Edit a lot of idiotic and stolen together into two hours of film, and you end up with a big, silly summer blockbuster in which legless men can be heroes, and the elderly can be useful.

By Joshua Tyler
| Updated 2 years ago

In theory, director Peter Berg’s Battleship is supposed to be based on the popular guessing game of the same name. In reality, there’s almost no connection between Battleship the movie and its Milton Bradley namesake at all, outside of a single thrilling ten-minute sequence involving buoys, missiles, and a big board. The rest of the movie is a puzzle made up of pieces cribbed from some of history’s most infamously ridiculous summer blockbusters.

Sometimes you want big, silly, and stupid on a random Friday night when you’re not going out.

Battleship is an alien invasion movie, I guess, but it’s also one of many Hollywood movies that only really uses aliens because killing them won’t offend anyone. Like any alien species imagined under such creatively corrupted circumstances, these extraterrestrials aren’t very good at their job.

They land in the middle of a naval exercise, which might not be tactically ridiculous if their ships had some sort of technological superiority that would enable them to crush their human opponents without a thought, but they don’t. Their ships can’t even fly.

Edit a lot of idiotic and stolen together into two hours of film, and you end up with a big, silly summer blockbuster in which legless men can be heroes, and the elderly can be useful.

Instead, they sort of flop about in the water and shoot at the Navy with weapons that, while weirder, aren’t all that much more effective than those used on the deck of a World War II-era battleship. Actually, they’re exactly that effective, as the movie later goes on to demonstrate.

Eventually, we find out they’ve arrived as some sort of pre-invasion force, we learn this via an out-of-place scene stolen from every alien invasion movie you’ve ever seen in which an ET mind-melds with one of the crew. So they’re here to wipe out humanity and take the planet for themselves, thus it makes sense when they set about blowing up our ships and attacking the Hawaii mainland. What doesn’t make sense is the alien attackers’ hesitance to shoot at anything that isn’t already shooting at them (later abandoned) or their refusal to kill little kids playing baseball (though they’re happy to murder the ones who use our highway system).

Taylor Kitsch is heroic, Rihanna steals scenes running around shooting guns, and Brooklyn Decker’s moves are so hypnotic it doesn’t matter what sort of dreck comes out of her mouth as dialogue.

So the aliens are ineffectual, ill-equipped, and their tactics don’t make a lot of sense. This leaves the film’s human component to carry the day and, well, they sort of do.

Taylor Kitsch is heroic, Rihanna steals scenes running around shooting guns, and Brooklyn Decker’s moves are so hypnotic it doesn’t matter what sort of dreck comes out of her mouth as dialogue. You won’t even mind that half the script seems like it was written as a PSA for the families of wounded soldiers.

Does it matter if you’re being manipulated if you know you’re being manipulated all along? I say it doesn’t.

Every moment of Battleship is either idiotic or stolen. Edit a lot of idiotic and stolen together into two hours of film, and you end up with a big, silly summer blockbuster in which legless men can be heroes, and the elderly can be useful.

Sometimes you want big, silly, and stupid on a random Friday night when you’re not going out. It’s unlikely anyone will make anything sillier or stupider than Battleship any time soon. Go ahead and watch it; just don’t tell anyone.

Battleship is now widely available on most streaming platforms, including Amazon Prime Video, YouTube, Apple TV+, and Google Play.

The highly anticipated debut of Tailgate Beach Club at Mandalay Bay in Las Vegas kicked off in unforgettable fashion, drawing in a star-studded crowd for a high-energy event. 

Headlined by Snoop Dogg, the event blended dayclub vibes with full-on Vegas spectacle, as celebrities, athletes, and influencers walked the red carpet and fans packed the venue. 

It was a hot day in Sin City, perfect for some pool fun and Tailgate Beach Club was packed with people enjoying the sun, water, drinks, and entertainment. The Blast was on hand for the red carpet arrivals and Snoop’s performance. 

In Vegas, everything is a party!

Tailgate Beach Club at Mandalay Bay welcomed guests on Saturday for the grand opening celebration in a big way – with red carpet arrivals and a performance by the one and only Snoop Dogg. 

Some of the celebs to walk across the carpet before entering the dayclub include professional skateboarder Tony Hawk, multiple San Francisco 49ers players, social media personality Jena Frumes, some of the cast of “Love Island” and “Love is Blind,” and many others. 

Snoop Dogg Performed For An Energetic Crowd Under The Vegas Sun

It’s summer in Vegas so of course, the temps are high and the sun is beating down, but that didn’t stop thousands from going to Tailgate Beach Club for a fun day poolside on Saturday. 

A few hours after the party started, Snoop showed up to perform some of his hit songs for the excited crowd who sang and danced along. 

Ahead of the grand opening celebration, The Blast received a press release that shared Snoop’s thoughts on performing at the new dayclub.

“Vegas knows how to throw a party, and Tailgate Beach Club sounds like it’s bringing a whole new vibe to the Strip,” Snoop said. “I’m excited to come out, rock with the crowd, and help get things started.”

And he did just that!

Tailgate Beach Club Has A Sports Theme

Tailgate Beach Club is a brand new dayclub from Clique Hospitality. While there are many dayclubs in Sin City, Tailgate is unique with a sports theme. It’s the perfect spot to catch a sporting event while soaking in some sun, relaxing in the pool, or chilling in one of 25 cabanas. 

With more than 125 feet of LED screens, heated pools and space for up to 2,000 people, Tailgate Beach Club delivers a 360-degree viewing experience. Beyond the sporting events, the venue also offers beer pong, foosball, and PlayStation lounges for some all-day fun. 

Open Thursday through Sunday, Tailgate Beach Club is the place to be for sports, pools, drinks, food, and fun games. 

BetMGM Partners With Tailgate Beach Club

BetMGM recently announced that they partnered with Tailgate Beach Club, just ahead of the grand opening celebration.

As part of the partnership, BetMGM will have a presence all around the dayclub, including an on-site activation team to introduce new players to the BetMGM app.

“Tailgate Beach Club’s mission of blending the energy of Las Vegas dayclubs and sports into a signature venue goes straight to the heart of BetMGM’s DNA — creating legendary moments players can’t get anywhere else,” said Matt Prevost, Chief Revenue Officer, BetMGM, according to a press release sent to The Blast. “This opportunity allows us to deliver incredible memories for fans, introduce our product to new audiences, and reinforce our Las Vegas roots.”

Coming Up…

The events calendar at Tailgate Beach Club is packed with upcoming events.

On May 17, catch the PGA Championship Final Round on the big screens. On May 21, watch NBA and NHL Playoffs. And for Memorial Day Weekend, Fat Joe will be performing on Saturday.

For more information, visit Tailgate Beach Club’s website.

Alex Cooper and her husband, Matt Kaplan, are expecting their first baby.

“Daddy Gang, there is something I’ve been waiting to share with you ….” Cooper, 31, wrote via her Instagram Story on Sunday, May 17.

Cooper went on to share a series of photos of her cradling her baby bump while looping at Kaplan, 42. She captioned the Instagram post, “Our family 🤍.”

The “Call Her Daddy” podcast host also shared a selfie of her sitting on Kaplan’s lap outside with mountains visible in the distance. His face was covered by her phone.

“Honestly happy I can finally stop trying to hide the bump lol,” Cooper wrote in a separate Instagram Story, alongside a photo of a bag of candy.

The news comes amid reports that the couple were experiencing tension in their marriage after the Unwell Network made headlines following allegations of Kaplan’s behavior. (Neither Cooper nor Kaplan have addressed the drama. Us Weekly reached out to representatives for Cooper, Kaplan and the Unwell Network at the time.)

However, sources close to the pair tell Us that the rumors are false. The insiders add that Cooper and Kaplan are so excited for this new chapter and have tried to hold out as long as they could before announcing.

Days prior to the announcement, Cooper and Kaplan attended the YouTube Brandcast event at Lincoln Center in New York City. During the Wednesday, May 13, event, YouTube revealed that they officially expanded their partnership with Cooper and her Unwell Network and announced four new shows.

Kaplan popped the question to Cooper in 2023. While recalling the engagement, Cooper told W Magazine at the time that her “entire house was covered in candles, lit all over, music playing, and a scavenger hunt leading to Matt proposing.”

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“There was a computer and the screen said ‘play me.’ I played the video, and it was Matt wearing the same exact outfit that he wore on our first Zoom meeting together,” she continued. “He talked about our relationship and his love for me, and then he asked me to open the card sitting there and to follow the scavenger hunt around the house.”

Cooper and Kaplan tied the knot in April 2024 in Riviera Maya, Mexico. The couple opted to keep their vows private from each other until their wedding.

“For our families and closest friends to hear us verbalize our feelings toward one another in the most intimate setting felt electric,” Cooper told Vogue at the time. “As you will see in almost every photo, there were no dry eyes in sight. We will never forget that moment.”

In a movie called Mercy, you’d expect compassion — instead, you get cold algorithms, hard deadlines, and a justice system that wouldn’t know a second chance if it filed an appeal. This near-future sci-fi thriller throws Chris Pratt into a courtroom where the judge isn’t just stern — it’s silicon. And from there, the film makes one thing clear: in this world, “processing your feelings” is less important than processing your data.

Review

The premise is easily the movie’s biggest strength. A justice system run by AI, a detective who helped build it, and a race against time to prove innocence — it’s the kind of idea that instantly pulls you in. The story unfolds with a constant ticking-clock energy that keeps things tense, and the tech-driven way events are revealed — through screens, surveillance, and digital trails — gives the film a sleek, modern edge. It feels like a cinematic cousin to a long Black Mirror episode, built around the fear that technology might be efficient… but not exactly fair.

Chris Pratt delivers a solid, restrained performance. This isn’t his usual wise-cracking, action-heavy role; instead, he carries the movie through urgency, frustration, and quiet desperation. He does what he can with the material, even though the character is often limited by the film’s structure. Much of the story unfolds in confined or static situations, which fits the concept but sometimes makes the movie feel smaller than its big idea deserves.

Rebecca Ferguson plays the AI judge, a character that’s less about emotional nuance and more about what the movie’s central idea looks like in human form. She isn’t a warm or sympathetic presence — she is the embodiment of the system Chris Pratt’s character is up against. That immediately gives her role a kind of gravity: she represents the cold logic of a world where justice is measured in algorithms and milliseconds instead of human deliberation.

Ferguson doesn’t have to carry the emotional weight in the way a traditional judge character might. Instead, her performance leans into stillness and precision — every word, every pause feels deliberate. It’s like she’s calibrated to deliver the law exactly as programmed, without the messy complications of empathy or second chances. That fits the film’s premise really well, because you never forget she’s not just another character — she’s the machine that decides life or death.

Her impact goes beyond just being the antagonist figure. Ferguson’s presence raises the stakes. Every time she speaks, you feel the system’s power in a way that simple exposition couldn’t achieve. She makes you feel the rules of this world — not through anger or theatrics, but through a kind of unemotional certainty that’s almost more unsettling. It’s one thing for a judge to be strict; it’s another for them to be literally incapable of bending or understanding emotion.

The movie doesn’t give her a deep backstory, and it doesn’t turn her into a cliché villain. Her role is functional, but in a smart way: she is the mechanism that keeps the clock ticking. Because of that, Ferguson’s performance becomes an anchor for the entire film — not by stealing scenes, but by giving the audience a clear sense of what the protagonist is fighting against. She sets the tone for the courtroom drama, and her steady, almost robotic delivery makes the tension feel real even when the visuals are just screens and data panels.

In short: Ferguson’s character isn’t there for charm or emotional beats. She’s there to be the system, and she does that with a cool, controlled performance that elevates the movie’s central conflict. If the film had a weaker presence in that role, the whole thing might have felt much less urgent. But because she’s so effective at what she represents, you feel the pressure in every scene she’s in — even if the story around her doesn’t always dig as deep as it could.

Visually, Mercy looks polished. The futuristic design leans more toward believable near-future than flashy sci-fi spectacle, which helps ground the story. The heavy use of screens and digital interfaces adds to the atmosphere, though it can occasionally make the film feel more like you’re watching a very intense system interface than a fully cinematic experience. It’s stylish, just not always immersive in the way you might hope.

Where the movie loses a bit of momentum is in its depth. It raises huge questions about AI, surveillance, and who we trust to decide guilt — but it never digs as deeply into those themes as the setup promises. Some story turns feel familiar, and while the tension keeps things watchable, the emotional and philosophical impact doesn’t hit as hard as it could have. You’re engaged in the moment, but you’re not necessarily haunted afterward.

That’s why this lands at a comfortable 3 out of 5 stars. It’s entertaining, well-paced, and built on a strong concept, but it plays things a little too safely to be truly memorable. Worth a watch if you enjoy technological thrillers and high-stakes tension — just don’t expect a verdict that blows your mind.

By the end, Mercy proves one thing: the movie may be about justice without emotion, but as a film experience, it could’ve used just a little more heart… and maybe a mistrial on some of those missed opportunities.

At this point, Jujutsu Kaisen fans have become so used to constant chaos that even the idea of Yuji Itadori relaxing for five minutes feels genuinely shocking. That is part of why a recent comment from Yuji’s English dub actor, Adam McArthur, immediately caught the attention of manga readers.

Speaking with ScreenRant at LVL UP Expo 2026, McArthur discussed one of the moments he is most excited to see animated in Season 4. Instead of teasing another massive fight or devastating death, he pointed to a much smaller and much stranger scene involving Yuji casually hanging out in a bathrobe while holding a wine glass during the Culling Game arc. Honestly, that excitement says a lot about what the series has become over the last few years.

“I’m excited to see more of the culling game. There’s one scene — so I want to keep this as non-spoilery as possible — but one of the scenes I am absolutely most hyped to see animated is when we come back to Yuji in the Culling Game after we hang out with Megumi for a while. I cannot wait to see Yuji in a bathrobe holding a wine glass in a hotel room.

I think that’s going to be hilarious. I got to see that. I love that with all the craziness that’s happening through all these things, we still get those little tiny moments of levity — with Yuji. So, yeah. I’m looking forward to that.”

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‘Jujutsu Kaisen’ Rarely Lets Its Characters Breathe

Image via MAPPA

One of the biggest reasons Jujutsu Kaisen exploded into such a massive anime phenomenon is because of how relentlessly energetic it is. Even from its earliest episodes, the series moved with an urgency that made it difficult to stop watching, and that pacing only intensified as the anime continued. By the time the series reached the Shibuya Incident arc, Jujutsu Kaisen had fully embraced emotional devastation as part of its identity. Then Season 3 pushed things even further with the Culling Game. Overall, the series’ characters have been constantly thrown into increasingly brutal confrontations while the story itself becomes more chaotic, more unpredictable, and significantly darker. Yuji, especially, has spent the majority of the series trapped in an almost nonstop cycle of violence, guilt, and psychological exhaustion.

That intensity is part of what makes Jujutsu Kaisen feel so different from a lot of other modern shōnen anime. The series rarely allows audiences to feel comfortable for very long. Fans genuinely believe terrible things can happen at any moment because the story has repeatedly proven that they can, so the audience has been conditioned to literally expect the worst at all times — especially when things seem happy and comfortable, because it’s just more painful that way. But there is also a reason the smaller, stranger moments stand out so much when they finally appear.

‘Jujutsu Kaisen’s Weird Humor Is One of Its Most Important Strengths

Image via MAPPA

It is easy to primarily associate Jujutsu Kaisen with trauma and destruction now, especially after the last two seasons, but the series has always had an absurd sense of humor running through it. Some of its most memorable moments are bizarre comedic detours that briefly interrupt the chaos surrounding the characters rather than the visually stunning destruction happening surrounding those moments. Whether it is Gojo acting like an overgrown menace, the pure nonsense energy of the Juju Stroll segments, or characters like Fumihiko Takaba completely derailing the tone of scenes around them, Jujutsu Kaisen has consistently balanced horror and absurdity in ways that keep the world feeling unpredictable. Those moments matter far more than they initially seem to. Without occasional flashes of levity, the nonstop brutality of the series would eventually become emotionally numbing. The humor creates a necessary contrast, because it reminds audiences that these characters are still people underneath all the destruction surrounding them. More importantly, it gives viewers room to breathe before the story inevitably spirals back into chaos again.

Season 4 of ‘Jujutsu Kaisen’ Could Feel Very Different From Recent Arcs

What makes McArthur’s comments especially interesting is that they hint at a side of Jujutsu Kaisen anime only viewers may not fully expect yet. While the upcoming material still includes massive fights and devastating confrontations, the Culling Game also allows the series to become significantly weirder and occasionally much more playful than its recent reputation suggests. That tonal flexibility is one of the biggest reasons Jujutsu Kaisen continues dominating anime conversation: the series understands that constant escalation only works when audiences are occasionally allowed to emotionally reset. Even at its darkest, Jujutsu Kaisen still leaves room for awkward character interactions, visual gags, and moments that feel unexpectedly human amid all the destruction. The bathrobe scene McArthur teased represents exactly that kind of balance.

Of course, manga readers (and honestly, anyone familiar with Jujutsu Kaisen’s approach to emotional stability) already know peace probably will not last very long. That is part of what makes a scene like this one stand out so much in the first place. Jujutsu Kaisen has become fantastic at giving audiences just enough breathing room to remind them what these characters are fighting for before ripping that comfort away all over again. Seeing Yuji relaxed, awkwardly comfortable, and momentarily free from constant suffering feels strange precisely because the series has spent so long convincing audiences those moments rarely survive for very long. Which honestly makes the image of him standing around in a bathrobe with a wine glass feel weirdly powerful by Jujutsu Kaisen standards.

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Release Date

October 3, 2020

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TBS, MBS, CBC, Tulip Television, BSN, tys, NBC, HBC, RKK, i-Television, SBS, IBC, BSS, MRO, OBS, TUF, RSK, TUY, tbc, RKB, SBC, KUTV, RBC, UTY, RCC, MRT, atv, MBC

Directors

Ryohei Takeshita, Masataka Akai, Chie Nishizawa, Daisuke Tsukushi, Tomomi Kamiya, Kakushi Ifuku, Ken Takahashi

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Writers

Hiroshi Seko

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Franchise(s)

Jujutsu Kaisen

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• 
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  Yuichi Nakamura

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  Satoru Gojo

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By Chris Snellgrove
| Published 38 seconds ago

You remember that old short story, “The Monkey’s Paw”? It’s a creepy tale with a classic conceit: after a family receives the titular monkey mitten, they realize that they can make wishes on it. Those wishes come true, but in the worst possible way. Like, if you ask for money, you’ll get it, but only when your kid dies, and you receive their life insurance. At any rate, I had this story firmly in mind as I learned about the latest Star Trek project, one that is guaranteed to piss off everyone who hated Starfleet Academy.

Fans are getting the new Star Trek series we begged for, but not on Paramount+. Instead, they are online comics that will premiere on WEBTOON, a platform featuring vertical comics. One of these comics is Stargazers, a slice-of-life story about a young man finishing up school aboard Deep Space Nine. The other comic is Recollection, a more mature adult mystery about an amnesiac woman who wakes up on a mysterious starship. The most interesting thing about these comics is that they offer a canonical look at life after the Dominion War. Unfortunately, this move is one that is guaranteed to annoy older fans while failing to bring any younger fans into the fold.

Star Trek Goes… Vertical?

If you grew up watching Star Trek: The Next Generation or even The Original Series, you probably have a simple question right now: what the heck’s a webtoon? Webtoons themselves are vertical comics that are designed to be read on your phone rather than a tablet or desktop monitor. While often referred to as “episodes,” most webtoons are designed as static, scrollable panels rather than motion comics or other types of animation. Incidentally, WEBTOON is also the name of the popular webtoon platform that Paramount will be using to launch Stargazers and Recollection.

As you might imagine, webtoons are typically aimed at younger audiences, and that’s exactly who Paramount is targeting with these new comics. Stargazers is particularly youth-coded as it focuses on a young human (Leon) and his faithful canine companion as he tries to make friends and find love with a peer group that includes a Bajoran and a Changeling. It’s designed as a Boys’ Love comic, which means you can expect plenty of same-sex romance and quirky dating escapades with Leon and the boy of his dreams.

Star Trek Forgets All About It

Comparatively, Recollection is a more adult tale focusing on an amnesiac woman who wakes up on a weird Federation vessel with six other people and a holopilot who is seemingly lying to her. Eventually, she meets a Vulcan who seems to know who she is, and this logic-loving alien gives our hero a device that allows her to see fragments of her old life. By the time it’s over, she’ll need to solve puzzles old and new to fully unpack the mystery that her life has become.

On paper, these webtoons have a few things going for them. Paramount is clearly throwing everything at the wall to see what sticks, and dropping new Star Trek stories on the most popular webtoon platform may win over younger audiences in a way that Starfleet Academy couldn’t. Plus, making these stories canonical is a downright diabolical way to get older audiences to read them. We’re apparently never going to get a Star Trek: Legacy series, so Stargazers and Recollection just became the only real way to find out more about what happened in the 25th century after the Dominion War ended and after Voyager made it home.

Can Star Trek Fans Live With It?

However, my inner cynic can’t help but think that these webtoons will fizzle out to very little fanfare. Star Trek has had three animated series (gout if you count those awful YouTube shorts), but none of them managed to win over young fans. Meanwhile, Starfleet Academy was designed from the ground up as a romance-driven teen drama in space, but it never found the young audience it was desperately searching for. If smart, brightly-colored cartoons and an insanely flashy show filled with hot actors weren’t enough to recruit young fans, I don’t think a cheap web comic with the art design of a mobile game is really going to move the needle.

At the very least, while Starfleet Academy was hidden behind a streaming subscription, fans of all ages can check out these web comics for free. Stargazers: A Star Trek Story will be releasing its first three episodes on the WEBTOON app for free on May 17. Meanwhile, Recollection: A Star Trek Story will launch on the same platform later this year. With no new Star Trek shows in production, these may be the closest we’ll get to a new series in a good, long time, but maybe that’s for the best.

After all, we older fans have spent decades wanting new stories to explore what happened after Deep Space Nine and Voyager. If these comics bomb, we may collectively learn the major lesson of “The Monkey’s Paw”: be careful what you wish for!

Season 17 of “The Real Housewives of Atlanta” is ongoing, with the upcoming 7th episode expected to be supersized. Ahead of its airing, Drew Sidora has taken to social media to deliver a pointed message, hinting at her much-talked-about feud with singer and newbie K. Michelle. This comes after Michelle has blasted Sidora in multiple interviews.

Sidora posted to her official Threads account on May 17, hours ahead of episode seven of “The Real Housewives of Atlanta.” The “Run” actress didn’t mention Michelle by name, but fans quickly assumed she was teasing the beginning of their feud playing out on the show.

She wrote, “Tonight’s episode, y’all finally get to see where the delusion started. From day one, this person has been creating issues that never really existed.” After that, Sidora alluded to a previous comment made by Michelle, stating, “And you were right, it was never about the music.”

K. Michelle Previously Bashed Drew Sidora’s Music

Michelle appeared on “Sherri” in March 2026 alongside Phaedra Parks and Angela Oakley to promote “The Real Housewives of Atlanta.” Host Sherri Shepherd mentioned the trailer, highlighting “issues with fellow housewife Drew Sidora.”

In response, Michelle began, “I can’t say a lot, but I can say it’s not for what people think it is or what she would hope it would be about.” After that, the singer claimed that Sidora would “hope it would be about music.”

However, she then stated that Sidora’s music career “doesn’t compare” to her’s. She went on to list her accolades: platinum records, touring worldwide, and “all types of stuff.” Michelle continued insulting Sidora’s music career, saying, “I try to support all the beginners in music.”

Toward the end of the clip, Oakley defended Sidora, remarking, “Drew has movies. Drew has talent.” Michelle added, “Movies that no one really knows of.”

‘RHOA Fans Are Siding With Drew Sidora So Far

Following Sidor’s latest comments ahead of the new “RHOA” episode, fans are reacting, with many noting earlier instances of tension between the ladies on the show. One person said on Threads, “It’s a weird one-sided beef. She is fighting that jealousy demon. Ignore her and keep doing you.”

Someone else wrote, “I’ve been wondering!! But in the last episode, you could see she was making up an issue. Talking about ‘the finger’ like what? You were talking…mind you, SHE brought up Black and him in her DM’s, but now she’s married, yet she brought it up first?”

A different “RHOA” fan noted, “I mean… look at you, Drew! The face, the multi-talent, the effortless energy. Little Miss has been triggered at first sight.”

On X, one Bravo watcher defended the “RHOA” star, saying, “I feel bad that Drew Sidora always seems to be the punching bag. Shamea does it, and Kelli now knows. Michelle, it’s weird.”

Lastly, a different social media user said, “Yeah, it was weird that she made an issue about Drew, ‘pointing,’ then insinuating she had something going on with Black.”

Porsha Williams Recently Defended Drew

“Real Housewives of Atlanta” star Porsha Williams appeared on “Reality with the King” in April 2026. While on, she briefly weighed in on the issues between Sidora and Michelle, telling the host that the former “Love & Hip Hop” star may regret some of her actions from her inaugural season on “Housewives.”

Williams said, “At this point, I know what else happens in the season, and although she’s funny and she’s adorable, I don’t know how it’s going to go over. I don’t think that hat was happening with her, and Drew is going to go over as well as maybe she thinks it will.”

After that, the Bravo legend stated that she believed Michelle would look back and say, “I probably chose the wrong team, and I probably should have gone about things in a more authentic way.”

Drew Sidora Is Going Through A Messy Divorce

Amid the “RHOA” drama with Michelle, Sidora is embroiled in a messy divorce with her estranged husband, Ralph Pittman. Recently, in April 2026, TMZ reported that the singer/actress had been ordered to vacate the marital home by May 31.

That’s not all. Pittman was also awarded primary physical custody of their minor children after they reportedly missed several days of school while in her care. The estranged couple currently shares joint legal custody of the kids.

Season 1 of Prime Video’s Off Campus made some significant changes from Elle Kennedy‘s The Deal — but the absence of the campus-wide “hands off” rule upset book fans the most.

Based on the Off Campus book series by Kennedy, the show, which premiered Wednesday, May 13, follows an elite ice hockey team and the women in their lives as they “grapple with love, heartbreak and self-discovery — forging deep friendships and enduring bonds while navigating the complexities that come with transitioning into adulthood,” read the official synopsis.

Hannah (Ella Bright) and Garrett’s (Belmont Cameli) love story took center stage in season 1 — with several key moments from their book, The Deal, swapped for an updated version.

The most significant change was the way Garrett instituted a campus-wide hands-off law after his split from Hannah. On the page, Garrett’s decision frustrated Hannah — but it also brought them back together.

Related: Which ‘Off Campus’ Couples End Up Together? Book Order Explained

Prime Video’s Off Campus follows different love stories at Briar U — but which couples end up together in the books? Based on the Off Campus book series by Elle Kennedy, the show follows an elite ice hockey team — and the women in their lives — as they “grapple with love, heartbreak, and self-discovery […]

The show did things a little differently with Hannah catching wind of Garrett threatening other guys so they would stay away from her. Hannah confronted Garrett — and that’s when they realized some confusion between his team members led to a misunderstanding.

“We were trying to find a way to keep this fan-favorite moment from the book, while not making it like a problem for Garrett,” showrunner Louisa Levy told Today. “So we came up with a solution that still honors the original intent but makes Garrett not completely terrible for doing this after breaking up with Hannah.”

Levy also spoke to Us about adapting the story to the screen.

“It’s definitely great to have the blueprint of this fabulous book series to start with, but adapting for a TV show is a little bit different,” she told Us. “We need to keep the audience’s focus in a different way.”

Levy broke down the approach from page to screen.

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“We have a lot of stories told in different ways. We have eight episodes instead of the whole book,” she noted. “So we really started with the things that were super nonnegotiable — that without those things it wouldn’t be Off Campus.”

She continued: “From there, we added as many of the book moments as we could. We dropped them in like Easter eggs, and we just really spent time taking one’s inside character and externalizing them.”

Off Campus is currently streaming on Prime Video.