If you’ve been spending more quality time with – or around – your teenager over the summer, you might’ve overheard some unusual sayings and phrases.

From chatting about larping to telling mates to ‘call an Uber’, there’s always some new terminology or phrase entering their vocabulary.

And the latest, according to language trends experts at Preply, is the term ‘polyester’.

Polyester – in the usual sense – is a synthetic fabric derived from petroleum-based compounds. A lot of clothes are made from it thanks to its quick-drying and moisture-reducing properties (hence why a lot of sportswear contains it).

But Gen Alpha and Gen Z are now using ‘polyester’ in a completely different way.

Globally, Google searches for ‘polyester slang’ spiked by 141% in the past week, according to Preply.

What does it mean now, then? Madeline Enos, the brand’s language trends expert, said: “Social media users have turned ‘polyester’ into a critique to call out content that is perceived as low-quality, generic, or inauthentic online.”

“The term has gained traction among Gen Z, calling out polyester lifestyles, videos, and even people,” she continued.

In June, a much-viewed video described similarities between the rise of AI in creative media and the trajectory of synthetic fabrics, like polyester, in fashion. The poster called the comparisons “eerily similar” and suggested, “polyester was marketed as a miracle fibre, but when companies started to make things out of 100% polyester, people hated it”.

More recently, a viral example of the new definition saw a TikTok creator in his late teens talking about his dream lifestyle that he hopes to achieve by the time he reaches 20. This consisted largely of living in a NYC penthouse, getting up early to work out, working in local coffee shops (largely with the help of AI) and getting to jet-set to Europe for business.

The top comment reads ‘polyester lifestyle’, and had gained over 49,000 likes at the time of writing.

Polyester has swiftly become a term used to describe anything that’s deemed low-quality, cheap or fake. It follows similarly disparaging predecessors: mid (meaning mediocre) and Ohio (which kids used to mean cringe, boring, foolish).

“The popularity of the viral insult ‘polyester’ reflects a wider Gen Z preference for authenticity over polished perfection online,” said Enos.

“What makes the term particularly interesting linguistically is how quickly a familiar word can take on a new meaning. It’s another example of language constantly adapting to how people communicate, with social media giving new expressions space to spread.”

Well, I guess now we know!

Between Oppenheimer and The Odyssey, Christopher Nolan’s big-screen epics have become synonymous with their sprawling, A-list casts.

In his latest offering alone, Matt Damon takes the lead alongside a supporting cast that includes fellow Oscar winners Anne Hathaway, Charlize Theron and Lupita Nyong’o, Nolan-verse regulars Robert Pattinson and Elliot Page and exciting names like Tom Holland, Zendaya and Samantha Morton.

The British director’s luck with casting Hollywood stars recently prompted talk show host Jimmy Fallon to question if the filmmaker has “ever gotten a no” – to which he admitted that he had to graft hard to win over a certain icon.

Nolan claimed: “The only no I would cop to is David Bowie for The Prestige. He was my great idol and everything, and I thought he’d be perfect to play Nikola Tesla. We sent him the script and everything, and he said no.”

The Prestige was one of Nolan’s earlier films, released in 2006 off the back of Batman Begins.

It starred Hugh Jackman and Christian Bale as two rival magicians in Victorian London, with Nolan having envisaged David Bowie for the role of the real-life pioneering inventor Nikola Tesla.

Eventually, the Space Oddity performer did relent and agree to play the role – but not without making Nolan work for it.

The filmmaker revealed: “I went back and said, ‘can I just go and meet him? Can I try and convince him in the room?’.

“And they agreed, and I hastily wrote him a better speech for his first appearance, turned up with a new script, and basically begged. And I got him to do it!”

Primarily known for his game-changing music career, Bowie did rack up a number of acting roles in his lifetime, including a brief appearance as Pontius Pilate in Martin Scorsese’s controversial The Last Temptation Of Christ and playing the Goblin King Jareth in Jim Henson’s dark fantasy movie Labyrinth.

Meanwhile, he isn’t the only one to have tried to give Christopher Nolan the brush-off.

Will Smith has claimed he turned down the lead part in Inception before Leonardo DiCaprio joined the project, as he “didn’t get” the plot.

“Those movies that go into those alternate realities… they don’t pitch well,” the Oscar winner suggested.

Nicolas Cage also alleged earlier this year that Nolan now refuses to work with him after he pulled out of his 2002 film Insomnia.

Outer Banks fans have finally said goodbye to the Pogues, after the gang’s final adventure in the last ever season. But many fans have still been left wanting more.

Throughout the show’s run on Netflix, its creators and executive producers, Jonas Pate, Josh Pate and Shannon Burke, have always maintained that they envisioned Outer Banks as a five-season story.

In November 2024, they confirmed “with a little sadness, but also excitement,” that season five of the YA drama would, indeed, be the last, saying they wanted “to bring our beloved Pogues home in the way we imagined and planned years ago”.

However, there is good news for fans hoping for more from the series – because its creators aren’t quite done with Kildare Island and its inhabitants, yet.

So what’s next for the Outer Banks universe? Well, while the main show may be ending, there’s apparently more to come from the fictional world…

Co-creator Josh Pate revealed as far back as December 2024 that he was writing an Outer Banks prequel, which will be called Kildare.

Although little is known about the prequel just yet, the show is expected to follow the founding of the Kooks and Pogues in the show’s fictional Figure 8 setting.

“We’re looking to film it in Wilmington, [North Carolina],” Josh revealed about the series.

While Outer Banks was set in North Carolina, it actually rarely filmed there, preferring locations in South Carolina.

The spin-off is still in its early stages, but is expected to feature a whole new set of young actors and, like the original show, the spin-off will also be a Netflix original production.

While season five marks the end of Outer Banks, Jonas Pate, Josh Pate, and Shannon Burke aren’t fully ready to say goodbye to the world they’ve created.

The trio built Outer Banks fans’ hopes up when they hinted to Deadline in 2024 that there are “other stories in this universe down the line” beyond season five.

Since Netflix loves a spin-off, let’s hope Outer Banks follows in the footsteps of The Lincoln Lawyer, The Witcher and Bridgerton, all of which have expanded their universe with prequels and sequels.

When asked by Elite Daily who she thought should get an Outer Banks spin-off, Madison Bailey – who played Kiara in the Netflix drama – gave a surprising answer.

“I’d watch a Rafe spin-off,” she responded. “I just feel like, ‘What does he do when we’re not around? What is he up to?’.”

Madison also pointed out that Drew Starkey, who plays Rafe, had been “more [emotional] than usual” when they wrapped filming the final season.

Drew himself confirmed on The Tonight Show that he cried “for a solid two hours” on the last days of filming.

“The last shot of my last scene, right when they yelled ‘cut,’ I was just weeping. Like, constantly,” he told talk show host Jimmy Fallon.

Both Rafe and the actor who plays him have become fan favourites since the show began streaming, and the character’s position on the sidelines of the Pogues leaves plenty of potential to explore in a future project.

Meanwhile, Madelyn Cline told Screen Rant that she’d be game for returning to Outer Banks in whatever capacity the production wanted her in.

“I would love to come back and do a little cameo,” said the actor, who plays Sarah in the drama. “I’ve already told [co-creator Jonas Pate] – ‘anything in the Outer Banks universe, let me come back and do something really fun and silly’.”

Anthony Crane, who appears as the villainous Chandler Groff in seasons four and five of the series, said Netflix would be “fools not to” make a prequel showing the adult cast in their younger years.

He told The Direct that a spin-off would not necessarily need to be about treasure-hunting, which he said “carries the show” in its current iteration, but could take a new, exciting direction, instead.

“I do know people are invested in these characters and they could definitely see how these origin stories play out,” he enthused.

If you’re already missing Outer Banks, it might interest you to know that one spin-off has already been made.

In September 2025, the short-lived eight-part drama The Runarounds began streaming on Prime Video, following a North Carolina rock band trying to make it in the music industry.

If you recognise the cast of The Runarounds, it’s because they made a cameo in season three of Outer Banks, with William Lipton, Axel Ellis, Jeremy Yun, Zendé Murdock and Jesse Golliher all seen playing music in the background of Kiara’s parents’ anniversary party.

Even though The Runarounds is technically a separate project, the musical drama is an Outer Banks cross-over from the same creator, set in the same universe.

If you want to know what life was like for the original two members of the Pogues, John B and JJ, their story was told in a 2021 YA prequel novel based on the Netflix show.

Outer Banks: Lights Out, written by Alyssa Sheinmel, follows the pair in an adventure set before season one of the series.

The book follows John BB and JJ during Spring Break as they plan a fishing getaway in the dangerous Flying Pan Shoals. On their trip, they meet a Kook named Savannah, who ends up hitching a ride after the weather changes for the worse.

All five seasons of Outer Banks are streaming on Netflix now.

The star-studded blockbusters just keep coming in 2026.

After a year that’s already brought us big-screen epics like The Odyssey, Disclosure Day and the latest Spider-Man film Brand New Day, Dune fans are readying themselves for a return to Arrakis when the third instalment in the series hits cinemas this winter.

Denis Villeneuve’s Dune saga will conclude in December, with the third and – for now! – final film in the epic sci-fi trilogy.

An adaptation of Frank Herbert’s novel Dune Messiah, the film follows the massive momentum of the first two instalments, which have already collectively earned more than $1.12 billion at the box office.

With just months to go until Part Three, we’re breaking down everything you need to know about the latest film…

Before we get into the third instalment, maybe we should start by recapping where we are up to in the epic story.

Dune is set on the harsh desert planet of Arrakis, the universe’s only source for spice, a drug vital for interplanetary travel.

The films’ central figure, Paul, is the heir to House Atreides, which was given control of spice production by the Emperor, as part of a conspiracy by rival House Harkonnen.

Paul and his mother, Jessica, fled to the desert, where the native Fremen took them in. In this new harsh landscape, Paul embraced his psychic powers and became the chosen messiah of the Fremen, all while falling in love with Chani and avenging his father.

Dune: Part Two concluded with his victory over the Harkonnen, and the Emperor of Arrakis… although it was not exactly a happy ending for Paul and his beloved Chani.

As is the case with Frank Herbert’s novel Dune Messiah, Part Three picks up 17 years after the last film. Paul has seized the throne, and is now worshipped as the godlike emperor of the universe thanks to his special abilities.

During his time in charge, he has watched over a massive Fremen holy war, which has claimed billions of lives, and created a complex web of political intrigues.

The threequel will follow the conspiracy against Paul, as various factions grow fearful of his growing power, and secretly plot to overthrow him.

It will also deal with Paul’s relationships with both Princess Irulan and Chani, the latter of whom bears his children.

As part of an IMAX special reveal event, director Denis Villeneuve said that the upcoming film has “a time gap, 17 years, where we see Paul dealing with the consequences of having too much power and him trying to figure out how to get out of this cycle of violence”.

“And of course he’s an emperor who can see the future, so he’s kind of invincible,” the filmmaker added.

He also teased that this third instalment in the franchise is ”a more action-packed and more tense film, more muscular than the two others”, claiming that the movie takes place in “a very different world” where Paul’s “nightmares became reality” and he’s left to face “the consequences of his decisions”.

Describing Dune: Part Three as “a redemption story”, he added that “the heartbeat of the film is that love story between Chani and Paul, [albeit] more of a broken love story”.

As we’ve mentioned already, Dune: Part Three is based on Dune Messiah, the 1969 sequel novel written by Frank Herbert – the second book in the six-part original sci-fi series.

As filmmaker Denis Villeneuve observed to Entertainment Weekly: “In [Frank Herbert’s] mind, Dune was a cautionary tale – a warning against charismatic figures. He felt that Paul was perceived as a hero, when he wanted to do the opposite.”

The upcoming James Bond director added: “So in order to correct that, he wrote Dune Messiah, a kind of epilogue that makes it very clear this story is not a victory; it’s a tragedy.”

Timothée Chalamet will reprise his role as Paul Atreides, the titular messiah, while Zendaya is back as Chani. Also returning are Rebecca Ferguson as Lady Jessica, Josh Brolin as Gurney Halleck, Javier Bardem as Stilgar and Florence Pugh as Princess Irulan.

Anya Taylor-Joy – who made the briefest of appearances at the end of the last movie – is taking a more central role in the third film as Paul’s younger sister, Alia.

Opening up about her character at the IMAX event, Anya teased: “Alia has a very intense blessing/curse situation. She carries the weight and the wisdom of generations and generations in her head.

“She’s never in a singular conversation. It’s kind of everything everywhere all at once.”

Fans can also look forward to Jason Momoa’s comeback as Duncan Idaho – which may come as a surprise to some, given that his character died in the first film.

“He comes back just at the right moment in the story,” the director teased. “And it’s a very, very important comeback.

“Paul is struggling with his identity and having that kind of strong Atreides figure coming back from the past will have a tremendous impact.”

Back in June 2025, it was announced that Nakoa-Wolf Momoa, the 16-year-old son of Jason Momoa and Lisa Bonet will be joining the cast (and naturally, it didn’t take long before the “nepo baby” discourse started).

He’ll play Leto II, Paul and Chani’s son, while Ida Brooke is to play his twin sister, Ghanima.

Robert Pattinson also confirmed his participation in the threequel in November 2025, after months of rumours. It was later revealed that he was playing the chameleon villain Scytale.

Robert told Deadline that Scytale is “an unusual character in the book and when you can’t really tell who’s side he’s on, that’s what makes it quite interesting”.

“I wouldn’t say he was a kind of conventional bad guy as such. I don’t think he is. He might even be a good guy. Who knows? I will also find out when I see the movie. It’s an extremely fun character to play and the look for it is quite Incredible. Extraordinary,” Rob said during a March interview.

This marks the third time Robert Pattinson and Zendaya have shared the screen in 2026, following The Drama and The Odyssey.

The cast has been hyping up Dune: Part 3 for the best part of a year now.

During the cast’s appearance at CinemaCon in April 2026, Timothée teased that Paul has “become his worst vision and he’s struggling to figure out how to protect those he loves while becoming the all-powerful dark emperor of the universe,” according to Deadline.

“The years don’t seem to have been kind to anyone in Dune. [It’s been] a really difficult, challenging, ungentle and unkind few years,” though there’s “so much left still to fight for,” Zendaya agreed.

The Euphoria star noted that her character, Chani, is “at a very different place in her life where that youthful outlook is completely gone” when we meet her in Part Three.

Talking to The Hollywood Reporter in August, Anya said making the third Dune film had been “everything that I hoped it would be”.

“I cannot say more wonderful things about Denis. It was so deeply inspiring to be in these really harsh elements and know that every person is doing their absolute best work because they believe, trust and adore the person that’s leading the ship,” the Emma actor said.

Javier Bardem was also full of praise for the sci-fi film while speaking to Entertainment Tonight in June, calling it a “masterpiece”.

“Because Denis really wants to go farther and farther from the last movie. It’s like what he did with the second movie compared to the first one,” the Spanish actor added.

However, newbie Robert Pattinson was seemingly less impressed with the filming conditions.

“It was so hot in the desert that I just couldn’t question anything,” he admitted during an interview with IndieWire last year.

Zendaya’s The Drama co-star noted that being in the heat was so “relaxing” he “did not have a single functioning brain cell” during production.

Denis Villeneuve had previously gone on record saying he would only be up for adapting the third part of the Dune franchise if he could make it “better” than Part Two.

In fact, he was actually supposed to work on another film before Dune: Part Three – but inspiration took hold of him.

He recalled during a Q&A in March 2026: “I went back home. I said to my crew, ‘I’m taking a break. That’s it. Bye-bye.’ And I went back home and I kept awaking in the middle of the night with those images.

“I was supposed to do another movie in the meantime, but the image of Dune: Part Three, inspired by Dune Messiah, kept coming back… and I said, ‘Oh, all right, let’s do it’.”

With his work on Dune: Part Three behind him, the Canadian will next get to work on the upcoming 26th James Bond film.

Although Dune: Part Three is planned as the final film in Denis Villeneuve’s sci-fi series – the director has said he hopes that someone else will take over at the helm of the sci-fi epic.

“It will have been many years for me on Arrakis, and I would love to do something else,” he told Deadline in September.

He also noted that he wanted to make sure there are “seeds” in the third film which another filmmaker could pick up on and use in a later project set in the Dune universe, although he conceded that the latter books in Herbert’s literary series – which his son took over writing – will be harder to adapt.

“They become more and more esoteric. It’s a bit more tricky to adapt, but I’m not closing the door. I will not do it myself, but it could happen with someone else,” the he added.

He also confirmed to Collider that the upcoming story will “finish the Paul Atreides arc”.

There certainly is. In fact, just this week, a new teaser for Dune: Part Three launched.

While only 30 seconds long, this latest video includes loads of new footage including, for the first time, Edric’s voice – and if you’re a fan of the Dune books, you’ll know how important that character is.

Give it a watch for yourself below:

Meanwhile, a more full trailer dropped earlier in the year.

This one hinted at Paul’s megalomania, and included clips of a pregnant Chani and the return of Jason Momoa’s character, who warns Paul: “You’ve destroyed thousands of worlds. I think you’re way beyond redemption.”

It was also gave audiences a good look at bleach-blond Robert Pattinson as Scytale, who revealed his plans for a “regime” change to Florence Pugh’s Princess Irulan.

Dune: Part Three is scheduled to be released in cinemas on December 18, 2026.

This is, indeed, the same day as the latest Marvel movie Avengers: Doomsday – so get your popcorn ready for what’s already been billed as Dunesday in the press.

This article contains spoilers for Teenage Sex And Death At Camp Miasma.

So far, 2026 has been an exciting year for the horror genre.

Following the double-punch of Obsession and Backrooms, Hacks’ Hannah Einbinder and Gillian Anderson can now be seen in action in Teenage Sex And Death At Camp Miasma, a new slasher film that tips its hat to some of the horror movies many of us watched in our formative years – in all their problematic glory.

The latest offering from I Saw The TV Glow director Jane Schoenbrun, the film winds up taking a turn just as surreal as their previous works, with the whole thing serving as an allegory for sexual repression, particularly for those who identify as trans and gender non-conforming.

Speaking to HuffPost UK ahead of Camp Miasma’s UK release, Hannah Einbinder has lifted the lid on some of the movie’s themes and more complicated scenes…

Hannah recalls: “When I read the script, there was an author’s statement before the script, which provided some context for that. Also, I had met with Jane and understood that their films were allegorical for their experience.

“I [interpreted the film] in a way where I felt like this was them coming to terms with their sexuality, and embracing desire and sort of trying to feel liberation from shame. And so, my understanding of that only deepened as we had more conversations, as we were shooting the movie.”

After Kris and Billy’s dramatic sex scene, they’re skewered by “Little Death” only for it to emerge the whole thing was, as Gillian’s character says earlier in the film, “all play”.

From there, they take a giddy stroll out of Camp Miasma to pick up some sweet treats (all while soaked in blood, naturally).

“My take on the ending is that it symbolises the idea that you could be walking around, covered in blood,, people looking at you like you’re a freak, and you just don’t care,” Hannah suggests, referring to her final scene with Gillian Anderson.

“You’re totally blissed out and in love and safe and comfortable in your skin.”

“It just represents, to me, freedom,” she notes.

Teenage Sex And Death At Camp Miasma ends with Kris revisiting the gas station she visited earlier in the film, but this time, a new woman, after her encounter with Billy.

She’s even served by the same cashier in both scenes, with whom she has a very different conversation second time around.

“I don’t think that Kris hears the compliment in the first scene, and then, in the second scene, it’s kind of this thing of, like, she gets that validation from [Billy] and it feels like perhaps she is a little bit of an audience surrogate.

Hannah adds: “Fun fact – that incredible actress was actually, I believe, a costume designer who Jane interviewed for the film and was like, ‘you are incredibly captivating’ – and cast her! I think that was her first time acting!

“She was a riot, she was a blast. Shout out to her.”

“Well, first of all, Jane loves candy,” Hannah reveals. “I also love candy in a way that I would say is adjacent to drug use, the way that I do it.

“And the way that Jane does it, I would say it is not normal. I’d say it is above normale. So, like, we really bonded over that.”

She goes on to say that she thinks the sweets scattered throughout the film represent “a safe place for pleasure”.

“It’s a way to access pleasure in a sort of safe way,” she opines. “I also think [candy is] obviously a big part of movie-watching, and this is a cinephile’s film. And so I think there’s a lot there with the candy.”

Hannah continues: “It also speaks to what we want the movie to feel like – which is just like fun and like you’re staying up late and doing something you’re maybe not supposed to be doing. So yeah, there’s a lot there, I think.”

Teenage Sex And Death At Camp Miasma is in cinemas now.

There are many different types of intelligence, according to some research. Yes, there’s the kind that helps you score well on exams (linguistic intelligence may be useful for remembering written content, while the logical/mathematical kind could assist in solving sums).

But others, like spatial intelligence, might be overlooked.

Other theories, like the Triad of Intelligence, suggest we can break smarts down into three broad groups: cognitive intelligence, emotional intelligence, and integrative intelligence.

That last kind has been called the “rarest” form of intelligence, though that’s hard to prove for sure.

However, Lee Chambers, psychologist and CEO of Male Allies UK, told HuffPost UK that “it’s fair to say that modern life doesn’t often support this type of thinking and the practice of it”.

Integrative intelligence involves being able to connect seemingly unrelated things together. It’s linked to analogical reasoning, or the ability to apply the rules of one field or discipline to another.

It’s “not about having knowledge across many domains, it’s how we connect that knowledge in useful and meaningful ways,” Chambers said.

“It appears as being able to hold multiple ideas and perspectives, to spot the connections and conflicts between them, to join dots others don’t see to solve problems and challenges and to see how things relate.”

Some examples could include “taking a concept from psychology and applying it to leadership, [or] noticing a connection between biology and technology design”.

In the past, scientists have used crochet to understand complex geometry and economics to explain species change. Processes like these may fall under the umbrella of integrative intelligence.

“Ultimately, it’s not a type of intelligence we can wave around as superior. It’s much more about how we structure our thinking and how we come to judgements,” added Chambers.

It’s not like there’s a test you can take to see whether you have integrative intelligence, the psychologist shared. Instead, “it requires you to reflect on how you think and interact”.

He advised asking yourself the following:

• Are you known for combining subjects that seem unrelated and random to others?
• Are you always wanting to explore the shades of grey in between the black and white?
• Do you enjoy deep learning that is outside of your main specialism? Are you comfortable with ambiguity?
• Are you able to change your thoughts when new information challenges what you think you know?

Lee also stated that people with integrative intelligence “can be seen as the person who goes off on tangents… The person who doesn’t stay in their own lane”.

The expert added that while those with integrative intelligence might see connections between seemingly unrelated topics, often, “it’s hard to get that message across to someone who can’t”.

In fact, he continued, he often finds that the “environments that need this kind of thinking most, struggle to recognise it because it doesn’t fit neatly into a single box”.

And though he doesn’t think we can tell for sure whether integrative intelligence is dying out, Chambers said that a focus on specialism and curated algorithms could make it harder to achieve.

“We do now have a world where the ability to learn about different fields and perspectives is greater than ever before,” he ended.

“But if we don’t step outside of our algorithms and actively seek to diversify what we consume and the space we create to practice integrating and connecting, we will limit our ability [to] foster this type of intelligence. We need time, depth and friction to cultivate it.”

President Donald Trump’s border czar, Tom Homan, denied accusations of racial profiling when carrying out the administration’s mass deportation agenda despite the Supreme Court opening the door last year for ICE to use certain racial factors as grounds for immigration stops.

Homan was responding to comments made by Democratic Florida Senate candidate Angie Nixon.

“We’re Black, [ICE is] gonna profile us, too,” Nixon said on the Miami Community Newspapers Podcast.

“They can’t tell the difference between an African-American or, you know, a Black American that is a descendant of slaves here in this country, or someone from Jamaica or Nigeria. Like, they are going to racially profile us, and they are going to escalate things, and they are going to shoot and kill us,” she continued.

When asked by Fox News host Kayleigh McEnany on Saturday about Nixon’s comment she called them a “ridiculous statement.”

“Look, we don’t racially profile. Everybody we talk to we have reasonable suspicion of aliens to talk to them. And to arrest them, we need probable cause,” Homan said. “That’s what the law says and that’s we do. We don’t arrest people based on the colour of their skin.”

Homan then called himself an “equal opportunity deporter.”

“I deported people to 180 countries last year. So, I don’t care if you’re from Asia, you’re from Europe, or you’re from other countries. If you’re in the country illegally, you’ll be deported, regardless of the color of your skin,” Homan said.

Despite Homan’s comments, the Trump administration explicitly asked the Supreme Court last year to block a lower court’s order prohibiting immigration officers in Los Angeles from using racially loaded factors as justification for arrests.

The 6-3 decision in Perdomo v. Noem reversed a lower court’s ruling that prevented officers from considering factors such as apparent ethnicity, language spoken or accent, presence at a location where immigrants were believed to gather, or working in a particular kind of job, when making arrests.

Homan’s statements on Saturday run contrary to the high court’s ruling, as it found that agents may rely solely on just one of the four aforementioned factors, without any other “reasonable suspicion.”

Watch Homan’s full comments on Fox News’ Saturday In America here: