Tech
You Asked: From blinding brightness to fading OLEDs
On today’s episode of You Asked, we cover what to do about an 83-inch TV that’s too bright, whether it’s time to upgrade a 10-year-old TV, and whether a calibration can extend the life of your OLED.
Is an 83-inch TV too bright?
@msbgone asks: I went with an 83-inch TV, and it’s so bright that at times I have to close my eyes. I love the size, but man, being so bright is not always great, and I do not have it at max brightness. Also, when there are shows with flashing, wow, it can be a hard watch. So would I go smaller? Well, I’m not sure. Larger seems overall better in most cases.
Well, to answer your last question first: Yeah. Larger is usually better when you want to be fully immersed in what you’re watching. However, I would say there is such a thing as too large of a TV. Like, if you’re within 10–12 feet, 83 inches feels like a little bit of overkill.
At that distance, 65 inches should be fine. 77 inches is probably all you need. And both would save you a considerable amount of money versus an 83-inch TV. And I’m gonna assume you’re talking about an OLED TV in response to a recent episode of You Asked.
Anyway, I think if you’re finding the TV too bright and you aren’t at max brightness, there could be a few things at play.
One: Picture mode matters a lot. Especially in a Vivid or Dynamic mode, but even sometimes just in its Standard or Eco mode out of the box, you’re getting a cooler or more blue color temperature than you would in a Movie or Filmmaker mode. Those modes, movie and filmmaker, tend to give you a warmer color temperature that’s easier on the eyes regardless of where your brightness is set. So if you’re not in one of those modes, it’s worth making that change and getting rid of that harsh blue light that can cause a little more eye discomfort.
Another thing could be your Local Dimming setting. Set to High, it’s going to push the highlights a little harder and darken the shadows to create more contrast. If you were to lower that setting, while it would take away a bit from the higher contrast HDR experience, it would probably be another step toward lowering the brightness.
And the third thing: it could just be the size. If it’s too big, it’s too big and there’s just too much light coming at you at a close distance. So maybe going smaller would be the answer.
Should you upgrade a 10-year-old TV?
@petekropf5335 asks: I need your help on if I would see a huge improvement buying a new low-cost TV versus my current 10-year-old TV. I currently have a 65-inch LG UH6150… that’s an LED TV if you didn’t know… Peter continues… It’s still working, but hard to see dark scenes in shows, and the ethernet / wireless have not worked in years. So I have not been able to update the TV. I was wondering if the picture quality would be worth it if I got a low-cost TV such as the TCL 75-inch Q671G or Hisense QD7N. When you have watched the same TV for a decade, it’s hard to know if the one I got has better picture quality than a cheaper new one. Any thoughts would be greatly appreciated. Thank you!
Hey Peter, before getting into the details, I would say straight up, yes, you’re due for a new TV. I know it’s a badge of honor for us to boast about how long we’ve had something and how well it’s aged, and how good of a value it is since you haven’t had to spend money on an upgrade in a decade. But at some point, if you do value picture quality and a lot of the quality of life improvements that have come in the last 10 years, it’s time to say a respectful farewell to the TV and upgrade. And this is coming from someone, me, who had the same LG LED TV in my living room from 2011 until 2023. I used a Roku streaming stick to keep up with the times and quickly access and update my favorite apps, but I was long overdue.
So, to you, I would say you can confidently upgrade and know that you’ll see a difference in picture quality and how quickly the TV operates and the smart TV interface.
In terms of the TVs you’re looking at upgrading to, I’m sure you’re well aware that as budget models, both have their compromises, but it really comes down to a few key differences, with a caveat I’ll mention at the end.
The TCL uses a VA panel, which will have better contrast, and that’s its biggest advantage.
The Hisense, on the other hand, is brighter and uses an IPS panel, which gives it a much wider viewing angle. But that comes at the cost of contrast.
So if you and your viewing party are primarily watching the TV from straight on and the room dimly lit, or better yet, just straight up dark, the TCL Q671G is probably the way to go. But if you’re in a brighter room or someone will be frequently watching TV from a side angle, I lean toward the Hisense.
The only potential flaw in this logic is this: in the United States, we have the TCL Q651G, which is what I’m basing my advice from. You’re talking about the Canadian Costco version, which is the Q671G. From what I can find, they’re pretty much the same, but just wanted to have that in there so you know in case you’re doing further research.
Can a calibration extend the life of your OLED?
John Craig asks: I have a Sony A8G OLED that I bought after watching a Digital Trends review. It’s been great, and I still enjoy it even more than the newer Sony X90L, which was also a Digital Trends recommendation. Recently, the A8G seems to have lost some of its pop. I’ve tried adjusting some settings based on YouTube channel recommendations, but it still seems like it has lost some of its luster. My questions: Would getting a professional calibration be worthwhile at this point? Can the picture on an older TV be revitalized through those adjustments? Or is the OLED just fading with age?
Oh this is a good one John. First of all, I think that speaks volumes about OLED TVs and how even older models still turn out a superior image compared to newer LED TVs. Glad to hear you’re still enjoying your A8G.
As for your question though, if you’ve gone through the suggested advice, which is probably some of the same stuff I’d say, I’ll save you the time and say that a professional calibration is the next logical choice, but is it worth it?
If you can really tell that it’s lost some of its pop, and you would know better than anyone online because it’s YOUR EYES that have been on it for more than half a decade, then maybe it is too far gone.
But a calibration from a professional can make a big difference. What a pro can do is adjust the TV to what best fits your room and viewing environment. Everything from color to black levels and brightness can be tuned to improve the image. And again, I think it would help.
But consider the price of the calibration and the age of the TV. That professional is probably gonna cost anywhere from 200 to 500 dollars… maybe more. It’s not cheap, but it is less expensive than a new Sony OLED. I’m just assuming you’re Team Sony since you have two of them and like the processing of the A8G.
At one point, I probably would’ve just recommended the Bravia 8 Mark 1 when it was on a bigger sale during the holidays, but a 65-inch model is nearly 2,000 dollars again, and that’s a lot more than it would cost you to get your current TV calibrated.
All that to say, I’d say go for the calibration if you want to see the improvement and put off buying a new OLED… OR… If you were to venture from Team Sony, check out the LG B5. At 65 inches, I’m seeing it for 1,000 dollars right now, and THAT might be worth it for a new OLED TV instead. I hope that helps.
Anker earbuds and headphones may not have the premium status of Apple, Bose and Sony, but the brand’s value-priced products have a loyal following. Anker aficionados have been waiting for the company to release the Pro version of its $100 Soundcore Liberty 5 earbuds.
According to NotebookCheck, via leaker AnkerInsider, whose X account appears suspended, the release is near. Two versions of Anker’s new flagship earbuds are due to arrive in the coming months: The Liberty 5 Pro and Liberty 5 Pro Max. Both will feature a new AI chip called the Anker Thus to power the buds.
Read more: Best wireless earbuds of 2026
The new models don’t look anything like the current Liberty 5 buds, which have a traditional stem design. Both new Pro models will feature upgraded noise canceling (Anker’s new Adaptive ANC 4.0), Bluetooth 6.1, an IP55 dust- and water-resistant rating, Dolby Atmos spatial audio, Bluetooth multipoint and an AI-powered audio upscaling feature.
While both the Liberty 5 Pro and Liberty Pro Max have a touchscreen built into their cases, the Max’s case also doubles as a voice recorder with built-in microphones. The recorder will reportedly be able to recognize your voice thanks to voiceprint recognition.
Anker has apparently developed its own AI chip for its flagship earbuds.
The upcoming buds are expected to be officially announced in late May, with the Liberty 5 Pro to be priced at $170, and the Liberty 5 Pro Max retailing for $230 (the Max already have a shell of listing on Best Buy that notes the voice recorder). Both have a battery life of around 6.5 hours with noise cancellation turned on.
AI voice recorders have been proliferating in recent months (you might have seen an ad for one on Facebook or Instagram). Anker is shipping its Soundcore Work coin-sized wearable Al note take/voice recorder for $129 with a $39-off coupon code. Presumably, some of the same technology found in the wearable recorder will make its way over to the Liberty 5 Pro Max.
The Liberty 5 Pro Max won’t be the first pair of earbuds to have a microphone in their case. Nothing’s Ear (3) flagship earbuds have a Super Mic in their case, which had me talking to my hand when making calls. It’s a clear sign that as earbud performance plateaus, brands are getting creative with extra features to help their products stand out from the pack.
Talking to the Nothing Ear (3) case while making a call in the streets of New York. More earbuds cases appear set to have built-in microphones.
A Background Security Improvement in iOS 26.3.1 fixes a WebKit issue in Safari that could break one of the web’s most important safety rules.
Apple has fixed a WebKit bug for Safari and other browsers
Apple released a Background Security Improvement on March 17 for iOS 26.3.1, iPadOS 26.3.1, macOS 26.3.1, and macOS 26.3.2. The update fixes a WebKit flaw that could let a malicious website bypass a key browser security rule.
The company said the issue was caused by a cross-origin problem in the Navigation API and assigned it CVE-2026-20643. Apple addressed the flaw by improving input validation to stop harmful web content from breaking the browser’s protections.
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The closures come nine years after the brand opened its first outlet here
Australian premium tea retailer T2 Tea is set to close all three of its outlets and exit Singapore, according to a report from The Business Times.
Its stores at 313@Somerset, Suntec City, and VivoCity are currently running clearance sales with discounts of up to 30%.
When the publication visited the Suntec City branch yesterday (Mar 16), most of its stock had been cleared from the shelves. The store is expected to cease operations on March 25.
Despite the closures, customers can still purchase products via T2 Tea’s online store.
T2 Tea closed all of its UK outlets in 2023
T2 Tea was founded in 1996 in Melbourne, with retail stores in Australia, New Zealand and Singapore. As of June 2025, it reportedly had 62 stores across these markets.
In 2013, it was acquired by Unilever, and later sold to private equity group CVC Capital Partners for about S$6.6 billion in 2021.
T2 Tea entered Singapore in 2017 with a flagship outlet at 313@Somerset, marking its first expansion into Asia. The store offered more than 100 tea blends, ranging from classic options like English Breakfast to signature creations such as Melbourne Breakfast. It also launched a Singapore-exclusive blend inspired by kaya toast.
In recent years, however, the company has faced challenges.
In 2023, it exited the UK market, closing all stores and its online platform there, citing “unprecedented changes” at the time. It had said it would refocus on markets closer to home, including New Zealand and Singapore.
Vulcan Post has reached out to T2 Tea for more information.
- Read other articles we’ve written on Singaporean businesses here.
Featured Image Credit: Gemma Chin via Google Reviews/ T2 Tea Singapore via Instagram
It’s only been two years since Dune: Part Two but we already have a trailer for the third installment. The appropriately-named Dune: Part Three is an adaptation of Frank Herbert’s Dune Messiah book from 1969.
Just like the book, the latest film takes place a number of years after Dune: Part Two. “If the first movie was contemplation, a boy exploring a new world, and the second one is a war movie, this one is a thriller,” . “It is action-packed and tense. More muscular.”
Despite the time jump, most primary actors are returning. This includes Timothée Chalamet, Zendaya and Javier Bardem. Anya Taylor-Joy, who briefly appeared in the second film, is also coming back. The same goes for Jason Momoa, despite his Duncan Idaho character dying in the first film. Book readers will likely understand what that means.
The trailer also highlights the antagonist Scytale, as portrayed by Robert Pattinson. He should be a more nuanced villain than Baron Harkonnen, though that’s not exactly a high bar.
The release date is coming up fast. Dune: Part Three hits theaters on December 18. That’s this year. Villeneuve had intended to take a break after making the second one to focus on a smaller and more personal film, but said that he kept “waking in the middle of the night” with potential images from the third installment.
Video StoreAge is a new company focused on creating physical releases of indie films. The startup aims to take a more authorial approach to distribution, using a patented encrypted USB drive to share its curated titles. Its ultimate goal is to disrupt algorithm-driven distribution in favor of communities and grassroots…
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OpenClaw took the tech industry by surprise earlier this year when an Austrian engineer created the first version in roughly an hour. This small project swept through the community like wildfire as the most open-source endeavor on record, allowing anyone to set up a personal AI agent to operate directly on their own PC and accomplish tasks like organizing files or pounding out code without sending any data off to who knows where. At GTC, NVIDIA introduced NemoClaw, a software add-on for OpenClaw that can be installed with a single command. This new layer includes the security features and privacy controls that transform these agents from fun little experiments to useful business solutions.
NemoClaw is simple to integrate into your existing setup since it introduces OpenShell, a runtime that isolates each agent in its own small bubble. Then you can create rules in plain text files that specify which folders the agent may browse, which networks it can connect to, and which external services it can access. Everything else, and we mean everything, is off limits, and every step they make leaves a clear paper trail for you to follow.
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NVIDIA is marrying this with some of their own open models known as Nemotron, which run locally on whatever hardware is available. You’re talking everything from RTX-powered laptops to entire workstations and dedicated AI systems. When you need a little more horsepower, you can utilize a privacy router to connect to more powerful cloud models while keeping all of your sensitive information in-house. The end result is a framework that allows your agents to work in a mix of local and remote resources while maintaining tight boundaries.
Companies are already putting these components to use in real-world situations. Cisco runs agents that detect security flaws, verify databases, map affected devices, and create a thorough remediation plan, all of which must be checked against the rules in real time. Box uses the same framework to handle invoices and contracts, using abilities that work well with existing access levels. NVIDIA has also partnered with Salesforce, CrowdStrike, and a few more large brands to achieve the same level of control across all of their technologies. OpenClaw agents run 24 hours a day, seven days a week on personal computers, professional workstations, and servers without interfering with anything else. If you have dedicated hardware, you can keep them up and running for hours, if not days, while they work.
It is currently available as an early preview through official sources, such as on Github. Users can begin testing right away, although NVIDIA says some rough edges must be ironed out before they are formally put into production. Developers have complete access to the toolkit, which includes sample models, runtimes, and guidance for creating their own agents. Jensen Huang referred to OpenClaw as the operating system for personal AI, indicating a trend toward software that can be instructed to do things. Peter Steinberger, the original creator of OpenClaw, sees this combination as a method for users to design and run their own secure assistants.
As electronics demand higher energy density, one component has proved challenging to shrink: the capacitor. Making a smaller capacitor usually requires thinning the dielectric layer or electrode surface area, which has often resulted in a reduction of power. A new polymer material could help change that.
In a study published 18 February in Nature, a Pennsylvania State University-led team reported a capacitor crafted from a polymer blend that can operate at temperatures up to 250 °C while storing roughly four times as much energy as conventional polymer capacitors. Today’s advanced polymer capacitors typically function only up to about 100 °C, meaning engineers often rely on bulky cooling systems in high-power electronics. The research team has filed a patent for the polymer capacitors and plans to bring them to market.
Capacitors deliver rapid bursts of energy and stabilize voltage in circuits, making them essential in applications ranging from electric vehicles and aerospace electronics to power-grid infrastructure and AI data centers. Yet while transistors have steadily shrunk with advances in semiconductor manufacturing, passive components such as capacitors and inductors have not scaled at the same pace.
“Capacitors can account for 30 to 40 percent of the volume in some power electronics systems,” says Qiming Zhang, an electrical engineering researcher at Penn State and study author, explaining why it’s important to make smaller capacitors.
A plastics blend more powerful than its parts
The research team combined two commercially available engineered plastics: polyetherimide (PEI), originally developed by General Electric and widely used in industrial equipment, and PBPDA, known for strong heat resistance and electrical insulation. When processed together under controlled conditions, the polymers self-assemble into nanoscale structures that form thin dielectric films inside capacitors. Those structures help suppress electrical leakage while allowing the material to polarize strongly in an electric field, allowing greater energy storage.
The resulting material exhibits an unusually high dielectric constant—a measure of how much electrical energy a material can store. Most polymer dielectrics have values around four, but the blended polymer dielectric in the new work had a value of 13.5.
“If you look at the literature up to now, no one has reached this level of dielectric constant in this type of polymer system,” Zhang says. “Putting two commonly used polymers together and seeing this kind of performance was a surprise to many people.”
Because the material can remain operational even at elevated temperatures—such as those from extreme environmental heat or hot spots in densely built components—capacitors built from this polymer could potentially store the same amount of energy in a smaller package.
“With this material, you can make the same device using about [one-fourth as much] material,” Zhang says. “Because the polymers themselves are inexpensive, the cost does not increase. At the same time, the component can become smaller and lighter.”
How the polymer mix improves capacitors
The researchers’ finding is “a big advancement,” says Alamgir Karim, a polymer research director at the University of Houston who was not involved in the Penn State development. “Normally when you mix polymers, you don’t expect the dielectric constant to increase.”
Karim says the effect likely arises from nanoscale interfaces created when the polymers partially separate. “At about a 50–50 mixture, the polymers don’t fully mix and instead create a very large interfacial area,” he says. “Those interfaces may be where the unusual electrical behavior comes from.”
If the material can be produced at scale, it could help address a key bottleneck in high-power electronics. Higher-temperature capacitors could reduce cooling requirements and allow engineers to pack more power into smaller systems—an advantage for aerospace platforms, electric vehicles, the electric grid, and other high-temperature environments.
But translating the concept from laboratory methods to commercial manufacturing may present challenges, says Zongliang Xie, a postdoctoral researcher at the Lawrence Berkeley National Laboratory. The Penn State team is now producing small dielectric films, but industrial capacitor manufacturing typically requires continuous rolls of material that can extend for kilometers.
“Industry generally prefers extrusion-based processing because it’s easier and cheaper to control,” Xie says. “Scaling to produce great lengths of film while maintaining the same structure and performance could complicate matters. There’s potential, but it’s also challenging.”
Still, researchers say the discovery demonstrates that new performance limits may still be unlocked using familiar materials. “Developing the material is only the first step,” Zhang says. “But it shows people that this barrier can be broken.”
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Crowds flocked to the AMC Century City theater in Los Angeles this morning for a special IMAX event featuring the first look at the concluding chapter in Denis Villeneuve’s “Dune” saga. Zendaya, Robert Pattinson, Javier Bardem, and Anya Taylor-Joy came out to meet the fans in person, while Timothée Chalamet sent in a video greeting via his phone. The energy in the room altered suddenly, as this plot picks up 17 years after the previous film finished and revolves around what happens when someone gains too much power.
The footage starts with Paul and Chani having a private conversation about what they could name their future child. Ghanima for a girl and Leto for a male, but even it felt tight, a result of how they’d begun to drift apart in the last film. Within seconds, the screen was filled with broader pictures of Paul and Stilgar exploring the cosmos on new planets, as their reach for the Atreides empire grew rapidly. Large sights of fleets of ships slicing across alien sky, as well as soldiers moving across rocky terrain far from Arrakis.
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Chani showed up shortly, this time fighting her way through a violent battle scene. A sandworm can be spotted in the midst of it all, balancing on its back before diving into the melee. Just as Chani was in the middle of it, Alia, now all grown up and played by Anya Taylor-Joy, stepped into several critical frames of her own.
Paul himself provides some of the low, echoing vocals that run under the music throughout, while Robert Pattinson appears as Scytale, the shape-shifter who is as slick as ever and whose loyalties are impossible to read. Jason Momoa has also returned, and Duncan Idaho was seen briefly. Returning cast members include Rebecca Ferguson (Lady Jessica), Florence Pugh (Princess Irulan), and Javier Bardem (Stilgar), who join an already impressive group.
Villeneuve described this installment as a fast-paced thriller centered on action and pressure. Note how, even in the midst of all that upheaval, Paul and Chani’s link remains strong, as he describes it as a steady pulse that runs through everything, with a focus primarily on the two of them. He also emphasizes how the large jump in time allows Alia to become much more vital to the tale, which the previous films just hinted at. Also, it appears that Hans Zimmer has returned to the soundtrack. Fans who left the theater today are already counting down the days until December 18, 2026, when the film is released.
If your house is already lined with Sonos products, you may want a pair of over-ear headphones that know how to play nice with your other speakers. As it turns out, Sonos actually makes a pair of over-ear headphones, the Ace, and they’re currently just $299 on Amazon. That’s a great deal, and one that almost ties the all-time low price for these cans.
Not only do the Sonos Ace integrate with your existing Sonos setup via Bluetooth, they’re also great headphones in their own right. They have a crisp, flat audio profile, something Sonos is known for, and our reviewer Parker Hall specifically called out their ability to handle any song “with a good bass line.” They have great detail, with a dynamic sound that handles a variety of genres well.
They’re also one of the more comfortable headsets you can buy, largely thanks to their impressive lightness. At just 11 ounces, it’s easy to feel like you’re wearing nothing at all, and they have good clamping force on the side that helps take a lot of the pressure off the top of your head. If fit and finish are a top priority for your headset, the Sonos Ace have both by the truckload.
The ANC is right up there with the best headsets you can buy, and in particular handled low-frequency rumbles adeptly. Transparency mode is excellent too, with a clarity to conversations that doesn’t have you feeling like you’re talking to someone through a tin can. While they lack some of the convenience features found on other headsets, they make up for it with multipoint pairing, and you can adjust all the settings to your liking in the Sonos app.
While the Sonos Ace are available in multiple colors, I only spotted the black model marked down to the $300 sale price. As I write this, the white model is in stock at a slightly higher $365, which may or may not be worth it, depending on how much the aesthetics matter to you. If you’re not sold on the Sonos Ace, make sure to check out our full roundup of the best headphones, with hands-on testing from our team of audio experts.
After their dramatic falling-out, it doesn’t seem as though Anthropic and the Pentagon are getting back together.
Instead, the Pentagon is building tools to replace Anthropic’s AI, according to a Bloomberg conversation with Cameron Stanley, the chief digital and AI officer at the Pentagon.
“The Department is actively pursuing multiple LLMs into the appropriate government-owned environments,” he said. “Engineering work has begun on these LLMs, and we expect to have them available for operational use very soon.”
Anthropic’s $200 million contract with the Department of Defense (DOD) broke down over the last several weeks after the two parties failed to come to an agreement over the degree to which the military could obtain unrestricted access to Anthropic’s AI.
While Anthropic sought to include a contractual clause that prohibits the Pentagon from using its AI for mass surveillance of Americans or to deploy weapons that can fire without human intervention, the Pentagon didn’t budge. Instead, OpenAI swooped in and made its own agreement with the Pentagon. The Department of Defense — known under the Trump administration as the Department of War — also signed an agreement with Elon Musk’s xAI to use Grok in classified systems.
It makes sense, then, why the Pentagon would be working on phasing Anthropic’s technology out of its workflows. While some reports said there was a small possibility that Anthropic would reconcile with the Pentagon, this news suggests that the government is preparing to forge ahead without them.
In fact, Defense Secretary Pete Hegseth has declared Anthropic a supply-chain risk, a designation usually reserved for foreign adversaries, which bars companies that work with the Pentagon from working with Anthropic as well. Anthropic is challenging this designation in court.
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