Godox spent years building lights that help photographers shape what they see. The company’s first camera flips the usual relationship between photographer and device. Instead of a bright rear screen that pulls attention away from the scene, the C100 gives you a clear window you compose through while key information floats on the glass itself.
The C100 camera’s body is 104 x 72 x 19 millimeters and weighs 65 grams, making it light enough to fit easily into a shirt pocket or be attached to a strap like a tiny accessory. The front panel is dominated by a sleek 60.8 x 47.8 millimeter transparent window that allows more than 50% of light to pass through, allowing you to see the real world directly in front of the lens. At the same time, the panel displays some extremely helpful information, like frame lines, exposure data, and battery level, without having to resort to a video feed and muck up the scene.
Sharp autofocus: The Polaroid Now’s twin-lens autofocusing system chooses which lens is right for the shot, without you having to do anything.
Double-exposure and self-timer modes: Take photos so nice you shot them twice with double-exposure mode. Or set up the perfect self-portrait with the…
Shoots Polaroid i-Type & 600 Film: Capture modern life in the original Polaroid aesthetic. And see every detail of each beautifully imperfect picture…
Changing the aspect ratio brings the frame lines on the panel up to speed in real time, and you can select from a variety of settings such as 16:9, 4:3, 3:2, and 1:1. The center-weighted meter performs an excellent job of reading the scene and provides a wealth of helpful information, including ISO, aperture, and shutter settings ranging from 100 to 800 in manual steps. Aperture and shutter are linked in ranges from f/1.0 to f/64 and 1/8000 second to 1 second, so as you change one, the other is suggested in the background, which is quite useful if you’re trying to get everything just right before putting up any real film elsewhere.
The controls are as simple as you’d imagine, with only a few of arrow keys and a select button on the back for menu navigation and settings, and the shutter is ready to go with a quick click. There is no standard screen to see the photos you’ve just taken; the image is saved directly to the microSD card as soon as you press the shutter. Once it’s there, you may use USB-C to transfer content to your phone or computer, or you can just remove the card.
Godox claims that the C100 was created to be an all-day camera that allows you to get to the core of the moment with no worry or hassle, as it’s all about seeing and feeling first, then clicking the shutter, and, of course, analyzing your images afterward, when you’re feeling more relaxed. They believe that the wait between snapping the shot and viewing the outcome will make each snapshot feel like a small surprise when you open the files. The actual resolution of the images appears to be on the low side, ranging from 320 to 570 kilobytes, so don’t expect to be making any large prints very soon. Oh, and the camera also shoots video, though the exact specifications are not yet available.
At 199 yuan (or roughly 29 USD), the C100 is clearly in the same category as some of the other recent basic cameras that are all about providing an experience rather than just a set of specifications. It’s a step up from some earlier transparent-window cameras because it has live data overlays rather than static printed graphics, and its creators see it as an ideal companion for film photographers looking for a lightweight metering and framing tool that will fit nicely in their bag alongside their medium-format body. [Source]
iPhone Pro fans who were hoping Apple would bring back a dark color option this year might not be happy after reading this.
According to a new leak from Weibo tipster Instant Digital, the iPhone 18 Pro could launch in just three colors: Dark Cherry, Light Blue, and Silver-Gray. You see? Black or dark gray is not on the list.
Renders of the iPhone 18 Pro in four colors, though the gray one might not make it to launchFpt. on YouTube
So what exactly is being claimed here?
The three-color lineup would follow the same pattern as Apple’s iPhone 17 Pro. For those catching up, last year’s Pro iPhone launched with three options: Cosmic Orange, Deep Blue, and Silver, despite pre-launch rumors of up to five colors.
This new leak suggests Apple may be doing it again. Instant Digital characterizes Dark Cherry as the standout marketing color, taking the role that Cosmic Orange plays in the current lineup.
Light Blue might replace Deep Blue, and Silver-Gray would be similar to last year’s Silver, but with a potentially different shade (via 9to5Mac).
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Fpt. on YouTube
Is a three-color lineup actually confirmed?
Not quite. iPhone 18 Pro color rumors have shifted considerably this year. In February, a Deep Red finish was tipped as the phone’s signature color. In retrospect, it could be referring to the Dark Cherry shade.
In April, a separate leak pointed to four new finish options. For me, the lack of consensus means the colors haven’t been decided yet, though Instant Digital’s track record lends this claim some weight.
Most recently, the drop-test footage of the iPhone 18 Pro surfaced on June 30 via a Tata Electronics data breach and showed the device in what appeared to be a gray colorway, which lines up with the Silver-Gray finish in the leak.
Google has expanded Gemini Spark to the macOS app, adding computer-use capabilities that let the AI agent complete tasks on a Mac without user involvement.
The expansion follows Google’s broader rollout of Spark across web, Android, and iOS for AI Ultra subscribers in the United States. The agent first launched in May as an always-on background assistant capable of handling multi-step workflows on a user’s behalf without requiring manual input at each stage.
Building on that foundation, the macOS version extends Spark’s reach to desktop automation, covering tasks such as sorting files into designated folders or generating budget spreadsheets from invoice documents stored in a Downloads folder. The agent executes the workflow independently rather than waiting for step-by-step instructions.
Beyond local automation, Google is adding remote task assignment to Spark on Mac, which will allow a user to delegate a multi-step workflow from their phone and have the agent complete it on the desktop without any direct interaction once the task is set in motion.
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Alongside the Mac expansion, Google is broadening Spark’s third-party integrations to include Canva, Dropbox, Google Keep, Google Tasks, Instacart, and Zillow Rentals.
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Those connected app integrations will become available on the web and mobile platforms from next week, with support for the macOS app arriving in the weeks that follow.
More significantly for developers and power users, Google is rolling out Model Context Protocol support for Spark, a standard that allows the agent to connect with a wide range of third-party tools beyond the officially integrated applications already confirmed for the platform.
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Spark is also gaining real-time topic tracking, which lets users configure the agent to monitor specified subjects and surface relevant updates the moment they become available, covering use cases from sports results to financial alerts triggered by a stock reaching a defined threshold.
Gemini Spark remains exclusive to AI Ultra subscribers in the United States across all supported platforms, with Google yet to confirm a timeline for broader regional availability.
This week Jonathan chats with Andy Gryc and Aaron Basset about QNX, and the interesting Open Source history and future of that embedded OS. Why does QNX Everywhere feel more open, and why do you need to register an account to download images? All that and more — Watch to find out!
Did you know you can watch the live recording of the show right on our YouTube Channel? Have someone you’d like us to interview? Let us know, or have the guest contact us! Take a look at the schedule here.
Look, 5-4 Supreme Court decisions count just as much as 9-0 ones, and a 5-4 decision getting it right is still a win, but for a number of reasons, the 5-4 decision in Trump v. Barbara, regarding the issue of birthright citizenship is terrifying.
This isn’t a complicated issue. This isn’t an issue that should even be before the Supreme Court at all. The text of the Fourteenth Amendment is crystal clear:
All persons born or naturalized in the United States, and subject to the jurisdiction thereof, are citizens of the United States and of the State wherein they reside.
The history of the Fourteenth Amendment and every single damn case about this particular issue from after it was added to the Constitution until now has been abundantly, ridiculously clear: anyone born in the US is a US citizen. The only exception is kids of diplomats who are not considered “subject to the jurisdiction thereof.” The whole question of whether a child born in the US to foreign-born parents is a citizen was settled clearly in 1898 in US v. Wong Kim Ark and literally no one has seriously questioned this issue at all since then.
Until a group of freaking racists took over the White House and wanted to drum up hatred of foreigners and anyone not white. The Stephen Miller-led White House issued a hilarious/terrifying executive order pretending to overrule the clear meaning of the Fourteenth Amendment. That executive order was quickly challenged, and a year and a half later, the Supreme Court has ruled that the Fourteenth Amendment means what everyone knew it meant from the beginning. But just barely.
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Chief Justice John Roberts, joined by Justices Amy Coney Barrett, Sonia Sotomayor, Elena Kagan, and Ketanji Brown Jackson, issued what should have been a 9-0 one page ruling saying “yes, we can fucking read the plain text of the Fourteenth Amendment, and it says exactly what it says, and no, the President can’t overturn that by executive order, no matter how racist he is.”
Instead, in the past 17 months or so, a whole industry of grifting academics came out of the woodwork to manufacture, from absolutely nothing, made up claims that the interpretation of the Fourteenth Amendment was in dispute. Justices Gorsuch, Thomas, and Alito used that shoddy scholarship, among other things, to justify their arguments that Stephen Miller is somehow right about the Fourteenth Amendment not applying to a situation where it clearly applies.
Justice Kavanaugh “concurred” in part on the judgment, but not on the basic Constitutional interpretation, which is the whole ball game.
Kavanaugh’s faux-concurrence is particularly insane, given that one of the reasons we hear from the conservative wing of the Supreme Court regarding things like the Second Amendment and abortion rights is that due to “history and tradition,” we have to interpret these parts of the Constitution as they were originally interpreted, not based on any changes in the world. Except, here, Kavanaugh is suddenly, magically, stupendously, a believer in the “living Constitution” where he gets to rewrite the meaning based on different circumstances.
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Could you imagine Kavanaugh writing this in a case about gun control, for example:
The original constitutional principles do not change absent a constitutional amendment, but the relevant principles— both the rules and exceptions alike—must be faithfully applied not only to circumstances as they existed in 1787, 1791, and 1868, for example, but also to modern situations that were unknown or unanticipated by the Constitution’s Framers.
Kavanaugh now insists that these “modern situations” include the rise in undocumented immigration to America that means we need to completely revise our understanding of the Constitution. Somehow “modern situations” don’t apply to things like assault weapons as compared to muskets when we’re talking about the Second Amendment.
The fact that Trump’s nakedly xenophobic attack on birthright citizenship earned four votes—four fucking votes—is a national embarrassment, and a heart-stoppingly frightening signal about what may lie ahead if Trump (for any reason) gets to replace Roberts or one of the liberal justices in 2027 or 2028. The upshot of Barbara is that, as a country, we are but one MAGA dead-ender away from a Court that is willing (and maybe excited) to undo Reconstruction, just as soon as Republican politicians bring a case that will allow them to do it.
For more than two centuries, the Court has proclaimed itself to be the ultimate authority on the law, with the unreviewable power to say what it means, no matter how unpopular its rulings might be. These days, what passes for “courage” from the Court is an opinion that makes clear to Trump that there is a limit to the justices’ willingness to allow him to unilaterally amend the Constitution, but that he is really, really close to persuading them to get rid of it.
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Willis also points out that, even if the majority ruling got this correct, tons of people had to suffer for a year and a half waiting for what should have been dismissed out of hand:
Trump v. Barbara is the stupidest Supreme Court case in recent memory: the nation’s nine fanciest lawyers spending God knows how many hours pondering a question about the Fourteenth Amendment’s meaning that a bright sixth-grader could have answered without difficulty in roughly 30 seconds. The fact that a bare majority of the Court eventually arrived at the howlingly obvious, so-simple-it-feels-like-a-trick-question result—and only after months of forcing noncitizen parents to wonder if their children would soon be rendered stateless—is not evidence of the justices’ boundless intellect or analytical rigor. It is a damning indictment of an institution that is teetering on the brink of stuffing the entire enterprise of constitutional governance in the garbage.
And, there is fear among many that this 5-4 ruling is just a prelude to something way worse. Elie Mystal at The Nation makes this point clearly:
Trump tried to change the definition of citizenship by executive fiat in clear opposition to the text of the 14th Amendment, and he almost got away with it. This time. And we know there will almost certainly be a next time; the Supreme Court loves to give Trump multiple bites at the apple whenever he is trying to graft bigotry onto the Constitution.
As has happened in the past, the dissents laid out the road map for how Trump or future bigots might get around the Citizenship Clause. Trump tried to take out both children of people with temporary status (like people on work visas) and children of people without proper status (like people who have overstayed travel visas or crossed the border in secret), and that appears to have been his mistake. The dissenters have different arguments for why the children of people who have temporary status should be denied rights than for why children whose parents are out of status (or never had status) should be denied those rights. It’s possible, even likely, that if Trump attacks these two groups separately, he’ll squeak his way to five votes on one or both fronts.
Yes, a 5-4 decision is still a win and it still counts in the books as a win, but the fact that Republicans like JD Vance are already salivating about how they just need to put one more MAGA-brained Justice on the Court and they get to overturn the Fourteenth Amendment as soon as possible should be a warning to everyone who actually believes the Constitution should be seen as saying what it clearly says.
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In that video, JD Vance admits that MAGA is just salivating about getting another vote on the Supreme Court to try again on this issue. He literally says, if they can get one of the five Justices who signed onto the majority off the Supreme Court before Trump leaves office, he hopes they can get someone else on instead who will flip the vote.
This kind of ruling is why the entire judicial system needs a radical rethink, and quickly. As we’ve seen this week, the Supreme Court is clearly broken. And a 5-4 decision, while still a win for common sense and the plain reading of the Constitution, feels like a hollow victory — one that is likely not long for this world without a radical change to the way the Supreme Court functions.
eNeural Technologies gets the lay of the land in Bellevue during a Greater Seattle Partners Spinoff program reception at Amazon’s Everest building in Bellevue. Pictured from left: Tom Florino, director, Worldwide Economic Development, Amazon; Rebecca Lovell, COO, Greater Seattle Partners; David Kou, SVP sales and marketing, eNeural Technologies; Lynne Robinson, City of Bellevue councilmember; Jesse Canedo, chief economic development officer, City of Bellevue; Eric Crowley, commercial section deputy chief, American Institute in Taiwan; Kelly Lee, commercial specialist, American Institute in Taiwan. (Photo courtesy of Greater Seattle Partners)
Add another name to Bellevue’s growing list of AI tenants.
Taiwan-based eNeural Technologies is setting up its North American headquarters in the city, joining a wave of AI companies — from CoreWeave to xAI to OpenAI — that have staked out office space east of Seattle over the past year.
eNeural plans to invest $3.5 million in the Seattle region over the next three years and create about 30 jobs, more than 20 of them AI engineering positions, according to Greater Seattle Partners, the regional economic development group that announced the expansion.
The company said it eventually envisions its Bellevue office growing into a core edge AI research and development center with more than 500 employees over the next decade.
The company builds lightweight, low-power AI software and chips that let devices — logistics equipment, vehicles, smart city infrastructure — run AI directly on-site rather than relying on the cloud. eNeural says its portfolio spans model optimization tools, self-learning edge platforms, and neural processing unit silicon IP, along with vision-language and large language model tools built for private, secure deployments.
eNeural founder and Chairman Jiun-In Guo called the region “one of the most innovative technology ecosystems in the world” and said establishing an HQ in Bellevue gives the company access to “a unique combination of world-class AI talent, global technology leadership, and proximity to key enterprise customers.”
eNeural’s path to Bellevue ran through Greater Seattle Partners’ SelectUSA Seattle Spinoff program, which introduced the company to the region’s AI and tech ecosystem in 2025.
eNeural’s arrival adds to a run of AI companies moving in alongside tech giants Amazon and Microsoft and staking claims on the Eastside over the past year:
CoreWeave recently doubled its footprint to 36,000 square feet at One Bellevue Center, expanding its engineering hub with dozens of open roles in the region.
Elon Musk’s xAI unveiled a 25,000-square-foot office in the former Epic Games space at Lincoln Square South.
OpenAI moved into a new engineering office at City Center Plaza, a space built for 250 employees with room to grow to as many as 1,400.
Denver-based Crusoe opened a 7,400-square-foot office in the Key Center building.
Seattle did notch a win of its own this week with the news that Anthropic is leasing 113,000 square feet of space across multiple floors in a South Lake Union development.
The Bellevue office will serve as the eNeural’s primary hub for customer engagement, strategic partnerships, business development, and advanced AI engineering across North America.
Folding phones have promised a marriage between our phones and laptops ever since they first came out. You use the outer display for regular phone things and then open up the inner folding display to get serious work done, like writing articles, checking emails, or researching your next hobby project. As good as this dream sounds, I’m the first to admit that phones will never replace our laptops. We tried folding laptop screens, but the sheer convenience of a dedicated keyboard-and-mouse setup was too much to give up. But that doesn’t mean laptops will always be boring. I mean, most are, yet there’s one company trying to change things up. As always, that’s Asus.
A few years back, the company debuted the ZenBook Duo, a radical redesign of the laptop experience, which replaced the keyboard deck with another OLED screen. You still have the keyboard deck, but it could be taken out for a more workstation-like setup. As much as I loved that device, I couldn’t recommend it because of a few key compromises. However, Asus has just unveiled the 2026 version of the ZenBook Duo, which addresses many of the problems and houses the latest Panther Lake processors. In classic MKBHD fashion, I have been testing the Duo for a better part of 2 weeks, and I think they’ve done it. A dual-screen productivity monster that’s suitable for every buyer. Here’s why.
Asus ZenBook Duo 2026 Review
Hisan Kidwai
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Summary
For people who are always on the move, the Duo has something no other laptop maker offers: convenience. Convenience that lets you set up a workstation anywhere in the world, and do your work without feeling limited by just a small screen. The laptop’s performance is blisteringly fast to the point that you can throw almost any productivity workload at it. Both displays are simply gorgeous in terms of color reproduction, accuracy, and even gaming. Not to forget the excellent speakers and the wireless keyboard that doesn’t feel out of place.
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Design & Hardware
There’s no question that Asus makes beautiful laptops. And there’s no better way to demonstrate that than the ZenBook lineup. It’s the cream of the crop, meaning the R&D budget is spent here, and I could feel that in the new ZenBook Duo. It’s made of Ceraluminum, which is Asus’ brand-new finish. For the uninitiated, the aluminum is heat-treated to form a ceramic coating on its surface. You should really walk into an Asus store to feel it, but the best way I can describe it is that Ceraluminum feels like a high-end stone you might find in a marble store. It’s super soft to the touch, yet feels very sturdy in the hands, so 10/10 from me. The only gripe I have with this finish is that it picks up greasy fingerprints. So, unless you strictly keep your food away, your laptop will look smudgy. Keep a cloth handy.
Still, the best part of the ZenBook Duo is its dual-display design. But first, we need some context. I remember the 2024 version, which, as good as it was, felt a bit experimental. The laptop was chunky, and the hinge design left a big gap between the two displays, which slightly hindered the experience. It wasn’t helped by the fact that both displays were on different planes, and dropping the laptop felt like a scary nightmare.
Fortunately, that’s exactly what Asus has fixed with the new ZenBook Duo. On paper, it may be just 5% smaller, but that adds up to a lot in person. The laptop feels sleek in the classic ZenBook way, and the hinge is so much better. Asus calls it the hideaway hinge, which immediately reduces the display gap by 70%.
Both screens sit on the same plane, and there’s very little gap between the two, meaning continuity is a real thing. The hinge also closes fully from behind, offering some protection against drops, though I still recommend being very careful. The duo weighs about 1.63 kg. I wouldn’t call it light, but it’s still good enough to take to cafes and various work meetings.
The Dual Screen Experience
Imagine this: you’re a corporate professional tired of working from a small cubicle. You take WFH or just wander out to finish work from a cafe. While this setting is amazing, a small laptop screen is just not enough to fill out all the spreadsheets or research an upcoming project. That’s exactly the type of scenario the dual screens on the ZenBook Duo come alive. You take out the laptop, remove the keyboard, flip open the attached kickstand, and that’s it; the mini workstation is ready.
But before the experience, we need to talk about the displays. Both of which are 14-inch 3K (2880 x 1800) touchscreen panels with a blistering 144 Hz refresh rate. Not to mention, the panels are OLED, cover 100% of the DCI-P3 color space, and are PANTONE-validated. What this translates to is a top-of-the-line content-watching experience, where colors pop without looking oversaturated, the blacks are spotless, and even the HDR performance is really good, thanks to the 1,000-nit peak brightness. I couldn’t really fault this display, no matter how I tried, because Asus even managed to put in a 16:10 aspect ratio, which is just perfect for professionals.
Response times are capped at 0.2ms, and I even went outdoors with the Duo, where one more feature came to the rescue. Remember the reflections outdoors that make working on a laptop impossible? Well, that’s one more problem you don’t have to worry about, as there’s an anti-reflective coating. It’s not a 100% solution to the problem, but reflections are manageable.
Now that we’ve talked about how gorgeous these displays are, it’s time for the real deal. Most of your time will be spent in what Asus calls the desktop mode. You prop the laptop with the stand and keep the wireless keyboard on a table. I think that’s the best way because you get to use both panels equally. For me, this meant writing news articles on the top display while keeping the press release at the bottom.
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I cannot tell you how liberating it is not to have to constantly fiddle with changing tabs and then forgetting what I was about to say. For you, it may be the video editing timeline at the top, with the controls being at the bottom, or a game on the top and the tutorial at the bottom. Ultimately, it’s a matter of convenience that makes the ZenBook Duo work so amazingly.
But that’s not all the ZenBook Duo has to offer. You can rotate the laptop for two portrait screens, which could be helpful for all my programming and Reddit nerds, or ditch the keyboard altogether. I can see this happening with artists, as the laptop also comes with a stylus, and quite a good one, to be fair. Look, I’m no artist. The last painting I did was in kindergarten, but even from my limited knowledge, the Duo can be a great creative tool.
A Familiar Windows Problem
As good as the ZenBook Duo is, Windows 11 is in a bit of a pickle right now. Nobody cares about Copilot, and the OS feels buggy, bloated with a million intrusive features. Beyond that, Windows can’t even handle one screen well, so a dual-screen niche laptop was always going to be a problem. I did run into a couple of issues, like the different wallpapers I set for the panels randomly becoming the same every day, and the animations sometimes feeling a bit janky.
I wish Windows could get its act together, but until then, the burden falls on OEMs to fix the mess. With the Duo, Asus bundles a host of software features. And they are quite clever. One of my favorites is the virtual keyboard, which comes up whenever you tap the bottom screen with six fingers. You can then swipe these fingers down to remove the trackpad and add different macros on the top half of the screen.
ScreenXpert is another highlight. When you lay the laptop flat on a table, it triggers a new Sharing mode. Essentially, it mimics the two screens, with a host of on-screen controls for marking and highlighting information. I don’t do meetings much, but I can see the point in an office environment. Lastly, there’s a new Control Center that keeps the quick settings toggle handy.
Keyboard & Trackpad
I always thought that a dual-screen laptop would compromise the keyboard. And it’s easy to see why. You put in dual screens, so either the keyboard has to be a separate unit, or if it’s attached, then the thinness would hamper the experience. Surprisingly, Asus has managed to avoid both these problems. The keyboard deck sits securely between the two screens, held in place by pogo pins. It’s a Bluetooth setup that’s always connected to the Duo, meaning you don’t have to fiddle with connecting it manually.
As for the keys themselves, they have more travel than the keys on my MacBook, and the layout is familiar. I didn’t spend days trying to acclimate, and even the feedback is decent. Instead of the usual mushiness, there’s a satisfying click at the end, and the backlighting contrasts well with the grey color. It’s not all perfect, though: the strong magnetic connection can sometimes make it a bit difficult to detach the keyboard, but I wouldn’t strictly call that a downside.
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Moving on to the trackpad, I can say the exact same thing. Don’t get me wrong, it’s not as excellent as the one on the ExpertBook Ultra, but as far as actual clicking ones go, it’s definitely great. The glass surface is smooth, so you can use it without applying grease beforehand. The actuation energy for the presses is balanced, and the surface is quite big. The only complaint I could conjure up was that when I was using the keyboard on my lap, with my palms resting on the side surface, it would trigger the clicking mechanism.
Performance
A productivity machine needs to have powerful internals. Not just for doing spreadsheets on the go, but to manage multitasking. Fortunately, inside the ZenBook Duo lies the latest Intel Core Ultra 7 Series 3 Panther Lake processor. It’s accompanied by 32GB of LPDDR5X RAM and 1TB of NVMe M.2 PCIe 4.0 SSD storage. In simple terms, the Ultra 7 Series 3 is a flagship chip that can clock up to 4.7 GHz.
As a surprise to absolutely no one, the Duo flies through the UI. Apps open instantly, and there’s no hitch when switching between different tasks. For context, my work is usually done in Chrome. It’s not the most demanding thing in the world, but sometimes I have to update multiple articles. I often have more than 30 Chrome tabs open, and the Duo handled it extremely well. No tab was removed from memory, and I could quickly look up the reference information on the bottom screen and update the content.
Since this is a review, I also downloaded DaVinci Resolve to test its video-editing capabilities. I think that’s where the Duo shines. Look, it’s not the most powerful video-editing machine, but for Reels and YouTube Shorts, it’s more than capable. I put the preview footage on the top screen and the controls at the bottom. The experience was great, and the laptop handled multiple 4K streams with color grading well enough. Flipping the laptop into portrait mode, VS Code ran just as smoothly, so no complaints.
Benchmarks & Gaming
My real-world tests can paint a limited picture. Maybe you’re a CAD designer or an animation expert. As much as I’d like to test those, I’m simply not an expert in these areas. That’s the reason we rely on benchmarks. While I wouldn’t call them super accurate, they do provide a number everyone can understand. In Cinebench R24, the Duo scored 115 in the single-core and 619 in the multi-core tests. In PCMark 10, I recorded the main score at 3710. Finally, in 3D Mark’s Wild Life Extreme, the Duo reached 5,220 points.
As far as gaming is concerned, let me tell you this. If you’re a serious gamer who needs the two screens, Asus will happily sell you the Zephyrus Duo, which has dedicated graphics. However, if gaming for you means Valorant, Counter-Strike 2, or some fun with friends in Fall Guys, then the Duo will handle that pretty well. I got over 100 fps at medium-to-high settings in all these games, and you can configure controls on the bottom screen, as with games like Flight Simulator.
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Battery Life & Speakers
It’s no secret that driving two big and bright OLED panels takes a lot of juice. Not to mention the extra space the bottom display takes up. Still, Asus has somehow managed to fit in a 99Wh cell inside the Duo. That’s up from the 75Wh that powered the previous generation. While I’m not entirely sure how the company did this, the benefits of the bigger battery are pretty clear. Never once did I run out of juice on a working day, with up to 70% usage happening in the dual-screen mode.
For some context, I mainly answered emails and Slack messages, did research in Chrome with more than 20 tabs open, and ended the day with some YouTube videos, with the final SoT hovering around the 9-hour mark. That’s on par with many of the regular laptops I’ve tested recently. When it comes to charging, a 100W fast charger is bundled, which can fully recharge the battery in less than an hour and 30 minutes.
A month ago, I gave the ExpertBook Ultra the title of best-sounding laptop speakers. While I still do think the same, the Harman Kardon-tuned six-speaker setup on the Duo comes awfully close. I’d even say it’s on par with the Ultra, thanks to its wide soundstage, which keeps different instruments legible. The mids are crystal clear, and even the treble hits the spot. The bass is tightly controlled so as not to overpower the vocals, and even the highs are carefully balanced. I had tons of fun watching Sheep Detectives (great movie if you haven’t watched it).
Verdict
At ₹299,990 or $2,499, the Asus ZenBook Duo is certainly a niche product. Its dual screens won’t appeal to everyone. After all, you can just buy a monitor at home and connect your regular laptop. However, for people who are always on the move, including myself, be it cafe hopping or traveling the world like a digital nomad, the Duo has something no other laptop maker offers: convenience. Convenience that lets you set up a workstation anywhere in the world, and do your work without feeling limited by just a small screen. The laptop’s performance is blisteringly fast to the point that you can throw almost any productivity workload at it. Both displays are simply gorgeous in terms of color reproduction, accuracy, and even gaming. Not to forget the excellent speakers and the wireless keyboard that doesn’t feel out of place.
Hyundai and Kia recently introduced a new UV technology for in-vehicle sanitation called Plasma Care UVC. The system reduces bacteria in the cabin and can even operate while passengers are present.
The companies say the technology is especially useful for eliminating foul odors, as it kills the actual organisms behind the smells. In any event, it’s likely better than one of those hanging air fresheners that have been making cars smell like off-brand coconut for decades.
This is all done via the use of a plasma lamp that creates far-ultraviolet C (Far-UVC) light. This light is emitted in the 200 to 230 nanometer range, which doesn’t penetrate human skin but does destroy bacteria and viruses. Conventional ultraviolet sterilization can pose a risk to human skin and eyes. There’s a reason why this Far-UVC tech is typically used in places like airplane bathrooms between visitors.
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There were also other hurdles to putting this type of technology in vehicle cabins. Kia and Hyundai had to optimize the system by reducing its size and improving power efficiency. Far-UVC systems designed for schools and hospitals couldn’t be used here, for size and power draw reasons.
Finally, the companies added a specialized optical filter for more protection. This limits the ultraviolet wavelengths to the aforementioned range. All in all, this looks like a fairly novel way to prioritize sanitization.
Hyundai and Kia conducted a battery of tests to make sure the system could actually work as advertised. There was a sanitization evaluation with a simulated vehicle cabin, which was conducted by the Korea Testing Laboratory. This confirmed a 96.8 percent reduction in airborne viruses within 30 minutes.
Another test determined that the Plasma Care UVC eliminated 99.9 percent of pneumonia-causing bacteria in just 30 seconds. The companies partnered with Seoul National University for that one.
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Final tests in collaboration with the Korea Automotive Technology Institute found a 99.9 percent eradication of E. coli within 40 minutes. This was done in an actual vehicle cabin, thus potentially demonstrating real-world performance.
As this is a new technology, it’s not actually in any cars just yet. Tests are ongoing to ensure “technical validation in line with international safety standards prior to implementation in production vehicles.”
It is worth pointing out that UVC sanitization tech does have its limits. It only disinfects via direct illumination, as light must reach the physical surface of the contaminant. This means that germs and bacteria will still be able to hide in the shadows or under the seats. Also, certain pathogens can repair themselves after exposure to UVC light. In other words, this is best thought of as an assistive technology to be used in conjunction with regular cleaning.
Square is launching a new ChatGPT app and Claude plugin, enabling consumers to discover restaurants and seamlessly place orders directly within these AI platforms — and allowing restaurants, in turn, to accept orders from users and their AI agents without any technical capabilities.
Even more helpfully for businesses, Square is processing these AI-driven transactions without charging the traditional marketplace commission fees that have historically squeezed the food and beverage sector.
However, Square is still charging its typical online ordering fees of 3.3% plus $0.30 or 2.9% plus $0.30 per transaction for merchants subscribed to the Square Plus and Square Premium plans.
The system pulls straight from the live Square catalog, dynamically mapping items, pricing, complex modifiers, and stock availability so autonomous agents never display out-of-stock inventory.
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For enterprise testing and deployment verification, operators can manually audit their digital footprint by using the “@” symbol to invoke the Order by Cash App plugin directly within ChatGPT or connecting it via the Claude extension directory.
Depending on the specific AI tool configuration, customers can either finalize checkout completely inside the chat window via Order by Cash App, or they will be seamlessly redirected to the merchant’s standard online ordering landing page with their chosen items and modifiers already fully populated in the basket.
A more affordable online order system for restaurants
To understand the significance of Square’s move, you have to look at the math that restaurant owners face in 2026. Third-party delivery and ordering apps have fundamentally altered the economics of the restaurant industry.
Currently, the major players—DoorDash, Uber Eats, and Grubhub—charge restaurants a hefty premium for visibility and fulfillment. These exorbitant rates exist primarily because delivery aggregators bundle the logistical costs of gig-worker delivery fleets, platform marketing, and search placement into a single revenue-sharing model.
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According to recent pricing structures, DoorDash charges restaurants a 15% commission on its “Basic” delivery tier, which climbs to 25% for “Plus” and 30% for its top-tier “Premier” visibility plan. Even pickup orders carry a 6% marketplace fee.
Uber Eats similarly exacts standard delivery marketplace fees ranging from 20% on its “Lite” tier up to 30% for premium placement, with pickup orders costing up to 10% if in-store pricing isn’t strictly validated.
Grubhub echoes these rates, taking between 5% and 20% of the total order value depending on the marketing and delivery package chosen.
On top of these marketplace commissions, platforms still tack on their own payment processing fees—typically around 2.5% to 3.05% plus a fixed cent amount per order.
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For an independent restaurant that might only clear a 3% to 9% net profit on a good day, handing over a 25% or 30% commission on a $40 digital order essentially means preparing food at a loss.
Square’s new integration specifically targets this pain point. By tapping into Square’s ChatGPT and Claude integrations, eligible sellers are opted in automatically with no additional setup, no new APIs to build, and, crucially, zero added marketplace fees.
Instead of surrendering a 30% cut to a delivery aggregator, a restaurant discovered through an AI agent only pays Square’s standard online transaction processing fee (which typically sits around 2.9% + 30¢ per transaction on a standard plan, with no monthly marketplace commission attached).
Unlike the delivery aggregators, Square’s fee model does not natively subsidize a driver network. Instead, if an AI-generated order requires delivery, Square utilizes a white-label dispatch network that charges a flat courier fee—often around $7 to $10 depending on distance—rather than taxing a percentage of the total basket size. Restaurants can choose to absorb this flat delivery cost or pass it directly to the customer, completely protecting their food margins.
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The result is an AI-powered discovery channel that functions like direct, first-party ordering.
How the tech works
Square’s new integration is currently live for U.S.-based Food & Beverage sellers who have an activated Square Online Ordering profile.
The system operates entirely in the background. Sellers manage their discoverability and business information—menus, operating hours, stock levels, and pricing—directly through their existing Square Dashboard.
When a consumer prompts ChatGPT or Claude with a query like, “Find me a specialty coffee shop nearby with a great pour-over and order me a bag of their house roast,” the AI parses the real-time data provided by Square.
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Customers can browse the results, make their selections, and finalize the purchase using Order by Cash App, all without leaving the chat interface.
The transaction is then routed instantly into the seller’s existing operational flow, popping up on their Square Point of Sale (POS) and Kitchen Display System just like an in-store or direct-website order.
To help operators track the return on this new channel, the origin of the order is clearly tagged as an AI integration within Square’s backend reporting.
“Consumer behaviors and preferences are constantly evolving, and business owners can easily find themselves playing an impossible game of catch-up,” said Morgan Kuntze, Global Partnerships Lead at Block, Square’s parent company. “Our investment into agentic commerce aims to offload that responsibility by giving operators time back, helping connect them with customers in their communities, and keeping them at the industry’s cutting edge. Modern commerce is moving at a sprint, and we’re building Square to help sellers appear everywhere customers are going.”
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Focusing on tech to let restaurants focus on food
During its pilot phase, Square collaborated with Partners Coffee, a Brooklyn-based specialty coffee brand, to refine how AI-driven discovery translates into the real world. For operators like Partners Coffee, the goal isn’t necessarily to become a hyper-digitized storefront, but rather to use digital efficiency to protect the physical experience of the cafe.
“We don’t see coffee as transactional. To us, it’s an opportunity to pause and reflect, a chance to unwind, and a catalyst for connection,” noted Andrew Costaris, Digital VP at Partners Coffee, in a statement provided by Square to VentureBeat. “The last thing we want is for our technology solutions to work against this mission or complicate the customer experience. With agentic commerce and AI tools working in the background, we’re confident knowing that our business is being digitally discovered and is consistently growing in efficiency, while our customers can continue to enjoy a lo-fi, specialty coffee-first environment.”
An AI-driven e-commerce ecosystem
The integration with ChatGPT and Claude is only the first step in Square’s broader agentic commerce strategy. The stakes are high: industry data cited by the company indicates that more than 42% of consumers now use AI tools to assist with shopping tasks like product discovery and comparison. By 2030, analysts project that agentic shoppers could drive nearly $385 billion in U.S. ecommerce spending.
Most small and mid-size businesses simply do not have the developer teams or budgets required to build custom integrations for every new chatbot, voice assistant, or AI hardware device that hits the market. Square wants to serve as that universal connective tissue.
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To that end, the company announced it is actively working with Amazon to bring sellers into Alexa+ voice commerce experiences. Furthermore, Square is participating in major regulatory and standards groups—including the AAIF Agentic Commerce Working Group and the W3C Web Payments Working Group—to shape how AI agents and commerce platforms interact at scale.
Particularly notable is Square’s ongoing partnership with Google to co-develop the Universal Commerce Protocol (UCP) spec for local food ordering. This open standard is designed to allow agents and systems to seamlessly communicate across the entire commerce journey. On Google’s end, UCP enables discovery and checkout across AI Overviews in Search and the Gemini app. As the UCP protocol expands globally, Square plans to roll out these capabilities so that its sellers remain front and center.
For the more than 4.5 million sellers currently using Square, the promise of agentic commerce is clear: a way to capture the next generation of internet traffic without sacrificing the profit margins required to keep their doors open. If Square can successfully route AI orders directly to local business’s POS systems—sidestepping the 30% toll of the delivery aggregators—it could mark a massive shift in how the restaurant industry navigates the modern digital economy.
You have found the perfect candidate. They have the skills, the experience, and the enthusiasm. There is just one problem: they are in a country where you have no legal entity. No tax registration. No idea how local employment law works. Sound familiar?
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This scenario plays out thousands of times a day across the tech industry. A company in Berlin wants to hire a developer in Buenos Aires. A London startup needs a customer success lead in Manila. The talent is there. The infrastructure to employ them compliantly, historically, has not been.
Multiplier closes that gap. The platform acts as the legal employer on your behalf in over 150 countries. It handles employment contracts, payroll, tax withholding, statutory contributions, and benefits administration from a single dashboard. You manage the work. Multiplier manages the compliance.
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What Multiplier actually does
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At its core, Multiplier is an employer of record (EOR) platform. It employs your international hires through its own legal entities. You do not need to set up a subsidiary in every country where you want to bring someone on. The company operates owned entities across more than 160 countries rather than relying on third-party intermediaries.
The practical difference matters. Multiplier generates employment contracts with country-specific clauses covering notice periods, probation terms, benefits entitlements, and termination rules. Contract generation takes under five minutes. Onboarding, in most countries, completes within days.
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For companies already running international payroll, Multiplier launched Global Payroll Payments in April 2026, powered by fintech provider Navro. The integration handles gross-to-net calculation, local tax deductions, and multi-currency disbursement in a single flow.
Beyond full-time employees
Multiplier also handles contractor management from $40 per contractor per month, with multi-currency payments including cryptocurrency. The newer Contractor of Record (COR) product adds a compliance layer for misclassification risk, an issue attracting increasing regulatory attention across the EU.
For companies relocating hires or sponsoring work permits, Multiplier’s immigration product covers visa processing in over 140 countries. The platform integrates with existing HR tools like Workday, HiBob, and BambooHR.
What it costs
Multiplier’s EOR service starts at $400 per employee per month. No setup fees, no onboarding charges, no minimum headcount. That positions it below several major competitors: Deel’s EOR starts at $599 per month. Remote’s comparable plan begins at $599, or $499 on annual billing.
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Contractor management starts at $40 per contractor per month. Global Payroll and Immigration pricing varies by headcount and number of countries.
Who it is for
The platform serves companies from early-stage startups hiring their first international employee to enterprises managing distributed teams across dozens of countries. More than 2,700 companies currently use Multiplier. The platform processes $2 billion in global wages annually and earned IEC Leader status in EOR for 2026.
If you are building a team that spans borders, or even considering it, book a free demo with Multiplier to see how the platform works for your hiring plans.
Prices are subject to change. Please verify current pricing on the provider’s website.
Welcome to the June 2026 edition of the Blu-ray Bounty. This is where we review the latest 4K Blu-ray releases each month, judging each disc on its video and audio quality, to see if they’ll make a worthy addition to your collection. If you’re new to Blu-ray Bounty, you can check out previous editions here.
We’re big fans of 4K Blu-ray here at TechRadar, and some of us are even collectors ourselves. As TechRadar’s TV tester, I use 4K Blu-ray to test the best TVs and the best soundbars, as it offers uncompressed video and audio for the best picture and sound you can get at home.
In last month’s May 2026 edition of the Blu-ray Bounty we looked at five discs, including the highly anticipated Fight Club, as well as Some Like It Hot, Wuthering Heights, Leaving Las Vegas and Point Blank.
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This month, we’re looking at seven discs, including one that’s getting a lot of buzz as ‘reference-level’. As always on the Blu-ray Bounty, we’re not talking about the movies themselves, just the disc’s picture and audio quality.
We’ll be using our usual setup consisting of the LG G5, one of the best OLED TVs of 2025, the Panasonic DP-UB820, the best 4K Blu-ray player on the market, and the Samsung HW-Q990C soundbar system.
As I’m based in the UK, these releases are based on UK release dates, so don’t be surprised if any of these titles are already out where you are, or if one of your picks isn’t listed — it might just be coming to where you are later.
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Speed Racer (Warner Bros.)
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(Image credit: Warner Bros. / Future)
(Image credit: Warner Bros. / Future )
(Image credit: Warner Bros. / Future )
Speed Racer tells the story of Speed Racer (Emile Hirsch), a young man who becomes a racecar driver, following in his older brother’s footsteps, in order to save his family’s business. Based on the manga series of the same name, the movie also stars Christina Ricci, Susan Sarandon and John Goodman.
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Speed Racer looks astounding on 4K Blu-ray. Where it really shines is in its color reproduction. Colors are bold, vibrant and punchy throughout, taking on an almost neon-like level of saturation, which perfectly suits the movie. Whether it’s the pulsing lights of the racetrack or the 1960s-inspired clothing and decor of the neighborhood, the colors seriously pop on screen. On the LG G5 I used, there was a gorgeous depth and richness to said colors.
Black tones during night races are inky, textures are incredibly crisp, especially in people’s skin and hair, and even the cartoon-ish CGI of the crowd and cars on the track is slick and sharp. The disc also really pushes the boundaries on motion, with the swerving cars and constantly changing camera angles serving as a showcase for your display’s motion handling.
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Sound-wise, this is a seriously impressive disc. The Dolby Atmos soundtrack is lively, engaging and ridiculously detailed. During the opening race, the bass of the Mach 5’s was powerful but tightly controlled, and the hum of passing engines through the wind was crystal clear through the HW-Q990C’s rear speakers.
There’s ample room in the Atmos mix too, giving every element a chance to breathe. The mapping of sound is impressive too. As Speed grinds his car on the edge of the track in the opening race, I heard the movement of this through the left rear channel clear as day, despite all the bass from the subwoofer, and the speech and other effects through the front channels.
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EPiC: Elvis Presley In Concert (Universal Pictures)
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(Image credit: Universal Pictures / Future )
(Image credit: Universal Pictures / Future )
(Image credit: Universal Pictures / Future )
From Baz Luhrmann (director of the 2022 Elvis biopic) comes EPiC Elvis Presley In Concert, which features never-before-seen archival footage of Elvis’ early performances as part of his legendary Las Vegas residency, as well as archive interviews with Elivs telling his own story.
The disc has a DTS-HD 5.1 MA soundtrack that sounds superb. While Elvis’ narration, made of clips from interviews, is clear, as is the audio of the behind-the-scenes, in-studio sessions, it’s the live performances on stage that sound excellent. The drums are punchy but beautifully intricate, giving the subwoofer a real workout. Elvis’ vocals are powerful, detailed and delivered with real clarity. The bass is refined and clearly audible and guitars are bright and clean. This is a perfectly balanced mix that sounds excellent, regardless of track. Highlights include ‘Polk Salad Annie’ and ‘Burning Love’.
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While visuals aren’t the main feature of this disc, the restored footage looks brilliant. Textures are smooth and crisp, as close-up shots of Elvis’ face will even pick out his stubble. Colors are bold and bright, perfectly capturing Elvis’ flashy on-stage costumes and his often colorful offstage outfits . There’s a nice punchy brightness to the disc as well, with highlights on bejewelled, sequin-encrusted costumes really glinting on screen. Naturally, there’s some film grain present from the camera used in the footage, but most shots have been cleanly restored.
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Bullet In The Head (1991) (Arrow Video)
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(Image credit: Arrow Video / Future )
(Image credit: Arrow Video / Future )
(Image credit: Future)
Bullet In The Head, directed by John Woo, follows Ben, Paul and Frank, three friends who flee Hong Kong after murdering a member of a rival gang. They become smugglers in Saigon, Vietnam, during the height of the Vietnam War in 1967. The movie stars Tony Leung, Jacky Cheung and Waise Lee.
Visually, this is a solid restoration from Arrow. While the movie still has the grainy, sometimes hazy look you’d expect of early-90s Hong Kong Cinema, textures have been cleaned up well, especially in skin and faces, with more intricate detail such as hair looking refined. Colors can appear bold, whether it’s the red of Ben’s t-shirt or the brightly colored buildings in Saigon. Black levels are deep during night-time scenes and there is some nice contrast during scenes in the market or when the trio are at the Bolero club in Saigon.
There are three soundtrack options with this disc: Cantonese Mono and Dolby Atmos and English Mono. The Atmos soundtrack is a more spacious extension of the mono, but it does add more volume and depth to the audio. Speech is clearer in the Atmos mix and other sounds, such as punches and crashes during fight scenes, have more impact. Gunshots in shootouts have good clarity and while they don’t quite utilize the rear channels as I’ve heard in other movies, there’s still some nice power on display. Bass from explosions is also tightly controlled.
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Body Heat (Criterion Collection)
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(Image credit: The Criterion Collection / Future )
(Image credit: The Criterion Collection / Future )
(Image credit: Future)
Starring William Hurt and Kathleen Turner, Body Heat follows lawyer Ned (Hurt) and Matty (Turner), the wife of a businessman named Edmund (Richard Crenna) as Ned and Matty begin an affair and plot to murder Edmund in order to get his fortune and run away together. The movie was inspired by the 1944 movie Double Indemnity (which I reviewed for the November 2024 Blu-ray Bounty).
Visually, this is another top-notch restoration job from Criterion. Textures look realistic, particularly in skin and in finer details such as hair. As the movie has such a sweltering setting, sweat features regularly and really shows off the level of detail present. Colors are punchy, with more intricate objects such as a red matchbook on Ned’s desk really popping. There are a number of night scenes showing rich black tones, as well as strong shadows cast by bright lights across the character’s bodies and faces.
The disc comes with both DTS-HD Stereo and DTS-HD MA 5.1 surround soundtrack options. Opting for the 5.1 surround, speech is clear throughout the movie and there are some nice details present, such as the chirping of crickets, which come through the rear channels during some night sequences. The other main component of the soundtrack is the dramatic, string-led score which does a good job utilizing the full surround channels.
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Avatar: Fire & Ash (20th Century Studios)
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(Image credit: 20th Century Studios / Future )
(Image credit: 20th Century Studios / Future )
(Image credit: Future)
The third movie in the Avatar franchise, Avatar: Fire & Ash continues to follow Jake (Sam Worthington) and Neytiri (Zoe Saldaña) on Pandora, who must now face challenges from an aggressive, new Na’vi tribe. The movie also stars Sigourney Weaver, Steven Lang and Kate Winslet, with the former two appearing in all three of the current Avatar movies.
Avatar: Fire & Ash is visually impressive. The animation is slick, with crisp textures and detail such as the Na’vi’s braids and skin looking 3D-like. Colors are bold and vibrant, whether it’s the blue of the Na’vi themselves or the seas of Pandora and the rich reds of the warpaint of the Mangkwan. Environments are striking, with lush, green trees and fields, with textures in cliffs and rocks showing intricate detail. Night-time scenes show inky blacks and when fire is added to the mix, it shows the discs’ strong contrast.
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The Dolby Atmos mix included here is excellent for showing off a home theater system. Any sequences where creatures such as the Nightwraiths fly overhead delivers impressive height, with their flight paths accurately mapped. Gunshots have real weight to them, especially with automatic weapons, creating a real thud through both the soundbar and the subwoofer. Speech is clear throughout, even in the most chaotic battle scenes. During these battle scenes, whenever an arrow is fired, it’s extremely detailed, coming through the rear channels crystal clear. Like some other modern blockbusters I’ve tested, this is a great Atmos soundtrack.
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Five Easy Pieces (Criterion Collection)
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(Image credit: The Criterion Collection / Future )
(Image credit: The Criterion Collection / Future )
(Image credit: Future)
Five Easy Pieces tells the story of Robert Dupea (Jack Nicholson), a piano prodigy turned oil rig worker who returns home to his rich, estranged family and attempts to reconnect upon hearing about his father’s ailing health. The movie also stars Karen Black as Rayette, Robert’s girlfriend.
Criterion delivers another great restoration here. Colors really pop on screen, shown in people’s brightly-colored clothing. A scene at the bowling alley near the opening of the movie shows this, with almost every patron’s clothing looking vivid. Textures, such as the grime on the oil rigger’s faces and frown lines in Robert’s forehead, look lifelike and detailed. There’s plenty of film grain present and it’s more pronounced in some scenes than others (namely outdoor, daytime scenes), so cinephiles will be happy.
For audio, there’s only a mono soundtrack present. This won’t be an audio showcase for your home theater system, but speech is clear and other effects, such as Robert slamming himself against his car-seat, have some impact. The best part of this audio mix is whenever someone plays the piano, namely the scene where Robert plays Chopin’s ‘Prelude, Op. 28, No.4’, as it sounds bright, clean and detailed. This is a well-restored audio mix.
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36 Hours (AKA Terror Street) (Hammer)
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(Image credit: Hammer / Future )
(Image credit: Hammer / Future )
(Image credit: Future)
36 Hours (released in the US as Terror Street) tells the story of Major Bill Rogers (Dan Duryea), a US pilot who is framed for the murder of his estranged wife Katherine (Elsie Albiin) while he tries to visit her in London. He then has 36 hours to solve her murder so he can return back to the States.
This is a great restoration from Hammer. Textures have been cleaned-up well, making people and their clothing look incredibly lifelike. Contrast is strong throughout, with deep blacks, punchy whites and a full range of gray tones to create a dynamic image. There is the occasional shot where textures can appear fuzzy, but it’s rare and considering the age of the movie, it’s surprisingly good-looking throughout. There is grain present, which will please cinephiles, but again there’s been a surprisingly thorough clean-up job here.
There are two options for soundtracks here: mono and DTS-HD 5.1 MA. The mono mix is louder and more direct, but the 5.1 mix has a warmer, cleaner sound that fits the tone of the movie. Dialogue is controlled and clean in all parts of the movie and the melodramatic score is bright and bold, using the rear channels to great effect. Other effects such as gunshots and punches have some solid impact to them as well.
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