Related: Prince Harry and Meghan Markle to Bring Kids to U.K. After Security Battle
Advertisement
Godzilla movies are fun, except for when they’re not. The fun times are when he’s fighting other monsters and destroying buildings and causing explosions. But the bad times are when we’re supposed to focus on the human characters who are always within viewing distance of said destruction…or, that one time when Godzilla was a T. rex (and yes, that is the correct abbreviation) in New York. The biggest drag of any Godzilla movie—or, any Kaiju movie in general—is that the star of the movie is the giant monster on the poster and you can’t make a feature-length movie of monsters fighting or causing mayhem the entire time. That would get excessive and boring after a while, so there has to be a human element that the audience can identify with to give the film a structured narrative to follow.
Unfortunately, no matter how hard the writers or the actors try, that’s always the weakest part of the movie. The first Godzilla film in years to make its human characters genuinely interesting was Godzilla: Minus One, blending a family dynamic with post-war drama in a monster movie, and surprisingly…it worked great. But before that, Toho released 2016’s Shin Godzilla, which made the innovative and seemingly obvious choice of just dropping the human drama aspect altogether and make it about the monster.
Directed by Hideaki Anno and Shinji Higuchi, the film follows a mysterious creature that emerges out of Tokyo Bay and begins to evolve and grow, threatening to destroy Tokyo. It’s then up to the Japanese government to stop it before it can wreak total havoc…and that’s it. That’s literally the entire plot synopsis of a two-hour-long movie described in two sentences.
Brevity is the key term here, because the movie starts with a weird occurrence and a giant monster coming out of said occurrence, and then painstakingly goes into the minutiae of how the government will deal with it. This isn’t the government depicted in a ’90s Michael Bay movie where characters are yelling, everyone’s sweaty with their ties undone, people are haphazardly running from rooms with jumbles of paper, and Stanley Anderson is the President. No, this is people sitting in taupe-colored rooms (which is allegedly very soothing), and dryly going over what information they have on the anomaly and what options they have to resolve the problem.
Does that sound fantastically boring? Because by all accounts, it absolutely should be, but the dry, methodical process demonstrates what would have to be done with a fantasy monster appearing, almost like a natural disaster, actually adds to the tension and hysteria. The characters even acknowledge the amount of bureaucracy that goes into making simple decisions: “So much red tape. Every action requires a meeting.” That’s like the thesis of the entire movie!
Attack helicopters can’t just be brought into a highly populated area to attack the monster, and a military presence can’t just be called to assist. The proper legal channels have to be gone through, and the necessary officials have to sign off on it. This should be so crushingly dull and tedious, but it surprisingly adds to the anxiety of the predicament by cross-cutting with the destruction that Godzilla is causing. Knowing that the longer the process takes, the higher the risk of more people dying in the delay really shows how dire the situation is. The procedural nature of the government scenes also makes Godzilla even scarier, since they don’t try to make him a realistic monster. They make him over-the-top scary by making him as overpowered as possible, and contrasting that with the realistic world that the people inhabit makes the threat feel appropriately overwhelming.
That’s where the lack of a human element makes the film feel so much more streamlined. The story takes an omniscient perspective and consistently cuts to wherever the information is that’s vital to the audience. Godzilla isn’t a hidden monster, and we don’t see everything from the point of view of one person. The movie follows wherever the action is, where world-building is necessary, and where vital information is learned. The story has a protagonist named Haguchi (Hiroki Hasegawa), but he’s very deliberately left underwritten, and is more a focal point, so the audience can keep up with the flood of details and information that’s always flowing in.
His motivation isn’t saving a pregnant wife, or to protect his family—if he even has one, since he never mentions any loved ones, or at least none that come to mind—his entire motivation is the same as everyone else’s: Save Tokyo, and potentially, the world. We don’t need him to have kids that he’s estranged from, that he can hug when they survive, or a love interest to kiss at the very end. The desire not to die and also to prevent the deaths of potentially millions of others (or more) is a clear motivation that anybody can get behind.
From a Hollywood perspective, Shin Godzilla defies what Western audiences would expect in a kaiju movie. There are no themes of family or character arcs—there’s barely a main character—all it is, really, is a large group of people realistically going about their business and doing their jobs in a time of unrest. It just so happens that that time of unrest is because of a giant monster that popped out of the ocean, but it’s the most procedural version of that premise that could be done, and that’s what makes it unique and so compelling.
July 29, 2016
120 minutes
Hideaki Anno, Shinji Higuchi
Hideaki Anno
Kazutoshi Wadakura, Taichi Ueda, Masaya Shibusawa, Yoshihiro Sato
Hiroki Hasegawa
Rando Yaguchi : Deputy Chief Cabinet Secretary
Yutaka Takenouchi
Hideki Akasaka : Special Advisor to the Prime Minister
Meghan Markle is toasting her husband, Prince Harry, on Father’s Day 2026 amid his continued estrangement from his royal family members.
“They’re so lucky to have you. We all are,” Meghan, 44, wrote via Instagram on Sunday, June 21, sharing a photo of Harry, 44, cuddling kids Prince Archie and Princess Lilibet. “Happy Father’s Day to our one and only.”
In the sweet family photo, Harry knelt on the ground as Archie, 7, and Lili, 5, both wrapped their arms around their dad.
The Duke and Duchess of Sussex became parents in 2019, welcoming son Archie. Lili followed two years later in 2021 after the family’s move to the United States.
Harry and Meghan publicly stepped down from their official duties as senior working royals in 2020, instead opting for private lives in the former actress’ native California. The family of four eventually settled in Montecito, where they live with multiple rescue dogs.
“We were looking in this area, and this house kept popping up online in searches,” Meghan told The Cut in 2022 of finding her family’s dream home. “We didn’t have jobs, so we just were not going to come and see this house. It wasn’t possible. It’s like when I was younger and you’re window shopping. It’s like, ‘I don’t want to go and look at all the things that I can’t afford. That doesn’t feel good.’”
Despite their initial hesitations, Harry and Meghan went to tour the house.
“One of the first things my husband saw when we walked around the house was those two palm trees,” the As Ever founder recalled to the outlet at the time. “They’re connected at the bottom. He goes, ‘My love, it’s us.’ And now every day when Archie goes by us, he says, ‘Hi, Momma. Hi, Papa.’ … You walk in and [feel] joy. And exhale. And calm. It’s healing. You feel free.”
As Meghan and Harry made a home in California, they’ve seldom brought Archie and Lili across the pond over security concerns.
“I can’t see a world in which I would bring my wife and children back to the U.K. at this point,” Harry told the BBC in May 2025 after losing an appeal for security. “I love my country, I always have done, despite what some people in that country have done.”
For the first time in four years, Harry and Meghan are reportedly considering traveling with their kids to England in July for the Invictus Games.
James Van Der Beek’s widow, Kimberly Van Der Beek, poignantly marked her family’s first Father’s Day since his tragic death.
“Missing you so much and thinking of how magnificent you were in every single way today,” Kimberly, 44, wrote via Instagram on Sunday, June 21, sharing a carousel of throwback photos of James with their six children. “And somehow, from the other side? You continue to parent. You’re a marvel.”
James died in February after battling stage III colorectal cancer. He was 48.
“Our beloved James David Van Der Beek passed peacefully this morning. He met his final days with courage, faith and grace,” Kimberly wrote in a statement shared via social media at the time. “There is much to share regarding his wishes, love for humanity, and the sacredness of time. Those days will come. For now we ask for peaceful privacy as we grieve our loving husband, father, son, brother and friend.”
In the months since the Dawson’s Creek alum’s death, Kimberly has been candid about navigating her grief.
“Yesterday was three months since we lost @vanderjames. To say I’m heartbroken is a severe understatement. Words just don’t capture what grief is,” she wrote via Instagram last month. “The comforts of shock have worn off. The reality is settling in … and I miss him. We all miss him. Yet, there is a different kind of magic in the air.”
She continued at the time, “I feel him. I know him more deeply. My conscious connection to God has deepened. The veils of the universe have thinned. And I trust that this is the path me and my family have always been intended to walk. The outpouring of support has been tremendous. It’s held our family in the most beautiful of ways.”
As Kimberly and her kids remember James on Father’s Day, several of their loved ones have also paid tribute to the actor’s legacy.
“The best of the best forever. We love you so much James🙏🏼❤️✨,” Nikki Reed wrote via Instagram comment on Sunday. “Wrapping all of your little people in the warmest hugs today, and always. ❤️❤️❤️.”
Dave Annable, for his part, added, “The best father there ever was.”
James’ Dawson’s Creek TV mom, Mary-Margaret Humes, also celebrated the actor this weekend.
“Wishing all of the amazing dads throughout this vast universe a Happy Father’s Day weekend,” Humes, 72, captioned a throwback set photo. “My advice? Give big meaningful hugs and tell them you love them while you still have the chance … a shout out to simpler times with @vanderjames @johnwesleyshippjr.”
Rakai says he officially graduated from high school, but there was one major catch! The popular content creator claims school officials wouldn’t let him walk across the stage during the graduation ceremony because they feared his presence could cause a disruption. While Rakai says he’s still receiving his diploma, social media quickly weighed in on whether the school made the right call.
On Saturday, June 20, Rakai took to X to share the news with his supporters. He wrote, “The school isn’t going to let me walk today. They believe it would create a disturbance and interrupt the graduation ceremony, so they’ve decided not to allow it.” Despite missing the milestone moment, Rakai confirmed he still graduated. “I still graduated, and we will open my diploma on stream when I receive it,” he added.
The situation quickly sparked reactions in The Shade Room Teens comment section, with many users weighing in on whether the school made the right decision.
Instagram user @ameretirek wrote, “They would’ve had me f’ed up ngl”
Another Instagram user @meghanjames wrote, “He deserves to walk like everyone else.”
While Instagram user @x0.midget wrote, “Nawl that’s messed up! The joy of walking the stage after completing 12 yes is top!”
Instagram user @shan_nicolee_ wrote, “My mama would’ve raised hell ‼️‼️😂”
Another Instagram user @slightdripbeezy wrote, “Too much motion 😂😂 he can’t get mad fr everybody knows him and it probably would cause a problem not in a bad way but in a good way 💯 ppl running to the stage and etc”
While Instagram user @theejasss wrote, “Meg was at her peak when she graduated AND walked the stage”
Instagram user @smiley_whats_good615 wrote, “Unpopular opinion: I believe they know Rakai isn’t just gonna get his a** up there & walk… he doesn’t know how to turn this character off & on its a time & place for everything I definitely see both sides”
Another Instagram user @ja.ziiyaaa__ wrote, “He hasn’t been to school in 2 years how’s is he graduating??”
While Instagram user @jaudonnn.l wrote, “Y’all he is lien 😂😂😂😂 LMFAOOOO it’s been plenty of ppl with a name able to walk, it’s reasons…”
Meanwhile, content creator RayAsianBoy had a few questions after learning that Rakai had graduated. In a clip circulating online, Ray congratulated Rakai on earning his diploma before questioning how he was able to complete high school. Ray claimed Rakai didn’t regularly attend school over the past two years and had never seen him complete any online homework assignments. Ray later turned his comments toward the U.S. education system, questioning how students meet graduation requirements. “That’s the reason everyone so dumb over here,” Ray said before adding that if Rakai could graduate, then “anybody can graduate.”
What Do You Think Roomies?
It’s a man’s world, and that’s just the way Damien Sachs (Sacha Baron Cohen) likes it. He’s a powerful CEO who doesn’t consider women his equals, and his power and position in life give his bad behavior a pass. But when he suffers a head injury that renders him unconscious, he wakes up to find himself in a world ruled by women. Even worse, his new boss is the employee, Alex (Rosamund Pike), whom he treated terribly in the real world. To survive in this sci-fi matriarchy, Damien will have to change his chauvinistic ways and do something he’s never done before — treat women with respect and sensitivity.
If you like rom-coms with a sci-fi twist, Ladies First is for you. The comedic possibilities of Damien navigating his feminine-powered world are endless, and Baron Cohen has fun showcasing Damien’s horror at being considered “the weaker sex.” Pike’s Alex is the right woman to cut Damien down to size and show him the error of his ways. The battle of the sexes has always been a good source for comedies, and Ladies First is another entertaining entry in a subgenre that includes the 2000 Mel Gibson hit, What Women Want and its quasi-remake, What Men Want, starring Taraji P. Henson.
Ladies First will stream on May 22.
Us Weekly has affiliate partnerships. We receive compensation when you click on a link and make a purchase. Learn more!
If you love expensive boutique style, welcome to the club. Instead of actually browsing at high-end boutiques, we found a way to satisfy our pricey taste on a budget — and there’s zero shopper’s guilt involved. Amazon’s bestsellers list is overflowing with dreamy dresses that could easily pass for luxe-looking finds. The only difference? They start at just $10!
Everything about these summer dresses is chic, including the billowy fabrics, delicate prints, unique textures and fluttery details. Below, you’ll find the 17 luxe-looking dresses shoppers can’t stop buying, from casually breezy numbers to elevated options that work for wedding rehearsal dinners, garden parties and beyond.
1. Out Favorite: Throw on this stretchy midi with sandals for brunch, then add a denim jacket for evening drinks. It’s a one-and-done piece that earns its space in your closet.
2. Mediterranean Twist: The Mediterranean-style print on this breezy dress reads mega expensive, even though it rings up to only $18. Think Amalfi Coast tile work, not generic floral.
3. Real Deal: A contrast neckline, cap sleeves and pastel colors put this striped midi in boutique territory. Nobody will know the difference!
4. Cottage-Core: This cottagecore dress leans into the romantic, slightly nostalgic look that’s equally trendy and timeless.
5. Apple of Our Eyelet: Slip into this eyelet-lace maxi dress for a rehearsal dinner with nude heels. It reads polished without even trying.
6. Cute and Crisp: When jeans feel too casual but a dress feels too much, this laid-back shirtdress lands in the sweet spot.
7. Zimmermann Vibes: If you’ve eyed designer, but walked away because of the price tag, keep reading. This colorful maxi dress has a chic, elevated look that scratches that itch without the credit card guilt.
8. Simple Stunner: The texture on this this solid-color mini is anything but basic. It’s a design trick that elevates a simple silhouette into something boutique-worthy.
9. Preppy Pick: If preppy style feels too predictable, this printed dress shakes things up while keeping the polished collar moment intact.
10. Boho Babe: Yes, the bohemian look can totally be office-friendly! This chiffon midi channels the style without the fringe and bells.
11. Wardrobe MVP: Meet the dress equivalent of a great pair of jeans. This wardrobe staple handles school pickups, lunches and last-minute dinner dates.
12. Mega Flattering: A babydoll cut makes this maxi dress the most flattering pick on the list. The defined top and floaty skirt combo is *chef’s kiss.*
13. Charleston Chic: This Southern-inspired dress has that genteel Charleston-porch energy. The silhouette feels rooted in classic style, not a trend cycle.
14. Picnic Party: The gingham print, ruffle detailing and flouncy shape make this picnic dress feel like ‘summer’ in fabric form. The volume in the skirt is pretty but not overwhelming.
15. Beach Day: For $10, this beach cover-up is the easiest addition to your suitcase. Toss it over a swimsuit and walk straight from the sand to the beach bar.
16. Coast Somewhere: Plain blue dresses are easy to find, but this spaghetti-strap maxi features rickrack trim for an expensive feel.
17. Seriously Polished: If sleeveless dresses feel exposing and long sleeves feel hot, this elbow-sleeve number splits the difference. The front buttons add to the sophisticated appeal.
It’s one thing for an actor’s career to be derailed by random circumstances of life, but it’s a whole other deal altogether for them to derail their own career. Over the course of the years—particularly ever since the invention of the Internet and its complete revolution of star culture—, there have been many actors from all over the world who have made poor choices and caused their own careers to careen off a cliff.
Of course, this doesn’t necessarily imply that they haven’t done any work ever since their career was ruined, nor does it even imply that they haven’t been able to deliver some phenomenal performances since then. It does, however, imply that their own bad decisions caused them to fade into the background when they had everything it took to become even bigger stars. This does not include actors whose careers were ruined by sexual misconduct or predatory behavior, since that’s a whole other can of worms.
Spanish actress Karla Sofía Gascón made a name for herself in North America, working in Mexican cult classics like The Noble Family and the narcoseries El Señor de los Cielos. It wouldn’t be until she starred as the titular character in Jacques Audiard‘s Emilia Pérez, however, that she would become an internationally-known star. She won the Cannes Film Festival Award for Best Actress (alongside Selena Gomez, Adriana Paz, and Zoe Saldaña) and became the first-ever openly transgender actress to be nominated for the Academy Award for Best Actress.
There were issues, however, not least of which was the fact that Emilia Pérez is now widely recognized as one of the worst movie musicals of all time. Aside from Gascón handling the controversies surrounding how Emilia Pérez portrays Mexico rather poorly, the crux of the matter came when a series of inflammatory, xenophobic, and Islamophobic comments from her X account resurfaced just weeks before the Oscars. As a result, Gascón’s post-Oscars career has been borderline nonexistent.
Mickey Rourke made his film debut all the way back in 1979, but it would be 1981’s Body Heat that would serve as his breakthrough role. From there, it seemed like there was nowhere to go but up. From Rumble Fish to Barfly, Rourke made a name for himself as one of Hollywood’s most stellar leading men. But as immensely talented as he was, he was also notoriously difficult to work with, which began to isolate him. In 1991, after some critical and commercial failures, he left the big screen to pursue a professional boxing career instead.
This was the self-inflicted spark that blew up Rourke’s career, distancing him from Hollywood for years and altering his physical appearance in a way that made him harder to cast once he returned to the movies. Adding substance abuse and regularly volatile behavior to the mix, Rourke’s attempted comeback with films like The Wrestler (which earned him an Oscar nomination) and Iron Man 2, where he played one of the MCU’s worst villains, led pretty much nowhere.
In the early 2000s, Lindsay Lohan was the young star of the moment. After her breakthrough role in Disney’s The Parent Trap in 1998, her role in films like Freaky Friday and Confessions of a Teenage Drama Queen proved her box office appeal and strong dramatic and comedic chops. However, a cycle of legal issues, substance abuse struggles that made her uninsurable, and chronic lateness on-set essentially ostracized her from Hollywood.
Lohan made some attempts at a comeback with films like I Know Who Killed Me, but they never really seemed to work. Recently, however, big releases like Freakier Friday and a series of Netflix rom-coms have allowed Lohan to make an actual, proper comeback, however subtle and small. Though it’s doubtful that she will ever be back on the A-list trajectory that she used to be on, she’s at least an example of a former child star who fell behind but actually managed to get back on track.
Actor, martial artist, author, and film producer, Wesley Snipes is the sort of hyper-charismatic multi-hyphenate that Hollywood only comes across every so often. Though he has appeared in movies belonging to several different genres over the course of his career, Snipes is best-known for action films like Demolition Man and the Blade trilogy (the original being one of the most genre-defining superhero movies ever).
Notoriously difficult behavior on set, however, made Snipes difficult and expensive to work with. But what really derailed his career was being convicted on willful failure to file tax returns, which led him to serve 28 months in federal prison. Removing him from the industry at a time when he needed momentum and tainting his reputation beyond repair, this string of incidents has made it so that Snipes has never been able to regain the leading-man dominance that he used to hold.
Actress and model Katherine Heigl starred in the legendary ABC medical drama Grey’s Anatomy from 2005 to 2010, bringing her tremendous recognition and countless accolades. By then, however, she had already been an actress for over a decade, starring in several films and the cult classic series Roswell after her career as a child model. Furthermore, her role in successful rom-coms of the caliber of Knocked Up and 27 Dresses set her up as a potential future queen of the genre. Alas, ’twas not to be.
Heigl started publicly criticizing projects she was a part of and being labeled “difficult” by the industry, causing offers to gradually slow down to a halt. This endless burning of bridges irreparably derailed Heigl’s career right when she was about to reach its peak. Though she has taken relatively smaller roles in shows like Suits since then, it has never really been the same.
Chevy Chase became the breakout star member of Saturday Night Live back during the show’s first season in 1975, quickly establishing himself as a comedically brilliant leading man who starred in some of the most successful comedy films of the 1980s. From Caddyshack to the three National Lampoon’s Vacation films, Chase seemed to be on top of the comedy world.
Chase earned a reputation as a notoriously difficult person to work with, fighting with cast and crew members.
However, from the very eary days of his career, Chase earned a reputation as a notoriously difficult person to work with, fighting with cast and crew members and constantly displaying an arrogant, hostile attitude. Enter a string of flops during the ’90s, and Chase’s career seemed to be over. Though Community, one of the best sitcoms of all time, was meant to be a major career comeback for the comedian, he squandered it by clashing with creator Dan Harmon, exiting the series after its fourth season. It’s been nothing but downhill from there.
Charlie Sheen followed in the footsteps of his father, the legendary Martin Sheen, in becoming an actor. From Platoon to Wall Street, he soon became just as much of a movie star as his dad. By the time he became the star of Two and a Half Men, he was already one of the highest-paid stars on television—and for good reason.
However, in 2011, following public substance-abuse problems, notorious marital difficulties, erratic interviews, and public feuds with creator Chuck Lorre, he was fired from the show. This signaled to the industry that this was no longer a star to be trusted, and as a result, Sheen never regained his stature. Though he remains a highly recognizable figure, his brand was damaged beyond any semblance of repair.
There is no case of an actor causing their own career to crash and burn more notorious or infamous than Steven Seagal. Beginning as a martial arts instructor in Japan, Seagal became the first non-Japanese and American to operate an aikido dojo. After that, he moved to LA to continue teaching aikido and—of course—become a major movie star. Through films like Above the Law and especially Under Siege, Seagal became a bona fide action star.
However, Seagal ruined his own career through on-set unprofessionalism, controversial personal behavior, controversial politics, and—perhaps most importantly—making some of the worst films imaginable. With his transition to making low-effort direct-to-video slop, Seagal effectively sealed his own fate. His public persona became widely controversial and the industry turned to other stars, leaving him as a bit of a laughingstock in the modern day.
October 9, 1992
103 Minutes
Andrew Davis
J. F. Lawton
Los Angeles Dodgers pitcher Shohei Ohtani returned from paternity leave in time to score an impressive home run during the Saturday, June 20, baseball game.
Ohtani, 31, played in the Dodgers’ Saturday game against the Baltimore Orioles, in which he rounded the bases in the ninth inning. The home run was Ohtani’s 16th homer of the 2026 MLB season, which the Dodgers social media team attributed to his “dad strength.”
“SHOHEI SAYS NO SHUTOUT TONIGHT! 💥⚾ Shohei Ohtani launched his 16th home run of the season in the 9th inning to get the Dodgers on the board!” the Dodgers Nations X account wrote at the time. “That’s that extra dad strength on full display 💪👶.”
The post continued, “The Dodgers may be down late, but Shohei made sure they weren’t leaving the park empty-handed. LFG!!!”
While the Dodgers ultimately lost the game 2-3, Ohtani went home to wife Mamiko Taneka and their two kids. The married couple confirmed hours before the game that they recently welcomed baby No. 2.
“We are again overjoyed to experience this wonderful day in our lives together,” Ohtani and Taneka, 29, wrote in a joint Instagram statement. “Thank you for being born safely. We would also like to express our heartfelt gratitude to everyone who has supported us throughout the journey.”
Ohtani and Taneka, who did not reveal the sex or name of the newborn, previously welcomed a daughter last year.
“I am so grateful to my loving wife who gave birth to our healthy beautiful daughter,” Ohtani wrote via Instagram in April 2025. “To my daughter, thank you for making us very nervous yet super anxious parents. I would also like to thank the Dodgers organization, my teammates, and the fans for their constant support and kind words of encouragement.”
He concluded at the time, “I would also like to express my sincere gratitude to all the medical professionals and everyone who dedicated their support to us, up until this wonderful day.”
Ohtani, who never publicly revealed his little girl’s moniker, has long kept his home life private.
“To all my friends and fans throughout, I have an announcement to make. Not only have I begun a new chapter in my career with the Dodgers but I also have began a new life with someone from my Native country of Japan who is very special to me,” the baseball star wrote via Instagram in February 2024, confirming his marriage to Taneka after signing with the Dodgers. “I wanted everyone to know I am now married. I am excited for what is to come and thank you for your support.”
Ohtani added at the time, “We are still young and [there are] many things we don’t know yet, but we hope you will warmly watch over us. We hope that the two of us (and one dog) will work together to support each other and move forward alongside with our fans.”
Jason Bateman may be one of Hollywood’s most successful actors today, but the road to stardom came with a level of pressure most children never experience. During a recent appearance at the Tribeca Festival, the “Ozark” star opened up about growing up as the family’s breadwinner, revealing that keeping his acting jobs wasn’t just about pursuing a dream, it helped keep money coming into the household.

Looking back on those years, Bateman described money as “an interesting subject” and admitted he had a “complicated relationship with it growing up.”
Unlike many children, Bateman said the money he earned from acting carried significant weight at home. The actor explained that both of his parents served as his managers, making his television work a crucial source of income for the family.
“Both my parents were my manager and so…what I made was very helpful to our bottom line each month, and so there was a great deal of pressure to kind of, you know, like don’t get fired,” Bateman recalled, per PEOPLE.
The actor first rose to prominence as a child star on “Little House on the Prairie” before later becoming a household name through projects including “Arrested Development,” “Horrible Bosses,” and “Ozark.”

Bateman also recalled the stress of balancing a successful acting career with the academic requirements necessary to keep working.
At the time, maintaining his work permit depended on keeping his grades up, creating a cycle of pressure that followed him throughout much of his childhood. “If you don’t…keep a C average in school, you don’t get your work permit, and you’re fired,” he said.
Bateman explained that the process repeated every six months while television seasons often stretched across most of the year, leaving little room for mistakes.

Despite the challenges, Bateman believes the experience gave him a unique perspective on financial security. While he acknowledged the situation could be “rough” and “anxiety-inducing,” he said learning how to earn money at a young age gave him confidence that he could always rebuild if necessary.
“I have got some friends that are incredibly wealthy because their parents were incredibly wealthy and they inherited a bunch of money, and they’re the tightest people I know because they never… they didn’t make that money, and so they feel every dollar out they’re not going to be able to get back,” Bateman explained.
Because he learned to generate his own income early in life, Bateman said he developed what he considers a healthier relationship with money.

After decades in the entertainment industry, Bateman says he’s now in a position where financial concerns no longer drive his career decisions. Instead, the Emmy-winning actor is focused on pursuing projects that genuinely excite him creatively.
“I feel enormously fortunate that things have worked out for me,” Bateman said. “I don’t have to take jobs that aren’t creatively exciting for me.”

While Bateman now enjoys the freedom to pursue projects purely for creative reasons, there was a time when his personal life required a major course correction. Earlier this year, the actor reflected on the lifestyle he led during the height of his fame, admitting that years of partying had begun creating friction at home with wife Amanda Anka.
As their relationship grew more serious, Bateman realized he could no longer continue living with one foot in sobriety and the other in old habits. “Amanda and I definitely had a few negotiations about the point at which the [partying] spigot was going to completely turn off,” he recalled.
Although he repeatedly convinced himself he would quit eventually, Bateman acknowledged that “eventually” kept getting pushed further down the road. That changed when he recognized the uncertainty was becoming unfair to both himself and his family. Rather than continuing to make promises about the future, he chose to make a permanent change in the present.
The decision ultimately ended years of alcohol and cocaine use and helped lay the foundation for the stable family life and successful career he enjoys today.
If The Shape of Water counted, it would be quite comfortably the best of the movies featuring the Gill-man, AKA the titular creature from Creature from the Black Lagoon. But that Guillermo del Toro-directed Best Picture winner instead featured a similar creature, and was certainly influenced by the official Creature from the Black Lagoon movies, but wasn’t related to the series specifically. It’s actually a bit of an odd horror series to talk about, owing to the relatively few official films. They were all made in the 1950s, though the Gill-man endures as a pop-cultural icon, and any movies that feature amphibious half-man/half-fish creatures will probably be indebted to the original film in one way or another. But it’s not like The Mummy, Frankenstein, Dracula, or even The Invisible Man, where those series have continued to exist – and be rebooted – long after the decade during which their first respective movies came out.
All those characters are part of the overall Universal Monsters franchise, and so is the Gill-man, but he’s just not had the same kind of longevity in an official capacity, compared to most of the other Universal Monsters. Still, three movies is something, and technically just enough to rank, so that’s what the following ranking is going to focus on: those three official Creature from the Black Lagoon films. These were technically the last movies of the Universal Monsters classic era (well, among the final four, since you probably also have to count Abbott and Costello Meet the Mummy), and maybe some of the more overlooked ones, too. At least one of these is a semi-classic, and you can honestly probably do without the other two, unless you’re a particularly big fan of old-school sci-fi/horror movies. There’s also a very obvious way to rank all of these, so excuse the kind of boring order here, but that’s just the way things sometimes are.
There isn’t anything here. This is a big old nothing of a movie, and a pretty sad note for that whole classic era of Universal Monsters to end on. The Creature Walks Among Us is a step-down in quality from the second Creature from the Black Lagoon movie, which itself was a step-down in quality from the first Creature from the Black Lagoon movie. Diminishing returns all the way through, and a case of the series just not working anymore, so they stopped making them. It’s not a cohesive or meaningful trilogy, and instead was just a trio of movies because they were seen as worth making, one after another, for three years/installments. Maybe that’s the way it works most of the time, but it just feels extra disappointing here, since there’s a clear downturn in quality at each step along the way. Further, the absolute shrug that The Creature Walks Among Us was seemed to spell the end for all these Universal Monster movies, and not just the ones with the Gill-man, so that’s an extra shame, really.
You can feel a sense of fatigue here, behind the camera and behind the scenes. The tiredness of the film itself rubs off on you, and watching it becomes tiring.
As for the movie itself, if you need a little more by way of commentary than just “it’s not good,” and if you need a synopsis or something, you’ll begrudgingly get both right about now. Funk soul brother, check it out now, this movie is about scientists trying to make the Gill-man have the ability to breathe the air and walk on land. So, that takes away his amphibious quality, which is kind of the thing that makes this particular monster interesting, and the movie never really takes off because that whole premise is just a bit broken. The Gill-man sort of fights and tries to return to the water, and he does walk among the people on land for a bit, but not as much as you might expect. There is a little schlock, and at least the film clocks in at under 80 minutes, just as the other two Creature from the Black Lagoon movies do, but it’s not enough. You can feel a sense of fatigue here, behind the camera and behind the scenes. The tiredness of the film itself rubs off on you, and watching it becomes tiring. If you get through the first two movies in this trilogy of sorts, do not feel obligated to finish it, since there isn’t much fun (nor anything very thrilling) here, in The Creature Walks Among Us.
Revenge has fueled a great many movies before, of various genres, but what about a monster movie? Eh, if so, then not really with Revenge of the Creature. He came back to life in The Creature Walks Among Us, and he also seemed to die at the end of the first movie, but this is just how it goes, with horror movies that become franchises. No one’s ever really gone. The Gill-man is not really gone. He didn’t entirely die in the first movie, but he doesn’t really get to enact revenge on anyone in particular from that same original movie. It’s more of a broad “revenge” against humanity generally speaking, if anything the Gill-man does even counts as revenge. More accurately, the movie just has him come up against another group of human beings, and they capture him and take him to an oceanarium, which he later manages to escape from.
There’s also a young woman the Gill-man gets infatuated with, a little like in the first movie, and then things end up where you’d expect them to… only really one way a movie like this can end, and then that ending is pretty much ignored if there’s the chance of making a sequel. Beyond saying, “Well, it’s not as bad as the third movie,” and mentioning that some of the rampaging by the Gill-man in the film’s back half is a little fun (and more enjoyable than when he “walked among us” in 1956), the only other thing of note here is that Revenge of the Creature features Clint Eastwood’s earliest acting role, which is kind of funny to see. He’s barely in the movie, so don’t just watch it for him or anything, but he shows up for about a minute and has a couple of lines as a lab technician. It was an uncredited appearance, but it’s definitely Eastwood, pre-Rawhide, pre-Man with No Name, and pre-anything he directed, of course.
The original and the best, even if it’s not quite a perfect movie, Creature from the Black Lagoon is comfortably the most essential of the official films featuring the Gill-man. It’s been weird to go through these backwards, but that’s necessary when going from worst to best through a trilogy that gradually got worse with each entry. Oh well. Anyway, with Creature from the Black Lagoon (1954), it’s about an expedition through the Amazon River undertaken by some scientists, with one of the scientists also bringing along his fiancée, who’s the inevitable young woman for the creature to fall for, King Kong-style. Or The Mummy-style. This happens quite a bit, in monster movies. The scientists there want to capture the Gill-man for their own purposes, but they’re not fully prepared for what he can do, nor what he wants (that fiancée for himself, basically).
This was released in a pretty big year for monster movies, just because the original Godzilla also came out in 1954. Godzilla didn’t bring about an end to the Universal Monster series or anything, but if you want to look at things broadly, maybe it represented a necessary evolution for monster movies, or suggested a shift in interest regarding what people wanted out of movies featuring monsters. It was a different kind of monster movie, and a very different kind of monster, too, and that original film understandably overshadows the original Creature from the Black Lagoon, and not necessarily because Godzilla could probably step on Gill-man without even flinching. As far as B-movies (or movies with a B-grade feel) go, Creature from the Black Lagoon is pretty solid stuff, overall. It might not stick with you the way some of the truly great Universal Monster movies from previous decades had (see Bride of Frankenstein, Dracula, and the first The Invisible Man in particular), but this is still a worthy film within that whole era of Universal Monster movies. It’s a shame this is as good as Gill-man-related movies have gotten, but never say never… the creature may walk among us – or our cinemas – once more, in time…
Keith Urban couldn’t let his ex-wife Nicole Kidman’s 59th birthday pass without fanfare.
“Happy birthday, Nicole Mary!!!!!!!!!!!!” Urban, 58, wrote via his Instagram Stories on Saturday, June 20, set on a purple-and-teal background.
While Kidman did not publicly acknowledge Urban’s sentiment, she spent her big day embracing nature.
“Another trip around the sun ☀️💛,” the actress captioned a selfie from a nature hike. “Thank you for all the birthday love xx. #SummerSolsticeBaby.”
Kidman and Urban were married for two decades before Us Weekly confirmed in September 2025 that the pair separated.
“I’m hanging in there,” Kidman succinctly told Interview in October 2025.
The duo, who share daughters Sunday and Faith, finalized their divorce earlier this year in January.

“I’m always going to be moving toward what’s good. What I’m grateful for is my family and keeping them as is and moving forward,” Kidman told Variety in March. “That’s that. Everything else I don’t discuss out of respect. I’m staying in a place of, ‘We are a family,’ and that’s what we’ll continue to be. My beautiful girls, my darlings, who are suddenly women.”
At the time, Kidman further stressed that she had no intentions to leave Nashville, where she initially settled with Urban, post-divorce.
“We have our life here,” the Practical Magic star, who also shares two older children with ex-husband Tom Cruise, told the outlet. “I’m part of the city and community for 20 years. It’s my home. … We go away. I’m very close to my sister in Sydney, and all my nieces and nephews. My sister and I are a bit like the aunts in Practical Magic.”
As for Urban, he has similarly moved on from the breakup.
“Keith has moved on and has been open with Nicole about where he stands,” a source exclusively told Us in October 2025, adding the divorce was “long time coming” for the twosome. “The two had grown apart quietly over time, and by the end, the decision to separate was more about acceptance than surprise.”
Since then, Urban predictably found solace in music.
“Keith Urban is my guy,” fellow country singer Russell Dickerson told Page Six at the iHeartRadio Music Awards in March, noting that Urban is “doing great” and “seemed in good spirits” after getting divorced. “He’s always been focused on music, and so I think he’s just kind of doubling down on that, and it’s just beautiful. I can’t wait to hear what comes out of it.”
Zimbabwe Requires Crypto Businesses to Register Annually Under New FIU Regulations
Weekend Open Thread: Miami – Corporette.com
Crude Oil Plunges Over 4% as US-Iran Agreement Reopens Hormuz Strait
Wall Street Week Ahead: Investors see Micron earnings as pulse check of AI rally momentum
HIVE shares jump as $220M AI deal speeds Bitcoin mining pivot
Over 400 Arch Linux packages compromised to push rootkit, infostealer
The Adder At The Heart Of Intel’s 8087 FPU
Microsoft Updates Six Windows’ Apps. ‘Photos’ Gets Watermarks for Copilot Images (Off by Default)
FIFA World Cup 2026: Canada beat 9-men Qatar 6-0 to register first ever win | FIFA World Cup 2026
Soccer-U.S. defends Iran World Cup travel restrictions, says discussions ongoing
Etzioni on AI: Backlash against AI-generated text mirrors the anti-GMO movement
Today’s NYT Connections Hints, Answers for June 15 #1100
Chinese AI models are learning to detect safety tests and adjust their behaviour accordingly
Jake Chervinsky accuses CME of protecting derivatives monopoly
Weeks Of In-The-Field Testing And A Verdict
Brexit cost 6% of UK economy, Bank of England company data suggests
Anthropic’s Dario Amodei Urged AI Unity at G7, Even as US Banned His Models
Adobe adds its AI assistant to Premiere, Illustrator and InDesign
Renter of Home in Anne Heche Crash Denies Settlement With Son
Ethereum Users Can Now Add Quantum-Resistant Account Protection for Just $0.07, Researchers Say
You must be logged in to post a comment Login