Entertainment
8 Worst Movies That Were Empty Rage Bait
Rage bait consists of online content deliberately produced to provoke anger, outrage, and scandal in order to generate high levels of engagement. It has become a massive pillar of Internet culture, and sadly, not even the movies have been able to steer clear of rage bait. Indeed, particularly in recent times (when online discourse has become an essential part of a film’s anticipation and reception), it has become increasingly common for studios to make and promote movies in such a way that it’s clear they’re trying to stir a passionate reaction in audiences.
Whether it’s a biopic humiliating a beloved actress, one of Disney’s many live-action recreations of their animated classics, or a sequel that destroys everything that its beloved predecessor stood for, there have been many ways in which filmmakers have engaged in clear rage bait over the years. These aren’t just movies that happened to be bad and happened to anger audiences as a result: They were movies clearly designed from the get-go to incite rage in order to be in the conversation.
8
‘Blonde’ (2022)
Marilyn Monroe was one of the biggest and brightest stars of Hollywood’s Golden Age, an immensely talented actress who still remains one of the era’s most beloved performers. She was also, however, a deeply tragic figure. Childhood trauma, mental health struggles, failed relationships, and notorious exploitation from the Hollywood studio systems all characterized her life. As a result, she’s become one of the most enigmatic and often-explored figures of the era across documentaries, books, movies, and the like. This leads us to Andrew Dominik‘s Blonde, based on Joyce Carol Oates‘ 2000 novel of the same name, a fictionalized account of the life and career of the actress.
In no way is Blonde celebratory or respectful of Monroe. Instead, it feels like a film that shamelessly humiliates her and manipulates her image, resulting in one of the worst rage-bait movies ever made. It’s posthumous tabloid trash in cinematic form, a drama clearly intended to stir up controversy in the way it distorts Monroe’s life with the excuse of being a “fictionalized account.” It’s time to let this beloved actress finally rest.
7
‘Snow White’ (2025)
Disney has been making live-action remakes of their beloved animated classics since the ’90s, but it was following the success of 2015’s Cinderella that the House of Mouse really started to turn this highly-criticized practice into a full-on business model. Disney live-action remakes have been getting lazier and lower-quality as the years have passed, culminating in what many would say is the worst one so far: Marc Webb‘s Snow White.
There are countless ways in which this remake failed the original, and that generated a storm of online hate that led the film to being one of the biggest box office flops in film history. From the controversial color-blind casting of Rachel Zegler and Gal Gadot, to the CGI monstrosities that served as the story’s Seven Dwarfs, to the controversial marketing campaign that made it very clear this remake’s narrative wouldn’t stick very close to the original’s, everything about Snow White felt specifically engineered to generate controversy.
6
‘Mean Girls’ (2024)
2004’s Mean Girls is one of the most beloved comedies of the 2000s, a cult classic that has only gotten better with age. A stage rock musical adaptation of the movie premiered in 2017 to high critical acclaim, and that musical served as the basis of 2024’s Mean Girls. Directed by Samantha Jayne and Arturo Perez Jr. from a screenplay by Tina Fey, who wrote the original musical’s book, the film was met with a lukewarm reception from critics and a fiery swarm of hate from audiences.
The movie itself, though definitely considerably inferior to its predecessor and its source material alike, would have been fine enough by itself. What made it seem like shallow rage bait, however, was Paramount’s marketing strategy. The studio bafflingly decided to hide the fact that the film was a musical, and seeing as the Broadway version of the story isn’t exactly a universally-known sensation quite like the original film is, this meant that many viewers were met with an unpleasant surprise when they went to see 2024’s Mean Girls in theaters.
5
‘The Emoji Movie’ (2017)
The Emoji Movie is one of the worst animated movies of all time, and that’s an almost universally-agreed-upon consensus. It’s not just that it’s visually ugly, or too dumb for anyone over the age of four to find any enjoyment in, or so unfunny that it almost inflicts physical pain on its viewers. It’s the fact that a movie about emojis, corporate slop clearly made to get kids to beg their parents for a phone so they can play Candy Crush, was an entirely broken concept to begin with.
No kind of movie is more deserving of the label of “rage bait” than a cynical, lazy cash-grab with a pandering tone and some of the most shameless product placement of any major-studio film in Hollywood history. Somehow, The Emoji Movie‘s controversy-generating strategy worked: It was a significant box office success, though the years have allowed it to age as one of the most universally hated animated films in the medium’s history.
4
‘Joker: Folie à Deux’ (2024)
Throughout history, many movie franchises have taken a nosedive after the first movie. The Joker duology is one such franchise. Though definitely divisive, it’s an objective fact that the first film was a smash hit and a massive success, garnering 11 Academy Award nominations and becoming the highest-grossing R-rated movie ever at the time (a record since broken by Deadpool & Wolverine). Joker: Folie à Deux, on the other hand… much less of a success. That’s a nice way of saying that it was a total failure that massacred everything that its predecessor had done right.
If there is any pair of DC Comics characters who might have made sense as the stars of a campy jukebox musical on paper, it’s Joker and Harley Quinn. The problems here are that the hyper-pretentious Folie à Deux takes itself far too seriously to be campy, that the version of Gotham that Todd Phillips had built in Joker made zero sense as the setting for any kind of musical, and that the film very clearly made genuine efforts to get people’s feelings stirred up. In the end, this resulted in a major box office bomb.
3
‘Terrifier’ (2016)
Nowadays, horror fans fondly think of the horrifying-yet-oddly-amusing Art the Clown as the face of 2020s slasher horror, but that was only after the success of Terrifier 2 and Terrifier 3. The character actually originated in a 2008 short film, and went on to serve as the main villain of his own feature in 2016’s Terrifier. Whereas its two sequels have been successful in expanding the story, world-building, and character work of the franchise in tons of interesting ways, the original Terrifier is just plainly atrocious.
Misogynistic, boring, awfully acted, visually ugly, full of poorly-executed gore, and with a script that feels like it’s barely a couple of pages long, this controversial splatter horror cult classic has nothing to offer beyond juvenile shock value. It’s a movie that seems like it was designed specifically to annoy, offend, and provoke people, and for the most part, it definitely had its desired effect.
2
‘365 Days’ Trilogy
The erotic thriller genre is one that has produced a number of genuinely masterful films over the years. Netflix’s 365 Days movies aren’t among them. We’re talking about three of the most unwatchable drama movies in history, painfully un-sexy and un-erotic failures that misunderstood everything the genre should be so badly that it’s almost laughable—or it would be, if the movies weren’t so infuriatingly misogynistic from start to finish.
But that’s just the thing: 365 Days rage-baiting misogyny in no way feels incidental. Instead, it feels like the whole point of the trilogy. It’s so painfully obvious that these films were created to stir up controversy and invite hate-watching that it’s almost—the keyword here is once again “almost”—funny. They’re poorly made, amateurish in every sense imaginable, and an all-out affront on the cinematic art form.
1
‘A Serbian Film’ (2010)
A Serbian Film is famous for being one of the most disturbing and traumatizing movies ever made. In fact, that’s the only thing it’s famous for. Using graphic violence and taboo subjects to criticize censorship in Serbia sounds like a smart and honorable enough concept on paper, but there’s definitely such a thing as “too far.” Director Srđan Spasojević goes light years beyond that blurry line, to the point that watching A Serbian Film doesn’t just take a strong stomach: It takes a bit of a masochistic attitude as well.
For a wide variety of reasons too grotesque and provocative to even name, A Serbian Film is one of those movies capable of disturbing pretty much anyone. It’s the quintessential rage-bait film par excellence, a movie made entirely and exclusively to generate controversy and provoke strong negative reactions not just in viewers, but in anyone even aware of the movie’s mere existence.
A Serbian Film
- Release Date
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June 11, 2010
- Runtime
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104 Minutes
- Director
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Srđan Spasojević
- Writers
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Aleksandar Radivojević, Srđan Spasojević
Entertainment
The Netflix Sci-Fi Thriller Series Battlestar Galactica Fans Need To Check Out
By Sckylar Gibby-Brown
| Published

If you fell in love with Katee Sackhoff in Battlestar Galactica, you’ll love the Netflix sci-fi series Another Life. Sackhoff, who played possibly the most iconic character in Battlestar Galactica, stars as Captain Niko Breckinridge in the interstellar streaming series. And just like the space military sci-fi show from the early 2000s, Another Life also focuses on interstellar exploration, complex characters and relationships, and themes of survival.
Another Life is a science fiction drama TV series created by Aaron Martin. The show dives into the complexities of space travel, human relationships, and the quest for understanding the universe’s mysteries.

As the series unfolded over its two-season run from 2019 to 2021, it sparked conversations among audiences and critics alike, earning both praise and criticism for its ambitious narrative and thematic scope.
Another Life kicks off with a mysterious event: an unidentified flying object resembling a large Möbius strip lands on Earth, accompanied by the growth of a crystalline tower. Dr. Erik Wallace (Justin Chatwin), a scientist with the United States Interstellar Command (USIC), plans to decipher the alien structure’s purpose and origin. Meanwhile, his wife, veteran astronaut Captain Niko Breckinridge (Katee Sackhoff), spearheads the mission aboard the spaceship Salvare.

Tasked with establishing contact with the extraterrestrial beings behind the artifact, Niko navigates the vastness of space alongside a diverse crew of specialists, each carrying their own burdens and aspirations. From faster-than-light travel to encounters with sentient artificial intelligence, the journey of the Salvare intertwines personal drama with cosmic exploration, as Another Life illuminates the fragile threads binding humanity to the cosmos.
Katee Sackhoff leads the charge as the main character, Captain Niko Breckinridge, in Another Life. She’s a determined astronaut haunted by the tragedies of her past. Alongside her, Justin Chatwin portrays Dr. Erik Wallace, a relentless scientist driven by the pursuit of extraterrestrial life.

The rest of the cast of Another Life is made up of the crew of the Salvare, which includes Samuel Anderson as William, the holographic interface imbued with humanity; Blu Hunt as August Catawnee, the resilient engineer grappling with loss; and A.J. Rivera as Bernie Martinez, the microbiologist with a flair for culinary arts.
Other notable characters include Jake Abel as Sasha Harrison, Alex Ozerov as Oliver Sokolov, and Alexander Eling as Javier Almanzar, each contributing their expertise to the mission’s success.

Netflix greenlit Another Life in April 2018, commissioning a ten-episode first season helmed by creator Aaron Martin. The production team spared no expense in bringing the show’s ambitious vision to life, blending practical effects with cutting-edge visual effects to immerse viewers in the wonders of space exploration. Despite facing challenges such as the COVID-19 pandemic, the cast and crew persevered, delivering a captivating narrative that tried to push the boundaries of the genre.
Despite their efforts, the series proved not to be for everyone. Critics, in particular, showed a deep dislike for Another Life, with only 18 critics rating the first season and an approval rating of only 6 percent. Meanwhile, the second season failed to garner enough reviews from critics to yield an approval rating.

The general consensus among critics who watched Another Life was that the series lacked a distinctive identity amid its homage to science fiction tropes. Despite the show’s critical reception, it found a dedicated fanbase among a general audience drawn to its blend of suspenseful storytelling and character-driven drama.
You can stream Another Life on Netflix.
Entertainment
DC’s Weirdest Ever Movie May Finally Do What Marvel Can’t
By Chris Snellgrove
| Published

The recent Clayface teaser has fans buzzing, and for good reason. The entire thing is atmospheric, moody, and downright creepy. It doesn’t look like an advertisement for a superhero movie at all, and that’s the point.
Cowritten by Mike Flanigan (the spooky maestro behind killer shows like Midnight Mass and Fall of the House of Usher), Clayface has been designed primarily as a horror movie. This will be a first for DC, and this means that the upcoming film will (regardless of its final quality) become part of superhero history.
However, the movie is also set to make history in a very different way. DC has always tried to distinguish itself from Marvel, first by making the DCEU into a dark-and-gritty dudebro fest and later by making the DCU feel more like the futuristic, alternate universe of the comics. With Clayface, DC is set to finally set itself apart by doing the one thing Marvel refuses to do: release different kinds of tights-and-flights films rather than ultimately turning everything into generic superhero slop.
The Copycat Loses It All

Back before the days of superhero fatigue, it seemed like the MCU was practically printing money, with one hit after another raking in over a billion dollars at the box office. As it turned out, fans really, really liked seeing superheroes onscreen together as part of a cinematic universe. Warner Bros. tried to replicate this magic with the DCEU, but everything fell apart. Mainstream audiences rejected movies that felt like a Temu MCU, and they particularly hated the one thing that set the DCEU apart: its focus on gritty, humorless characters and needlessly brutal ultraviolence.
While it outlasted the DCEU (not exactly a difficult accomplishment), the MCU’s shine eventually wore off. These films stopped raking in cash, with some projects actually losing money. The common explanation is superhero fatigue, but I have a theory that audiences hate the “super” while still liking the “hero.” That is, they are happy to watch different kinds of heroes (including Daredevil and Loki), but they hate the glut of movies and TV shows that eventually become nothing more than flying characters firing goofy laser bolts at each other until someone falls down.

What does this have to do with Clayface, you say? Well, this movie is on track to be DC’s first horror movie. It’s also their fourth major project (after Joker, Joker: Folie à Deux, and Penguin) to focus on a villain rather than a hero. While Folie à Deux was a critical and commercial bomb, Joker made over a billion dollars at the box office, and Penguin is a Golden Globe and Emmy-winning hit TV show. Should Clayface prove to be a hit (and right now, it has plenty of buzz), Warner Bros. will have solidified itself as the home of unconventional superhero cinema that goes beyond the typical tights-and-flights formulaic storytelling.
Marvel’s Eternal Formula

Weirdly enough, this is something Marvel has never really managed to do. Almost every major MCU project focuses on its heroes, who are rarely allowed to have any nuance or shades of grey because that would get in the way of the next memeable, t-shirt-ready quip. Plus, the third act of these projects always descends into a CGI slugfest with the graphical fidelity of a PS3 cutscene. Marvel considers it part of their essential formula, but these inevitable showdowns make their projects predictable. Moreover, the resistance to changing this formula has held back certain shows and films that were otherwise trying to do something new.
For example, WandaVision was this visionary, genre-defying TV show, but it still had an Avengers-lite ending where Scarlet Witch fired badly-rendered energy blasts at Agatha Harkness. The Eternals had an Oscar-winning director and nominally focused on the crunchy intersection of immortality and identity, but it still ended with a CGI-laden showdown against made-in-China Superman. Black Panther tried to examine the evils of both capitalism and colonialism, but the day was inexplicably saved by lasers (half of which were fired by the CIA!). Doctor Strange and the Multiverse of Madness was meant to be a horror movie, but all anyone remembers is Professor X’s hover chair and Jim from The Office in a Fantastic Four uniform.

For Marvel productions, it is functionally impossible for writers and directors to escape the superhero formula. DC, meanwhile, keeps making something different, including bizarre thrillers like Joker and Seven-style forensics features like The Batman. Now, Clayface is set to be DC’s first horror movie, and its very existence proves something important. While Marvel’s House of Ideas has clearly run out of steam, DC is now the once and future home of superhero movies that step outside of the traditional formula. Its success might be enough to prove that superhero fatigue doesn’t really exist and that the public is starving for something Marvel can no longer deliver: genuinely surprising genre entertainment.
Entertainment
General Hospital Early Spoilers May 18-22: Carly Panics Desperately & Sidwell Loses Control!
General Hospital early weekly spoilers for May 18th – 22nd see Carly Spencer (Laura Wright) increasingly desperate while Jenz Sidwell (Carlo Rota) loses it over sloppy people messing all of his carefully laid plans up because they are just out of control.
We’re going to talk about Carly, Sidwell, Drew Cain Quartermaine (Cameron Mathison), Michael Corinthos (Rory Gibson), and a whole bunch of others. And as we always do on early edition day, we start with what is happening the rest of this week before we dive into what is coming next week. So, let’s get right to it.
General Hospital Spoilers: Wednesday, May 13th
On Wednesday, May 13th, we’ve got Sidwell meeting with Willow Tait Cain (Katelyn MacMullen). He summons her out to Wyndemere and tells her that the moment that if Drew can communicate, she is done. I wonder if Willow already gave him his next shot, but that may not matter because Elizabeth Webber (Rebecca Herbst) is figuring things out thanks to Jack Brennan‘s (Chris McKenna) stroke. So, I’m wondering if Sidwell is going to suggest that it’s time to enact a more permanent solution to the Drew problem since we know that Sidwell wants him dead. Plus, if Willow is not useful to Sidwell, then he may need a permanent solution for her, too.
Curtis Ashford’s (Donnell Turner) concerns about Jordan Ashford (Tanisha Harper) intensify. She actually hopes it’s not Isaiah that was the other driver. And at this point, it seems like he’s not because I doubt he would risk Rocco Falconeri (Finn Carr) and Lulu Spencer (Alexa Havins Bruening), his best friend Lucky Spencer (Jonathan Jackson) sister and nephew, if Isaiah really was involved, because he could simply lie and say he didn’t even know there was a wreck at the time, but they are his alibi. That seems legit. Curtis tells Jordan he’s going to make sure that Isaiah answers for this. And at this point, I think he’s tried and convicted Isaiah for the crash that Curtis and Jordan brought on themselves.
GH Spoilers: Michael Loops Jacinda in
Michael tells Jacinda Bracken (Paige Herschell) what he’s planning, which is to destroy Willow by setting her and Harrison Chase (Josh Swickard) up for a fling. I bet Justinda would help. But my question is, was it Michael hiding in the bushes, creeping on Willow and Chase in the park, taking photos, or did he hire that private investigator who’s got the cute little dog?
Ethan Lovett (Nathan Parsons) invites Kristina Corinthos Davis (Kate Mansi) to do something. I feel like it’s not a date. Maybe it’s Ethan on a fishing expedition to find out more about Sidwell since Kristina knew Marco. I don’t think Ethan’s conspiring against Sonny Corinthos (Maurice Benard), but I do think Ethan is using Sonny.
Also, Alexis Davis (Nancy Lee Grahn) tells Chase and Brooklyn to take care of something before they file to try and adopt Phoebe. Also, Isaiah tells Portia he is not going to frame himself for something he didn’t do. So, I wonder if Isaiah confides in Portia as much as he can without getting people in trouble, without naming names, violating his Hippocratic oath.
Isaiah may admit that the patient he saw did something illegal and he doesn’t want to out them as their alibi, but Isaiah also doesn’t want to take the blame. So Lulu may need to talk to Dante Falconeri (Dominic Zamprogna) about Isaiah after the conversation they have.
Over at General Hospital, Lucas tells Britt Westbourne (Kelly Thiebaud) they have to be sure because there will be no going back. And this week, Lucas is over at Britt’s room above Bobby’s Diner, and they’re getting smashed doing shots together. So, maybe they need to unwind after whatever stressful thing that they are dealing with.
Thursday, May 14th
On Thursday, May 14th, Dante has a difficult conversation. I’m guessing it’s with Rocco Falconeri about him shooting Cullum. I’m sure that Dante wants to know why Rocco thought he couldn’t come to him. But of course, Jason Morgan (Steve Burton), not Nathan, and Lulu took over and silenced Rocco. I think this could be good for Dante to have this talk because Rocco really needs him after he just fell apart with Britt.
Tracy is furious on Thursday, and I wonder if there’s any chance she finds out what Michael is plotting against Brook Lynn, or knowing Tracy, it could be almost anything. She has a hair trigger temper. Plus, Britt is mulling over her options, and that could be about Cullum, the meds, cold fusion, Rocco, everything. Laura explains her actions, and I wonder if Curtis is back to complain about Isaiah and press Laura to use her influence to get a warrant, or it could be with Sidwell.
Plus, Carly interrogates Nina Reeves (Cynthia Watros). And of course, she knows exactly what happened at Willow’s because Valentin Cassadine (James Patrick Stuart) told her, but Nina doesn’t know that Valentin has been hiding out with Carly. So, I think she’s going to head up to General Hospital to see Jack since nobody else knows they broke up. And she’s going to see Nina there and grill her. And I’m really interested to see how many lies that she tells Carly.


Friday, May 15th
On Friday, May 15th, we have Elizabeth having something important to tell Dante. And I expect Liz is going to tell Dante that she thinks it’s very strange that two different men came into General Hospital with stroke like symptoms and both of these incidences happened at Willow’s house. Plus, Liz may also tell Dante that Drew was blinking SOS and then Willow refused to help him communicate.
General Hospital Spoilers: Alexis and Ric Unite
Alexis and Ric Lansing (Rick Hearst) unite for Molly. This may be about her book tour. I wonder if they’re concerned about Cody going along with Molly. Cassius Faison (Ryan Paevey) opens up to somebody unlikely. If he’s smart, it won’t be somebody who knows the real Nathan that well, but maybe it’s Josslyn Jacks (Eden McCoy) since she knows who he is. Cullum gets nowhere with Carly. So, she’s stonewalling.
And it could be that Cullum is grilling her about what happened to Brennan, but she wasn’t with him. So Carly can legit say, “I wasn’t there. I don’t know what happened.” Valentin comes up with a strategy and it may be about how to find Josslyn or what to do about this Brennan mess.
General Hospital Spoilers: Week of May 18th-22nd
Then we’ve got the week of May 18th through the 22nd. And by the way, sweeps ends on Wednesday, May 20th. So we will have three big days before things settle back down into the usual pace. We might finally see some movement with Drew. No pun intended. Curtis isn’t done targeting Isaiah.
He seems fixated and Portia is going to be ticked when she finds out. I’m expecting explosive things at the baby shower. Willow and Nina scramble where Drew is concerned, but things are falling apart. Michael’s plan to push Willow and Chase together is in motion. Cassius is trying to get back in Lulu’s good graces. And Cassius told Dante that the two of them are done. But in the end, I don’t think Cassius is going to let Lulu go that easily.
Dante’s in a difficult position, and we may see Lulu telling him that Isaiah knows about Rocco’s injury, which means Isaiah likely knows their kid shot Cullum because of the nature of the slide burn and the timing of it. So, Dante may actually have to shield Isaiah. And Lulu may warn Dante, you’re in this now. Step up. I do suspect he’s also going to look into Willow after talking to Elizabeth.
General Hospital Spoilers:
I think Dante should actually go over and see Drew for himself. We’ll also have to wait and see if Rocco rats out Charlotte and Danny to Lulu and Dante to stop the Spoon Island caper. Carly is absolutely determined to find Josslyn. And we’ll see how long until Sidwell and Cullum realize Cassius snatched Joss and stuck her in the catacombs under Spoon Island.
Also, we’ve got some casting news, an update. Jonathan Bennett debuts on Monday, May 18th as police officer Joe Fitzpatrick. He’s going to be part of the PCPD. So, I wonder if Dante suspends Not Nathan over the Rocco stuff. You know, we’ll have to wait and see if Joe’s a replacement for somebody or just a new addition. He could be a replacement for Dante since it looks like he is staying as commissioner. You may recognize Jonathan Bennett from a ton of Hallmark Christmas movies and from All My Children, where he played JR Chandler.
Entertainment
What to Know About Jason Collins’ Husband Brunson Green
Late NBA star Jason Collins is survived by his partner of 13 years, husband Brunson Green.
Collins, the first openly gay NBA athlete, died in May 2026.
“We are heartbroken to share that Jason Collins, our beloved husband, son, brother and uncle, has died after a valiant fight with glioblastoma,” the athlete’s family told the NBA in a statement. “Jason changed lives in unexpected ways and was an inspiration to all who knew him and to those who admired him from afar.”
The statement continued, “We are grateful for the outpouring of love and prayers over the past eight months and for the exceptional medical care Jason received from his doctors and nurses. Our family will miss him dearly.”
Collins publicly came out as gay in 2013, one year before retiring from pro basketball.
“When I chose to come out, there was no scandal or anything,” Collins wrote in a December 2025 essay for ESPN. “This was like, I feel that I am good enough to play in the NBA and by the way, I’m gay. Just so everyone knows cards on the table, this is where I am.”
Collins started dating Green that same year. They wed in May 2025.
Keep scrolling to learn more about Collins’ husband:
How Did Jason Collins and Brunson Green Meet?
Collins and Green were introduced months after the pro athlete publicly came out as gay.
“We first met at a housewarming party last June, but I was dating someone else at the time,” Collins told The New York Times in June 2014. “Fast-forward to September, I’m single again, and I see him at a party in L.A. So we exchange information because he was leaving for Europe the next day. But while he was gone, I was asking everyone: Have you heard of this guy? The background check.”
Collins and Green were together for a decade before tying the knot in May 2025.
Brunson Green Is a Movie Producer
Green has worked as a film producer for decades, working on movies like 2011’s The Help.
“Well, we met in Mississippi through a mutual friend, and the only reason she introduced us was because he was interested in working in film and our mutual friend was like, ‘Brunson is coming into town and he works in film,’” Green told Collider at the time, referring to Tate Taylor. “So, she asked us to go to this blues festival together, and that’s when we first met. We had a lot of mutual friends, but we went to different high schools, so we didn’t know each other as kids. Our parents knew each other, but it was rival high schools.”
Green added, “So, our first conversation was about film. I suggested that he go work on this movie called A Time to Kill, which was shooting in Jackson, and he worked on that and met Octavia [Spencer] on that movie. It’s weird that that one friend of ours in Mississippi, who put us together, is the whole reason Tate met Octavia, and then they all moved to L.A. We’re here because of friendship. It’s cool.”
Brunson Green Supported Jason Collins During His Cancer Battle
Collins was diagnosed with stage IV glioblastoma, a form of brain cancer, in 2025. Green stood by his side throughout his treatment.
“Even when fighting brain cancer, you have to recharge and @thesanchaya is the perfect getaway to do that,” Collins wrote via Instagram in November 2025. “Very relaxing birthday weekend for @brunsong & me. ❤️🏝️☀️😎💪🏾🙌🏾.”
Entertainment
Vita Coco x Baboon to the Moon Limited Edition Luggage Is a Must-See
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Does your luggage bag (and its tag) feel more tired than tropical? Then you need to check out the new Vita Coco x Baboon to the Moon collection. Inspired by Vita Coco Treats’ new Frosted Lemonade flavor, the limited-edition collection transforms three practical travel essentials into sunshine-ready accessories that basically ooze vacation.
The Sweet Escape Essentials collection combines Baboon to the Moon’s beloved travel bags and tags with playful details inspired by Vita Coco Frosted Lemonade, including bright yellow colorways, embroidered coconut accents, and custom interior linings.
Whether you’re planning a tropical getaway or just want your commute to be slightly more fun, you’ll love this cheerful capsule. But hurry! The collaboration is limited edition, so snag your favorites before they disappear.
Vita Coco Go-Bag Mini
The Go-Bag Mini is the perfect personal-item-sized companion for quick trips. It fits up to three days’ worth of clothing while still sliding under the seat in front of you, making it ideal for long weekends and overnight stays alike. Plus, the glossy lemon finish makes spotting your bag in a sea of black carry-ons way easier.
Get the Vita Coco Go-Bag Mini at Baboon to the Moon!
Vita Coco Go-Bag Roller
Need something a little roomier? The Go-Bag Roller was made to move with you, and can go from a backpack to a roller in a snap. The weather-resistant bag features compression straps, a handy laptop sleeve, and comfortably fits three to five days’ worth of clothing.
Get the Vita Coco Go-Bag Roller at Baboon to the Moon!
Vita Coco Luggage Tag
No travel setup is complete without the matching luggage tag, and this one leans into the collection’s playful personality. It’s made from soft, flexible silicone and is durable enough to survive baggage claim while adding an easy-to-spot pop of color to your suitcase. The back even reads ‘Get Lost.’ How cheeky!
Get the Vita Cocoa Luggage Tag at Baboon to the Moon!
Entertainment
Demi Moore Sparks Concern With Thin Appearance At Cannes
Demi Moore is once again sparking online concern over her noticeably slim appearance. The 63-year-old actress stepped out at the Cannes Film Festival on Tuesday for the prestigious Jury photocall, where fans quickly flooded social media with comments about her thinner-than-ever frame.

Demi Moore, who has faced ongoing speculation surrounding her recent weight loss, wore a colorful Jacquemus dress that highlighted her toned arms, angular shoulders, and tiny waist as she posed for photographers on the red carpet. She completed the look with oversized sunglasses and bow-detailed heels while flashing her glamorous smile.
Although many fans praised Moore’s high-fashion Cannes look, others expressed concern over her noticeably slimmer physique. The actress has not publicly addressed Ozempic rumors, and there is no confirmation she has used any weight-loss medication. Still, social media users quickly began speculating after photos from the event surfaced online.
“Pretty sad she has become this to fit in the Hollywood crowd,” one commenter wrote. Another added, “Demi Moore. That extreme thinness is not healthy.” Other critics posted comments including “Chicken arms” and “She looks insufferable.”
Some Fans Defended Moore’s Appearance

Despite the criticism, many fans rushed to defend the actress and praised her appearance at Cannes. “She looks great,” one supporter wrote, while another called the look “so whimsical.”
Others pointed out that Moore has maintained a naturally slim frame throughout much of her career. “She has been thin all of her life. She just happens to be older now, and aging changes how your skin looks,” one person commented.
Another user suggested her hairstyle may have emphasized her facial features more dramatically. “I think if her hair were shorter and around her face, her face would not look so thin,” they wrote. “Regardless, I think she looks great.”
Demi Moore Previously Sparked Concern Earlier This Year

This is not the first time Moore’s appearance has fueled discussion online. Back in March, fans voiced similar concerns after the “The Substance” star appeared on the red carpet at the Actor Awards. At the time, social media users questioned whether the actress’ slimmed-down appearance could be connected to Hollywood’s growing obsession with Ozempic and other GLP-1 weight-loss medications.
“Is she on Ozempic?” one user asked online. “Too skinny,” another wrote. Others questioned how dramatically Moore’s appearance appeared to have changed over the past year. “She… didn’t look like this last year, did she?” one person asked. Another commenter added, “Good grief is all of Hollywood on Ozempic?”
Moore Previously Opened Up About Her Struggles With Body Image

Years before her recent red carpet appearances sparked online discussion, Moore candidly spoke about her complicated relationship with body image, aging, and self-acceptance. During a 2012 interview with Harper’s Bazaar, the actress reflected on the emotional pressure she often felt surrounding her appearance throughout her Hollywood career.
Moore admitted she frequently found herself feeling “at odds” with her body, especially during moments when she felt it was changing in ways she could not control. “I have had a love-hate relationship with my body,” Moore said at the time. “When I’m at the greatest odds with my body, it’s usually because I feel my body’s betraying me.” The actress explained those feelings were often tied to weight struggles, physical limitations, and the natural effects of aging.
Demi Moore Recently Shared The Wellness Routine She Swears By

Just weeks before her latest Cannes appearance sparked online chatter, Moore opened up about the daily wellness habits she follows to feel her best physically and mentally.
Speaking to Elle in an interview published earlier this month, “The Substance” star said she has become increasingly intentional about how she cares for both her body and mind. “I start my days with meditation and being present. I love journaling as well,” Moore shared. “Then I like to get my body moving and get the blood flowing. I also prioritize hydration and sleep.”
The actress also emphasized that paying attention to what she consumes, both internally and externally, has become extremely important to her over the years. According to Moore, her nighttime routine has especially become a major part of maintaining balance in her life.
“I’ve become very intentional about my evening routine,” she explained. “Taking the time to truly transition from the chaos of the day into a state of rest has been life-changing, and part of that is doing my skin care.”
Entertainment
Emma Roberts and Evan Peters reunite on stage 7 years after their split
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The actors attended the 2026 Disney upfront event to promote “American Horror Story” season 13.
Entertainment
In Just 1 Week, Netflix’s New Fantasy Epic Has Shattered an All-Time Viewership Record
Some Netflix movies are a slow burn, and find an audience slowly. This is not one of them. The streamer’s latest animated fantasy adventure already had a huge opening weekend, but its first full week has pushed it into even bigger territory. Not bad for a movie about two creatures swapping bodies and being forced to deal with the kind of interspecies drama that family movies love almost as much as emotional third-act revelations.
Swapped has now broken the record for the highest weekly viewership ever for a Netflix animated movie. According to Tudum, the film pulled in 38.7 million views over the past seven days, making it the clear No. 1 title on Netflix’s weekly English-language movie Top 10. That comes after the movie debuted with 15.5 million views in its first three days, which already gave Netflix its best animated movie opening since Leo in 2023.
Directed by Nathan Greno, Swapped follows Ollie, a tiny woodland creature voiced by Michael B. Jordan, and Ivy, a majestic bird voiced by Juno Temple, after the two magically switch bodies. Their strange new situation forces them to understand why their two species have been divided for so long, while also turning the movie into a big, bright fantasy adventure about empathy, perspective, and the nightmare of suddenly being built entirely wrong for your own life.
The cast includes Tracy Morgan (30 Rock, The Longest Yard) as Boogle, Cedric the Entertainer (Barbershop, The Neighborhood) as Caloo, Justina Machado (One Day at a Time, Jane the Virgin) as Calli, Ambika Mod (One Day, This Is Going to Hurt) as Violet, Lolly Adefope (Ghosts, Shrill) as Lily, and Táta Vega (The Color Purple, The Lion King) as Ollie’s Grandma.
What’s ‘Swapped’ About, Really?
The film’s director, Nathan Greno, recently sat down with Collider and was effusive in his praise about the work the cast had done in the film. According to Greno, Temple brought sadness and vulnerability to scenes he thought he already understood, while Jordan’s process changed the way Greno thinks about directing voice performances at all.
“And then Mike… it’s Mike. I mean, Michael B. Jordan is, I mean… the way he records, I’ve never experienced anything like that, and it’s kind of changed the way I even direct now, when I’m going forward. It’s, like, his way of working and his way of, like, finding the truth within the lines. Both of them change the course of the movie 100%.”
Temple, speaking to Collider’s Steve Weintraub, added that the message of the movie was an important one for her, and that she hopes kids took a lot from it. “I hope that they feel the absolute importance and need for friendship we’ll have throughout life. It doesn’t matter how old you are, where you come from, what you do, your friends are always going to be integral to making your life better, bigger, and more beautiful,” said Temple.
Swapped is streaming now on Netflix.
- Release Date
-
May 1, 2026
- Runtime
-
102 minutes
- Director
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Nathan Greno
Entertainment
Emma Roberts’ Tense Reunion With Evan Peters Years After Arrest
Emma Roberts and Evan Peters reunited publicly this week for the first time in years, but fans quickly noticed tension between them during their on-stage appearance. The exes appeared together on Wednesday at Disney’s Advertising Upfront showcase in New York City to help announce Paul Anthony Kelly’s addition to Season 13 of Ryan Murphy’s “American Horror Story.” The former couple shared the stage alongside fellow “AHS” stars Sarah Paulson, Billie Lourd, Gabourey Sidibe, and Angela Bassett. However, eagle-eyed fans noticed Emma Roberts and Evan Peters noticeably keeping their distance from one another during the presentation.

The “American Horror Story” announcement marks the first time Roberts and Peters have worked together publicly since 2018. Their relationship began in 2012, when the pair met while filming the comedy-drama “Adult World.”
By 2013, the actors had officially gone public with their romance and made their red carpet debut together at the Golden Globe Awards. However, their relationship quickly became one of Hollywood’s most talked-about romances following a highly publicized domestic violence incident later that same year.
Police Were Called During Roberts And Peters’ 2013 Incident
According to TMZ, police were called to the couple’s hotel room in Montreal in July 2013 after someone reported a fight between Roberts and Peters. When officers arrived at the scene, Roberts, who was 22 at the time, was reportedly arrested after police allegedly observed Peters with a bloodied nose.
There were also rumors circulating at the time claiming Roberts may have bitten the “American Horror Story” actor’s ear during the altercation, though TMZ sources denied those allegations. Roberts was taken into custody before being released from jail just hours afterward. Peters, who was 26 at the time, ultimately declined to press charges against the actress.
Evan Peters Once Called Emma Roberts His ‘Best Friend’

At one point, Peters openly praised working alongside Roberts while filming the hit FX anthology series. “It’s really amazing,” Peters told PEOPLE after wrapping “AHS: Coven.” “You’re at set, and you’re in a city that you don’t really know that well. It’s nice to have your best friend there to go to dinner with and check out the city.”
He added, “On set, if you’re having a bad day or whatever, you can go to somebody and talk to her, and she’s right there. You don’t have to wait until you’re done working, so it was nice.”
Emma Roberts And Evan Peters Split For Good In 2019

Although the couple briefly got engaged, Roberts and Peters called off the engagement in 2015 and continued an on-again, off-again relationship for several more years. The pair officially split for good in 2019 after seven years together.
Following the breakup, Roberts admitted that dealing with a public split under the microscope of social media was difficult. “I think that no matter who you are or what you do or wherever in the world you are, anything ending is hard,” Roberts told Cosmopolitan in 2019. “Losing something is hard.”
“Growing up is hard,” she continued. “Sometimes it makes me sad that I can’t have a private moment … Because of Twitter and Instagram, there’s a whole other element where everybody can comment on what you’re doing, and no one knows the real story. That’s hard.”
Since their split, both stars have seemingly moved on. Roberts is now engaged to actor Cody John, while Peters was most recently linked to Natalie Engel, but reports surfaced last year that they had split.
‘American Horror Story’ Season 13 Is Bringing Back Major Fan Favorites

The upcoming 13th season of “American Horror Story” is already shaping up to be one of the franchise’s most star-studded installments yet. During Disney’s upfront presentation, it was revealed that actor Paul Anthony Kelly will officially join the new season following his breakout role as John F. Kennedy Jr. in Ryan Murphy’s “Love Story: John F. Kennedy Jr. & Carolyn Bessette.”
As expected with the long-running FX horror anthology, plot details for Season 13 are still being kept tightly under wraps. However, Kelly is joining an absolutely stacked cast that already includes Emma Roberts, Sarah Paulson, Gabourey Sidibe, Billie Lourd, Evan Peters, Angela Bassett, Jessica Lange, Ariana Grande, Kathy Bates, and Leslie Grossman.
Entertainment
Dead City’ Season 3 [Exclusive]
The Walking Dead has proven itself to be the franchise that just won’t die — and fans wouldn’t have it any other way. In November 2022, the original series trotted past the finish line after an incredibly successful 11-season run. In cases like these, it’s always hard for audiences to say goodbye, but their break from the zombie-ridden universe was a short one, thanks to the announcement of several offshoots. Following the success of its three initial spin-offs, The Walking Dead continued to branch out after the final nail closed the coffin on the original series, which gave fan-favorite characters a chance to continue their storylines in new, exciting, and unforeseen places.
For starters, there was the arrival of The Walking Dead: Daryl Dixon, which, in its debut season, followed Norman Reedus’ titular character to the shores of France. In the three seasons since, viewers have tagged along with the motorcycle-riding zombie-killing baddie across Europe, with his bestie Carol (Melissa McBride) also eventually coming along for the adventure. There was also The Walking Dead: The Ones Who Live, a one-season wonder that showcased the undying love between Andrew Lincoln’s Rick and Danai Gurira’s Michonne Grimes. And then there is The Walking Dead: Dead City, a show that had the fandom talking from its first announcement, thanks to its main characters Negan (Jeffrey Dean Morgan) and Maggie (Lauren Cohan).
For two seasons, the show has followed Negan and Maggie’s journey from enemies to trusted friends with a third batch of episodes slated to roll out this summer and further dig into their unlikely bond. Today, as part of Collider’s Exclusive Summer Preview event, we’ve got a brand-new look at the primary characters, who look like they’ll be as thick as thieves in the next installment.
Lucille Makes a Comeback
In our sneak peek image, we see what will undoubtedly be a goosebump-inducing moment for longtime viewers of the franchise. In the image, Negan and Maggie take a break from destroying their common foes while cracking open a few beers together. Highlighting the growth that has happened for the latter since the Season 2 finale, the shot depicts Maggie passing Negan’s beloved barbed wire-covered bat Lucille back into the hands of its rightful owner. Considering that Negan used Lucielle to beat the life out of Maggie’s husband Glenn (Steven Yeun) all the way back in Season 7 of the flagship, the moment is a monumental one for both of the title’s leading characters.
Check out our new look at The Walking Dead: Dead City above and stay tuned for more to come from Collider’s Exclusive Preview Event.
- Release Date
-
June 18, 2023
- Network
-
AMC
- Directors
-
Kevin Dowling, Loren Yaconelli
- Writers
-
Brenna Kouf
- Franchise(s)
-
The Walking Dead
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