Black coffee, imprint, david tlale, house of ole, fred rich, maxjenny, haku, ephymol, something good studio, KAREN MONK KLIJNSTRA, IDOL STITCHES, fundudzi, GERT-JOHAN COETZEE, VICTORI and more

Barrel Shapes, Bright Patterns and Maximalist Silhouettes from Africa’s Most Southernmost Tip Speak of Playful Theatrics and High Glamour, All Grounded in Solid Craftmanship.

Fundudzi by Craig Jacobs, at South Africa Fashion Week

Image Credit South Africa Fashion Week and South Africa Menswear Fashion Week.

Two of South Africa’s top fashion events took place in the sunny month of April 2026 – South Africa Fashion Week showed collections in the ultra-glamorous city of gold, Johannesburg, and South Africa Menswear Fashion Week opted instead for cool, stylish and laid-back Cape Town as its setting. Both sets of shows were eagerly anticipated, both delivered the goods, and more.

The collections showcased across the board reflected the bold, dramatic spirit of fashion in South Africa. There were also trends that beautifully reflected the very different characteristics of the two cities. Here are some of the themes:

Eighties Maximalism was a dominant trend, characterized by power shoulders, bold primary colours, sequins, and dramatic accessories. For menswear, this translated into looks like a bright yellow coat over a black tailored suit and sequined, puffed-sleeve pieces from designers like Zamaswazi and House of Ole.

The world was indeed our stage! South Africa Fashion Week opened with a spectacular show by veteran designer Gert-Johan Coetzee, who blended glamorous couture with aerial acrobatics, cabaret, and storytelling in his “Behind the Crimson Door” collection. The show featured stunning fringe and ombré pieces that came alive with movement.

Puff skirts, barrel jeans and bubble silhouettes were seen in many places. These spoke of volume and playfulness through soft, rounded forms. This trend extended into menswear, with designers like Anunes introducing bubble pants and On Duty Jeans showcasing flared and puffed trouser shapes.

Hot pink – from blush to shocking pink and crimson – was definitely the ‘pop’ shade of the season, with cactus green a close contender. Both these shades countered the earthy browns (a current global trend we’ve seen everywhere, from runways to high street stores) and monochromatics. Virginal white featured in many collections (in fact we couldn’t resist giving the ‘snow-leopard’ prints of the ‘African queens and kings’ a category of their own!)

No African fashion week is complete without an extraordinary set of patterned surface designs, and the inimitable Imprint won hands down with their unbeatable set of irresistable Pan-African prints.

Pull on your African kaftan, grab your straw hat and sunspecs and join us on your mobile by the pool for this season’s joyous trends from The southernmost tip of the African continent.

BEHIND THE SCENES AT SOUTH AFRICA FASHION WEEK 2026

Beautiful people, fabulous hair and make-up, sensational fashionistas! The glamour factor was sky-high. Let’s kick off with a glimpse behind the scenes…

THE KEY TRENDS AT SOUTH AFRICA MENSWEAR FASHION WEEK AND SOUTH AFRICA FASHION WEEK S/S 2026:

1. MONO=CHROMES

Monochromatic shades emerged as a quiet counterpoint to the season’s bold riot of patterns.

Eighties power shoulders and colourful sequins indeed grabbed the attention, but some designers opted for subtlety: minimalist white, earthy browns, bright yellow and head-to-toe black.

These single-colour statements were anything but dull – in fact designers like David Tlale, GDWN, Lele Winnifred and Helon Melon proved that often the most powerful statement is made in a solitary, unbroken shade.

Mdava by David Tlale, at South Africa Menswear Fashion Week

Mdava by David Tlale, at South Africa Menswear Fashion Week

Mdava by David Tlale, at South Africa Menswear Fashion Week

GDWN, at South Africa Menswear Fashion Week

Black Coffee, at South Africa Fashion Week

House of Ole, at South Africa Fashion Week

The Intern by David Tlale, at South Africa Menswear Fashion Week

GDWN, at South Africa Menswear Fashion Week

Lele Winnifred, at South Africa Menswear Fashion Week

Helon Melon, at South Africa Fashion Week

The Intern by David Tlale, at South Africa Menswear Fashion Week

2. AFRICAN SNOW QUEEN/KING VIBES

Hello virginal white (and goodbye, just for the moment, hot pink)! We thought this cool trend is deserving of its very own category out with the general trend of ‘monochromatics.

This trend is a deliberate nod to luxury, purity and elegance. Think regal snow queen white and ermine-like grey, with all its connotations, and you’ll get the picture.

Imprint’s snow-leopard-like ensembles looked opulent enough for an African-queen/king, whereas GDWN’s oversized ivory crochet gown oozed sophisticated simplicity, and Lele Winnifred’s all-white creations were a hundred percent ‘high-altitude chic’.

Designers showcased their frosty creations as ancestral heirloom pieces but also succeeded in showing them as most wearable. All you need is an occasion! We’d argue arctic armour has never looked more covetable.

Lele Winnifred, at South Africa Menswear Fashion Week

Idol Stitches, at South Africa Menswear Fashion Week

Imprint, at South Africa Menswear Fashion Week

Imprint, at South Africa Menswear Fashion Week

GDWN, at South Africa Menswear Fashion Week

Lele Winnifred, at South Africa Menswear Fashion Week

3. FILM NOIR

The mood is intimate, slightly risqué, definitely melancholic, and always elegant. Think urban nightlife, cabaret and shadows, and you’ve nailed this trend.

In cinema, film noir is about shadows, moral ambiguity, and urban nightlife. Fashion that captures this feeling isn’t just black clothing—it’s about texture, contrast, and silhouette.

Fundudzi by Craig Jacobs paints a picture of the ultimate seductress whereas Haku adds a sense of avant-garde futurism to the feeling of film noir. Victori’s black denim coat over a high cut leotard and over-the-knee boots oozes sensuality. Bring on the night!

Haku, at South Africa Menswear Fashion Week

Haku, at South Africa Menswear Fashion Week

Fundudzi by Craig Jacobs, at South Africa Fashion Week

Fundudzi by Craig Jacobs, at South Africa Fashion Week

Victori, at South Africa Fashion Week

4.FOREVER STRIPES

Will the classic stripe ever be out of fashion? Arguably one of the most enduring, versatile and flattering forms of surface design, stripes can shift from nautical casual to high-art sophistication in the blink of an eye. Think Coco Chanel’s Breton tops of the 1930s – a symbol of effortless chic (and female emancipation!).

Toi Toi Apparel’s boy’s ‘sailor suit’ complete with its knots and nautical ribbons, is just adorable! Whereas Maxjenny’s giant diagonal stripes are a stroke of pure genius. We almost adore the sailor’s scarf that Toi Toi Apparel’s model is sporting as much as his Peter Pan ears!

However, Karen Monk Klijnstra’s stripy ‘liquorice allsorts’ coat, has to be our ultimate favourite.

Maxjenny, at South Africa Menswear Fashion Week

Toi Toi Apparel, at South Africa Menswear Fashion Week

Fred Rich, at South Africa Menswear Fashion Week

Toi Toi Apparel, at South Africa Menswear Fashion Wee

At Karen Monk Klijnstra, South Africa Mneswear Fashion Week

3. HOT PINK RISING

Pink – but make it red-hot please! Pink in every shade – from blush to cerise, was undeniably

designers’ ‘pop’ colour of the season’s collections.

Maxjenny’s ‘architectural’ print kaftan with its matching stove-pipe slacks stands out as one of the most covetable pieces from the shows. We’re totally sold, and can think of innumerable places to sport that ensemble!

Menswear also got their share of pink this season: Zamswazi and House of Ole, in particular, produced very covetable suits in the hottest colour of the season.

Maxjenny, at South Africa Menswear Fashion Week

Maxjenny, at South Africa Menswear Fashion Week

Maxjenny, at South Africa Menswear Fashion Week

Zamswazi, at South Africa Fashion Week

House of Ole, at South Africa Fashion Week

Gert-Johan Coetzee, at South Africa Fashion Week

4.GREEN ENERGY

Poison ivy or renewal? The green-eyed monster or earthy calm? Green is one of those colours that has many connotations, mostly positive.

Designers like TOVCH had a love-affair with green this season. They opted to style their barrel jeans with emerald green, looking fresh and contemporary. Their monochromatic green women’s 3-piece is certainly very, very bold! Karen Monk Klijnstra’s cape is a thing of beauty and the satin suit created by Maxjenny would take one many places.

TOVCH, at South Africa Menswear Fashion Week

TOVCH, at South Africa Menswear Fashion Week

TOVCH, at South Africa Menswear Fashion Week

Maxjenny, at South Africa Menswear Fashion Week

At Karen Monk Klijnstra, South Africa Mneswear Fashion Week

5.THE WORLD IS A STAGE

Many designers opted for theatrics this season. Eclectic ensembles that speak of storytelling, created in fabrics that, in turn, tell their own stories, were seen in many places.

Scottish tartan rubbed shoulders with West African prints; florals, paisley and stripes existed in harmony, using the body to imagine and narrate tales of near and far.

A master of the art of creating thespian pieces is Karen Monk Klijnstra, whose creations are inspired and multi-dimensional. The colourful luggage that accompanied the ensembles further adds to the theme of travel, exotic locations and dramatics. Fred Rich’s eclecticism also needs a well-deserved mention.

Every outfit is a reason to play a role!

At Karen Monk Klijnstra, South Africa Mneswear Fashion Week

At Karen Monk Klijnstra, South Africa Mneswear Fashion Week

At Karen Monk Klijnstra, South Africa Mneswear Fashion Week

TOVCH, at South Africa Menswear Fashion Week

Fred Rich, at South Africa Menswear Fashion Week

6.FINE AND DANDY

Think Regency-era Beau Brummell for reference! The dandy is a philosopher of the art of the appearance, someone for whom fashion is an art form. Understated and somewhat obsessive, the dandy insists that a silhouette speaks louder than words and that not paying attention to every detail of one’s dress is a mortal sin…

South African designers House of Ole, Imprint and Maxjenny nailed a very African version of this look.

Imprint, at South Africa Menswear Fashion Week

House of Ole, at South Africa Fashion Week

House of Ole, at South Africa Fashion Week

House of Ole, at South Africa Fashion Week

Maxjenny, at South Africa Menswear Fashion Week

7. PATTERN RULES SUPREME

Pattern is synonymous with Pan-African fashion. Every country on the continent prides itself on its own home-grown version of patterning and prints. Frequently European influences are mixed with the indigenous ones to create surface designs that are coveted the world over.

A good example of the latter is Maxjenny’s realistic, glowing prints this season. Something Good Studio achieved their unique patterned look by means of jacquard knits, to great effect. The mermaid-shape printed gown by Idol Stitches deserves an honorary mention: it is definitely fit for an African queen!

Maxjenny, at South Africa Menswear Fashion Week

Fred Rich, at South Africa Menswear Fashion Week

Maxjenny, at South Africa Menswear Fashion Week

Something Good Studio, at South Africa Fashion Week

Idol Stitches, at South Africa Menswear Fashion Week

Henri Uduku, at South Africa Menswear Fashion Week

Imprint, at South Africa Menswear Fashion Week

Imprint, at South Africa Menswear Fashion Week

8. EIGHTIES VIBES

The Eighties are now regarded as ‘proper’ vintage, and designers are embracing this era with renewed vigour.

Bold primary colours, ruching and oversized shoulders give a nostalgic nod to the 1980s, where shoulder pads, big hair and bright colours were what characterised the era.

On Duty Jeans succeeded to marry the Eighties’ immense shoulders with a contemporary barrel shape jacket sleeve and trouser pipe. The effect is almost futuristic. Think Cyndi Lauper, and you’ve nailed Fred Rich’s look. Oh, and Haku gave us a wonderful Lara Croft impersonation! Gert-Johan Coetzee added to the Eighties revival, embracing these in-your-face, not-so-subtle shades…

We suggest you surrender to these Eighties vibes – we suspect they’re here to stay for a while…

Gert-Johan Coetzee, at South Africa Fashion Week

Emelia D, at South Africa Fashion Week

On Duty Jeans, at South Africa Fashion Week

On Duty Jeans, at South Africa Fashion Week

Fred Rich, at South Africa Menswear Fashion Week

Haku, at South Africa Menswear Fashion Week

Henri Uduku, at South Africa Menswear Fashion Week

9. THE PUFF, BARREL AND BUBBLE SHAPE

This was the season of the organic shape. Soft, enveloping, rounded silhouettes full of volume were seen across many collections.

On Duty Jeans, for example, showed flared and puffed trousers and Helon Melon’s skirts had a definite barrel shape. Black Coffee’s ensembles were generous, with volume created through pleats, ruffles and smart pattern cutting whereas Victori’s barrel jeans followed a trend we’ve seen across many global fashion weeks.

Helon Melon, at South Africa Fashion Week

Black Coffee, at South Africa Fashion Week

Helon Melon, at South Africa Fashion Week

Victori, at South Africa Fashion Week

Black Coffee, at South Africa Fashion

For any questions/feedback regarding the above mentioned products/brands, please do contact us anytime by clicking here

Swimwear is the foundation of my warm-weather vacation wardrobe, especially on the kind of trip where the day starts with a swim before breakfast, drifts into a long lunch in town, and ends with one more dip before dinner. These are the pieces I feel best in, and the ones that make getting dressed feel as easy as vacation itself.

Juillet, Anemos, and Eres are my three foolproof brands. They’re the ones I reach for season after season, the pieces I always feel like myself in, and the labels I can count on no matter where I’m headed.

1. Juillet

Juillet is my favorite for a romantic resort mood. The colors feel sun-washed, the prints have a nostalgic vacation energy, and the silhouettes are softly feminine. I love their textured bikinis for adding dimension, especially with a pareo tied low on the hips and a stack of beaded jewelry. The one-pieces work just as easily under an oversized linen shirt, which is always the real vacation test. It’s the brand I’d pack for a long lunch near the water, a slow beach afternoon, or any day when swim needs to feel like part of the outfit.

2. Anemos

Anemos is the bikini I keep coming back to when I want to feel really good. There’s one style in particular I reach for again and again, and I’ve continued to buy it in new colors every season. Their shapes are flattering and the proportions feel right, but what matters most is that the cuts stay where they’re supposed to. That’s what I need on family vacation days, or anywhere I want to be in and out of the water without thinking about adjusting a strap.

3. Eres

Eres is my forever swim brand. The fabrics feel luxe in a way that’s hard to describe, and the colors are bright and saturated without being too loud. What I love most is that they offer the tops and bottoms separately — sometimes I’ll wear the matching set for a coordinated moment; other times I like to have fun mixing shades. Because the colors work so well together, I can pack fewer pieces and still come home feeling like I had a different look every day.

This post may contain affiliate links and Corporette® may earn commissions for purchases made through links in this post. As an Amazon Associate, I earn from qualifying purchases.

I love these bright blue flats from Manolo Blahnik… and while normally I would rejoice that they’re on sale, that does mean we’re down to lucky sizes. (And I can’t find them elsewhere! Quelle horreur! Although MyTheresa has some bright blue velvet Maysale flats…)

I do like a lot of the other colors — the bright baby pink and the olive are both fab, and is that not the most perfect color of taupe?! — but I of course had to post the blue ones.

The shoes were $985, but are now marked 40% off (down to $591). All of the other colorways are full price.

Sales of note for 5/8:

• Nordstrom – Savings event – up to 25% off! Good deals on Veronica Beard, Vince, Reiss (esp. coats), and Boss, as well as Wit & Wisdom and NYDJ
• Ann Taylor – Mother’s Day Event: 40% off your purchase. Readers love this popover blouse, and their suiting is also in the sale.
• Boden – 15% off new styles with code
• Express – $39+ summer styles + 25% off everything else
• J.Crew – Up to 50% off swim, dresses, and more
• J.Crew Factory – Up to 60% off everything, and extra 50% off clearance
• Lands’ End – 50% off sitewide — lots of ponte dresses come down under $25, and this packable raincoat in gingham is too cute
• Lo & Sons – Mother’s Day Sale: Up to 40% off — reader favorites include this laptop tote, this backpack, and this crossbody
• Loft – 50% off your purchase + free shipping, plus 2 for $28 tanks and tees
• MAC – Enjoy 30% off lip products and receive a 4-piece Mother’s Day gift with $90
• M.M.LaFleur – Try code CORPORETTE15 for 15% off.
• Ruti – Take $55 off your purchase with code 55ONUS
• Sephora – Free same-day delivery for Mother’s Day with code
• Talbots – 50% off wear-now styles (5/8 only)
• The Outnet – Extra 30% off select styles, including Veronica Beard, Victoria Beckham, and Marni.
• TOCCIN – Use code CORPORETTE15 for 15% off!
• Vivrelle – Looking to own less stuff but still try trends? Use code CORPORETTE for a free month, and borrow high-end designer clothes and bags!

Conversations about why clothing brands often fail circle back to the same operational suspects. 

Wrong quantities ordered, bad tech packs, poorly constructed samples. 

These things matter. 

They are not, however, what separates the brands that build something lasting from those that quietly fold after one collection.

The Field of Dreams Problem Nobody Warns You About

“Build it and they will come” works in the movies. In business, it gets you a beautiful product and no customers.

A strong product with no marketing strategy behind it is, in practice, invisible. No amount of craftsmanship compensates for an audience that does not know you exist. 

The brands that break through treat marketing as a structural element of the business, not something figured out after the samples are approved. They know who they are talking to. They know why that audience should care. They have a reason for existing beyond the designs themselves.

“If a brand comes to market, who’s behind the brand? What’s the brand mean? What does it stand for?” Benjamin Massing, owner at the Massing Group, asks. “Your brand needs an ethos at this point that a consumer can connect with.”

True brand loyalty fell 5% between 2024 and 2025, according to the SAP Emarsys Customer Loyalty Index, a signal that consumers are increasingly indifferent to brands that give them nothing to hold onto.

A clothing line without a point of view is a collection of garments. There is a difference. In an oversaturated market, the brands that cut through are the ones that stand for something specific enough to be worth paying attention to.

Getting Out of Your Own Way Is a Skill Most Founders Underestimate

Apparel manufacturing is a human process, and human processes have tolerances. A seam sits a millimetre off. A dye lot comes back slightly different. A finish does not match the original sample exactly. These are realities of production, not failures. Founders who cannot accept that distinction spend months chasing a standard that does not exist in practice, and they never launch.

“You have to have a level of tolerance in this process, or else you get hung up in the minutia, and you never launch product,” says Benjamin Massing. 

Over-designing. Spending resources pushing a collection into increasingly niche aesthetic territory that serves the founder’s taste more than an actual customer’s. The goods stop being wearable. The audience narrows to a point where commercial viability disappears.

Some people, Massing notes, “can’t get out of their own way.” 

Brands That Actually Break Through Look Like This

The founders who make it share a set of characteristics that have nothing to do with how good their first collection is. They understand that an initial launch is just that, a launch. What comes after is the actual work. They are willing to take feedback from people who know merchandising and retail better than they do, and they act on it rather than defending their original decisions.

“They are persistent because it’s not gonna happen overnight,” Massing says. “You’re bringing a product to market, for the first time, you have to look at this first drop or launch as a test, as research, and based on the response, tweak your next approach”

What sustains them through that early uncertainty is coherence. Their brand identity holds across the design, the messaging, and the way they present themselves in the market. Nothing feels disconnected. Customers can feel what the brand is about without having to be told.

Benjamin Massing draws a specific contrast here. Brands that obsess over margins too early, founders who, as he puts it, “saw a TikTok claiming 70% margins are the baseline”, often price themselves out of the relationship-building phase.

His advice cuts against that instinct. 

Take a lower margin at the start. Make the product accessible. Get it into people’s hands. 

“Get in with the customer, gain the trust, let them feel the goods, let them understand there’s quality there, and now you have someone paying attention to you.”

Real estate in a customer’s wardrobe is worth more than a margin percentage on a spreadsheet.

Factory Floor Perspective Most Founders Never Get Access To

Working closely with a domestic manufacturer means being in the room where decisions get made. Understanding why a pocket sits a certain way. Knowing what fabric construction produces the result you are chasing. Seeing quality as a process rather than an outcome.

“When you do things domestically, you’re in the kitchen,” Massing explains. “You’re not just sitting at the table getting served the food.”

Founders stop thinking about their product as a finished object and start thinking about it as something built, with decisions behind every element that can be made better or worse depending on the choices involved. 

The brands that figure this out early have a story worth telling. They end up with something most founders have to manufacture later, a real story about what they built and why it holds together.

Step into the spotlight with the latest collection of XY London high heel shoes for women, where contemporary trends meet undeniable glamour. Whether you are searching for the perfect sparkly court shoes for a black-tie event or platform sandals to dominate the dancefloor, XY London offers a silhouette for every social calendar. From the shimmering allure of rhinestone embellishments to the sleek finish of cherry red patent, these heels are designed to provide both high-impact style and the confidence to wear them all night long. Discover your next pair of “super star” shoes and elevate your evening aesthetic effortlessly.

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For any questions/feedback regarding the above mentioned products/brands,
please do contact us anytime by clicking here

Upgrade your active rotation with the latest from Dunnes Stores – Helen Steele signature soft touch collection. Designed for the woman on the move, this range centers around the designer’s celebrated TENCEL™ Modal fabric a material renowned for its buttery-soft feel and sustainable credentials. The 2026 drop masterfully blends wearable neutrals with high-energy pops of green, creating an aesthetic that transitions seamlessly from a morning run to a long-haul flight. Whether you’re running errands or simply relaxing in style, these pieces prove that performance wear can feel as luxurious as loungewear.

Step into the ultimate capsule collection, where comfort meets effortless style.

SOFT TOUCH

Crafted from Helen Steele’s signature soft-touch TENCEL™ Modal fabric, your perfect go-to on active days.

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Elevate your athleisure with wearable neutrals and pops of green. Ideal for travel days, running errands or relaxing in style.

For any questions/feedback regarding the above mentioned products/brands,
please do contact us anytime by clicking here