Editor’s Note: The following contains spoilers for Off Campus Season 1.If you’re looking for another hockey romance to sink your teeth into, then look no further than Prime Video’s latest binge drop, Off Campus. Based on Elle Kennedy‘s novel series of the same name, Season 1 has officially dropped on the streamer, and it’s about to become your new addiction. The series is set in the fictional Briar University, where hockey reigns supreme, and at the center of it are four star players: Garrett Graham (Belmont Cameli), John Logan (Antonio Cipriano), Dean Di Lauretis (Stephen Kalyn), and John Tucker (Jalen Thomas Brooks). As four of the best players and the hottest guys on campus, they are not only popular with the ladies but beloved by the school.

We sat down with Cipriano, Kalyn, and Brooks to talk about the sensational new series and what it takes to play in such a physically demanding role. The trio revealed their own experience playing hockey and what it was like training for such a rigorous sport, with some of them coming in with zero to little experience. The group talked about the secrets behind those plentiful shirtless scenes and what prep comes with it. Kalyn discussed Dean’s surprising storyline with Allie (Mika Abdalla) and what’s in store for them with Hunter (Charlie Evans) now in the mix. Cipriano teased a bit about Season 2 and what to expect with Logan’s story centered in that season. And Brooks, who also stars in The Pitt as Mateo, reveals what’s harder: playing hockey or spending a full shift working in The Pitt.

Stephen Kalyn, Jalen Thomas Brooks, and Antonio Cipriano Reveal Who Is the Best at Hockey in Their Group

“They were horrible at first, but now they’re pretty good.”

Image via Amazon Studios

COLLIDER: Guys, I love this show. I was a huge fan of the books when they first came out, and you guys play these characters amazingly. Obviously, all three of you play hockey players, and I have to ask you what the training was like to get on the ice. Did you have experience ice skating or playing hockey before this?

STEPHEN KALYN: I grew up in Toronto, Canada, and I played hockey my whole life since I was six years old, so this has been awesome. This is great. I get to act and play hockey with a bunch of cool dudes. Yeah, we did a two-week boot camp before, and actually, we did another one recently, and we’re going into another one, I think. They were horrible at first, but now they’re pretty good.

JALEN THOMAS BROOKS: We’re getting there, yeah.

KALYN: Okay, they weren’t horrible. Sorry.

BROOKS: No, we were horrible.

ANTONIO CIPRIANO: Terrible.

KALYN: Okay, alright.

BROOKS: [Laughs] You don’t have to be nice.

You’re all great in the show, so that’s what matters.

BROOKS: Shout out to Dave Tomlinson. We got trained by this Vancouver Canuck Hall of Famer, Dave Tomlinson. Shout out Dave!

KALYN: Dave, you’re a beauty.

Kalyn and Brooks Joke About the Prep It Takes for Those Shirtless Scenes

“I didn’t know about the shading and coloring.”

Image via Prime Video

Obviously, in a show like this, there are a lot of shirtless scenes, and I know for actors that can be very daunting, and prepping for that. Was it nerve-wracking for you guys to know that, “Okay, I’m going to have to work out like crazy leading up to some of these shoots, or was it like, “Okay, I can’t wait to do this?”

KALYN: I’ve always kind of stayed active my whole life, because I’ve always played sports, so it’s been a real part of my routine to stay active. Those days are kind of, especially like Dean, for some reason, always needs to have his shirt off quite a bit, so there are some days you’re a little hungry, for sure. But yeah, the makeup team does a great job giving us all a six-pack. What do you say, guys?

BROOKS: Absolutely! [Laughs] I didn’t know about the shading and coloring.

KALYN: I don’t know about any of that stuff.

BROOKS: On the day, you have all these markings on you, and then you see it on camera, and you’re like, “Whoa! I look like that?” Nah.

Kalyn Discusses Dean’s Story With Allie and That Major Hunter Twist in the Finale

“It’s a nice little breather for a second to kind of jump into something different.”

Image via Prime Video

Stephen, I want to ask you a little bit about Dean, because obviously, when I was going into this season for the first time, I had no idea that they were going to be mixing the stories together a little bit. What was it like for you finding out that you would be exploring Dean’s character a little bit more in this season that’s sort of mainly dedicated to Garrett and Hannah?

KALYN: I was so excited to do that part because we’re, I guess, a B-plotline, you’d call it, and so when we had our episode, it’s cool because you get, of course, everybody together, you get Hannah and Garrett, and then it kind of goes to Dean and Allie, and it kind of breaks away. Isn’t that the name of the episode?

BROOKS: “The Breakaway.”

KALYN: “The Breakaway.” Genius!

BROOKS: Good job.

KALYN: Thank you. And just to kind of separate from that and get a completely different scenario from Hannah and Garrett. It’s a nice little breather for a second to kind of jump into something different. So yeah, it was just really, really cool to do that.

Can you tease anything about his and Hunter’s relationship in the series? Because obviously, the way Season 1 ends, I was like, “Oh, okay. I did not expect this twist.” Can you talk about any of that relationship if you know anything at this point?

KALYLN: I think we had something to begin with, something to do with Dean’s sister, but I don’t know exactly what we’re going to be going with later on. But some sort of thing happened in the past, and we kind of moved from that, but I don’t know too much. We’re still waiting on some scripts.

I heard the scripts are ready from Louisa [Levy], so you’ll probably get them soon.

CIPRIANO: Can’t wait.

KALYN: I’ll be doing some reading after this, I guess.

Cipriano Discusses Logan’s Unrequited Crush and a Future Romance in Season 2

Image via Prime Video

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Antonio, Logan, in the books, very much has this crush on Hannah, which I think we see glimmers of in this season. Is that something that you’re interested in leaning more into and having this sort of unrequited love for this poor guy?

KALYN: I’m excited to see that.

CIPRIANO: Yeah. I mean, he yearns quite a bit. He almost doesn’t hide it enough in the season. But yeah, that is a big part of his arc. Getting over that is something that he’s struggling with in his love story later on. So, obviously, there’s going to be some more of, like, coming to terms with, “Okay, this is not okay,” and also, “What do you actually want?” And then, “Let’s actually find some real love here.” So, I’m excited for that at some point.

I’m looking forward to a storyline with Grace. I just reread that book the other day, and I was like, “Okay, this is going to be good.”

CIPRIANO: Yeah, that’s really sweet. Thank you.

Brooks Talks About What He’s Looking Forward To for Tucker and Which is Worse, The Pitt or the Ice

“These guys made hockey very, very easy.”

Image via Prime Video

Jalen, obviously, I really wish we got more into Tucker’s story this season because I feel like there’s so much time until his storyline, and I’m guessing there’s going to be a little bit more mixing and matching. But I’m curious, what are you looking forward to exploring the most, moving into Season 2? We get a little bit of his family dynamic in Season 1, but it’s just a touch of it.

BROOKS: So many things. I think just the time that Tucker has to find himself and to find what he likes and to find, of course, his position within the hockey team, growing up as a young man and just becoming the guy that is in his book. I’m really looking forward to exploring his fun side, seeing him let loose, becoming a family man, and living that college life. Then, when you get to his book and how that is, he’s got that switch-up. It’s going to be a very lovely thing because the audience would have grown with him and known where he’s coming from in a sense. So yeah, I’m excited for that.

So what would you say is harder for you, to learn all of this hockey and have to be on the ice all the time, or playing in The Pitt and having to deal with the intensity of that shoot, which I know is pretty intense?

BROOKS: Yeah, absolutely. Of course, hockey is a very physically demanding sport. Stuff on The Pitt is very mentally medical dialogue, the chaos, the anxiety of it all, and long days, a bunch of people on set.

I wouldn’t say one was harder than the other. These guys made hockey very, very easy. It became more of a fun thing. But then the day, I was more exhausted on this show physically than I was doing The Pitt, which is crazy. But, yeah, both have things that were easy, things that were difficult, but it’s very nice as an actor to have something tangible for each role where you’re like, “I have to learn this, and I have to learn that.” So it was a cool separation of the two. It’s like, “I go here to do medical. I go here to play hockey with the boys — and take my shirt off.” [Laughs]

Brooks, Kalyn, and Cipriano Reveal Their Ideal Songs for Their ‘Off Campus’ Characters

Image via Prime Video

So, just wrapping up, do you guys have a song or a playlist that you have for your characters to get into the mode of playing your character?

BROOKS: You did.

KALYN: I did, yeah. Oh, that’s right. I had a whole playlist of songs that really just gave me that confidence as soon as I walked out of the makeup chair. But the one at the top of my head would be “Girls, Girls, Girls” by Motley Crue. Yeah, that would be it.

BROOKS: That just makes so much sense.

KALYN: It makes sense. It’s like an anthem for him.

BROOKS: What was yours?

CIPRIANO: This has been getting me prepped for Season 2. I didn’t necessarily have one that was for Season 1, but in Season 2, as I’ve been just kind of prepping and working out and just being in my zone, in the headphones I’m listening to “Surrender” by Cheap Trick. I just feel like that’s kind of like… I’ve been listening to that in the auto shop while I’m working. That feels like Logan’s…

BROOKS: I wasn’t familiar with your game.

CIPRIANO: Yeah. That’s kind of where he’s at.

KALYLN: Oh, also “Pour Some Sugar on Me,” Def Leppard. “Pour some sugar on me!”

BROOKS: Of course, for me, it’s “Save a Horse, Ride a Cowboy.”

Amazing performance, by the way.

BROOKS: Thank you so much!

CIPRIANO: Really good performance.

BROOKS: That means a lot coming from you.

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Release Date

May 13, 2026

Network

Prime Video

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Directors

Silver Tree

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Over the course of the 2020s so far, cinema has given us plenty of excellent characters. Well-written, performed by some of the biggest stars in the industry, and wildly effective at whatever the story of their films requires them to do, these characters will likely go down in history as some of the best and most iconic of 21st-century cinema. Only a few of them, however, will be able to transcend that kind of category.

Indeed, throughout the last six years, the world has seen films with characters that may just end up becoming some of the most beloved in the history of cinema. From players in some of the biggest blockbusters of the 2020s, like Rocky from the recent Project Hail Mary, to action heroes from Oscar-winning indie films, like Everything Everywhere All At Once‘s Evelyn Wang, these are already some of the biggest icons of this decade’s cinema.

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Rocky — ‘Project Hail Mary’ (2026)

Image via Amazon MGM Studios

With its theatrical run not even over yet as of the time of writing this article, Project Hail Mary is already one of the most acclaimed and highest-grossing hard science fiction movies of the 21st century. Based on Andy Weir‘s 2021 novel of the same name, it follows a school teacher who wakes up aboard a spacecraft with no memory of how he got there, and has to ally with an alien to regain his memory and save the universe.

It’s one of the most perfect sci-fi movies of the last five years, in no small measure thanks to its incredible character writing. Ryan Gosling‘s Ryland Grace is a fantastic protagonist, but it’s the alien Rocky (voiced by James Ortiz and played by a highly elaborate puppet) who steals the spotlight and quickly becomes the heart of the film. He’s funny, he’s visually delightful, he’s surprisingly endearing and complex for a non-verbal rock, and his dynamic with Grace is the emotional fuel that keeps Project Hail Mary going until the credits roll.

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Anthony — ‘The Father’ (2020)

Image via Sony Pictures Classics

For obvious pandemic-related reasons, 2020 wasn’t exactly a highly prolific or profitable year for cinema. Nonetheless, the Seventh Art still provided us with plenty of movies that have become some of the most beloved of the decade, which certainly includes the British-French psychological drama The Father. Florian Zeller‘s directorial debut, based on his 2012 French stage play, follows an old man who refuses all assistance from his daughter while his mind begins to fail him as he ages.

It’s one of the best father-daughter movies in recent memory, and that’s largely thanks to how incredibly layered and well-realized a character Anthony (played by an Oscar-winning Anthony Hopkins) is. It’s his eyes that we experience this story through, and as his reality begins to crumble around him, so too does our understanding of him as a person. The character’s final moments are among the saddest (and best-acted) moments of any character from the last six years.

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Roz — ‘The Wild Robot’ (2024)

Image via Universal Pictures

For a while, DreamWorks Animation’s output has been a bit of a mixed bag, but when the studio delivers, it can make some of the greatest animated films out there. Case in point: The Wild Robot, one of the studio’s best outings ever, based on Peter Brown‘s 2016 novel. It’s one of the best family movies of the last 15 years, about a sentient robot who becomes stranded on an island and has to raise an orphaned gosling while trying to fit in with the local wildlife.

The robot, Roz (voiced by Lupita Nyong’o in one of the best voice performances of the decade so far), can already be counted among DreamWorks’ most endearing protagonists. From the character’s design to her compassionate personality, her adorable relationship with her found family to the way she highlights the movie’s themes of motherhood and environmental harmony, everything about this animated masterpiece’s protagonist is virtually perfect.

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Art the Clown — ‘Terrifier 2’ (2022) and ‘Terrifier 3’ (2024)

Image via Cineverse

We’re only a little over halfway through the decade, and we’ve already gotten some pretty scary horror movie villains. David Howard Thornton‘s Art the Clown, from Damien Leone‘s Terrifier franchise, actually originated all the way back in 2008, but it’s through his appearances in Terrifier 2 and Terrifier 3 that he’s become the new face of the slasher genre.

From Thornton’s pitch-perfect performance to the many ways in which Leone makes Art seem as mysterious and oddly amusing as he is horrifying, it’s no wonder that Art has become such a pop-cultural sensation. A couple of decades from now, fans of the genre will very likely look back at the 2020s and think of this terrifying clown as one of horror’s biggest modern icons, a slasher villain who refuses to ever play by the rules.

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Paul Hunham — ‘The Holdovers’ (2023)

Image via Focus Features

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As soon as it was released in late October of 2023, Alexander Payne‘s The Holdovers almost immediately became a new certified Christmas classic. Set in a 1970s New England boarding school, the story follows a cantankerous history teacher who remains on campus during Christmas break to supervise a brainy but damaged troublemaker. Played by Paul Giamatti at his Oscar-nominated best, Professor Paul Hunham immediately joined the ranks of the best Christmas movie characters of all time.

As far as feel-good movies go, few find a balance between feel-goodness and deeply poignant bittersweetness quite as well as The Holdovers does. Even still, it’s one of the most heartwarming slice-of-life movies from recent years, with a character whose arc toward becoming a more protective and caring figure is an absolute delight. Never has the trope of the inspirational teacher been subverted quite this effectively.

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Marcel — ‘Marcel the Shell With Shoes On’ (2021)

A24’s mockumentary dramedy Marcel the Shell with Shoes On is one of the best family movies of the decade so far, a follow-up to Dean Fleischer Camp and Jenny Slate‘s trilogy of stop-motion shorts from the 2010s. Its story follows a documentary filmmaker who decides to make his newest movie about a small shell he finds living in his Airbnb. The result is one of the sweetest, most beautifully life-affirming family films that indie Hollywood has ever produced.

It’s also one of the best low-budget fantasy movies ever made, and the reason it works so well is that its protagonist is so profoundly lovable. Marcel (voiced by Slate) is the type of character who doesn’t really need much of a transformative arc, because it’s how his “glass-half-full” approach to life impacts the audience that’s the whole point of the movie. Optimistic, resilient, innocent, and irresistibly cute from beginning to end, Marcel is the sort of wholesome character that people can’t get enough of.

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Miles Morales — ‘Spider-Man: Across the Spider-Verse’ (2023)

Image via Sony Pictures Releasing

Miles Morales first appeared in Marvel Comics back in 2011, and he made his big-screen debut in Sony Animation’s surprise smash-hit Spider-Man: Into the Spider-Verse in 2018. Expectations were set sky-high, and somehow, Across the Spider-Verse managed to surpass them. This sequel follows Miles meeting a new team of Spider-People while traveling across the multiverse. But when the heroes clash over how to deal with a new threat, Miles finds himself at a crossroads.

The entirety of Across the Spider-Verse‘s narrative is a delectably meta study of the very concept of superheroes, as well as a deconstruction of the Spider-Man mythos, and it’s through Miles’ eyes that we experience such a complex narrative. We couldn’t have possibly gotten a better pair of eyes for that. Across the Spider-Verse is one of the most perfect animated movies of the last 10 years, largely because its protagonist’s arc of finding his own path is so immensely effective.

3

Evelyn Wang — ‘Everything Everywhere All At Once’ (2022)

Image via A24

A hyper-ambitious martial arts sci-fi comedy about multiversal travel? It’s not exactly the kind of premise that screams “prestige film,” but somehow, the Daniels‘s Everything Everywhere All At Once managed to make its way to tremendous financial success and a whopping seven Oscar victories, including Best Picture. It’s the story of Evelyn (played by an Oscar-winning Michelle Yeoh), a middle-aged Chinese immigrant who’s swept up into a multiversal adventure in which only she can save existence by exploring other universes and connecting with the lives she could have led.

This is one of the truest action movie masterpieces of the 2020s, and like any action movie masterpiece, the character writing is fantastic here. That leaves us with one of the decade’s strongest and most compelling protagonists. Evelyn is a vehicle for Everything Everywhere‘s meditations on family, existential dread, and the search for meaning, and her journey is a celebration of how kindness can save the world. As much of a badass action heroine as she is a deeply complex and emotionally engaging protagonist, Evelyn carries the weight of the film on her shoulders with ease.

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Willa Ferguson — ‘One Battle After Another’ (2025)

Image via Warner Bros. Pictures

Paul Thomas Anderson had been trying to claw his way to an Academy Award victory for years, and with 2025’s One Battle After Another, he finally obtained three. Many people’s favorite PTA masterpiece, One Battle follows Bob, an ex-revolutionary who has to try and rescue his daughter after an enemy of his old revolutionary cell resurfaces after 16 years. The result? One of the best crime thrillers of the last 10 years.

Bob’s daughter is Willa, played by breakout star Chase Infiniti. Subverting the usual trope of the child being the damsel-in-distress that must be rescued by her brave father, Willa is a powerhouse in her own right. Complex, resilient, and determined, she transcends the revolutionary ideals of her father’s generation and ends up rescuing herself throughout the entire story. Partly through PTA’s brilliant writing and partly through Infiniti’s exceptional performance, Willa becomes one of the most fascinating characters of any 21st-century film.

1

Paul Atreides — ‘Dune’ (2021) and ‘Dune: Part Two’ (2024)

Image via Warner Bros. Pictures

Paul Atreides originated in Frank Herbert‘s Dune, one of the most important works of science fiction literature in history. It was believed to be impossible to make a Dune adaptation truly worthy of the source material’s legacy for years — until Denis Villeneuve came along. His Dune and Dune: Part Two brilliantly follow the story of Paul, a ducal heir who unites with the indigenous people of Arrakis to seek revenge against the conspirators who destroyed his family.

In creating two of the most perfect sci-fi movies of the 21st century, Villeneuve flawlessly understood what the character of Paul is all about: He’s not a hero, but rather a walking cautionary tale against blind faith in charismatic leaders who manipulate religion for political power. Played impeccably by Timothée Chalamet at his best, Villeneuve’s version of Paul is a delightfully complex anti-hero who’s as fun to watch as he is to analyze. These will go down in history as two of the greatest sci-fi films of the 21st century, and Paul Atreides will be right at the center of all that praise.

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Dune

Release Date

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September 15, 2021

Runtime

155 minutes

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Director

Denis Villeneuve

Writers

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Denis Villeneuve, Eric Roth, Jon Spaihts, Frank Herbert

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Dune: Part Two

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Release Date

February 27, 2024

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167 minutes

Director

Denis Villeneuve

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Writers

Denis Villeneuve, Jon Spaihts, Frank Herbert

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Fantasy television has gifted audiences with countless magical worlds over the years, but only a rare few in the genre fully commit to building structured magical systems, detailed mythology, political tensions, and believable internal logic. Often referred to as “hard fantasy,” those rare few shows tend to take their fantastical worlds quite seriously, grounding even the most outlandish supernatural tropes in carefully crafted lore and rules. Sadly, most of these series tend to fade into the background over time, due to the debut of flashier fantasy epics that take the spotlight.

Entertaining fantasy gems like the two-season series, Atlantis, which approaches magic and mythology in very different yet equally compelling ways from most in the genre, and the historical fantasy epic that builds an alternate historical England shaped by political tension and structured magic, Jonathan Strange & Mr Norrell, are two shows that have both quietly slipped from mainstream attention despite their creativity and remarkable depth. Compiled on this list are such series, near-perfect hard fantasy shows that​​​​​​​ most have forgotten ever existed.

‘Carnivàle’ (2003–2005)

Image via HBO

This 2003 hard fantasy wields layered symbolism and a haunting atmosphere, while presenting its fantasy features through grounded spiritual conflict rather than through unnecessary spectacle. The HBO fantasy drama, Carnivàle, is set during the Dust Bowl of the Great Depression and follows carnival worker and drifter Ben Hawkins (Nick Stahl), who discovers he has healing powers — and the charismatic preacher with dark visions, Brother Justin Crowe (Clancy Brown).

Carnivàle‘s deliberate storytelling and mythology helped to make it one of the most ambitious fantasies ever created. Although mostly forgotten by audiences, the show remains admired for how seriously it approached the topic of religion, prophecy, and supernatural destiny. With a seamless blend of biblical prophecy, mythological fantasy, and Depression-era Americana in a way very few television shows have attempted—especially for its era—Carnivàle delivers a truly near-perfect hard fantasy that disappeared far too quickly despite its remarkable depth. The show’s cinematic beauty and complex characters mark it as a quiet standout that has faded from popular memory, yet somehow still lingers mainly in lists of underrated fantasy gems.

‘Hellbound’ (2021–2024)

Image via Netflix

Hellbound is a South Korean horror-fantasy thriller on Netflix that doesn’t rely on traditional fantasy aesthetics, instead building tension through supernatural rules and humanity’s reaction to them. Set in near-future Seoul, where otherworldly angels have suddenly appeared, declaring certain people damned, along with brutal, nightmarish demons, the series centers on individuals’ survival as they navigate religious fervor and lawlessness.

Though Hellbound isn’t “hard fantasy” in the strict Tolkien-style worldbuilding sense, it takes its supernatural premise very seriously and explores the political, societal, and religious consequences in a grounded and rather rule-focused lens. With its thrilling approach to fantasy through theology, horror, and social collapse, the series creates a remarkably believable and quite unsettling world that remains one of Netflix’s finest despite going mostly unremembered. Hellbound is an ambitious hard fantasy that too many have simply moved on from, but since the genuinely exceptional watch arrived in the wake of Squid Game, it was quickly overshadowed by that global phenomenon, marking it as the perfect addition to this list of near-perfect gems that no one remembers.

‘Atlantis’ (2013–2015)

Image via BBC

This 2013 underrated gem may come as a surprise as a “hard-fantasy,” but in actuality, it’s the perfect addition to this list due to its commitment to serialized storytelling, mythological worldbuilding, and its grounded use of Greek legends. The BBC fantasy-adventure series, Atlantis, focuses on a young man, Jason (Jack Donnelly), as he is mysteriously transported into the ancient city of Atlantis, where he becomes entangled with figures considered legends, like Pythagoras (Robert Emms) and Hercules (Mark Addy), and is forced to navigate monsters, prophecies, gods, and political strife.

Atlantis may be on the lighter side tonally than most on this list, but it does approach mythology with a seriousness viewers adore, steadily building a thrillingly immersive fantasy world rife with supernatural threats and recurring lore. Though quite a few fans have found the show’s adventurous energy, likable characters, and creative reimagining of Greek myths quite the perfect mixture of pure fun, Atlantis has sadly been shelved in the realm of the forgotten. It’s a truly underrated fantasy gem that is remembered mostly by viewers who still admire its ambitious mix of serialized fantasy storytelling and mythology.

‘Carnival Row’ (2019–2023)

Image via Prime Video

Carnival Row is a compelling Victorian-era fantasy drama with a host of hard-fantasy elements, including detailed mythological creatures, worldbuilding, political conflict, and deeply structured social systems. The Prime Video series follows faerie refugee Vignette Stonemoss (Cara Delevingne) and human detective Rycroft “Philo” Philoctetes (Orlando Bloom), as they navigate the rising tensions between humans and magical beings while beginning the journey of falling in love despite their differences.

Carnival Row is a fantastic bout of ambitious worldbuilding and lush visuals in the realm of R-rated fantasy series. Fans adored the show’s production values and willingness to blend noir storytelling with themes of prejudice, class, and immigration. Unfortunately, Carnival Row never broke into mainstream conversations, despite its ambitious mythology and strong visual identity, and the four-year gap between its two seasons certainly didn’t help, as the show silently began to slip into the background. It’s a genuinely addictive fantasy that stands as a near-perfect gem with a solid cult following but sadly remains largely overlooked.

‘The Magicians’ (2015–2020)

Image via SYFY

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This underrated Syfy gem is a fantasy work of art that wields a willingness to mix expansive fantasy mythology with emotional trauma that gives it remarkable amounts of depth. The Magicians focuses on a depressed young man, Quentin Coldwater (Jason Ralph), who discovers that magic is real after being accepted into a secret institution for magicians known as Brakebills University.

The Magicians is a true standout that constantly evolves its worldbuilding while also maintaining strong character-driven storytelling. The series is often hailed as a near-perfect watch for treating fantasy with emotional realism, blending addiction, grief, trauma, and identity with detailed magical systems. The Magicians delivers a masterful balance of dark storytelling with humor and surreal creativity, genuinely admired by fans for its low-key brilliance. Alas, The Magicians may be quite the near-perfect hard fantasy series with a rather devoted fanbase and critical appreciation, but the show has increasingly faded from wider discussions after its ending, leaving it as an unremembered cult favorite.

‘Legend of the Seeker’ (2008–2010)

Image via ABC Studios

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Legend of the Seeker is an excellent high-fantasy adventure series based on Terry Goodkind’s Sword of Truth novels. The near-perfect series centers on woods guide Richard Cypher (Craig Horner), as he discovers his status as the long-prophesied Seeker destined to defeat the tyrannical Darken Rahl (Craig Parker).

Even without ever entering the realm of mainstream phenomena, Legend of the Seeker held its own quite well, developing a passionate fanbase due to its adventurous tone, sincerity, and commitment to classic fantasy worldbuilding. Fans still frequently praise the series for its willingness to fully embrace prophecy-driven fantasy without irony, and for the captivating chemistry between the leads. Legend of the Seeker may have been abruptly cancelled after only two seasons, which had a hand in the series being thoroughly forgotten, but it remains a near-perfect example of old-school hard fantasy television that made hearts race in excitement for more.

‘The Dresden Files’ (2007)

Image via SYFY

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The Dresden Files fantastically builds a supernatural world hidden beneath modern Chicago, and delivers a mix of detective noir and urban fantasy. The series centers around the professional wizard Harry Dresden (Paul Blackthorne), who works as a private investigator and uses magic to solve supernatural crimes, becoming entangled with vampires, ghosts, demons, faeries, and hidden magical organizations.

With an enticing blend of fantasy mythology and procedural storytelling, The Dresden Files makes for quite the standout, especially in comparison to more traditional supernatural dramas of its time. The series stands as a cult fantasy that deserved far more attention than it received during its time on air. The Dresden Files‘ approach to magic, with enough lore and structure, gives its world a rather believable feel in internal logic. It’s an urban fantasy that still earns a place on this list through its surprisingly detailed worldbuilding, grounded rules, and entertaining supernatural politics.

‘Jonathan Strange & Mr Norrell’ (2015)

Image via BBC

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This historical fantasy miniseries is a captivating bout of intricate magical logic. Set in an alternate version of 19th-century England where practical magic once existed but has long faded into history, Jonathan Strange & Mr Norrell follows reserved scholar Gilbert Norrell (Eddie Marsan), who searches for a way to restore English magic through careful control and discipline, and the naturally gifted Jonathan Strange (Bertie Carvel), whose reckless curiosity challenges Norrell’s rigid philosophy.

Jonathan Strange & Mr Norrell is a truly unique watch that has earned acclaim for its restrained but richly layered fantasy storytelling, grounding magic within academia, historical realism, and politics. Audiences have often praised the series for its immersive atmosphere, intelligent writing, and subtle worldbuilding, which elevated the show’s fantasy elements to feel unusually believable. Despite the fact that Jonathan Strange & Mr Norrell was quite admired due to its brilliant craftsmanship and genuine ambition, the compelling miniseries has quietly and rather tragically disappeared from memories over time since its conclusion.

Finding a vacation dress that’s comfortable enough for long travel days and cute enough for dinners, photos and sightseeing can feel nearly impossible, especially on a budget. That’s why I immediately added this backless maxi dress to my suitcase before my last trip, and somehow ended up wearing the affordable find everywhere, from brunch to beach walks to dinner by the water.

At first glance, the dress looks way more expensive than its under-$20 price tag. The flowy silhouette, open-back detail and lightweight fabric give it that effortless vacation vibe fashion people always seem to nail on Instagram. But unlike pricier resortwear styles, this one is comfortable enough to actually wear all day, even in hot weather.

Get the backless SCRRMZO Backless Cami Dress for $13 at Amazon! Please note, prices are accurate as of the publishing date but are subject to change.

What makes the dress especially travel-friendly is how versatile it is. During my trip, I wore it with flat sandals and a straw tote during the day, then swapped in gold jewelry and heeled sandals for dinner. The relaxed fit kept me cool in humid weather, while the open-back design made the simple silhouette feel elevated and stylish without trying too hard.

Related: Beach, Cruise, You Name It! These Vacation Dresses Scream ‘Luxury Resort’

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It’s also one of those rare dresses that doesn’t require a ton of packing strategy. The lightweight material folds easily into a carry-on and doesn’t wrinkle nearly as badly as linen or cotton styles tend to during travel. Instead of overpacking multiple “just in case” outfits, I kept reaching for this same dress over and over because it worked for almost every occasion.

Amazon shoppers are just as obsessed with the dress’s flattering fit and expensive-looking design. One reviewer wrote that the “fabric feels soft, and the fit is relaxed without looking baggy.” Another shopper said “the color is gorgeous and the adjusters on the back are easy and flexible.”

If you’re looking for one affordable piece that can simplify your entire vacation wardrobe, this maxi dress is worth grabbing before summer travel season ramps up. Trust me — you’ll end up wearing it everywhere, too!

Get the backless SCRRMZO Backless Cami Dress for $13 at Amazon! Please note, prices are accurate as of the publishing date but are subject to change.

Looking for something else? Explore more backless maxi dresses here, and don’t forget to check out all of Amazon’s Daily Deals for more great finds!

The Real Housewives of New Jersey alum Dina Manzo and her daughter, Lexi Ioannou, took aim at Bethenny Frankel after the Real Housewives of New York City alum allegedly failed to properly credit her recent outfit.

Frankel, 55, shared a photo of strapless, polka dot sundress to her Instagram Stories on Friday, May 15, writing, “This dress is insane and the price is ridiculous.”

After a follower told Frankel that she loved her black peep-toe pumps, the Bravo alum pointed to a Bloomingdales pair ($375) “for the same look.”

Manzo, 54, however, wished Frankel told social media users that her actual shoes were sent to her by Ioanno’s own fashion brand, Nou.

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“‘Wow Bethenny Wow!!’ So odd of you to post a dupe of your GIFTED @shopnou shoes instead of giving a young woman entrepreneur credit,” Manzo wrote via her Instagram Stories on Friday. “You wear them often so we know you like them??”

Manzo added a link to the OG Nou shoes if fans wanted “the real thing.”

Nou was founded by Manzo’s 30-year-old daughter, who also addressed the apparent brand slight.

“Bethenny Frankel is a weirdo,” Ioannou said in an Instagram video that day. “I sent her a pair of shoes from Nou almost a year ago because I look up to her. [She is a] female entrepreneur [and from the] Bravo universe like me.”

According to Ioannou, Frankel allegedly “didn’t tag” Nou in her posts despite wearing the mules multiple times across various social uploads.

“OK, that happens, but then she posted a video today that’s going viral and a bunch of people are asking where the shoes are [from]. Instead of linking them, she linked a dupe with an affiliate link,” Ioannou claimed. “I guess she’s got to get that bag in some sort of way? So, she got the shoes for free from a woman-founded brand, mine, and then she made money sending her followers somewhere else.”

Manzo responded in the comments, sharing her support.

“Proud of you for standing up for yourself and the brand you’ve worked so hard to build ❤️,” Manzo replied to her daughter.

Frankel later subtly addressed the drama by sharing an “Outfit of the Day” video.

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“FYI I always give credit where credit is due,” she wrote via her Stories, alongside the video.

In her OOTD clip, Frankel did shout-out Ioannou’s brand.

“The shoes are Nou,” the Skinnygirl founder explained. “N-O-U, I think.”

Brooke Hogan is defending her decision to cover the late Aaliyah’s 2000 hit “Try Again” as she marks her return to the music industry.

“Obviously, I have talked about this whole debacle with ‘Try Again,’ right?” Hogan, 38, said in a video shared via Instagram on Friday, May 15. “It’s like, literally, ‘Dust Brooke off and have her try music again’ is the theme. So we did.”

Because Hogan said producers and music executives “want nostalgia” and wanted “old school Brookie,” she decided to do a “couple covers” after she revealed she would be releasing new music for the first time in years with her new single “Wanna Go Back,” a complex ode to her late father, Hulk Hogan. (Hulk died in July 2025 at the age of 71 after suffering cardiac arrest.)

“I love Aaliyah. I love ‘Try Again.’ This makes sense with my whole vibe, what I’m going through,” Brooke explained. “I love her.”

She added, “You’d think I was, like, dropping the American flag on the ground. Some people were like, ‘This is not cool. She’s trying to’ … Uh, what’s the word for it — not ‘associate,’ you know what I mean. ‘Trying to be Black.’ I’m like, ‘I know I’m not Black.’ That doesn’t mean I can’t like Black culture. Doesn’t mean I can’t be an Aaliyah fan. It doesn’t mean I can’t do a cover.”

Brooke went on to recall the word she was trying to remember — “appropriation” — before denying claims she was trying to steal parts of Black culture and pass it off as her own.

“No, I’m not doing that,” she continued in the video. “But you can’t be mad at a girl if she likes Black culture. Sorry. I have spent the last 15 years being tormented over it, but you know — can’t help it. Love what I love. Like what I like. I was raised on hip hop, funk, you name it. Some people are raised on country music. I was not.”

Brooke then detailed what she says happened to the comments section of her social media after she posted a picture with a producer that she worked with “back when I was with Lou Pearlman.” The producer was Black, and she says the comment she received in the wake of the public picture is proof positive that racism is “alive” and well.

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“I made a comment on my own post saying, ‘If you question, if you wonder if racism is alive, just look at my comments section.’ Just check it out,” she said. “Just ask a white girl who has truly had a relationship with someone who is Black — just ask if they think that racism is alive. If you have experienced being with somebody of another race, or if you are that person of another race dating a white person, it’s very much alive and that’s very sad.”

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She added, “So you know, I’ve never seen color and I’ve always liked Black music.”

Brooke captioned the honest upload, “‘TRY AGAIN’ IS FINALLY OUT AND I HAVE ALL THE MUSIC BUTTERFLIES AGAIN!!! Man, this feels good!”

“Thank you SO MUCh for your support!” Brooke continued in the caption. “Fans old and new! I love you! You have always allowed me to be my authentic self and YOU made my dreams come back to life. THANK YOU!”

Boxer Tyson Fury’s eldest daughter, 16-year-old Venezuela, is officially married.

Venezuela and Noah Price tied the knot on Saturday, May 16, according to wedding photos published by the Manchester Evening News. The bride subsequently updated her Instagram profile, indicating that she took her spouse’s last name.

Venezuela’s now-husband popped the question at her 16th birthday party in September 2025.

“Congratulations to @venezuelafuryofficial and @7noahprice on getting engaged,” Tyson’s wife, Paris Fury, wrote via Instagram at the time. “Both only young but when you know you know! Still in shock, but very happy for you both. Me and your Dad couldn’t be prouder.”

Related: Inside Tyson Fury‘s 16-Year-Old Daughter Venezuela‘s Dreamy Wedding

Tyson Fury and his wife, Paris Fury, watched as their eldest daughter became a bride ahead of her 17th birthday. Tyson and Paris’ first of seven kids, Venezuela, married aspiring boxer Noah Price on Saturday, May 16, surrounded by their friends and family. “What a day,” Venezuela’s soon-to-be aunt Molly-Mae Hague wrote via her Instagram […]

Paris, 36, helped her eldest child plan the elaborate nuptials.

“I haven’t taken over. I’ve been given the wedding,” Paris quipped on the U.K.’s This Morning in April. “It’s been passed to me because all Venezuela cares about is her dress and the DJ. She just wants to know she’s going to party all night and wear her dress and marry the boy she loves.”

While Paris enjoyed picking out the likes of Venezuela’s wedding venue and invitations, she acknowledged her daughter was still “ridiculously young” to be a bride. (Paris and Tyson, 37, also got engaged when the mom of seven was just 17.)

“Venezuela is ridiculously young, even in gypsy standards. Like, she’s really young,” Paris said on the “Great Company” podcast last month. “She’s 16, but Venezuela has always been a woman. She’s always been the oldest of all [my and Tyson’s] kids. She’s always been very confident in herself, and she has met the person that she wants to be with.”

Paris further shut down any criticism of Venezuela getting married as a teenager.

“I don’t understand [the backlash],” Paris stated. “To me, my child has met the person she wants to be with. If she moved in and lived with this person, no one would bat an eyelid. It wouldn’t be any problem.”

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She continued, “She wants to get married, to me which is a celebration of their relationship, [and] it’s beautiful and that’s what they want to do. She is happy, he is happy and they want to commit to each other that way. I don’t see the problem.”

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Paris and Tyson also approve of Venezuela’s husband.

“He’s a really nice young man,” Paris gushed of her son-in-law. “He’s very much like her. The two of them are real quirky. They’re, like, vibrant, out there. He’s a bit shy of the cameras … but he met Venezuela in a situation where she was just a normal person. She was just a normal face in the crowd and he came over. He liked her [and] he liked the fact that she was tall, I think that’s what he said.”