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10 Fantasy Movies That Are Near Masterpieces

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Vermithrax Pejorative breathing fire

When done right, fantasy is one of the most entertaining genres, but it can be very tricky to pull off. While the genre boasts several undisputed masterpieces, many other fantasy films put in a valiant effort but ultimately fall short of realizing their full potential.

These movies are the focus of this list: they are almost perfect, yet limited by one or two flaws. Some boast breathtaking visuals but uneven storytelling, while others feature compelling concepts that could have been explored a little more fully. A few were simply in need of a bit more script polishing. From sword-and-sorcery epics to gothic fairy tales, the following ten movies represent fantasy at its most tantalizingly imperfect.













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Collider Exclusive · Middle-earth Quiz
Which Lord of the Rings
Character Are You?

One Quiz · Ten Questions · Your Fate Revealed
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The road goes ever on. From the green hills of the Shire to the fires of Mount Doom, every soul in Middle-earth carries a destiny. Ten questions stand between you and the truth of who you are. Answer honestly — the One Ring has a way of revealing what we most want to hide.

💍Frodo

🌿Samwise

👑Aragorn

🔥Gandalf

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🏹Legolas

⚒️Gimli

👁️Sauron

🪨Gollum

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01

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You are handed a responsibility that could destroy you. What do you do?
The weight of the world falls on unlikely shoulders.




02

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Your closest companion is heading into terrible danger. You:
True loyalty is revealed not in comfort, but in crisis.




03

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Enormous power is within your reach. Your instinct is:
Power corrupts — but only those who reach for it.




04

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What does “home” mean to you?
Where we long to return reveals who we truly are.




05

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When a battle is upon you, your approach is:
War reveals what we are made of — whether we like it or not.




06

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Someone comes to you for advice in their darkest hour. You:
Wisdom is not knowing all the answers — it’s knowing which questions to ask.




07

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How do you see yourself, honestly?
Self-knowledge is the most dangerous kind.




08

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Which of these best describes your relationship with the natural world?
Middle-earth speaks to those who know how to listen.




09

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You encounter a wretched, pitiable creature who has done terrible things. You:
How we treat the fallen reveals the height of our character.




10

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When the quest is over and the songs are sung, what do you hope they say about you?
In the end, we are all just stories.




The Fellowship Has Spoken
Your Place in Middle-earth
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The scores below reveal your true character. Your highest number is your match. Even a tie tells a story — the Fellowship was never made of simple people.

💍
Frodo

🌿
Samwise

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👑
Aragorn

🔥
Gandalf

🏹
Legolas

⚒️
Gimli

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👁️
Sauron

🪨
Gollum

You carry something heavy — and you carry it alone, even when you don’t have to. You were not born for greatness, and that is precisely why greatness chose you. Your courage is not the roaring, sword-swinging kind; it is quiet, stubborn, and terrifying in its refusal to quit. The Ring weighs on you more than anyone can see, and still you walk toward the fire. That is not weakness. That is the rarest kind of strength there is.

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You are, without question, the best of them. Not the most powerful, not the most celebrated — but the most essential. Your loyalty is not a trait; it is a force of nature. You would carry the person you love up the slopes of Mount Doom if it came to that, and we both know you’d do it without being asked. The world needs more people like you, and the world is lucky it has even one.

You were born to lead, and you have spent years running from it. The crown is yours by right, but you know better than anyone that right means nothing without the will and the worthiness to back it up. You are tempered by loss, shaped by long roads, and defined by a code of honour you hold to even when no one is watching. When you finally step forward, the world shifts. Because it was always waiting for you.

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You have seen more than you let on, and you say less than you know — which is exactly as it should be. You are a catalyst: you do not fight the battles yourself, you ignite the people who can. Your wisdom comes not from books but from an age of watching what happens when it is ignored. You arrive precisely when you mean to, and your presence alone changes what is possible. A wizard is never late.

Graceful, perceptive, and almost preternaturally calm under pressure — you see things others miss and act before others react. You do not need to make a scene to be remarkable; your presence speaks for itself. You are loyal to those you choose to stand beside, and that choice is not made lightly. You have lived long enough to know that the most beautiful things in this world are also the most fragile, and that is why you fight to protect them.

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You are loud, proud, and absolutely formidable — and beneath all of that is one of the most fiercely loyal hearts in Middle-earth. You don’t do anything by half measures. Your friendships are forged like iron, your grudges run as deep as mines, and your courage in battle is the kind that makes legends. You came into this fellowship suspicious of everyone and ended it willing to die for an elf. That is not a small thing. That is everything.

You think in centuries and act in absolutes. Order, dominion, control — not because you are cruel by nature, but because you have decided that the world left to itself always falls apart, and you are the only one with the vision and the will to hold it together. You were not always this. Something was lost, or taken, or betrayed, and the version of you that stands now is the answer to that wound. The tragedy is that you’re not entirely wrong — just entirely too far gone to course-correct.

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You are a study in contradiction — pitiable and dangerous, cunning and broken, capable of both cruelty and something that once resembled love. You are defined by loss: of innocence, of self, of the one thing that gave your existence meaning. Two voices war inside you constantly, and the tragedy is that the better one sometimes wins, just not often enough, and never at the right moment. You are a warning, yes — but also a mirror. We are all a little Gollum, given the right ring and enough time.

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‘Dragonslayer’ (1981)

Vermithrax Pejorative breathing fire
Vermithrax Pejorative breathing fire
Image via Walt Disney Studios Motion Pictures
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“None shall pass without tribute.” Set in a bleak medieval kingdom terrorized by a monstrous dragon, Dragonslayer follows young sorcerer’s apprentice Galen (Peter MacNicol), who must confront the beast Vermithrax Perjorative after his mentor is killed. The setup is classical fantasy stuff: craven villagers, corrupt officials, an untested hero, and a cruel monster looming over everything.

Vermithrax truly is formidable; he looks fantastic, thanks to inventive, practical effects. The creature’s movements, scale, and fiery presence create a sense of genuine danger that even many modern fantasy movies struggle to achieve. Indeed, the whole movie has a gritty, grounded tone that sets it apart from most ’80s flicks. Instead of a fairy tale, it gives us a bleak, mud-covered world where magic is fading, and survival often comes at a terrible cost. That said, some of the plot developments aren’t that original, and the pacing can feel uneven. Some of the supporting characters are also underdeveloped, which makes the emotional stakes less powerful than they could have been.

‘The Spiderwick Chronicles’ (2008)

Freddie Highmore in The Spiderwick Chronicles Image via Paramount Pictures
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“We have to stick together.” This movie brought Tony DiTerlizzi and Holly Black‘s wonderful Spiderwick books to the screen, though some of the magic is lost in translation. The story revolves around twins Jared and Simon (both played by Freddie Highmore) and their older sister Mallory (Sarah Bolger), who move into their great-aunt’s crumbling estate. There, they discover a hidden field guide revealing a secret world of faeries, goblins, and other magical creatures. Soon, they’re on a mission to protect the book from the malevolent ogre Mulgarath (Nick Nolte).

The creature design and visual effects are solid, and the storytelling is fittingly fast-paced and accessible for the young target audience. The movie retains a subtle dark edge, too, which is commendable, and Highmore’s performance does a lot of heavy lifting. However, the simplicity of the narrative ultimately limits its impact. The story is enjoyable but relatively straightforward, lacking the deeper mythological world-building that would have made it stand out.

‘The City of Lost Children’ (1995)

The cult of the Cyclops meets in The City of Lost Children.
The cult of the Cyclops meets in The City of Lost Children.
Image via Sony Pictures Classics
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“I dream of dreams.” The City of Lost Children is a steampunk gem from quirky French directors Marc Caro and Jean-Pierre Jeunet (the latter also made Amélie). In a surreal port city perpetually cloaked in mist, a scientist known as Krank (Daniel Emilfort) kidnaps children to steal their dreams, hoping to stave off his rapid aging. A strongman named One (Ron Perlman) teams up with a clever orphan girl, Miette (Judith Vittet), to rescue his kidnapped brother, leading them through a labyrinth of bizarre characters and nightmarish inventions.

From here, the movie creatively mashes together elements of fantasy, sci-fi, and dark folklore, practically every frame showing off the directing duo’s vibrant imaginations. However, that visual brilliance sometimes overshadows its storytelling. While the atmosphere and world-building are unforgettable, the plot itself can feel somewhat thin and episodic, even confusing. In short, a lot here could have been fleshed out more.

‘Orlando’ (1992)

Billy Zane and Tilda Swinton as Shelmerdine and Orlando standing outside looking to the distance in Orlando Image via Sony Pictures Classics
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“Same person. No difference at all… just a different sex.” Another wondrously imaginative movie. Based on Virginia Woolf’s novel, Orlando stars Tilda Swinton as an androgynous noble who lives for centuries, mysteriously changing from male to female along the way. We follow the character through shifting historical eras, each period rendered with exquisite attention to detail. Swinton’s performance is simply mesmerizing the whole way through, holding the whole movie together.

Director Sally Potter uses this unique premise as a way to explore themes of identity, gender, and social expectations, particularly the way they change over time. Once again, however, Orlando is a case of a movie being visually sumptuous but occasionally light on story and themes. The tone is a little detached, as well, meaning that the emotions don’t always come through fully. All in all, Orlando feels like a series of poetic observations rather than a coherent narrative.

‘The Adventures of Baron Munchausen’ (1988)

John Neville as Baron Munchausen in historic military uniform in The Adventures of Baron Munchausen.
John Neville as Baron Munchausen in historic military uniform in The Adventures of Baron Munchausen.
Image via Columbia Pictures
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“I am Baron Munchausen!” In this exuberant adventure story from Terry Gilliam, the legendary storyteller Baron Munchausen (John Neville) recounts (and seemingly relives) fantastical chapters from his life, involving trips to the moon, encounters with mythological beings, and daring escapes. A young girl (Sarah Polley) becomes his companion as reality and imagination blur. Along the way, the movie becomes a celebration of storytelling itself, firmly believing in the power of fiction to inspire wonder and even reshape reality itself.

There is a lot to love here: elaborate sets, endless spectacle, an abundance of surreal imagery, and charming performances from Neville and Polley, as well as Eric Idle, Jonathan Pryce, and Uma Thurman. It also maintains a cheerful and whimsical vibe the whole way through, one that can’t help but be infectious. But there are some weaknesses, too. The story is slow to get started, and the sprawling web of subplots and characters can be a little overwhelming.

‘Ladyhawke’ (1985)

Etienne of Navarre and Isabeau of Anjou looking surprised in Ladyhawke
Etienne of Navarre and Isabeau of Anjou looking surprised in Ladyhawke
Image via Warner Bros.
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“Always together, eternally apart.” Ladyhawke is a nice blend of sword-and-sorcery and romance, helmed by The GooniesRichard Donner. Set in a mythic medieval France, Ladyhawke tells the story of Navarre (Rutger Hauer), a disgraced knight, and Isabeau (Michelle Pfeiffer), the woman he loves, who are cursed by a jealous bishop: by day she becomes a hawk, and by night he transforms into a wolf, preventing them from ever being human together. A witty thief named Philippe (Matthew Broderick) becomes entangled in their quest to break the spell.

While a lot works here, the main issue with Ladyhawke is the tone, which sometimes shifts uncomfortably between romance, dark drama, feel-good adventure, and comedy. Some of the dialogue is bland and wooden, too, and even some of the funny lines feel out of place. These shortcomings are not helped by the modern synthesizer score, a bafflingly anachronistic choice that does not help with the immersion.

‘Hellboy II: The Golden Army’ (2008)

Ron Perlman as Hellboy in 'Hellboy II: The Golden Army'
Ron Perlman as Hellboy in ‘Hellboy II: The Golden Army’
Image via Universal Pictures
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“I am fireproof.” The Hellboy movies are perhaps Guillermo del Toro’s most straightforwardly crowd-pleasing projects, leaning into genre thrills rather than deep themes or emotion. However, that’s also exactly what makes them work: they’re fun and bold, anchored by more layered and likable characters than one typically finds in comic book adaptations. The sequel finds the title character (Ron Perlman) caught between the human world and a hidden realm of mythical creatures as Prince Nuada (Luke Goss) seeks to awaken the unstoppable Golden Army to reclaim the Earth.

Perlman is at his most charismatic here, nailing his dry one-liners and action sequences while also infusing the character with a subtle melancholy. Other characters are less well-handled, unfortunately. The antagonist, in particular, is a little underwhelming. Similarly, the narrative itself sometimes drifts into muddled or conventional comic-book territory. Certain sections run out of momentum and lack that signature del Toro spark.

‘Conan the Barbarian’ (1982)

“What is best in life?” Ranking among the most iconic fantasy movies of the ’80s, Conan the Barbarian features a breakout Arnold Schwarzenegger as a warrior whose parents are slaughtered by a cult leader, Thulsa Doom (James Earl Jones). Raised as a slave, Conan grows into a formidable fighter and embarks on a quest for vengeance, confronting sorcerers, bandits, and giant snakes along the way. This story laid a blueprint that countless sword-and-sorcery movies would attempt to replicate, though usually not with this much muscular energy.

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Fundamentally, Conan the Barbarian is cartoonish but enjoyable, with many strengths alongside some glaring weaknesses. The acting is often a little flat, the aesthetic is rough around the edges, and the movie’s attempts at depth (even shoe-horning in some points on philosophy) can be heavy-handed. Some fans of the original books also disliked the film’s deviations from the source material. Nevertheless, the flick’s impact is undeniable.

‘Harry Potter and the Half-Blood Prince’ (2009)

Dumbledore and Harry shine lights from their wands in a dark cave in Harry Potter and the Half-Blood Prince.
Dumbledore and Harry shine lights from their wands in a dark cave in Harry Potter and the Half-Blood Prince.
Image via Warner Bros. Pictures

“Once again, I must ask too much of you, Harry.” Harry Potter and the Half-Blood Prince is perhaps the most character-driven entry in the series, for better and for worse. As Voldemort’s (Ralph Fiennes) power grows, Harry (Daniel Radcliffe) returns to Hogwarts for what becomes one of the saga’s most introspective chapters. Guided by Dumbledore (Michael Gambon), he explores memories revealing the Dark Lord’s past. Meanwhile, Draco Malfoy (Tom Felton) faces a dangerous mission that tests his conscience.

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The film is more moody and emotional, reflecting the characters’ increasing maturity. Unfortunately, many of these psychological character arcs are given insufficient space, in part due to the time constraints of a feature film but also frequently because the director chooses to prioritize humor or romantic storylines. Not to mention, the flashbacks exploring Voldemort’s early days are hugely truncated, undercutting a lot of the emotional power of the book.

‘Excalibur’ (1981)

Helen Mirren as Morgan in Excalibur Image via Warner Bros. Pictures

“I am Arthur, King of the Britons.” John Boorman’s sweeping retelling of the Arthurian legend traces the rise and fall of King Arthur (Nigel Terry), from the drawing of the sword to the tragic collapse of Camelot. The thrills on offer are traditional in the best way: knights pursue honor, love, and glory while magic shapes the fate of the realm. The aesthetic is defined by gleaming armor, misty forests, and a suitably epic Wagner soundtrack.

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In other words, this movie is fantastically operatic and visually bold, especially for its time. The imagery is hypnotic, and the action scenes are well-staged. Now, for the criticisms. First of all, a lot of the dialogue is weak, with characters trading plenty of awkward, bland lines. They lack the dramatic intensity that defines the rest of the movie. In addition, Excalibur is occasionally a little self-serious, though some fans of darker, more ambitious fantasy will also appreciate that.

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Days of our Lives: Lexie Crashes Will Reading & Stuns the DiMeras!

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Days of Our Lives: Lexie Carver (Renée Jones)

Days of Our Lives prepares for Lexie Carver‘s (Renée Jones) comeback, and the time is almost here. Official Days spoilers said that she was going to wake up. That was in early April, but that was actually a big old fib because she only woke up in Theo Carver‘s (Tyler Joseph Andrews) daydream.

But soon, Lexie should wake up for real. And I’m wondering if Dr. Wilhelm Rolf’s (Richard Wharton) miracle serum brings Lexie fully back to life just in time for the DiMera family gathering to hear Stefano DiMera’s (Joseph Mascolo) will read.

EJ Banking on Dr. Rolf’s Miracle Serum on Days of Our Lives

I mean, I think we can all agree it has been way too long waiting for Lexie to wake up. Her brother EJ DiMera (Dan Feuerriegel) adores Lexie and he’s banking on Dr. Rolf’s mad science wizardry to bring his dead sister back to life. And with May sweeps in full swing and the reading of Stefano’s will hopefully kicking off this Friday, but carrying over into the following week, this is the perfect time for Lexie to join Theo and Abe Carver (James Reynolds) in the land of the living once again.

Since late last fall, EJ and Gwen Rizczech (Emily O’Brien) have been secretly investing in Dr. Rolf’s medical technology that blended his resurrection serum with the miracle drug Versix. That’s the same drug that brought a comatose Bo Brady (Peter Reckell) back from the brink of death from sepsis.

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So, we also know that one of Stefano’s final wishes was to save his daughter Lexie from the inoperable cancerous brain tumor that took her life. So, it looks like Rolf had Lexie stashed in a person pod all these years until medical advancements caught up to make her resurrection possible.

Paulina Threatened by EJ on DOOL

And EJ first showed nosy mayor Paulina Price (Jackee Harry) that he had Lexie in the person pod. EJ’s reveal came with threats about what he would tell her husband, Abe. Now, this was when Paulina was poking into the secret lab and trying to threaten EJ because Paulina wanted to know why the lab and the free clinic were using such an excessive amount of electricity.

It caused a blackout last Autumn. And of course, EJ had ulterior motives by showing Paulina that Theo’s mom, Lexie, had been pulled from the jaws of death. For one thing, EJ knows that Paulina wouldn’t play God and pull the plug on Lexie by shutting down all the power in the lab. And EJ’s move worked. Paulina had to back off about the power pole.

Lexie Moved Before Police Could Find Her on Days

And at that point, Lexie was still touch-and-go when EJ showed Paulina what he had done. And he was pretty honest about it, I think. Unfortunately, Dr. Rolf’s creepy night watchman, Owen Kent (Wes Ramsey), kidnapped Stephanie Johnson (Abigail Klein) and Jeremy Horton (Michael Roark) and kept them in the storage closet behind the lab. That shifted everything because it forced EJ to have Rolf move Lexie before someone discovered her. Now EJ and Rolf are monitoring her and Theo’s visiting often, just waiting for Lexie’s brain activity to increase to the point that she wakes up from her long sleep on Days of our Lives.

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And EJ was planning to reintroduce his sister Lexie to Salem when the time was right, but it may be out of EJ’s hands. So, right now, Rafe Hernandez (Galen Gering) and Alex Kiriakis (Robert Scott Wilson) and the cops and several others know about the person pod, but they can only make guesses about who was in it. And right now, they’re thinking Abigail Deveraux (Marci Miller).

And that’s because Rolf had already moved Lexie from the room when the police got in there to poke around everything. So, she’s down underneath the DiMera mansion where Rolf has equipped the room with all the necessary medical devices and supplies. That’s where EJ brought Theo and showed him his mom was alive again and being healed by Rolf’s medicine.

Days of our Lives: EJ Plotting with Abe

Not only did EJ want Theo to see that Lexie was coming back, but EJ also wanted Theo to be solely focused on Lexie so that he would step down as CEO of DiMera, which would let Johnny DiMera (Carson Boatman) keep the position.

Now neither Theo nor Johnny knows that their dads Abe and EJ were conspiring to ensure this transfer of power. But Theo knows that his mom would not want him working for his no good Stefano’s family empire. So Theo did what EJ nudged him to do and he walked away.

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Lexie Showing Signs of Life on DOOL

And now that Lexie is on the verge of waking up, Theo is spending as much time as he can holding her hand, sitting at her bedside. And Lexie is showing more signs of life little by little. Recently, she reached out for Theo’s hand, but Rolf hasn’t found many other promising signs that Lexie’s coming out of her deep sleep just yet.

No other signs of consciousness. However, Lexie’s status could change at any moment. And this week, Theo is having mixed feelings about Lexie’s resurrection. You know, Theo hasn’t told his dad Abe yet. I think Theo wants to make sure Lexie will survive before he gets Abe’s hopes up.

And this has been weighing really heavily on Theo. It’s a big burden to carry and he really can’t tell anybody. So, he knows if and when Lexie recovers and wakes, it will affect him and Abe and Paulina and her daughters and a lot of other people.

Now, ultimately, Theo knows that when Lexie wakes up, she’s going to want her life back with her husband Abe. And not only is Theo thinking about what will happen when Lexie wakes, but he’s also stressed out about being named the executor of Stefano’s will out of the blue.

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Days of Our Lives: Lexie Carver (Renée Jones)Days of Our Lives: Lexie Carver (Renée Jones)
Days of Our Lives: Lexie Carver  

The DiMera Family Gathers for Will Reading

So, the family is going to gather the end of this week at the mansion as arranged by EJ’s assistant, Cat Green (AnnaLynne McCord). And of course, EJ was just as thundered as Theo. That codicil swap that moved EJ out and Theo in as the executor of Stefano’s will surprised them both.

And by Friday and then carrying over into next week, we’re going to have Theo overseeing the gathering with Cat likely on hand. Abe’s going to be there to represent Lexie’s interest. Anna and Tony are back in Salem this week. Chad DiMera (Connor Floyd) is going to be there, too, along with Kristen DiMera (Stacy Haiduk) and of course EJ.

And that means Lexie is probably going to be left unattended during this gathering when everybody shows up to find out about Stefano’s wicked last wishes in his will. I also expect Gabi Hernandez (Cherie Jimenez) may crash and claim that she is Stefan’s widow, not his ex-wife, because the divorce papers were forged by Vivian Alamain. But I think the biggest surprise at the will reading would be a second crasher if Lexie Carver crashes the will reading.

Lexie Could Crash The Will Reading on Days of Our Lives

I do think that while this is going on, we could see Rolf taking a break or napping and that could be when Lexie wakes up on her own alone in the room and she wanders upstairs to where the DiMeras are all congregated in the living room.

You know, Theo may be reading the contents of the will and then his jaw drops because his mom Lexie walks out of the secret doorway into the living room coming up out of the DiMera tunnels.

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That would be something that would stun the whole family, plus Abe and Theo and the fans. You know, Lexie was always a fierce mama bear when it came to her son Theo. So, I think it would be the most dramatic time for Lexie to make her first appearance, fully awake and back from the tragically dead right as Theo is standing there reading Stefano’s will.

I think that would be the soapiest outcome and the most May sweeps thing that the writers could do. Plus, I think Theo and EJ and the fans have all been very patient and we’ve all waited long enough for Lexie to come back. So, I really hope she walks right into that will reading and stuns everybody.

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25 Years Later, This ‘Landman’ Star’s Psychological Drama Remains Perfect From Start to Finish

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Hank Grotowski (Billy Bob Thornton) speaking to somebody from his car in 'Monster's Ball.'

This Southern Gothic by Marc Forster focuses on the Grotowski family, who are crippled by their inherited racism. It’s almost too perfect that Halle Berry became the first African-American woman to win the Academy Award for Best Actress in a Leading Role for her role in Monster’s Ball. Up until the film’s release in 2001, a Black woman had never won the Oscar for Best Actress. In her acceptance speech, Berry proclaimed through tears, “This moment is so much bigger than me… Because this door, tonight, has been opened.” As emotional and heartfelt as that message was Halle Berry is still the only Black woman to win the prestigious award. In rewatching this film, audiences need to realize that the subject matter is just as relevant now as it was back then.

Forster’s drama follows a family of corrections officers, including Sonny Grotowski (Heath Ledger) and his father, Hank Grotowski (Billy Bob Thornton), who ends up falling in love with a woman of color, Leticia Musgrove (Halle Berry). In addition to the heavy-hitting lead actors, the cast also includes Peter Boyle and Mos Def. The movie addresses themes of depression, loss, and grief while also tackling the all-too-common issue of racism in America. The two-time Oscar-nominated slow burn is celebrating its 25th anniversary this year, and the content is just as important, if not more, in 2026.

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Sean ‘Diddy’ Combs’ Role Hits Differently Today

This is a dark movie all around. But audiences can find solace early on in the film when death row inmate, Lawrence Musgrove (Sean Combs) is scheduled to be executed by electrocution at the Georgia State Penitentiary. Knowing what audiences know now, the scene carries a different weight than it did upon release—and, in some ways, makes the film more palatable. It’s clear that Lawrence did some bad things, and he must suffer the consequences. Leticia had virtually moved on from their marriage, even before his execution, so the scene is just icing on the cake.

Billy Bob Thornton’s Character Confronts His Past

Hank Grotowski (Billy Bob Thornton) speaking to somebody from his car in 'Monster's Ball.'
Hank Grotowski (Billy Bob Thornton) speaking to somebody from his car in ‘Monster’s Ball.’
Image via Lionsgate

Racism runs rampant in Hank’s household as his decaying father, Buck (Peter Boyle), loves using the n-word more than he loves his own family members. Thankfully, the youngest Grotowski, Sonny, chose a different path. Perhaps the only similarities between Hank and Sonny are their occupation and their preference for prostitutes, but that’s about it. So when Sonny finally decides to take his own life, Hank is left to his own devices. He must decide whether he wants to drown in the person he’s become or put in the hard work and move forward. That pivotal moment comes about halfway through the story, when he approaches Leticia and her son, Tyrell (Coronji Calhoun), sitting on the side of the road, in the middle of the pouring rain. Tyrell has been badly injured, so Hank makes the perfect decision to help. No good deed goes unpunished, however, as Tyrell passes away at the hospital. Both lead characters have now tragically lost their sons. But as downtrodden as their individual situations may seem, the two begin to bond over their near-identical traumas and start healing together.

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Billy Bob Thornton standing in front of a truck with a work jacket on in Landman.


“If He Likes It, He Keeps It”: ‘Landman’ Star Billy Bob Thornton Reveals How He Works with Taylor Sheridan

“Look, you’re a writer, you’re a director. You get this stuff. We’re partners in this.”

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Halle Berry and Billy Bob Thornton Elevate an Already Brilliant Screenplay

In addition to Halle Berry’s Best Actress win, the film also garnered a Best Original Screenplay nomination. As great actors often do, Berry and Thornton took a beautiful script written by the duo of Milo Addica and Will Rokos, and they breathe life into it. Their performances reflect another key message in the story, which is that no relationship is ever going to be perfect. These characters have to decide whether they’re willing to work through their issues, and that’s not always an easy decision to make.

Leticia and Hank have dealt with racism, depression, tragedy, lies, secrets, and it’s hard to tell if they will make it to their happy ending. But there’s no doubt that both characters have suffered enough and ultimately deserve their happiness.

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01259764_poster_w780.jpg

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Release Date

June 7, 2001

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Runtime

113 minutes

Director
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Marc Forster

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The Forgotten Star Trek Episode That Created Two Spinoff Series

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The Forgotten Star Trek Episode That Created Two Spinoff Series

By Chris Snellgrove
| Published

What do you think the most important episode of Star Trek is? Some fans might say “The Man Trap” because it was the first episode ever aired, creating TV’s longest-lasting sci-fi franchise. Others might be tempted to name episodes like “The Inner Light” and “The Visitor” because they confront us with our own morality. Still other fans might name episodes like “Far Beyond the Stars” for using sci-fi as a vehicle to explore the more problematic aspects and social injustices of American history.

Arguably, though, the most important adventure in the franchise is the largely forgotten Star Trek: The Next Generation episode “The Price.” Now, if you do remember this episode, you probably remember it for that thirst trap scene where Dr. Crusher and Counselor Troi are exercising in their space spandex. While that scene had the fandom giving new meaning to the term “space seed,” It’s not what’s most important about “The Price.” You see, this episode singlehandedly sets up the premises for both Star Trek: Deep Space Nine and Star Trek: Voyager!

Paying “The Price”

What’s “The Price” about? In this episode, the Enterprise crew must negotiate with some exotic aliens for the rights to use a newly-discovered stable wormhole. Ships can fly through the wormhole in the Alpha Quadrant and, conveniently enough, end up in the far-flung Gamma Quadrant. The crew checks the wormhole and discovers that while the entrance is stable, the exit isn’t; it periodically moves, having gone from the Gamma Quadrant to the Delta Quadrant. Unfortunately, two Ferengi who went through the wormhole ignore the Enterprise crew’s warning about the unstable exit and get trapped in the Delta Quadrant once the wormhole moves yet again.

What makes “The Price” so special to Star Trek history? For one thing, this is the first episode to break the galaxy into four quadrants: Alpha, Beta, Gamma, and Delta. Before that, it was hard to understand the geography of this franchise’s sprawling cosmos. This made it difficult to know where, say, the center of the galaxy is supposed to be located. That might not sound like much of an issue, but you might be surprised at the sheer number of times various shows and movies make reference to that mysterious area of space.

Wormhole Shenanigans Are In Full Swing

More importantly, “The Price” laid the groundwork for the next two major Star Trek spinoffs after The Next Generation. Before the Enterprise crew realizes it’s a dud, the main selling point of the wormhole in this episode is that it provides a stable passage from the Alpha Quadrant to the Gamma Quadrant. Later, the discovery of an actual stable wormhole from Bajor to the Gamma Quadrant becomes the inciting incident for Deep Space Nine. Once everyone finds out about the wormhole, this broken-down space station suddenly becomes one of the most important places in the entire galaxy.

Weirdly enough, a minor plot in “The Price” also sets up the premise for Star Trek: Voyager. When those two scheming Ferengi ignore the warnings from the Enterprise crew, they end up stuck in the Delta Quadrant, with no easy way home. In Voyager, this is exactly what happens to Captain Janeway and the Maquis she is chasing. They are sent to the Delta Quadrant and must make their way home without the support of Starfleet. Eventually, Voyager did an homage to “The Price” with “False Profits,” which had the crew run into the same two bumbling Ferengi who got stuck on the other side of the galaxy after the wormhole moved. 

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“The Price” is a very solid episode of Star Trek: The Next Generation for many reasons, including the fact that it gives Marina Sirtis plenty to do while she looks drop-dead gorgeous. But for fans of Deep Space Nine and Voyager, this is possibly the most important episode in the entire franchise. Without it, those fan-favorite spinoffs might have never been made. Because of this, you might say that the entire Golden Age of Star Trek owes itself to this humble TNG episode!


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Whitney Leavitt Feels ‘Content’ About ‘SLOMW’ Departure

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Whitney Leavitt at The Secret Lives of Mormon Wives Season 2 Premiere in Los Angeles

SLOMW” star Whitney Leavitt is shedding a bit more light on her sudden departure from the Hulu reality series after five seasons. In a new social media video, the Broadway star addressed the rumors while expressing gratitude for the TV show that turned her into a household name.

In the video, Leavitt addressed the headlines about her status on the show and shared that she would finish filming season 5 before officially moving on from the series.

“It’s honestly so crazy to me looking back on this journey because I had been trying to get into theater and film way before Secret Lives even came into my life,” Leavitt, who just wrapped up her run in Broadway’s “Chicago.”

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Leavitt explained that she didn’t see herself rising to fame through a reality show; however, it was an opportunity she was glad she didn’t pass up.

“We have been through so much together, even more than what you’ve seen. We’ve had really big highs, really big lows and no matter what happens with our relationships like that is something that will always be a part of our life, will always be a part of my life and I wouldn’t change a thing,” she said about her co-stars, including Taylor Frankie Paul, Jen Affleck, Jessi Draper, Demi Engemann, Mikayla Matthews, Mayci Neeley, Layla Taylor, and Miranda Hope.

Leavitt Feels ‘Content’ Leaving ‘SLOMW’ In Her Rearview After 5 Seasons

Whitney Leavitt at The Secret Lives of Mormon Wives Season 2 Premiere in Los Angeles
River / MEGA

In her vulnerable video, Leavitt got real about the times she left the show mid-filming, only to return later. “It came from a place of anger and frustration,” Leavitt said about her status.

However, this time, Leavitt leaves the women in a much better place, saying she feels a sense of “gratitude” as she closes the chapter.

“I feel content,” Leavitt added. “I feel like this is a chapter that’s closing in my life and honestly, I believe that’s how it was always meant to be. I’m so grateful for ‘The Secret Lives of Mormon Wives.’ It’s got me where I am today. It’s given me the opportunities that you all have seen but I’m ready. I’m ready for the next chapter and I cannot wait to share with you guys what’s next.”

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Leavitt Announced Her Exit From ‘SLOMW’ While On Stage

The Blast reported about Leavitt’s departure on May 4, stating that the mother of three announced her exit during one of her final shows as Roxie Hart in “Chicago.”

“Oh, what is that?” Leavitt’s character says during the musical. “Whitney Leavitt announces she’s leaving ‘The Secret Lives of Mormon Wives.’”

Her exit comes weeks after the “Dancing with the Stars” alum said she was having doubts about staying on the show long-term.

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“Well, I’m figuring it out in real time,” she said. “We’re figuring it out together, but it feels like that’s the trajectory of where it’s going.”

“But again, I wouldn’t be where I am without it, but it feels like it’s time to challenge myself in other ways and fulfill these dreams and passions that I’ve been trying to get even before the show,” she shared.

Production On Season 5 Of ‘Secret Lives’ Continues

Taylor Frankie Paul
LISA OConnor/AFF-USA.com / MEGA

Cameras recently went back up to capture the rest of the fifth season of “The Secret Lives of Mormon Wives,” but it’s unclear who all will be featured.

For those who may be unfamiliar, Hulu halted production on the upcoming season following the news of Paul’s alleged domestic dispute with her ex-boyfriend, Dakota Mortensen.

According to a source close to the show, Paul has been offered a spot to return; however, she’s unsure whether she wants to return.

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New Iteration Of The Series Is Coming In 2026

SLOMW Orange County.
Disney | Maya Dehlin

Also coming in 2026 is a new iteration of “The Secret Lives of Mormon Wives” set in Orange County.

According to The Blast, the new series will star Bobbi Althoff, FishFam YouTuber Madison Bontempo, and influencers Aspyn Ovard, Avery Woods, and Salomé Andrea. Chandler Higginson, Ashleigh Pease, McCall DaPron, and Jen Affleck are also part of the cast.

It’s unclear when the show will air; however, a press release said the series will follow “a new group of dynamic young mothers in Orange County collide in a community where beliefs are not just their religion; they are their identity.”

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Beyonce and Jay-Z’s Rare Family Photos With Their 3 Kids

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Everything to Know About RHOSLC Alum Jen Shah's Legal Drama

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Joseph Duggar Demands Transparency In Molestation Case

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Joseph Duggar booking photo, a married father-of-four and the younger brother of convicted sex offender Josh Duggar was arrested on Wednesday in connection with allegations that he touched a nine-year-old girl on her underwear and genitals.

Joseph Duggar is taking a stand in his ongoing legal battle by demanding full access to the evidence and investigators involved in his child molestation case. 

The former reality television star has filed a formal motion through his legal team to ensure all information regarding the allegations is brought to light before he faces trial. 

This update comes after Joseph was arrested last month. He is currently facing multiple charges after allegedly molesting a minor back in 2020.

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Joseph Duggar booking photo, a married father-of-four and the younger brother of convicted sex offender Josh Duggar was arrested on Wednesday in connection with allegations that he touched a nine-year-old girl on her underwear and genitals.
Washington County Sheriff’s MEGA

In a recent legal maneuver, Joseph’s attorneys have petitioned a Florida court for the authority to interrogate the specific investigators who interviewed the young accuser. The 31-year-old filed this request on Friday, May 1, seeking a subpoena that would force the disclosure of all data collected during the initial child abuse investigation. 

This request aims to pull information from multiple agencies, including the Department of Children & Families and the Child Protection Team, who spoke with the alleged victim before Joseph was taken into custody in Arkansas this past March. 

According to U.S. Weekly, Joseph’s defense team is also pushing to question any other law enforcement or protective services involved across state lines, particularly those in Arkansas.

The defense argues that receiving this witness testimony and the accompanying records is essential for a fair trial to determine Joseph’s guilt or innocence. 

Notably, the case centers on accusations that the “19 Kids and Counting” alum molested a victim, who is now 14, while on a family trip to Panama City Beach back in 2020. According to the allegations, the abuse occurred while the victim was nine years old and Joseph’s wife, Kendra, was pregnant with their third child. 

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Joseph and Kendra Duggar
Instagram | Joseph and Kendra Duggar

While his defense team pushes for more information, legal experts are sounding the alarm about incriminating statements Joseph allegedly made before his arrest.

These specialists suggest that certain admissions could prove catastrophic for his case, as they directly address his state of mind during the timeframe of the alleged abuse. 

According to The Blast, Joseph allegedly stated that his “intentions were not pure” during a monitored conversation. Meanwhile, experts believe that this phrase provides the prosecution with strong evidence of criminal intent. 

Former federal prosecutor Neama Rahmani explained that such a statement is highly damaging because it links the defendant to the victim and the specific timing of the reported incidents. 

Joseph Duggar Faces Strict Bond Conditions In Florida

Joseph and Kendra Duggar
Instagram | Joseph and Kendra Duggar

The potential impact of Joseph’s statements on the trial has only increased the intensity of the legal proceedings as he fights the charges. 

During the hearing in Bay County, a judge set his bail at a substantial $600,000. Along with the high bond, the court imposed strict limitations on his freedom, including a mandatory no-contact order regarding the alleged victim, per The Blast.

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The restrictions placed on the former reality star were extensive, with the judge further ruling that he cannot have any unsupervised contact with any minors. 

During the proceedings, Joseph’s legal representative emphasized that the 31-year-old has no prior criminal record and requested that he be treated like any other citizen, regardless of his past television fame. However, the prosecution argued against a low bond, stressing the extreme gravity of the charges involving a child.

Allegations of Family Retaliation Surface

The Duggar Family
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Weeks after Joseph was hit with strict bond conditions, rumors surfaced, suggesting that his wife’s family was behind his legal troubles. 

According to reports from a social media influencer, it was actually Kendra’s parents, the Caldwell family, who initially contacted the police regarding the molestation charges. 

This claim suggests that the decision to turn in their son-in-law was a painful necessity because he refused to take responsibility for his own actions, as reported by The Blast

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In the wake of these reports, claims also emerged that the Duggar family has retaliated against the Caldwells for their role in the investigation. 

The Caldwells are allegedly being forced out of their home, with reports indicating that their water and power have been shut off during this difficult time. Despite these tensions, the Caldwells have publicly stated they remain heartbroken by the situation but are committed to supporting their daughter, Kendra.

The Caldwell Family Faces Displacement and Financial Loss

Booking photo of Kendra Duggar who is now facing criminal charges alongside her husband, Joseph Duggar, after Arkansas police announced additional counts in the ongoing investigation.
Washington County Sheriffs DMEGA

The growing hostility between the two families has now resulted in a full-blown housing crisis for Kendra’s parents. Tensions reached a breaking point in the weeks following the arrest, leading to reports that Kendra’s relatives were effectively pushed off the property where they had been staying. 

The Blast reported that to cope with their sudden homelessness, the Caldwells launched a fundraising campaign to cover the costs of their relocation and emergency expenses.

Kendra’s father, Paul Caldwell, provided a public update explaining that their decision to stand up for the vulnerable led directly to the loss of their home and their jobs. 

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Notably, he made it clear that the money raised would not be used to help anyone accused of child abuse, further distancing his family from Joseph’s defense.

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Smell Like the Wealthiest Person in the Room With This Alt Perfume

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Smell Like the Wealthiest Person in the Room With This Alt Perfume

Us Weekly has affiliate partnerships. We receive compensation when you click on a link and make a purchase. Learn more!

I have a small obsession with luxury perfume, and my bank account has been struggling because of it. I simply can’t afford to drop $400 — or even $150 — on expensive bottles anymore. That’s why I’m so glad I discovered Alt Fragrances and their inexpensive, yet beautifully blended scents.

One Alt scent, in particular, saved me $320: Crystal. This perfume was inspired by Baccarat Rouge 540, the iconic scent from Maison Francis Kurkdjian that is the epitome of wealth. The original is instantly recognizable with notes of saffron, jasmine and cedarwood. However, Alt Crystal smells so eerily similar I couldn’t tell the difference in a blind test — and I write about perfume for a living. Trust me, my nose almost always knows, but this time I was stumped.

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Get the Alt Crystal Extrait de Parfum for $39 at Alt Fragrances! Please note, prices are accurate as of the publishing date but are subject to change.

The scent of Alt Crystal isn’t the only thing that wowed me about the perfume. Despite the price, Alt manages to last all day long — an impressive feat for such an affordable brand. This is because rather than being an eau de parfum, it’s an extrait, which means it has a higher concentration of fragrance oils, making the scent linger much longer.

If you want to fool people into thinking you own Baccarat Rouge 540, this will certainly do the trick. That said, when people ask if I’m wearing the instantly recognizable scent, I prefer to be honest. Why gatekeep Alt when people can’t tell the difference? Plus, if people are able to enjoy a once-unattainable scent for themselves with this affordable take, they should!

I’m slowly but surely adding more of Alt’s interpretations of iconic — and expensive — perfumes to my collection. Next on my list: Amber Angel. There are plenty more options on the site, too, and you can’t go wrong with any of them.

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Your perfume addiction might reach new levels with Alt, but I say indulge since the creations are so reasonably priced. You’ll see what I mean once you sniff for yourself.

Get the Alt Crystal Extrait de Parfum for $39 at Alt Fragrances! Please note, prices are accurate as of the publishing date but are subject to change.

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Sci-Fi Fans Will Need to Pause Every Second of The Upcoming ‘Spaceballs’ Sequel [Exclusive]

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Mel Brooks‘ new science fiction spoof, Spaceballs: The New One, is reuniting its old cast members and adding some new stars, including Lewis Pullman. While Pullman is enjoying working with his father, Bill Pullman, who starred as the roguish space bandit Lone Starr in the original, he’s heaping praise on every aspect of the production, including the decades-in-the-making return of a cinematic comedy icon. He discussed the film with Collider’s Steve Weintraub while promoting his new Netflix film, Remarkably Bright Creatures, which debuts on the streamer this week.

Pullman was especially impressed by the return of Rick Moranis, who is returning from a multi-decade hiatus from the big screen to play arch-villain Dark Helmet. According to Pullman, the SCTV star hadn’t missed a step. “I think just hearing him do the Dark Helmet voice, and him just slipping back into it so, so seamlessly. It was just a mind-boggling moment because that voice lives in my brain free of rent,” said Pullman. “Just hearing him find it again — he didn’t even have to find it; it was just right there — was just a dream come true.”

Pullman also lavished praise on the script, which was penned by longtime Spaceballs fans Dan Hernandez, Benji Samit, and Josh Gad; Gad also stars in the film. And while the original film was largely a Star Wars spoof (with some nods to Star Trek, Alien, and Planet of the Apes), Pullman says The New One goes above and beyond:

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“The writers, Dan, Benji, and Josh, really took advantage of the whole concept in the best way possible. So many times, I think being a fan of something can really help invigorate it. I think them working with Mel to keep what we love so much about Spaceballs, and then also just expound on it and expand on it… Anyone who’s a fan of anything will probably get a reference in there at some point.”

The gags aren’t limited to the script, either: Pullman also found that the production designers had crammed so many gags into a spaceship console that he’s hopeful the film will be “a freeze frame fest of people freeze framing this movie and zooming in and seeing the detail that went into this.” However, he can’t tease what the movie’s marketing team will do to top the Dune 2 sandworm popcorn bucket, but he “can’t wait to see.” And as far as working with his father goes, Pullman compared and contrasted it with the G-forces he was subjected to while filming Top Gun: Maverick. He told Collider, “One was kind of mind-melting, and the other was body-melting, and both were challenging in their own ways. Both were very exciting and exhilarating in their own ways.” Spaceballs: The New One also stars Daphne Zuniga, Keke Palmer, Anthony Carrigan, and George Wyner; it is directed by Josh Greenbaum. It will invade theaters on April 23, 2027.

Based on the best-selling 2022 novel of the same name by Shelby Van Pelt, Remarkably Bright Creatures centers around Tova (Sally Field), a lonely widow who works as a nighttime caretaker at the local aquarium. There, she makes a pair of new friends: Cameron (Pullman), a luckless young man who also works for the aquarium, and Marcellus (voiced by Alfred Molina), a giant Pacific octopus who lives there. Directed by Olivia Newman (Where the Crawdads Sing), it also stars Colm Meaney, Joan Chen, Kathy Baker, Beth Grant, Sofia Black-D’Elia, and Laura Harris. It will premiere on Netflix on May 8.

Next up for Pullman is Avengers: Doomsday, in which he’ll reprise the dual role of Bob and the Sentry from last year’s Thunderbolts. On the horizon are Wishful Thinking, a science fiction rom-com that pairs him with Maya Hawke, and Baton, a sports drama with Camila Mendes and Danny Ramirez (who also directs).

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Spaceballs: The New One will be released on April 23, 2027. Stay tuned to Collider for future updates.


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Release Date
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April 23, 2027

Writers

Dan Hernandez, Josh Gad, Benji Samit

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The 26 best comedy specials on Netflix for when you need a good laugh

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No two-drink minimum needed to watch Netflix’s selection of stand-up offerings from the likes of Chris Rock, Taylor Tomlinson, and more.

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Guillermo del Toro’s 10/10 Fantasy Epic Gets a 4K Release 20 Years Later

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Pans Labyrinth Movie Poster

20 years after it enchanted and horrified audiences at the Cannes Film Festival, one of director Guillermo del Toro‘s greatest films is returning to the French Riviera for a second bow. The film broke records when it debuted there in 2006, and now it’s coming back in an all-new 4K restoration, painstakingly supervised by del Toro himself. It will kick off the festival with a screening on May 12.

According to reports, Pan’s Labyrinth will headline the Cannes Classics showcase of classic films at Cannes this year. The film made its international debut at Cannes in 2006; there, it earned a 22-minute-long standing ovation, which is still the longest ovation in Cannes history. Other notable films being screened at Cannes Classics this year include Akira Kurosawa‘s debut feature, Sugata Sanshiro; Chen Kaige’s 1993 classic Farewell My Concubine; Ken Russell’s long-unavailable horror film The Devils; and Orson Welles‘ post-war thriller The Stranger. It will also see the debut of several new film-making documentaries, including Dernsie: The Amazing Life of Bruce Dern, Maverick: The Epic Adventures of David Lean (which features narration by Cate Blanchett and Kenneth Branagh), and the latest chapter in Mark Cousins‘ history of non-fiction film, The Story of Documentary Film (The 70s).











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Collider Exclusive · Horror Survival Quiz
Which Horror Villain Do You Have the Best Chance of Surviving?
Jason Voorhees · Michael Myers · Freddy Krueger · Pennywise · Chucky
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Five killers. Five completely different ways to die — if you’re not smart enough, fast enough, or self-aware enough to avoid it. Only one of them is the villain your particular set of instincts gives you a fighting chance against. Eight questions will figure out which one.

🏕️Jason

🔪Michael

💤Freddy

🎈Pennywise

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🪆Chucky

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01

Something feels wrong. You can’t explain it — you just know. What do you do?
First instincts are the difference between the survivor and the first act casualty.





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02

Where are you most likely to find yourself when things go wrong?
Setting is everything in horror. Where you are determines which rules apply.





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03

What is your most reliable survival asset?
Every survivor has a quality the villain didn’t account for. What’s yours?





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04

What kind of fear is hardest for you to fight through?
Knowing your weakness is the first step to not dying because of it.





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05

You’re with a group when things start going wrong. What’s your role?
Horror movies are brutally clear about who survives group situations and who doesn’t.





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06

What’s the horror movie mistake you’re most likely to make?
Honest self-assessment is a survival skill. Denial is not.





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07

What’s your best weapon against something that can’t be stopped by conventional means?
Every horror villain has a weakness. The survivors are always the ones who find it.





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08

It’s the final scene. You’re the last one standing. How did you make it?
The final survivor always has a reason. What’s yours?





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Your Survival Odds Have Been Calculated
Your Best Chance Is Against…

Your instincts, your strengths, and your particular way of thinking under pressure point to one villain you actually have a fighting chance against. Everyone else — good luck.

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Camp Crystal Lake · Friday the 13th

Jason Voorhees

Jason is relentless, but he is also predictable — and that is the gap you would exploit.

  • He moves in straight lines toward his target. He doesn’t strategise, doesn’t adapt, doesn’t outsmart. He simply pursues.
  • Your ability to keep moving, use the environment, and resist the panic that freezes most victims gives you a genuine edge.
  • The Crystal Lake survivors were always the ones who stopped running in circles and started thinking about terrain, water, and distance.
  • You think like that. Which means Jason, for all his indestructibility, would face someone who simply refused to be where he expected.

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Haddonfield, Illinois · Halloween

Michael Myers

Michael watches before he moves. He is patient, methodical, and almost impossible to detect — until it’s too late for anyone who isn’t paying close enough attention.

  • But you are paying attention. You notice the shape in the window, the car parked slightly wrong, the silence where there should be sound.
  • Michael’s power lies in the invisibility of ordinary suburbia — the fact that nothing ever looks wrong until it already is.
  • Your spatial awareness and instinct to map every room, every exit, and every shadow before you need them is precisely the quality Laurie Strode had.
  • You are not a victim waiting to happen. You are someone who already suspects something is wrong — and acts on it.

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Elm Street · A Nightmare on Elm Street

Freddy Krueger

Freddy wins by getting inside your head — using your own fears, your own memories, your own subconscious as weapons against you. That strategy requires a target who can be destabilised.

  • You are harder to destabilise than most. You’ve faced uncomfortable truths about yourself and you haven’t looked away.
  • The survivors on Elm Street were always the ones who understood what was happening and chose to face it rather than flee from it.
  • Freddy’s greatest weakness is that his power evaporates in the presence of someone who refuses to give him the fear he feeds on.
  • Your psychological resilience — the ability to stay grounded when reality itself becomes unreliable — is exactly the quality that keeps you alive here.

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Derry, Maine · It

Pennywise

Pennywise is ancient, shapeshifting, and feeds on terror — but it has one critical vulnerability: it cannot function against someone who genuinely stops being afraid of it.

  • The Losers Club didn’t survive because they were braver than everyone else. They survived because they faced their fears together, and faced them honestly.
  • You ask the questions others avoid. You look directly at what frightens you rather than turning away.
  • That directness — the refusal to let fear fester in the dark — is Pennywise’s worst nightmare.
  • It chose the wrong target when it chose you. You are exactly the kind of person whose fear tastes like nothing at all.

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Chicago · Child’s Play

Chucky

Chucky’s greatest advantage is that nobody takes him seriously until it’s already too late. He exploits the gap between how something looks and what it actually is.

  • You don’t have that gap. You take threats seriously regardless of how they present — and you never make the mistake of underestimating something because of its size or appearance.
  • Chucky relies on surprise, on the delay between recognition and response. You close that delay faster than almost anyone.
  • Your instinct to treat every unfamiliar thing with appropriate scepticism — rather than dismissing it because it seems absurd — is the exact quality that keeps you breathing.
  • Against Chucky, not laughing is already winning. You are very good at not laughing.
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What Is ‘Pan’s Labyrinth’ About?

Set in fascist-controlled Spain in 1944, Pan’s Labyrinth centers around young Ofelia (Ivana Baquero); her new stepfather is Captain Vidal (Sergi López), a devotee of General Franco’s, and her mother (Ariadna Gil) is pregnant with his son. Vidal is attempting to root out the local Maquis insurgents, unaware that his housekeeper, Mercedes (María Verdú) is in league with them. Meanwhile, Ofelia discovers a fantastical underworld where she meets the monstrous Faun (Doug Jones), who believes she is the reincarnation of the lost Princess Moanna. She must undergo three trials to prove her worthiness to rule once more. During the course of those tasks, she encounters a variety of bizarre creatures, none more horrific than the child-eating Pale Man (Jones again). However, the horrors of the real world threaten to collide with her fantasies. The film was a hit with critics and audiences upon its initial release, and will be getting a theatrical re-release this fall.

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This year’s Cannes Classics program is dedicated to late art director and production designer Dean Tavoularis, who died in France last month. A frequent collaborator with Francis Ford Coppola, he worked on The Godfather and its sequels, The Conversation, and Apocalypse Now; he also contributed to Bonnie and Clyde, Zabriskie Point, and The Ninth Gate.

A 4K restoration of Pan’s Labyrinth will premiere at the Cannes Classics film festival on May 12. Stay tuned to Collider for future updates.


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Release Date

January 19, 2007

Runtime

118 minutes

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