to say that one area that’s seen very little (if any) change from the last version is the cover screen. While the regular Galaxy Z Fold 8 has completely changed to a new, wider, squatter form factor, the Z Fold 8 Ultra retains the same long, fairly narrow screen as the Z Fold 7.
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Image Credit (Trusted Reviews)
I still find it a little cramped to use two-handed when typing and replying to messages, but it’s a pretty comfortable one-handed phone. It gives you enough surface area to make tasks like scrolling through messages and social media feeds convenient.
Otherwise, it’s a sharp, bright and smooth panel that’s capable of hitting up to 120Hz refresh rates when required. Still, its shape and size don’t exactly make it well-optimised for video or gaming. It’s still subject to letter or pillar-boxing – or heavy cropping – for anything that doesn’t match its narrow, long aspect ratio.
Image Credit (Trusted Reviews)
One thing you might see as a positive is that you can customise it totally separately from the main internal display. While most foldables just mirror the internal panel, Samsung lets you make it different. You can set different wallpapers, lock screens and always-on displays.
Personally, I see it as a chore having to set these things up twice. You might disagree though.
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It’s on the internal display you’ll find the bigger visual differences. Most of the upgrades on that flexible panel are quite subtle, but there is at least one that makes a big difference: anti-glare.
Flexible plastic displays typically struggle more with visibility under bright lighting than glass, but the anti-reflective nature of the Z Fold 8 Ultra’s film is so much better than the Z Fold 7 that came before. Looking at it under bright lighting in my studio, the difference is significant. In fact, it’s better at cutting out reflections than the Razr Fold, Pixel 10 Pro Fold and isn’t far off the levels offered by the Honor Magic V6.
Image Credit (Trusted Reviews)
The fact the display can also reach higher levels of brightness than its predecessor also means it’s capable of cutting through any reflections that are on the screen better than before. It’s a big, expansive screen too, hitting 8 inches diagonally, and with more pixels packed into that space than the Fold 7, it’s a panel that elevates content more than its predecessor.
When you combine that improvement with the – so far – less visible crease, it’s a further step towards removing the optical compromises associated with flexible, plastic-coated displays.
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Sadly though, the S Pen support remains missing from last year. Samsung removed the digitising layer required to make it possible, in an attempt to keep the phone as thin as possible. So if that’s a bit of a deal-breaker for you, there’s always the Razr Fold, which supports a stylus and ships with one, too.
Otherwise, it’s very hard to fault the quality of the display. It’s bright, clear, and has vibrant colours without being too over-saturated and enough contrast to make content pop. Viewing angles could be improved slightly, but that’s really nit-picking at this point.
Cameras
Primary camera remains capable
Ultrawide upgrades make a difference
Zoom lens is very underwhelming
Cameras are, typically, the area where foldable phones are compromised. Even those with bigger sensors like the Honor Magic V6, Razr Fold and Oppo Find N6 won’t compete with the top-tier camera slabs. That’s to say, there’s a bit of expectation management necessary.
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Even compared to some of its direct competitors though, I still feel like Samsung has some work to do on the camera front.
Image Credit (Trusted Reviews)
The primary 200MP camera is largely the same as before, and the ultrawide camera has had a welcome upgrade to a new 50MP sensor. Still, the 3x zoom camera is pretty small and comparatively low-res compared to the other two, and, compared to the zoom cameras on devices like the Razr Fold and Honor Magic V6, it comes up a little short.
The relatively small sensor size means it’s less capable of gathering light, and the depth of field isn’t amazing. So if you’re using that 3x zoom as a macro or portrait lens where you want some tasty, smooth background blur behind the subject, Samsung’s isn’t the best out there. Compared to the larger sensor on the Razr Fold – for example – the bokeh or background blur looks a bit rough.
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Those who like to use the zoom lens to go to mega distances and take advantage of the digital crop will also be a little disappointed.
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Its 10-megapixel makeup means there’s not much additional digital cropping space without heavily relying on artificial processing to try and come up with some form of sharp detail. And so you’ll find, just like the 3x zoom lens on other Samsung phones, that once you get past the 3x zoom range, images can get a bit grainy and take on that tell-tale oil painting effect at the extreme end of the zoom range.
Still, the primary camera is decent, and Samsung has done a lot to improve its overall processing of scenery. Its colours are generally quite neutral, combined with its balance of highlights and shadows, it gives you a lot of scope for tweaking and editing.
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One thing I really appreciated while shooting out and about, and comparing with other phones, is that the colours and overall look of the preview image were pretty consistent with the end result – and looked the closest to the colours I could see with my eyes.
I’d maybe like some richer colour, and a bit less emphasis on cranking up the contrast and artificial sharpness in the end result – it can sometimes lead to a bit of a grainy feel – but it’s hard to complain too much.
Consistency in the colours when switching between the lenses could also be improved. I often found the primary camera warmer than the other two – particularly than the zoom lens – which tends to produce cooler, less vibrant colour when the camera is shooting in its automatic mode.
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The upgraded ultrawide camera is a very welcome addition though. Its results are nowhere near as harsh as previous models, with good sharpness, contrast and colour, and without the extreme levels of distortion and warping at the edges.
At night, the camera makes good use of its night-mode algorithms, holding the shutter open for a couple of seconds and then snapping an in-focus shot. Only once or twice did it fail to counteract the hand motion from shooting handheld.
Results aren’t super bright, so shots still retain their nighttime feel without going to town too much on saturating colours to make it lively. Still, like the daytime, some of the shots had that over-sharpened processed look.
Performance
Flagship foldable performance
Sustained gaming stays stable
Multitasking runs smoothly
As far as folding phones go, the performance on offer from this Snapdragon 8 Elite Gen 5-powered phone is about as good as it gets.
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Even playing Destiny: Rising with the higher graphics settings enabled, I was able to churn through 20 minutes of constant gameplay without the phone getting warm, or with any signs of stuttering or struggle. It’s a really solid performer for a foldable phone, especially given the lack of space inside this ultraslim phone for massive cooling components.
Image Credit (Trusted Reviews)
If you’re a fan of the more graphically intense games like Withering Waves of Genshin Impact, you might notice it stutter a bit in their highest settings after 15 minutes or so, but for a foldable phone, this level of sustained graphics performance is good.
When I ran it through the demanding 3D Mark graphics stress tests, its reliability score of almost 70% – while hitting peak scores not far off what the Galaxy S26 Ultra can manage – points to a phone that’s supremely comfortable with pretty much any task you throw at it.
Image Credit (Trusted Reviews)
Opening multiple windows side by side or as floating windows won’t pose any issues for those who like to use these big, expansive displays for multitasking with several apps at the same time.
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Software
Android 17 with One UI 9
New Gemini smarts
Strong multitasking capabilities
The Galaxy Z Fold 8 Ultra, along with the rest of the Z8 collection, are the first to sport Android 17 out of the box with Samsung’s snazzy new One UI 9 overlay.
It’s not a massive change compared to previous versions of One UI, though look closely and you’ll see a few new Gemini-powered smarts – like app automation – that were previously exclusive to Pixel devices.
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Image Credit (Trusted Reviews)
Samsung’s software makes good use of the fact that it’s a big, flexible panel too. Flex mode remains on the Ultra, so you can partially fold the screen in any app and use the bottom half as a trackpad for scrolling, clicking, and zooming.
Image Credit (Trusted Reviews)
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There’s scope to have multiple apps running at once when it’s fully open, either through split screen mode – which puts two 6.5-inch apps side-by-side – or by using the pop-up view, which launches them into more desktop-like floating windows.
And, as we’ve come to expect, the Z Fold 8 Ultra offers seven years of OS upgrades and security patches, making it a great candidate for long-term use.
Battery life
5000mAh silicon carbon battery
Easily lasts all day
Full charge in little over an hour
If there was one major improvement the Galaxy Z Fold series has been crying out for over the past couple of years, it’s undoubtedly been the battery life.
Samsung has been a bit late to the game jumping onto the more dense Silicon Carbon battery tech, but has finally done it and brought the capacity from 4400mAh to 5000mAh, in a phone that desperately needed it.
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For a phone positioned as a productivity, do-everything powerhouse, having a phone that struggled to last a day for the most demanding users was something of a misstep. Those days are very much in the rear view mirror now, though.
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The new, larger capacity doesn’t offer market-leading performance, but it’s big enough that it’s finally no longer as much of a compromise. On my heaviest use days where I used over five hours of screen-on time, mostly doomscrolling on Threads and chatting in WhatsApp (which both seem to be surprisingly thirsty apps), I’d finish a full day having used somewhere between 50-60 percent of the capacity.
Image Credit (Trusted Reviews)
That’s not quite enough to make it a two-day phone on my heavier use days, but on my quieter weekdays where I’m working – and use 2-3 hours of screen time on my phone in a day – it is.
Even for the more power-draining users, it’s a phone that shouldn’t kick into power-saving mode before the end of a day. Or at least, nowhere near as often as the Z Fold 7 did. And it refills really quickly when it is empty, too.
Samsung claimed in its announcement that, with a fast charger, you could charge this battery to 67% in 30 minutes. In fact, I got to that level with just 25 minutes plugged into an Anker Prime power adapter.
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That to me is a huge convenience. It means when I get into that second day and the battery is dropping below the 20 percent red zone, I can plug it in for 20 minutes and have more than enough juice to get through the rest of the day.
In our charging test, it half-filled from 1% to 50% in about 18 minutes. A full 1-100% charge took just over an hour.
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Final Thoughts
In the end, clearly, the Galaxy Z Fold 8 Ultra is a better phone than the Z Fold 7. But with the new Ultra naming, it’s fair to be disappointed that features like the camera unit and cover screen haven’t received a more significant upgrade. I won’t complain about the increased battery, but it’s still short of the competition.
Still, on balance, it’s a very, very good folding phone. It strikes the right balance between performance, compact design, and useful software features for me. It’s just whether people will still want this form factor when the (slightly) cheaper and easier-to-use Galaxy Z Fold 8 is now a thing.
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To see how it compares to the competition, take a look at our selection of the best foldable phones.
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FAQs
How is the Samsung Galaxy Z Fold 8 Ultra different from the Z Fold 8?
Aside from being more expensive, the Z Fold 8 Ultra carries three rear-facing cameras (there are just two on the Fold 8), alongside a larger 5000mAh battery and a taller display that’s better suited to productivity.
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Even though the brand is available every month of the year, July 2026 has proven an especially big month for Milwaukee. For one, there are several Milwaukee tools on deep discount in July, allowing supporters to stock up on niche and essential items alike. There’s some expansion going on in the Milwaukee catalogue as well. July has been a month full of new drops, including new tools and a lot more.
There are a lot of choices on the tool market for quick shrub trimming, with numerous major electric pruners for sale, but that’s not to say that simple hand tools aren’t worth using. For $54.98 comes the Milwaukee 1-inch capacity pruning shears, which are intended for trimming branches up to 1 inch in diameter. For such a small tool, Milwaukee put a lot of helpful features and design elements into these trimmers to justify such a high price point.
The main draw is the ultra-sharp blade, which can be resharpened as needed and has a low-friction coating for smooth cutting. The head is angled, too, which is helpful when cutting at overhead height or low to the ground. The pruner also has a two-position adjustable lock plate; this way it can be adjusted for easier cutting of small branches. The handles are made of lightweight aluminum and feature dipped grips to reduce the likelihood of slippage while in use. These pruners automatically come with Milwaukee’s limited lifetime warranty, so if the workmanship isn’t up to par, having them repaired or replaced is possible with no hassle or additional cost.
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Milwaukee 1-1/2-inch capacity bypass loppers
When large branches get out of control, something more than a small set of clippers is needed. One option is a unit from one of the major pole saw brands, but for low, small branches, a set of loppers is more than enough to get the job done. Milwaukee has released a new set of 1-1/2-inch capacity bypass loppers this July, which cost $89.98 through Home Depot. Despite being a rather straightforward tool that appears more than capable, there are a lot of notable aspects for potential buyers to be aware of.
This new set of loppers comprises two 20-inch handles made from lightweight aluminum, held together by a set of high-carbon steel blades (which can be resharpened) covered in low-friction coating for smooth, free movement. Between them is a rubber bumper, reducing shock once the blades make it through their branch and the handles thump together. Speaking of the handles, they also feature rubber grips to increase comfort and reduce slipping. Additionally, this set of loppers comes with the same Milwaukee limited lifetime warranty as the pruners for the sake of buyer protection.
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New Milwaukee pruning saws
For branches that can’t simply be lopped off or clipped with a small pruner, you’ll need a different tool. Fortunately, Milwaukee has delved into this category, recently providing two new pruning saws: the 10-inch straight blade pruning saw and the smaller 7-inch variant. These two saws have numerous similarities, but they’re different enough that we’re counting them as two separate tools.
Both boast hollow ground blades with quadruple-ground teeth for effective cutting into soft materials. Topping off the similarities between these two tools, both also come with Milwaukee’s limited lifetime tool warranty.
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Moving onto their differences, these saws retail for $39.98 and $29.98, respectively, and both come with storage options. The 10-inch version has a reversible scabbard included, while the 7-inch version allows the blade to fold into the handle. As far as cutting capacity, these saws promise maximum cuts at 6 inches for the 10-inch blade and 4 inches for the 7-inch one. The 10-inch saw consists of chrome-plated SK5 high carbon steel while the 7-inch blade is made from standard high-carbon steel. The 7-inch blade is adjustable for easier undercutting.
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M12 Fuel 1/4-inch straight die grinder
Milwaukee has a lot of new outdoor wood-cutting tools for sale, but indoor woodworkers and metalworkers, who already have a host of Milwaukee tools at their disposal, haven’t been left out of the equation. The M12 Fuel 1/4-inch straight die grinder arrives this month at the cost of $229.00. For that price, buyers receive the titular tool and a wrench for part swapping, though a 12-volt Milwaukee battery is required for the tool to run. At the very least, also included is Milwaukee’s five-year warranty to cover any functional issues not attributed to misuse or abuse on the user’s end.
With a battery attached, Milwaukee claims to deliver 0.5 horsepower and reach a maximum of 20,000 RPM with the aid of the internal Powerstate brushless motor. The grinder has four speed settings, works with 2-inch cutting wheels and 3-inch sanding accessories, features a built-in LED work light on the front, and is compatible with accessories with a 1/4-inch shank. On top of all of this, the tool is cordless, making it easy to maneuver into tight spaces and use virtually anywhere.
Xiaohongshu, or RedNote, is another social platform that has become increasingly popular among the young, urban, and educated classes in China. Some junior AI researchers have opened accounts on Xiaohongshu recently and use them to share details about their work, but the audience is less technical than what they might find on X.
When Moonshot published a new research paper in March, it caused quite a stir on both Chinese and Western social media, even attracting praise from Elon Musk. But “almost everyone on Zhihu and Xiaohongshu were talking about the background and age of the authors—one of them is only 17—and who their parents are, things that I find very superficial and gossipy,” says a current researcher at Moonshot who requested anonymity because he was not authorized to speak to media. “It was the foreign readers who actually discussed technical details and praised its breakthroughs.” He says readers on Zhihu also tend to be more mean-spirited, and the platform is plagued by higher amounts of AI slop than X.
Moonshot did not immediately respond to a request for comment.
The Chinese newcomers have generally received a warm welcome from academics and researchers at Western AI companies who were already on X, many of whom have been eager for direct information about Chinese AI labs. “Before they all came to X, we already saw a lot of influential researchers translating Chinese [AI] blogs into English,” says Wang. He points to Su Jianlin, a well-respected AI researcher who keeps an active blog in Chinese documenting his thoughts, as an example of the kind of voices that Western AI communities crave. Now, Su is working for Moonshot and has a public X account, too.
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Other Incentives
Beyond the desire to participate in open discussions, Chinese AI companies are also finding that X is an effective place to market themselves and their products. “X is the platform with the highest traffic and exposure. To some extent, the AI industry works just like the finance industry now, each individual and company needs their own branding,” says Meng.
When AI researchers become minor social media celebrities, that helps boost the profile of their employers, too. Wang says he personally advised Moonshot during a one-off consultation session for the company in 2025 to push more of its researchers to the front on social media. When a startup releases a new model or paper, “it’s more interesting to see what they as a person want to post, instead of the official announcement,” Wang says, “And this would definitely help them gather more feedback from the audience. And they can talk to other researchers and potentially trigger some collaboration.”
Moonshot has already proven that it has an ample supply of charismatic personalities. The company is often described in China media as one of the AI labs with the most interesting internal cultures, where the CEO plastered his office with band posters and other souvenirs celebrating his love for rock music. The Chinese name of the company, 月之暗面, literally comes from Pink Floyd’s album The Dark Side of the Moon.
Having Chinese AI researchers explain their work in their own words on X is a net benefit for the United States, Wang says, because it reduces the need for blind speculation about what Chinese AI labs are doing. “People have a lot of wrong hallucinations about what China is doing. And now, X is the door for them to better understand China,” Wang says.
In February 2024, a young man lay somewhere on the frozen shore of James Bay, Canada, surrounded by snow and darkness, succumbing to hypothermia. When he failed to get home on time, his frantic mother sent a Facebook message to Elizabeth Kataquapit, then chief of the indigenous community Fort Albany First Nation in northeastern Ontario. Kataquapit used Facebook to alert the community’s search-and-rescue squad, who jumped onto their snowmobiles and drove into the night. Before dawn, they returned with the dazed man, who told rescuers he’d given up until wolves nudged his hypothermic body. “The wolves told him to wake up,” Kataquapit says. “I really believe they saved his life.”
A fiber-optic network also played a key role.
Not long before the young man’s mishap, the indigenous-owned Western James Bay Telecom Network (WJBTN) had built its own fiber-to-the-home network in this remote Cree community, some 975 kilometers north of Toronto. Before the network, the rescue squad relied on a few handheld radios to pass information along. This time, a Facebook message to the full list of volunteers triggered the search.
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An aerial view shows the remote community of Fort Albany in northern Ontario.Gavin John
Building Canada’s first fully Indigenous-owned-and-operated fiber-optic network was an uphill battle for Brian Nakogee, WJBTN’s finance officer, who had to secure capital from agencies less familiar with the challenges of remote northern life. For the people of Fort Albany First Nation, accessing many vital supplies and services means traveling about 500 km to the regional city of Timmins. By land, the trip is possible for only a few weeks each winter, when the swampy tundra freezes hard enough to construct a temporary road. “The southern way of doing things is very different than how we here in remote areas piece things together,” says Nakogee.
Telecommunications giants long saw little profit in serving the subarctic coast of James Bay. But even as satellite internet started to become available in remote communities, WJBTN staff saw the value in building and owning its own hard-wired internet service instead of relying on outside companies. Today, the nonprofit operates one of the fastest networks in Canada, while keeping both infrastructure ownership and revenue within the First Nations communities it serves.
WJBTN is part of a broader movement among Indigenous and remote communities seeking more control over their telecommunications infrastructure. In the United States, 30 tribes now operate fiber-to-the-home networks, many launched during COVID. Canada has since created a dedicated Indigenous broadband funding stream. And as more communities pursue the expertise and funding to build their own networks, WJBTN’s experience offers a blueprint for what locally owned connectivity can look like in some of the hardest places to serve.
How a Power Line Became a Broadband Backbone
While many towns in North America were connecting to optical fiber in the early 2000s, the subarctic communities were left out.
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The residents of Fort Albany saw the earliest sign of improvement in 2008. That’s when their locally owned power company, Five Nations Energy Inc. (FNEI), strung fiber-optic cable on the utility poles that were delivering electricity from the dusty railway town of Moosonee, 135 km away across the peat bogs. On the shore of the Moose River, Moosonee is the last stop for Ontario’s telecommunications providers. Its only link to the province’s highways is a 5-hour train ride that shuttles passengers, freight, and vehicles through the Boreal forest.
Elizabeth Kataquapit [top], former chief of Fort Albany First Nation, says high-speed internet has transformed her community. Search & Rescue volunteers now coordinate emergency responses through a Facebook group [bottom]. Gavin John
Soon after, regional Cree leaders formed WJBTN to provide high-speed telecommunications in Moosonee and the three Indigenous communities to the north. WJBTN would lease the fiber-optic backbone from the power company, with just 1 gigabit per second of total capacity for the entire population of about 6,000 people.
But the new fiber backbone did not mean fast internet for residents. One of WJBTN’s first commercial clients was a telecom company called Xittel, which used microwave links and local access points to beam wireless internet to homes across each town. It wasn’t what subscribers were hoping for. This system frustrated users with delays, glitches, and strict data caps. Kataquapit calls it a “turtle.”
Everybody complained about the wireless. Xittel advertised a 10 megabit-per-second connection, but speed tests consistently showed 3 Mb/s for both uploads and downloads. And customers paid dearly if they ever exceeded their data limit. “You were billed close to CA $7 per megabit,” Nakogee recalls.
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WJBTN’s dream had always been to connect everyone’s home to fiber optic and make it affordable. Without a technical team, roads, or any major funding, the company just had to figure out how.
Designing a Fiber Network for the James Bay Coast
When Nakogee joined WJBTN in 2014, the telecom company was still in its infancy. It was “a department huddled in the corner, trying to latch onto the services of FNEI,” he says.
Nakogee was asked to prepare a proposal to deliver 40 Mb/s fiber connections to each of the roughly 1,000 homes and businesses spread across 300 km of the James Bay coast. Back then, WJBTN operated on revenue from its early commercial and institutional customers—including Xittel, local government offices, hospitals, air navigation facilities, and family service centers that were connected to the first few strands of fiber. To make a residential fiber network possible, WJBTN first had to build both revenue and trust within the communities it hoped to serve; it had to convince people that the small new organization would follow through on its plan.
WJBTN finance officer Brian Nakogee played a key role in financing and planning the community-owned fiber network. Gavin John
Nakogee especially needed support from Moosonee and Attawapiskat, the communities at the start and the end of the line. “They’re the bread that holds this sandwich together,” he says. Through years of diplomacy, the budget grew enough to support a business proposal for a fiber-to-the-home network. Together with engineer Dirk MacLeod, in 2015 Nakogee began hashing out the details of a bare-bones version of the system. The plan required both upgrading the network’s long-distance fiber backbone—known in telecom as the backhaul—while also building the local infrastructure that would connect individual homes to the internet.
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Andrew MacLeod, WJBTN’s field project manager, reviews a map of the fiber network.Gavin John
The first step was upgrading the network’s backhaul using newer “coherent optics” technology, which can transmit much larger amounts of data over long distances, explains Dirk’s brother, Andrew MacLeod, another network engineer, who joined as a consultant. Using equipment from telecom supplier Infinera, the new backhaul would deliver 100 Gb/s to distribution points in each town, with redundancy in case a fiber line failed.
Next came the challenge of connecting individual homes. Rather than extend a direct line from the central office for every customer, the engineers designed the network around a telecom architecture called GPON (Gigabit Passive Optical Network), which reduced the fiber needed to connect each customer to the network. Fiber from the backbone would run to networking equipment at each town’s electrical substation, where passive optical splitters would distribute the connection among many households without requiring powered equipment at every junction. In remote communities where maintenance and repair are difficult, reducing the amount of active infrastructure was a necessity.
Fort Albany resident Thomas Scott says high-speed internet has improved his work as a mental health counselor. Gavin John
A radio broadcast in 2018 heralded the good news: The fiber-to-home construction project was a go. Fort Albany mental health counselor Thomas Scott says he “couldn’t wait.” People seeking guidance for addiction or grief typically called him on landlines, and it was hard to help them over the phone without seeing their faces. Businesses, too, rejoiced—including the Kataquapit family store, which relied on the phone system for transactions.
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Testing and Deploying a Remote Fiber Network
Winning approval for the project was one thing; building it across hundreds of kilometers of remote subarctic terrain was another.
Dirk MacLeod started with a schematic documenting the GPS position of every house, pole, and length of cable that would ultimately form the network. When WJBTN hired Montreal-based Fonex Data Systems to upgrade the backhaul, the detailed plan made it easy for contractor Tasso Varvarikos to design the deployment. Still, tuning the optical system to operate reliably across transmission lines stretching hundreds of kilometers required extra care. “Once you go up north, there’s no fiber store,” he says,
To minimize surprises in the field, Varvarikos traveled to telecom supplier Infinera’s laboratory in Stockholm, where he and other engineers assembled and tested the network before shipping it to the installation site. The Stockholm lab gave the team access to testing tools and technical specialists who helped configure the system before deployment in the remote fly-in communities. Using Infinera’s simulation software, Varvarikos says he and his colleagues “kicked the crap out of it in the lab” until the network performed reliably.
The Western James Bay Telecom Network connects remote communities along the western shore of James Bay in northern Ontario.Chris Philpot
Finally, in the spring of 2019, it was time to pack up and head to the sites. First, more than two pallets’ worth of Infinera equipment were squeezed onto two charter aircraft in Timmins. Bush pilots, unfazed by the stringent logistics, made sure that one box reached Moosonee; the other one, Attawapiskat. Varvarikos says they packed extra fiber-optic transceivers, patch cables, tools, and “the kitchen sink and then an extra sink just in case.” By May, the team was ready to install the new backhaul—a months-long process that necessarily preceded household connections. Once the equipment was in place, the engineers tested the network to make sure the systems in each community could communicate reliably and that data moved correctly across the backbone.
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During the switchover to the new system, the MacLeod brothers worked from substations in different communities along the coast while Varvarikos coordinated from Fort Albany. Communicating over a spotty phone line, they started moving connections from the old network to the upgraded backhaul, carefully reconnecting cables and verifying that traffic still flowed correctly between communities. Within days, the anchor customers—including hospitals, schools, and air-navigation systems—were hardwired to a 100-Gb/s backbone.
However, households were still relying on the slow legacy network. WJBTN’s next step was flying huge reels of fiber-optic cable into the remote communities at enormous cost. Nakogee recalls cutting predetermined lengths of cable, then repackaging it onto spools to load onto cargo aircraft. The backbone was finally in place; now WJBTN had to bring fiber to every home.
Training a Local Fiber Crew
Then, in a turn of events that rocked the communities, lead engineer Dirk MacLeod had a heart attack and died in July 2019. “My chest was ripped open,” Nakogee says. The grieving company shut down for the summer.
WJBTN had intended to spend three summers training local crews from each community’s power company to maintain and manage the network. After MacLeod’s death, one line worker quietly took it upon himself to finish extending fiber to distribution points in Fort Albany. The team made a plan to begin connecting homes the following spring.
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Utility poles carry power and fiber-optic lines through Fort Albany First Nation.Gavin John
Then COVID hit. Fearful and with limited medical facilities, the communities closed themselves off. Nobody was allowed in.
“COVID really screwed things up,” says Andrew MacLeod. People were screaming for better internet, he recalls, but they wouldn’t let outsiders in. So instead of training local crews and building each town’s network simultaneously as planned, WJBTN made a tantalizing offer: The first community to allow MacLeod in would have its fiber-to-the-home network completed first. Fort Albany jumped on it.
Peyton Reuben, a recent computer systems graduate in Fort Albany, was seeking a new job when his cousin mentioned that there was a “fiber guy” in town. Reuben’s coursework covered coding and how routers and ISPs communicate—a distant relative to Andrew MacLeod’s hands-on infrastructure work.
WJBTN network coordinator Peyton Reuben looks up at the overhead fiber network in Fort Albany [top]. A splice enclosure joins fiber-optic cables at a distribution point [bottom]. Gavin John
“They were looking for helpers to splice fiber,” says Reuben, something he knew nothing about. Nonetheless, he started work the day he met MacLeod and got a crash course in building an aerial fiber network, running cables from utility poles into neighborhood connection boxes that ultimately served individual homes. The fun part was reaching every pole in every neighborhood in a town crisscrossed by tributaries of the Albany River. “We didn’t have a bucket truck, so we had to climb up the poles,” says Reuben. “It was quite the experience, going through thick brush and thigh-deep water.”
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The hard part was splicing the fiber—fusing together hair-thin glass strands that connected homes to the larger network. Inside each connection box, distribution fibers had to be joined to cables leading to individual houses, one strand at a time—around 150 in each box. Reuben’s first attempt “looked like a plate of spaghetti,” says MacLeod. More splicing waited back at the substation, where optical splitters connected neighborhood lines to the town’s central GPON equipment. “It took me four times as long as Andrew to complete a splice tray back then,” says Reuben.
A worker installs a new fiber-optic line for the Western James Bay Telecom Network.Gavin John
Slowly but surely, every building in Fort Albany saw a strand of fiber drop from overhead and come through a box drilled into the wall, ready to connect to a router. By springtime, aerial cables linked every house—and future building sites—to the substation. Reuben calls it “a spider web that goes everywhere across town.”
Without much fanfare, on a night in April 2022, WJBTN flipped the switch in Fort Albany. The next morning, Kataquapit woke up to a different world. With 250 Mb/s download and 30 Mb/s upload speeds, she found herself just a click away from her children in faraway cities.
Why Not Starlink?
MacLeod and Reuben continued working up the coast, splicing cables and adding connection boxes. As COVID eased, they hired more local help, and the power company lent a hand with bucket trucks. “We were working 12 hours a day, 7 days a week,” says MacLeod. “Guys were sitting in the heat, in bucket trucks, learning on the fly how to do splicing.” By late 2022, the network reached every home.
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Fiber-optic cables and networking equipment inside the Fort Albany substation distribute internet service throughout the community [top, middle]. Large spools of fiber-optic cable were flown in to connect homes [bottom]. Gavin John
Around that time, Starlink’s satellite internet service was becoming widely available. Many of WJBTN’s potential clients asked why they shouldn’t just purchase that instead of a fiber-optic connection that involved drilling into their homes. But speed tests comparing Xittel, Starlink, and the new WJBTN connections showed a major difference in latency: In applications like video calls, Xittel and Starlink’s round-trip signal delays became painfully obvious. Unlike satellite systems, fiber networks don’t need to send signals hundreds of kilometers into orbit and back. That gave WJBTN a significant performance advantage.
MacLeod recalls a conversation with one line worker who wanted to turn to Starlink. “We told him our latency is so much better,” MacLeod says, explaining that ISPs measure performance by both bandwidth and latency. From Attawapiskat, a data packet traveling over WJBTN’s fiber network reached Toronto in 20 milliseconds. Comparable satellite connections took closer to 60 milliseconds. And Xittel’s latency was much worse, at several hundred milliseconds. (Since then, WJBTN has reduced latency further, to about 12 milliseconds.)
The team’s success has bolstered other Indigenous broadband companies. WJBTN representatives have shared their experiences at Indigenous Connectivity Summits since 2017, and how-to workshops have sprung up across Canada (and the United States). And Canada has since created a dedicated broadband funding stream for Indigenous communities. Within Fonex Data Systems, the company hired to do the backbone work, the WJBTN implementation is now considered the model for a successful installation in a remote location.
Nakogee says ownership remains the key advantage. Unlike earlier telecom providers that leased infrastructure or delivered service wirelessly, WJBTN owns the backbone fiber, the right-of-way, and the poles carrying the network. That makes it far harder for outside telecom companies to displace the service. “That’s our secret weapon,” he says.
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Fundamentally, it’s about sovereignty. By controlling the infrastructure that carries internet traffic, the communities can govern and maintain the network according to their own priorities rather than the financial goals of distant providers.
How Fiber Changed Daily Life
Shortly after the fiber network was installed, Elizabeth Kataquapit became chief of Fort Albany First Nation. During her term as chief, she kicked the community’s digital era into full gear, encouraging individuals who couldn’t attend community meetings in person to join over Zoom.
Counselor Scott now conducts grief and addiction sessions both in person and via video calls and can connect immediately in a crisis even if he’s away. And as a search-and-rescue volunteer, he responded to the Facebook message when the young man got lost in a winter snowstorm on James Bay. “If we were a half hour later, the person would have [been] gone,” says Scott.
Broadband has also changed everyday life in quieter ways. Residents run small businesses from their homes. Telehealth links patients to specialists in southern cities. More people are working remotely and taking classes online. “Quality of life is so much better,” Reuben says.
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But the network has also brought to these northern communities the more isolating side of fast internet. Community members stream more movies and play more video games, and they meet face-to-face less frequently. Standing beside an enormous canoe in his front yard, Scott explains that while he’s grateful for Fort Albany’s new connection to the outside world, he’s equally intent on preserving close connections within the community. Today, he says, as he starts loading fishing nets into the canoe, “I’m taking the kids out after school to harvest whitefish.”
This article appears in the August 2026 print issue as “Wiring the North.”
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