Entertainment
‘Will Trent’s Latest Shocking Season 4 Twist Will Be a Massive Game-Changer
[Editor’s note: The following contains spoilers for Will Trent Season 4, Episode 11.]
Summary
In episode 411 of the ABC series Will Trent, the GBI special agent (Ramón Rodríguez, who also stepped in as director) races to Puerto Rico to make sure his Uncle Antonio (John Ortiz) is safe. Just after arriving and because he doesn’t actually have any jurisdiction, he’s joined by a woman who introduces herself as FBI Agent Elkie (Mallory Jansen). The two end up trekking through the rainforest, on a trail following clues that lead directly to Will’s own past and more questions than answers, that will continue to reverberate throughout the rest of the season.
Collider recently got the opportunity to chat one-on-one with Rodríguez about pulling off the biggest episode of the series so far, the challenges of shooting in Atlanta and Puerto Rico, the urgency of the mission to find Antonio, the ways this will all become pivotal to what’s next, the importance of Will’s therapy, seeing James Ulster (Greg Germann) in the elf costume, how the dance between Will and Elkie came about, his favorite moment in the episode, the surprises still to come, and how there’s still plenty of stories to tell in a potential Season 5.
Episode 411 of ‘Will Trent’ Is a Juicy Roller Coaster That Will Ripple Through the Rest of the Season
“It is our largest episode. It’s huge.”
Collider: Between multiple people thinking that they’re doing Ulster’s bidding, to leaving a murdered woman in a refrigerator, to the spiders, to an FBI agent that seemed helpful turning out to be Ulster’s daughter, I feel like there are a lot of things piling on in this episode. What was your reaction to how it all unfolded when you first read it? Was there anything that most surprised you, especially with how much Adelaide was able to get away with before Will realized who she really is?
RAMÓN RODRÍGUEZ: When I read it, I actually really loved it. I was like, “Oh, this is juicy. And it’s big.” It was really a large-scale scope. It is our largest episode. It’s huge. I loved the twist, though. There are several really interesting twists and turns. The challenge then became, “How can we really try to preserve it as much as possible, so hopefully audiences don’t get too ahead, knowing that they’re really smart and can pick up cues.” And I think Mallory [Jansen], who played Adelaide, did a really great job. You have to let go and understand once you realize that that was a pretty masterful, insane plan to pull all that off. So now that you’ve let that go, you go, “Okay, we’re not going to get hung up on that,” and hopefully you just get sucked into it, and you’re just on this crazy adventure of an experience that takes Will to Puerto Rico. I love the motivating force that got him there, which is family. We know how much that resonates for Will, so the fact that family could be in danger, I bought that he would just pick up and go. Seeing Uncle Antonio in a new light as a ladies’ man was really fun and delightful.
And then, from the Atlanta side, we’re exploring Jeb and the RV and that chase, and we realize there are acolytes and tentacles that Ulster has out there. With the final result after the whole spider sequence and all the crazy cliffhanging moments, it was insane. It was a huge, massive, exhausting episode, but I absolutely loved it. We kept referencing Raiders of the Lost Ark meets Romancing the Stone. I wanted to show a new part of Puerto Rico with the jungle and the rainforest, and show the green, gorgeous, lush that is the island. We shot in Old San Juan because why not? It’s gorgeous. And there were the fun twists in it, learning who Adelaide really is, and then learning that Will knew a little bit, but he just played the game because he was desperate to find his uncle. There were just a lot of really fun elements. We got some great casting. Going back to Puerto Rico, the last time we were there was Season 2, but this time, as director, it was incredibly special. Seeing similar faces of the crew and their pride and having a Puerto Rican director bring the show to the island, there were a lot of high, wonderful, passionate, pride-filled moments.
‘Will Trent’ brings back its best villain to kick off Season 4.
It’s funny, I seem to only talk to you this season for episodes that ended with a cliffhanger that have Will’s life hanging in the balance.
RODRÍGUEZ: I’ve noticed that, yeah.
Much like with the one at the beginning of this season, I’m guessing Will is going to be okay since the show is still called Will Trent. But Adelaide is still on the loose, bodies keep turning up, and she wants to kill Will. What would you say to tease what comes after this episode? She’s clearly smart and someone who has done some planning, so what comes next?
RODRÍGUEZ: This episode really becomes the springboard and the catalyst for the rest of the season. A lot of the things we end up exploring story wise are all related to the events of this episode. Trying to find Antonio becomes mission number one, and finding Adelaide. As we were building Adelaide, and we teased it in episode 11, she’s very Ulster-like, manipulative and smart. She’s someone that can shapeshift. She can be an FBI agent, and then we see this other, very dark side of her. But we also met her mom in this episode, and I hope we get a sense that something wasn’t right there either. Something was off with this lady. Something was off in this family, obviously. It’s going to be a really fun journey. It’s going to be a real roller coaster from this episode to the very end. We’re still filming, but we’re almost at the end. A lot of the stuff that we’re talking about and dealing with are things that stemmed from episode 11. It becomes a very pivotal episode for the season.
I love Will’s therapist, and not just because I love Margaret Cho, but because she actually gives him some good advice. I really liked her suggestion of rebranding Ulster when he shows up. Were there conversations about or any different possibilities before deciding to rebrand him as an elf? What did you think of him in that costume?
RODRÍGUEZ: It was fantastic. I agree, one of the fun things in this season has been watching Will finally deal with some of these issues in therapy. Dr. Roach is just the perfect, quirky, left-of-center therapist. When they first spoke, she took him to pickleball. It’s just weird stuff. I loved that, in this episode, she does give him the thought of rebranding. She’s helping him reclaim the power because Ulster has had the upper hand with Will. From life through death, he’s been tormenting and really messing with him, so it was great to finally see Will have an upper hand in this relationship, and taking Dr. Roach’s advice to heart and actually implementing it.
The elf idea, I thought was hilarious, and then the idea got funnier. When we were scouting in Puerto Rico, I looked over, and I was like, “What if we made our own tree stump and had him come out of it like a Keebler elf hat on?” We were dying. Everyone loved it. Our production design team, that is amazing, made the perfect tree stump. Up popped Ulster on the day, and everyone just couldn’t hold it in. He was just so game and such a great sport about it. It’s a nice color in that relationship, which we don’t often get to see. And to be able to use Ulster to get some solutions was an empowering thing. It was great.
Ramón Rodríguez Says They Only Had a Couple Chances To Pull Off That Dance Between Will and Elkie
“That was supposed to be a larger scene.”
There are so many fun things in this episode that aren’t in a regular episode of Will Trent. It was nice to see Will spend some time with his uncle. It was also nice to see him have some time to hang out on the beach surrounded by music, drink, and dancing. I absolutely loved the moment when he took the hat off the other guy and put it on himself before he started dancing and even sharing the kiss, not knowing it’s Adelaide. What was all of that like to get to do? My only complaint is that I wanted more. Would you have wanted to do a whole dance number if there had been time and budget to do so?
RODRÍGUEZ: We did. That day was our final day in Puerto Rico. We were so up against it. That was supposed to be a larger scene. Literally, that is one of two takes that we had to do before they pulled the plug on us. So, it originally was a bigger thing. We didn’t have the time, sadly, but I still think it’s very effective. If that had been longer, that means something else in the episode would have likely been cut. But trust me, we were all very excited about that scene and that moment. To see Will in that fantasy and be the dancer and speak fluent Spanish, there was more to it, for sure, but we did the most quality version we could, that hopefully still felt effective.
Season 4 of the hit ABC procedural does a deeper dive into Will Trent’s mind, and it’s all the better for it.
What was the biggest challenge in pulling this episode off?
RODRÍGUEZ: It was such a large episode. We had massive stunts and wire stunts, with the cliffhanging moment. We had a ton of visual effects. We were shooting in two locations, and we were in Puerto Rico for the majority of the episode. The biggest challenge is always, and particularly for me while acting, is time. I was acting heavily in episode 410, and then I was prepping. I had half the normal prep schedule a director would have, for an episode that was the biggest episode we’ve ever done. It was a real challenge, but I really wanted to do it, so I didn’t make any complaints and I just pushed through. I spent every minute I wasn’t acting prepping and shot listing and looking at locations and looking at casting videos and finding wardrobe. I was doing all the things that a director has to do.
The nice thing is that I knew, when we wrapped the episode, we began our holiday hiatus, and I was just going to stay in Puerto Rico. I had a very clear goal. I was like, “Just get to the last day, and then you’ll get to have time off, and you’ll be in Puerto Rico.” I stayed there and it was lovely. I had family come visit me on set. Though it was hectic and there was chaos, and there were issues and problems, we were able to overcome them. I’m really proud of the work of the crew in Puerto Rico, and, of course, our Atlanta crew. Everyone was just hustling and wanting to make the best episode they could.
It feels like four seasons in, you can probably work your way out of just about anything at this point.
RODRÍGUEZ: Pretty much. And it’s nice when you have the same crew because now we’re a well-oiled machine.
You mentioned nearing the end of the season, as far as filming goes. Are you looking ahead and having conversations about Season 5 yet? Do you know where the show goes in the future?
RODRÍGUEZ: We do not know yet. Those conversations, everyone’s really focused on just finishing strong. We’re at that last 10-yard line, so that’s the main focus. But I will say there’s going to be plenty of story. Where the remainder of the season goes, there are going to be surprises. There are going to be highs and lows. There will be some questions answered. It is going to fully loaded. The way this episode rocks people and feels like, “Oh, wow!,” is going to continue as the season goes on. I think audiences are going to be floored in many, many ways.
Ramón Rodríguez Reveals That His Favorite Episode 411 Moment Made Him Emotional
“That was a nice little surprise blessing.”
What was your favorite moment in the episode? When you saw the whole thing finalized and put together, what most stood out to you?
RODRÍGUEZ: There are so many moments that I’m really proud of how they turned out. There’s stunt work that I thought came together beautifully. I thought there were some really fantastic performances. The guy that played Jeb was wonderful. The production design did such a great job with the RV and it looking disgusting. I thought the spiders in the tunnel came out great and creepy and scary. This wasn’t written on the page, it was a feeling and a thought I had on the day, but there was that moment with Lucy at the very end. I was pretty tired. I was pretty wiped out at that point. Directing and talking a lot, my voice was actually starting to give a little bit. I had this idea the morning that we were going to go shoot that scene with Lucy, and I said, “It’d be really cool and maybe even more emotional that, when she whispers in his ear than I scream, we don’t hear the scream. It’s a silent scream. The sound goes out.”
I did it to preserve my voice, but that’s also how things are sometimes. It’s very interesting, honestly. Problems arise and if you’re open to it and looking, you’ll find something that’s actually even better than the original idea. That, to me, is a perfect example. When I watched the editor’s cut of the episode, before I got to get into my director’s cut, and I saw that moment after having written her the note, the sound dropped out, and the camera came down from the sky, which in my mind was essentially Lucy’s spirit coming down to Will and then leaving him. I thought it’d be quite emotional, and when I saw it, I got emotional. I thought that was quite lovely. That was a nice little surprise blessing.
It’s also emotional because, before that, he experiences the moment of discovering the dummy in the bed that represents his mother and the recorder playing the baby’s cries in the trash can.
RODRÍGUEZ: Agreed. To see him losing his mind where he thinks it’s her, but then it’s a dummy, but everything looks like it’s staged the way his mom was found. He didn’t see that, but he’s seen her like that. It’s very dark. It’s very, very dark and tortured. Hopefully, it makes that moment [more impactful]. He says something about wanting a family. For someone like Will, who never had family, is facing death and realizing that he’s not going to get that, it’s pretty devastating. It’s pretty heartbreaking.
It’s very impressive how much you were able to pull off in this episode.
RODRÍGUEZ: That means a lot, honestly. I always want to continue to elevate and push, and not feel like we’re comfortable and that we’re just settled in. I want to keep elevating the show. I know the writers and the cast and the crew do, as well. This was one that I felt like we really got to step it up. Honestly, when we talked about it, I let everyone know, “Just so you know, we’re making a movie right now. This isn’t an episode of television. This is a feature film on a television schedule and budget.”
- Release Date
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January 3, 2023
- Directors
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Howard Deutch, Eric Dean Seaton, Holly Dale, Lea Thompson, Patricia Cardoso, Sheree Folkson, Bille Woodruff, Erika Christensen, Gail Mancuso, Geary McLeod, Jason Ensler, Mark Tonderai, Paul McGuigan
- Writers
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Inda Craig-Galván, Henry ‘Hank’ Jones, Karine Rosenthal, Adam Toltzis, Antoine Perry
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Ramón Rodríguez
Will Trent
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Erika Christensen
Angie Polaski
Will Trent airs on ABC and is available to stream on Hulu.
Entertainment
Raunchiest 90s Sci-Fi Series Features Worst Captain Of All Time
By Jonathan Klotz
| Published

Science fiction is filled with incredible spaceship captains. Star Trek alone gave the world Picard, Kirk, and Janeway, Firefly has Malcolm Reynolds, Farscape’s John Crichton, and Battlestar Galactica’s Adama, all of them are fantastic characters. All are noble and inspiring figures who make their crews better.
On the other end of the spectrum is Stanley H. Tweedle, captain of the Lexx, the most powerful weapon ever created. He’s a coward, a traitor, self-centered, shallow, and the last man in existence who should have the keys to the most powerful weapon in both galaxies.
Lexx’s Stanley H. Tweedle Is Sci-Fi’s Worst Captain

Stanley H. Tweedle, played by Brian Downey, kicks off the events of Lexx by skipping work to the point he’s deemed a fugitive from justice by the servitors inside His Divine Shadow’s headquarters and runs into another fugitive, Zev (Eva Habermann). Taking shelter on board the organic spacecraft Lexx, the command codes embedded in Stanley’s tooth are activated, and the ship recognizes him as the Captain. It’s not the most glorious origin story for the man who would eventually, sort of, save the galaxy. It gets worse.
Technically, Stanley’s responsible for the deaths of 685 billion people. He didn’t give the order to fire, and he was being tortured, but he did give the codes to the Lexx over to a band of mercenaries, and then they sold it to His Divine Shadow, and 100 worlds ceased to exist. No other captain in sci-fi can say thay also have the title “Arch-Traitor.”

During Season 2, “Stan’s Trial,” we learn that the root of Stanley’s cowardice is his fear of death. The threat of death causes Stanley to break under the smallest bit of pressure from any of the villains, which all comes to a head in Season 3 when he actually dies and has to face the judgment of Prince from the Fire Planet, Lexx’s version of the Devil. You’d think that anyone who’s that cowardly wouldn’t be respected by his crew, and you’d be right.
No One Respects Stanley
The Lexx’s crew of castoffs, including both Zev and Xev (Xenia Seeberg), the undead assassin Kai (Michael McManus), and the love robot 790/791 (Jeffrey Hirschfield), don’t respect Stanley. Eventually, Xev and Kai start to have a modicum of respect, but 790, competing with Stanley for the affection of both Zev and Xev, constantly belittles and insults its captain. Even Lexx has some difficulty with Stanley, often misunderstanding what he wants, including misinterpreting the captain’s request for the coordinates to a planet of loose women.

Early on in Season 3, Stanley’s desire for women comes to a head when Prince offers to revive Maya, a gorgeous woman from the Water Planet, if he’ll use the Lexx to destroy the Water Planet. Stanley doesn’t only think about it, he spends most of the second episode actively devising ways to betray everyone. Not even Kirk, sci-fi’s most famous womanizer, would contemplate an offer like that for a single second.
Stanley H. Tweedle is both sci-fi’s worst captain and one of the most interesting characters, because he is so detestable and openly not a good guy. At all. He helped save the galaxy from thousands of years of control under His Divine Shadow, but he’s still a coward and a lech. Worst of all, we never learn what the H stands for.
Entertainment
Mormon Wives’ Jessi Draper Discussed 2 ‘Unsafe’ Marriages
The Secret Lives of Mormon Wives star Jessi Draper is owning up to the mistakes she said she made after two failed marriages.
“I take full ownership over all the mistakes I’ve made and all the stupid decisions I’ve made, but I am realizing I can’t just get divorced and go live a normal life,” Jessi, 33, shared via an Instagram video on Monday, April 6. “I’m having so much come to the surface right now, and I have a lot of healing to do.”
While filming a video in her car, the Hulu reality star opened up about her mindset weeks after her estranged husband, Jordan Ngatikaura, filed for divorce after five years of marriage. (She was also previously married to Zach Gish from 2014 to 2019.)
“This is such a weird experience to go through, and I know a lot of you can relate, and it’s the second divorce I’ve been through, which has been awful,” Jessi — who shares Jagger, 5, and Jovi, 3, with Jordan — explained. “They’ve both been very different and doing it with kids is very unique and different from my first situation. I just feel, like, really lost to be honest.”
When opening up to her 1.8 million Instagram followers, Jessi claimed her two marriages “were emotionally unsafe.” After navigating those two relationships for a combined 10 years, the reality star said she began to learn habits, routines, defense mechanisms “and things that keep you safe.”
“It’s crazy how getting out of that can kind of mess with your head a little bit and make you go a little bit crazy,” she claimed. “I feel like I’m going through that right now. It’s kind of like a purging and a detox of the patterns that I’m used to. I have a lot of patterns that I don’t love. I have a lot of behaviors that I don’t love either, and I’m really trying to work on that.”
Jessi confirmed she is going on a four-day therapy retreat, where she plans to mourn what she lost while also healing from her past.
“I’ve had the darkest days I’ve ever had in the last month and it’s been really rough,” she told her fans. “It’s normal to feel all over the place and misplaced and sad and then happy and then relieved and then depressed. I’ve felt all of the emotions.”
While Jessi has made headlines in recent weeks after she was allegedly spotted spending time with Marciano Brunette, she confirmed in her latest Instagram that she is single and just wants “to have fun.”
“I want to enjoy life because I haven’t in so long, but I also want to do all of this in the right way, and I want to heal and not make mistakes anymore,” she explained. “There’s no perfect way to handle divorce …. I’ve received a lot of love and support and I want to thank you for that but I’ve also received a ton of hate and it’s totally warranted. I am trying to get through this the best possible way I can.”
Entertainment
All 5 Stephen King Novella Collections, Ranked
You can read every single novel Stephen King has written and still find yourself far off from completing his body of work, so to speak, since he’s also been prolific as a writer of novellas and short stories on top of his nearly 70 (to date) novels. Most of these are compiled in collections, of which there are a dozen official ones. Seven are more short story-focused than novella-focused, as in they’re mostly made up of short stories, rather than novellas. Skeleton Crew is one, because while it kicks off with The Mist, which is a novella (and a pretty great one), most of the tales in that 1985 collection are of the short story variety.
So, there are five works by Stephen King that can be labeled novella collections, and all of them are ranked below. Four of them only have novellas and, funnily enough, all four of those are made up of four novellas each. There’s one other here that’s made up of three novellas and two short stories, but still, more than half are novellas, and in any event, the majority of your time spent reading that one will be on novellas rather than the short stories. These are spread out quite neatly through King’s bibliography (one from the 1980s, two from the 1990s, one from the 2010s, and one from the 2020s), and they range from decent to pretty great in quality, with the best novella collection written by King being up there among his most essential works to date.
5
‘Full Dark, No Stars’ (2010)
While Full Dark, No Stars might be the least interesting of all the novella collections here, it’s still not bad, and there are definitely things here that King’s constant readers will be able to appreciate. Also, people do seem to like this one a little more than some of the collections that’ll be ranked ahead of it, and maybe the stories here finding success with getting movie adaptations showcase that, to some extent. Granted, the movie adaptations haven’t been great, and were the sorts that were viewed as weaker than the source material, but still, they tried. There was interest in attempts being made.
There are also some references here to other Stephen King stories, which is always fun if you are someone very invested in everything he’s written (the guy has pretty much made his own multiverse, at this point). If you want more of a hot take than putting Full Dark, No Stars in last place, then how about this: “Fair Extension,” the shortest of the stories, is also the best one. It doesn’t waste any time and feels like vintage King. Every other novella here overstays its welcome, to some extent. “1922” doesn’t do so as drastically as the painfully drawn-out “A Good Marriage,” but both of them (and maybe “Big Driver,” too) could well have been made a little more impactful with a few words trimmed out here and there.
4
‘Hearts in Atlantis’ (1999)
Hearts in Atlantis is the one title that was a little tricky to add here, since it’s made up of three novellas and two short stories. But, you know, more of a novella collection than a short story collection. But wait! Things get more complicated, because Hearts in Atlantis has some continuity between the five stories it contains, with some recurring characters and similar themes explored across all the stories, so it almost feels like a novel, or it at least comes closest to feeling like one coherent story out of all the Stephen King collections. It’s further ambitious because it tackles the Vietnam War and its aftermath, really diving into a specific historical event to a pretty dramatic extent, by King’s standards.
There are some fantastical elements, especially in the first (and best) story of the bunch, “Low Men in Yellow Coats,” which has some surprisingly direct ties to The Dark Tower series, too.
He does so decently well, even if he lays it on a bit thick at times, and does seem insecure, as a writer, about his readers not “getting” certain things. So he really goes on and on, when you’re like, “No, I get it,” but then he keeps explaining things, it can feel frustrating. When Hearts in Atlantis is working, though, it’s pretty darn good. There are some fantastical elements, especially in the first (and best) story of the bunch, “Low Men in Yellow Coats,” which has some surprisingly direct ties to The Dark Tower series, too. That novella, plus the final story here, “Heavenly Shades of Night Are Falling,” were adapted into Hearts in Atlantis, a 2001 movie, but with all the references to The Dark Tower and most of the fantastical elements pretty much taken out, which was disappointing. Oh well.
3
‘If It Bleeds’ (2020)
While If It Bleeds is the most recent Stephen King novella collection, it’s not his most recent collection of stories, since You Like It Darker came out in 2024. That one was mostly short stories, but it speaks to King’s productivity that they both came out in the 2020s, and so too did six other novels (and counting). The man cannot be stopped. Anyway, If It Bleeds is pretty good. None of the novellas here are 10/10-worthy, necessarily, but none entirely miss the mark, either, and they are all indeed pretty good.
“Mr. Harrigan’s Phone” is a better phone-related story than Cell, while “The Life of Chuck” is structurally interesting and perhaps a little sappy, but it works better than the (still fairly good) movie adaptation of the same name from 2024. The titular story here is the longest, and is one of many about Holly Gibney, who was introduced in the Bill Hodges trilogy, and got two novels as the protagonist post-If It Bleeds (Holly and Never Flinch). Then there’s “Rat,” which closes out the collection, and is one of many Stephen King stories about the struggles of writing. Also, like a fair few Stephen King stories, it doesn’t end ideally, but the ride before that point is engaging enough. If It Bleeds is just all-around solid. Nothing here represents King at his very best, and nothing here showcases him at his worst. It’s just pretty good. Pretty, pretty, pretty good.
2
‘Four Past Midnight’ (1990)
Before getting to the first of Stephen King’s novella collections, here’s Four Past Midnight, which was his second overall, not to mention his second best, and his first novella collection to be generally horror-focused. Also, some of these novellas are really quite long, as some paperback editions of Four Past Midnight hover around the 1000-page mark. Take the first story, for instance: “The Langoliers.” This one is actually longer than some of Stephen King’s novels. Page counts can vary, depending on the formatting, but the audiobook version of “The Langoliers” is almost nine hours long, and the audiobook for Carrie will take you just under 7.5 hours to listen to. So…
Also, “The Langoliers” might be the highlight here, or it’s neck-and-neck with “The Library Policeman,” which is harder to read, admittedly, but incredibly effective as a work of horror. It’s the reason that Four Past Midnight can be considered up there among the most disturbing of all of King’s novels, short story collections, novella collections, you name it. “Secret Window, Secret Garden” is also good, albeit maybe a little too similar narratively to King’s novel The Dark Half, and then the final story, “Sun Dog,” is an engaging read, being one of a fair few Stephen King stories set in Castle Rock. Four Past Midnight is a strong collection overall, with all four stories ranging in quality from pretty good to pretty great.
1
‘Different Seasons’ (1982)
It’s easy to single out Different Seasons as the best of Stephen King’s novella collections because of two stories here: “Rita Hayworth and Shawshank Redemption” and “The Body.” They both inspired two all-time great film adaptations (The Shawshank Redemption and Stand by Me), and are phenomenal in their original forms, too. “Apt Pupil” is another story here, and not quite a work of horror, but one that leans more into psychological thriller territory than those other two. It also got a movie adaptation, albeit not a great one.
Things conclude with “The Breathing Method,” which is the only adaptation-less story here, and probably the closest to the horror genre of the bunch, though Different Seasons overall was something meant to showcase King’s knack for writing non-horror stories. He’d largely been known for horror up until that point, and while nowadays, the idea of a Stephen King book not belonging to the horror genre doesn’t sound too wild, it was surprising back in 1982. So, Different Seasons was instrumental in demonstrating King’s range, and has endured because it houses some of his best writing, and two of the stories here went on to be adapted into two pretty-much-perfect movies. If you only ever have time to read one Stephen King novella collection, for whatever reason, then you’re best off making it this one.
The Shawshank Redemption
- Release Date
-
September 23, 1994
- Runtime
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142 minutes
- Director
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Frank Darabont
- Writers
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Frank Darabont
Entertainment
The Vampire Diaries’ Next Generation: Meet the Stars’ Kids
Candice Accola (née Accola) and more stars from The Vampire Diaries franchise have offered a glimpse at their families off screen.
Candice welcomed her first daughter, Florence, with Joe King in January 2016. The couple later expanded their family with daughter Josephine. (Joe also shares daughters Elise and Ava with ex-wife Julie.)
In May 2022, Us Weekly confirmed that Candice had filed for divorce from Joe due to “irreconcilable differences.” According to court docs, the twosome pulled the plug on their relationship earlier that year after previously celebrating seven years of marriage.
In April 2026, Michael Trevino welcomed his first baby with wife Bregje Heinen.
Keep scrolling for a guide to The Vampire Diaries alums’ family members:
Entertainment
These 17 Rich Mom Sneakers Are Polished, Not Sporty
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Wealthy women wear sneakers nonstop, but they’re not rocking the same gym shoes you see at fitness centers. Their go-to styles balance comfort and class, combining the plush feel of athletic shoes with the look of designer footwear. Luckily, you don’t need to spend thousands to get the look. There are plenty of chic pairs that nail the aesthetic without the high-end price tags, and you can even shop polished kicks for as little as $13.
Whether you’re running errands, hosting a picnic or strutting through TSA, these picks rise to the occasion, making you appear effortlessly polished wherever you go. See our favorites from brands like Skechers, Dolce Vita, Lucky Brand, Cole Haan and more!
17 Comfy, Luxe-Looking Rich Mom Sneakers — From $17
1. European Vibes: Made of a soft, suede-like material and featuring dainty lace embellishments as well as intricate stitching, these sophisticated sneakers look straight out of an Italian shoe shop. People will think you dropped hundreds on a single pair (but they’re currently priced under $45!).
2. Flower Girl: Imagine the feminine flair of flats with the comfort of sneakers, and you’ll get these Dr. Scholl’s platforms. Thanks to some fun embroidery along the side, they never feel too basic yet still work as an everyday staple.
3. Secretly Skechers: According to Martha Stewart, Skechers are totally ‘in’ again, and these knit wonders prove why. They’re flexible and airy, and fit your feet like a glove.
4. Boutique Find: Flowers, leather, gold accents! Complete with a fun side design, Lucky Step’s flat sneakers make every outing feel like an event.
5. Butter Yellow: Channel spring vibes in some butter-yellow sneakers that give any wardrobe a pop of color. They’re so cute and on-trend that if you see your size, you’ll want to snag it ASAP.
6. Go for Gold: In case you missed it, everyone’s wearing metallics lately. These memory foam shoes embrace the look without going overboard, feeling playful while remaining polished.
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Entertainment
Starfleet Academy Died Before It Could Ruin Star Trek’s Most Beloved Character
By Chris Snellgrove
| Published

Starfleet Academy was canceled shortly after the end of its first season. Nonetheless, a second season had already been greenlit and filmed, so fans can look forward to more misadventures with their favorite band of space cadets. Even as those fans look forward to what Season 2 brings, though, at least one of the show’s biggest actors regrets that there won’t be a third season to tell his character’s most ambitious story yet.
Robert Picardo reprised his role as the Doctor for Starfleet Academy, and the first season provided a surprise follow-up to “Real Life,” one of his best Voyager episodes. In a recent interview, the actor revealed that he had pitched a Season 3 SFA follow-up to “Living Witness,” where he would encounter a backup version of himself that was left behind on an alien planet. Picardo saw the episode as a chance to grow the Doctor like never before. Unfortunately, his description of the plot makes it clear that the episode he pitched would have ruined his character altogether.
Is There A Doctor In The House?

“Living Witness” was a Star Trek: Voyager episode where a backup version of the ship’s holographic Doctor is activated on an alien planet seven hundred years after Voyager left. He is activated by a museum curator hoping to get to the bottom of a centuries-old conflict between two alien races. Eventually, the Doctor is able to make peace between the two groups and stays behind as their surgical chancellor before getting into a shuttle and very belatedly plotting a course back to Earth.
To many fans’ surprise, the first season of Starfleet Academy never followed up on “Living Witness.” However, Robert Picardo recently appeared on the D-Con Chamber Podcast (hosted by Enterprise alumni Dominic Keating and Connor Trineer) and revealed that he pitched a Season 3 story that would follow up on this iconic Voyager episode. “I wanted to do an episode—now we can talk freely about it, because the show’s canceled…I wanted to meet my Voyager backup, my old self, and be as I looked at 41 and play off my self.”
Doctor, Heal Thyself

At first, this would have the “Living Witness” Doctor chastising the Starfleet Academy version for programming aging into his subroutine. Eventually, they bond over the relationship they share with Lewis Zimmerman, the man who invented the Emergency Medical Hologram. “The Doctor and his backup program are two children of the same parent. One has resolved the issues, the other hasn’t, and after 800 years, those daddy issues, those parental conflicts, they don’t go away if you don’t deal with them,” Picardo said.
On paper, I love the idea of following up on “Living Witness,” and I previously wrote about how interesting it would be if the backup version was actually the Doctor in Starfleet Academy. Furthermore, Robert Picardo’s storytelling instincts are good in the sense that it would be fun to see multiple versions of this cranky hologram bouncing off each other. Unfortunately, the Starfleet Academy episode that he pitched was emblematic of the show’s biggest problem: that the adults on the show are no more mature than the young cadets.
Nearly Ruining A Beloved Character

Critics of Starfleet Academy have frequently dunked on the cadet characters for various reasons, including their vulgar language, constant insults, and frequent infighting. Fans of the show have traditionally responded to this criticism by pointing out that, as young characters growing up in a post-Burn galaxy, the cadets should be immature.
However, one of the show’s biggest problems is that the adult characters were equally immature. The Doctor and Captain Ake have a combined 1200 years between them, but they spend their screentime making poop jokes and laughing at a farting fish. Plus, their dialogue is equally vulgar, with the Doctor infamously declaring that “debate is not for the chickensh*t” and Captain Ake telling her enemy to “blow it out your *ss!”
What does this have to do with the Season 3 SFA episode that Robert Picardo pitched? Simple: the last thing the show needs is another older character acting just as immature as the younger characters. For example, having daddy issues is part of Genesis’s character, which makes sense because she is supposed to be so young. But both versions of the Doctor are now over 800 years old, making them some of the wisest and most ancient living beings in the galaxy. Why in the name of Neelix’s stinky cheese would either of them have the same kind of daddy issues as a teenager in her freshman year of space college?
Meet The Trauma Teacher

It was already weird enough in Season 1 that Starfleet Academy turned the Doctor into a tragic figure haunted by the death of his holographic son from “Real Life;”; before this, he never even mentioned the kid after the episode. Now, Picardo’s pitch would further tweak his character to explain that, after the better part of a millennium, the backup Doctor is suffering from daddy issues that, like him mourning his son, were never really mentioned before in Voyager. I can’t help but think this would ultimately ruin his character, turning the whimsical comic relief character from a beloved Star Trek show into just another NuTrek character defined primarily by trauma.
Because of this, I’m glad that Starfleet Academy got canceled. I actually warmed up to Season 1 over time, but it had an insanely rocky first half that made it really hard to love these characters. If Season 3 was going to ruin the Doctor (one of my favorite characters from the Golden Age of the franchise) with Picardo’s pitch, it’s best that the show died. Fans will have to make peace with the fact that the best days of the Doctor are just like the best days of Star Trek: stuck a few decades in the past.
Entertainment
Netflix’s Addictive 8-Part Hit Surging on the Charts Is the Perfect Season 4 Setup
There’s a very specific kind of show Netflix is good at sneaking up on people with — the ones you don’t plan to care about, and then suddenly you’re five episodes deep, emotionally invested in teenagers making questionable choices. XO, Kitty falls squarely into that category.
This is funny because on paper, it shouldn’t feel like a phenomenon. It’s a spinoff; a side character from To All the Boys I’ve Loved Before gets her own show, heads to Seoul, and gets tangled up in romance. You expect something pleasant, maybe a little disposable, but it’s something that keeps you gripped, especially if you cared about the movie franchise in the first place.
What XO, Kitty Is Actually About
Kitty Song-Covey (Anna Cathcart) ships herself off to the Korean Independent School of Seoul with a pretty straightforward goal: reunite with her long-distance boyfriend and feel closer to the mother she lost. That plan lasts maybe an episode because XO, Kitty isn’t really interested in letting anything stay simple. Relationships unravel, then re-form in slightly different shapes, crushes multiply, people lie, or don’t lie, exactly, but definitely don’t say the whole truth.
Kitty has always appeared to possess a certain knowledge of love, according to the films, but is discovering that perhaps she doesn’t truly understand it after all, and, rightly, is likely to come to that conclusion. Throughout this series of events, the show plays with the theme of someone who has believed they know what love is, only to be confronted with the reality that they actually don’t. The approach is very direct, but effective.
There are stretches of XO, Kitty that feel overstuffed. Too many plotlines, not enough breathing room, a tendency to jump ahead and expect you to just catch up. It can feel like you missed an episode even when you didn’t. And yet—it’s hard to stop watching. Part of that is the ensemble. The core group — Kitty, Yuri (Gia Kim), Min Ho (Sang Heon Lee), Dae (Choi Min-yeong), Q (Anthony Keyvan) — has that lived-in, slightly chaotic chemistry that makes even the clunkier storylines go down easier. When they’re all together, the show relaxes a bit; there’s a looseness to those scenes.
Also, and this matters more than the show probably gets credit for, Seoul isn’t just aesthetic window dressing. Kitty’s connection to her Korean heritage — something that started as a vague emotional pull — becomes more specific and more complicated the longer she stays. That thread gives the show weight when the romance starts spinning its wheels.
The Romance Is the Draw—But Not Always the Strength
This is where things get a little uneven. XO, Kitty sells itself as a romance (and, yes, there’s plenty of that), but the actual execution can feel frustrating in a very specific, very familiar way. Miscommunication stretches on longer than it should. Big emotional beats get delayed, interrupted, sidestepped. You’ll probably find yourself thinking, just say the thing. They almost never do.
Season 3 leans heavily into Kitty’s relationship with Min Ho, which should feel like a payoff after all that buildup. Sometimes it does, but other times, it feels like the show is stalling — creating tension where a single honest conversation would clear everything up. But even when the romance falters, the show doesn’t completely lose you because it’s never just about the couple. it’s about who these characters are becoming around each other, and sometimes despite each other.
It’s Really a Coming-of-Age Story
Even though there are many moments consisting of love triangles, near-confessing to one another, and timing creating dramatic moments, the best moments of XO, Kitty are when romantic moments are completely removed from the series. There are scenes that feature Yuri as she copes with her family breaking apart, Q as he makes decisions he will not be able to easily take back, and also Kitty paying for her impulsive actions for once, and those scenes hit harder than big romantic gestures.
There is a version of this series that embraces that aspect; it embraces the craziness of growing up, and how your identity changes based on where you are located and who you are with. You can see it trying to be that show. Sometimes it gets there. Sometimes it veers back into safer, more familiar territory.
Being tied to To All the Boys is both a strength and a crutch. When familiar faces pop up — like Lara Jean (Lana Condor)— it’s hard not to feel a little hit of recognition. That world still works. The sister dynamic, especially, has an easy warmth to it that the show taps into effectively.
It’s not a perfect series, but it’s watchable in that specific, slightly compulsive way — one episode bleeding into the next, characters getting under your skin before you fully realize it. You start watching out of curiosity, you keep watching because, somehow, you’ve picked sides, and now you kind of need to know what happens next.
Entertainment
‘The Rookie’ Officially Returns to What Made the Procedural So Good With This Fan-Favorite Character
Editor’s Note: The following contains spoilers for Season 8, Episode 14 of The Rookie.At first glance, Episode 14 of ABC’s The Rookie seems like it’s going to be a light-hearted romp. Tim Bradford (Eric Winter) has souped up one of the shops so that he’ll be riding around as Watch Commander in style. But then, the series does something that allows it to put out an excellent episode — it actually highlights one of its best characters. Even though the episode also returns to a storyline with an old character (which has been happening in nearly every episode this season), The Rookie still soars when it goes back to its heart.
‘The Rookie’ Focuses on Celina’s Excellent Police Work
Celina Juarez (Lisseth Chavez) is tasked with working as a temp with a detective. She chooses Missing Persons, but everyone questions her choice. Detective Hernandez (Carlos Gómez) is known for being a pessimistic sad-sack who isn’t really devoted to solving cases anymore. When Celina tries to get acquainted with him and learn what her duties would be, he calmly tells her that she won’t really be putting bad guys behind bars. In fact, Missing Persons cases are often solved because the individuals aren’t actually missing at all. Celina is still looking at things through rose-colored glasses and insists she can do some good here (especially because she’s driven by her own sister’s case years ago). She starts to dig through case files and finds one case of a missing woman, but after Celina drags other police officers into the city tunnels looking for her, she’s informed that the woman actually checked back into a shelter and is perfectly fine. Lucy Chen (Melissa O’Neil) reassures Celina that she shouldn’t give up on her instincts, even though this case was a dud.
‘The Rookie’ Is Getting Stale as the Procedural Abandons Its Most Interesting Stories | Review
After a thrilling few episodes, the latest ‘Rookie’ takes a massive step backward.
Before long, Celina comes across another missing person case that feels significant to her. Apple coincidentally lived in Celina’s building and went missing 30 days ago after attending Coachella. Celina goes home, and even though Hernandez encouraged her to give up, she knocks on Apple’s apartment door anyway. Apple’s roommate (Kiara Barnes) answers and allows Celina to come in and look around. Right away, the roommate starts listing all the reasons why Apple was difficult to live with. But Celina doesn’t catch onto the fact that she’s in danger until she looks under Apple’s bed and discovers what will live in my nightmares for weeks.
Before Celina can actually register that she’s holding a tooth, the roommate maces her and chases Celina around the apartment with a hammer. Celina is eventually able to subdue and handcuff her, while the woman screams that Apple was actually “the worst roommate ever!” Back at the station, Hernandez is angry with Celina for putting herself in danger and breaking protocol, but Celina insists that she remains “undaunted” in the fight to help victims. Perhaps she has inspired Hernandez to look into more cases to solve in the future. This storyline proves that Celina is one of The Rookie’s strongest characters, who has the most heart and dedication to the job.
‘The Rookie’ Season 8, Episode 14 Features a Teenager-Focused Investigation
The secondary storyline this week follows John Nolan (Nathan Fillion) and the return of Dash (Beckett Hawley). He calls Nolan to report that he’s standing in front of a dead body. The victim turns out to be Kenneth Morris, an English teacher at Dash’s school. Lots of teenagers are interviewed, and Dash points out his current crush, a rich girl named Autumn Harrington. This classic mean girl won’t give him the time of day. In some impressive Gen Z police work, Lucy researches who initially found the body, and it turns out to be a teen named Reese. She eventually confesses that her mother became enraged when Morris’ tutoring didn’t lead to Reese’s acceptance into Yale. The mother is arrested for his murder, but this isn’t the end of Dash’s storyline.
Dash’s father shows up to take him home, but ends up taking him to his house instead. Dash’s father is clearly a loser who hatches get-rich-quick schemes instead of simply being a good dad. Several men show up at the house and start beating up Dash’s father because he owes them money. In order to get out of this pickle, Dash suggests heading to Autumn’s house (he thinks she won’t be home), so the bad guys can rob the mansion. Autumn turns out to be home anyway, and Dash and his crush are trapped, while the guys loot the home. Nolan eventually arrives after a call for help from Dash, and the villains are apprehended.
Nolan gives some advice to Dash’s father, stating that if he’s going to keep being so disruptive and selfish, he should just leave Dash alone for good. This is a heartbreaking piece of advice, but I loved that Nolan is stepping in as a father figure to Dash. Although I’m super sick of past characters returning, at least this character offers a new side to Nolan’s persona.
Wesley Faces the Music After His Disastrous DA Campaign in ‘The Rookie’
Wesley Evers (Shawn Ashmore) returns to work, having to face Vivian Eckert (Necar Zadegan) after her win in the District Attorney race. She’s incredibly smug (as expected), but the nice surprise is that Sean Del Monte (Michael Trucco) pops up after leaving last season. He’s decided to stay at the prosecutor’s offices and suggests that Wesley stay too. Vivian proudly proclaims that there are 27 cases awaiting prosecution, and she demands that Wesley and Sean get plea deals for each one. In a fun montage, both lawyers basically help the defendants and tank any possibility that they would accept plea deals. I’m definitely all for whatever duplicitous actions that will take down Vivian at this point. In the end, Wesley proudly quits, and Sean decides to follow suit. They discuss opening an office together, which I think could be a really exciting avenue for the series to explore.
Even though Episode 14 brings back both Dash and Sean, the hour is successful largely because it has Celina anchoring it. I was excited that there weren’t any silly Bailey Nune (Jenna Dewan) storylines to get in the way of strong storytelling, and the episode was much more thrilling because the action focused on compelling cases instead of romance drama. Although I have to say that I miss not having a Chenford update in a while, the investigations featured in this episode prove that The Rookie can still churn out quality episodes, even eight seasons in.
New episodes of The Rookie air on Monday nights on ABC, with episodes available to stream on Hulu in the U.S.
- Release Date
-
October 16, 2018
- Showrunner
-
Alexi Hawley
- Directors
-
Tori Garrett, Chi-Yoon Chung, Michael Goi, Sylvain White, Lisa Demaine, Lanre Olabisi, Bill Johnson, David McWhirter, Liz Friedlander, Daniel Willis, Toa Fraser, Anne Renton, Jon Huertas, Cherie Nowlan, TK Shom, Rob Seidenglanz, Valerie Weiss, Barbara Brown, Charissa Sanjarernsuithikul, SJ Main Muñoz, Nelson McCormick, Marcus Stokes, Adam Davidson, Anna Mastro
- Writers
-
Corey Miller, Bill Rinier, Zoe Cheng, Mary Trahan, Ally Seibert, Liz Alper, Nick Hurwitz, Racheal Seymour, Madeleine Coghlan, David Radcliff
- Celina is a perfect focus for this fast-paced episode.
- The episode isn’t dragged down by Bailey’s shenanigans.
- It’s still tiring to have old characters keep returning.
- We haven’t had any Chenford storylines in way too long.
Entertainment
Blake Lively, Justin Baldoni Reject Settlement Effort
Blake Lively and Justin Baldoni remain embroiled in a legal dispute after both sides reportedly rejected the latest effort to reach a settlement. The development comes days after most of Lively’s case was dismissed, which indicates the case will most likely go to trial as scheduled.
Blake Lively And Justin Baldoni Refuse To Settle

On April 6, counsel for Lively and Baldoni separately conferred with Magistrate Judge Sarah Cave in New York in the latest attempt to settle the case. As reported by the Daily Mail, Judge Lewis J. Liman, who is presiding over the case, allowed both parties to inform the court of their “updated settlement position” days after the two parties appeared in court.
On April 2, Judge Liman dismissed 10 of Lively’s 13 claims against the “It Ends With Us” director, including sexual harassment, leaving three remaining claims: retaliation, breach of contract, and aiding and abetting retaliation.
According to the report, however, the result was reportedly a stalemate, with both parties refusing to settle just over a month before the trial was scheduled to begin.
Blake Lively Is Reportedly Being Urged To Settle

With the majority of her claims tossed, those close to Lively are reportedly urging the “Gossip Girl” actress to settle. As previously reported by The Blast, those close to Lively aren’t certain she could win, with a source stating that they are “begging” her to settle.
Another insider alleged that even Lively’s husband, Ryan Reynolds, has reservations about moving forward with the trial, as the case has been affecting not only their careers but their personal lives and relationships as well.
However, it seems Lively is insistent on moving forward with the case despite the setback, as evidenced by the result of the latest settlement talks.
The Actress Said She’s ‘Grateful’ For The Court Ruling

Following the dismissal of most of Lively’s claims, one of her lawyers, Michael Gottlieb, released a statement saying that his client’s claims were tossed due to legal technicalities.
“Ms. Lively’s sexual harassment claims could not go to a jury because Ms. Lively did not sign a contract, that she is an independent contractor instead of an employee, and that the offensive conduct occurred in New Jersey instead of California,” he noted.
Lively also addressed the court’s decision on Instagram Stories, writing, “I’m grateful for the Court’s ruling which allows the heart of my case to be presented to a jury next month, and for the ability to finally tell my story in full at trial…”
The actress then talked about the dangers of “retaliation and digital warfare” and vowed not to stop fighting. “I know it’s a privilege to be able to stand up. I will not waste it,” she concluded.
Justin Baldoni Was Pleased With The Latest Outcome

Baldoni’s legal team was pleased with Judge Liman’s decision to dismiss the majority of Lively’s claims, saying that what remains “is a significantly narrowed case.” One of the actor’s attorneys, Bryan Freedman, said the defendants, including Baldoni and Wayfarer Studios President Jamey Heath, were “very good people who have not engaged in this sexual harassment as alleged.”
“It is gratifying to see that the courts ruling confirms what the legal team believed from day one,” Freedman said in a statement, adding that Baldoni’s team relied on transparency in their defence since the legal battle started in December 2024.
Lawyer Weighs In On The Blake Lively And Justin Baldoni Case

Both parties have their own reasons for pushing forward with the case and going to trial. Lawyer Neama Rahmani, who isn’t involved in the case, shared her opinion with Vulture, saying, “This is about her sending a message to Baldoni and standing up for herself. Then, on the other side, Baldoni was canceled. This is about clearing his name in Hollywood.”
According to Rahmani, 98 percent of civil lawsuits are resolved via a settlement. Despite the latest refusal of both parties to settle, there is still a chance that the case will not go to trial, as settlement can take place from now until then. “Lively and Baldoni could settle right now. They could also settle on the day their trial is supposed to start. They could settle mid-trial. They could even settle after the trial. The world is their settlement oyster,” Rahmani explained.
The trial is scheduled to begin on May 18 in New York.
Entertainment
The Forgotten Actress Who Loved Becoming A Star Trek Babe
By Chris Snellgrove
| Published

The James Bond franchise is famous for its bevy of beautiful babes, and it’s generally considered an honor to be one of them. After all, what actress wouldn’t want to have something as cool as “Bond Girl” on her resume? Sadly, other franchises don’t really have the equivalent of this elite group. However, one largely unknown actress gave herself a “Bond Girl” type nickname for the least likely IP of them all: Star Trek.
The actor in question is Jennifer Gatti, who had previously played a practically naked minor character in Star Trek: The Next Generation. Later, she played a completely different bit part in Voyager, and she was once again required to strip down for her scenes in the episode “Non-Sequitur.” She didn’t mind, though, boldly giving herself a title that nobody had given themselves before: “Star Trek Babe.”
The Naked Now

Veteran Star Trek fans know Jennifer Gatti best for her role as Ba’el in the two-part TNG episode “Birthright.” She’s got the hots for Worf, and she accidentally seduces him with the next best thing to Klingon opera: her naked body.
She serves as a temptation for Worf to embrace his own happily ever after in a Romulan prison compound. However, her charms were not enough to win Worf over, and he successfully returned to the Enterprise.

Later, in the Voyager episode “Non-Sequitur,” Gatti played a very different character: Libby, an old flame of Harry Kim’s. In the main timeline of the show, she’s the girl he keeps pining for, even though he’s on the other side of the galaxy.

In this episode, though, Kim wakes up in an alternate timeline where he never joined Voyager and gets to live happily ever after with his main squeeze. Libby is very different from Ba’el, but she does share one important quality: when she’s onscreen, she’s hardly wearing any clothing.
A Star Trek Babe Is Born

As recorded in Captains’ Logs Supplemental-The Unauthorized Guide to the New Trek Voyages, Jennifer Gatti quickly realized the similarity between her two characters. “I always seem to have my clothes off,” she said with a laugh. “I guess now I’m a Star Trek babe, huh?” She then mulled over how Libby spends most of “Non-Sequitur” wearing things like a pajama top, a towel, and a dancer outfit. Rather than being offended, though, she had “to feel a little complimented…because apparently somebody likes me without my clothes on.”
She never found out who that somebody was, though my money is on Rick Berman. At any rate, her raunchy appearance in Star Trek: Voyager speaks to that show’s attempt to capture the verve of The Original Series, right down to featuring beautiful women with as little clothing as the network would allow. This concept would later reach its apex with Seven of Nine, a Borg beauty who walks around in a skintight catsuit. As beloved as Seven was, though, Jennifer Gatti has the distinction of being Voyager’s first Star Trek babe, one who walked so that Jeri Ryan could run.
Just, uh, not very fast. Have you seen those heels?
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