Connect with us

Entertainment

10 Movies From 1986 That Are Now Considered Classics

Published

on

Audrey II the carnivorous plant holding the person Audrey with his vines in Little Shop of Horrors (1986).

1986 was a year of contrasts: glossy studio hits alongside challenging arthouse films, earnest dramas sharing space with stylized excess, crowd-pleasing spectacle rubbing shoulders with moral unease. On release, some of these movies probably looked like a flash in the pan, but they have actually had surprising staying power.

Four decades later, the defining films of 1986 continue to shape how genres are understood, how performances are measured, and how audiences define cinematic greatness. Without further ado, here are the most enduring of that year’s classics.

Advertisement

10

‘Little Shop of Horrors’ (1986)

Audrey II the carnivorous plant holding the person Audrey with his vines in Little Shop of Horrors (1986).
Audrey II the carnivorous plant holding the person Audrey with his vines in Little Shop of Horrors (1986).
Image via Warner Bros.

“The Audrey Two is not a healthy girl.” Adapted from the off-Broadway musical, Little Shop of Horrors centers on Seymour (Rick Moranis), a shy florist’s assistant working in a struggling skid row flower shop who discovers a strange plant (later named Audrey II after the woman Seymour is in love with) that brings in customers but reveals a horrifying appetite for human blood. ​​​​​​Seymour feeds the plant to protect his newfound success and win Audrey’s (Ellen Greene) affection, but at an increasingly terrible cost.

The film spins this B-movie premise into a vibrant musical fable about ambition, temptation, and the price of getting what you wish for. What makes it so memorable is how confidently it embraces its tonal tightrope: the songs are catchy yet character-driven, the humor is outrageous but never cynical, and the practical effects give the carnivorous plant an uncanny personality that feels tactile and alive. Dark comedy is perfectly balanced with real emotional stakes.

Advertisement

9

‘The Name of the Rose’ (1986)

Adso and William looking at each other in The Name of the Rose
Sean Connery and Christian Slater
Image via Columbia Pictures

“The devil is the arrogance of the spirit.” Based on Umberto Eco’s acclaimed novel, The Name of the Rose is a medieval mystery set within a remote abbey plagued by a series of murders. The story follows Franciscan friar William of Baskerville (Sean Connery) and his novice Adso (Christian Slater) as they investigate the deaths. Each murder seems tied to forbidden knowledge, turning the abbey into a labyrinth of secrets, and the characters are forced to navigate a combustible climate of censorship, fear, and religious politics.

Along the way, the plot balances intellectual inquiry with thriller mechanics, using theological debates as genuine sources of tension. Books become dangerous objects, laughter becomes heresy, and truth itself is treated as a threat. The atmosphere is unique and immersive, too; all candlelit corridors, whispered conversations, and a pervasive sense of dread. All in all, while not quite as good as the original book, this movie is an unusually smart and compelling historical mystery.

Advertisement

8

‘Blue Velvet’ (1986)

Kyle MacLachlan and Isabella Rossellini in Blue Velvet (1986).
Kyle MacLachlan and Isabella Rossellini in Blue Velvet (1986).
Image via De Laurentiis Entertainment Group

“Now it’s dark.” Blue Velvet begins as a deceptively wholesome mystery. College student Jeffrey Beaumont (Kyle MacLachlan) returns to his idyllic hometown and discovers a severed ear in a field. His curiosity pulls him into a hidden underworld of sexual violence, corruption, and emotional terror, centered around the volatile Frank Booth (Dennis Hopper) and the haunted nightclub singer Dorothy Vallens (Isabella Rossellini). As Jeffrey descends deeper, the movie becomes increasingly brutal and surreal.

On release, Blue Velvet‘s weirdness shocked most audiences, but over the years, it has come to be seen as a defining work of American psychological horror. It doesn’t explain away evil or offer neat catharsis. Instead, it presents violence and desire as inescapable parts of human experience. The contrast between sentimentality and savagery remains unsettling, and its influence on filmmakers exploring the rot beneath normalcy is undeniable. Many consider it to be one of David Lynch‘s very best films.

Advertisement

7

‘Platoon’ (1986)

Three soldiers looking at the camera in Platoon Image via Orion Pictures

“I think now, looking back, we did not fight the enemy; we fought ourselves.” Informed by director Olive Stone‘s own wartime experiences, Platoon follows a young American soldier (Charlie Sheen) sent to Vietnam, where he becomes trapped between two opposing moral forces embodied by rival sergeants. He grows more and more disillusioned as he witnesses brutality, moral collapse, and the psychological toll of warfare. Rather than focusing on strategy or heroics, his story emphasizes chaos and internal conflict.

The narrative is episodic and fragmented. Moments of terror alternate with stretches of numbness, reinforcing the sense that survival is arbitrary. All this rejects romanticized notions of combat and instead frames war as corrosive to both body and soul. Where Apocalypse Now was a grand and operatic vision of war as madness, Platoon is more restrained and ground-level, trying to show us what it was like to be an ordinary soldier thrown into that environment.

Advertisement

6

‘The Fly’ (1986)

The-Fly-1986 - Jeff Goldblum looks at his decaying face closely in the mirror Image via 20th Century Studios

“Be afraid. Be very afraid.” The Fly is a sci-fi horror that doubles as a tragic love story. Scientist Seth Brundle (Jeff Goldblum) invents a teleportation device and, in a moment of hubris, tests it on himself. Unbeknownst to him, a fly enters the machine, fusing their DNA. Thus begins a gradual, horrifying transformation as Seth’s body and mind deteriorate. As Seth becomes more powerful and more grotesque, his relationship with journalist Veronica Quaife (Geena Davis) becomes increasingly painful to watch.

In this, the movie is like a pulpy riff on Kafka‘s Metamorphosis (but with more exploding baboons). The story is one of slow decay, mirroring real-world fears of illness and loss of identity. The tragedy lies in watching intelligence, tenderness, and humanity erode. Over time, The Fly has been reinterpreted as a powerful metaphor for terminal illness and bodily betrayal. Under the far-fetched elements and gory effects, it’s a really poignant and personal statement.

Advertisement

5

‘Stand by Me’ (1986)

Stand by Me - 1986 (1) Image via Columbia Pictures

“I never had any friends later on like the ones I had when I was twelve.” Rob Reiner delivered a remarkable run of masterpieces between the late ’80s and early ’90s, none of them better than this Stephen King adaptation. Stand By Me focuses on four boys who set out on a journey to find the body of a missing child. Along the way, they confront fear, loyalty, grief, and the painful awareness that childhood is slipping away. Their morbid quest turns into an unexpected rite of passage.

The plot unfolds over a single summer, but its emotional scope is vast, touching on universal feelings and experiences. It’s one of the definitive films about growing up. A huge part of what makes Stand By Me stand out is its honesty. The film doesn’t sentimentalize youth or exaggerate its innocence. The boys are funny, cruel, brave, and scared in equal measure. Their conversations feel lived-in, their bond fragile but profound.

Advertisement

4

‘Ferris Bueller’s Day Off’ (1986)

Mia Sara and Matthew Broderick as Sloane Peterson and Ferris Bueller in Ferris Bueller's Day Off
Mia Sara and Matthew Broderick as Sloane Peterson and Ferris Bueller in Ferris Bueller’s Day Off
Image via Paramount Pictures

“Life moves pretty fast. If you don’t stop and look around once in a while, you could miss it.” A high school senior (Matthew Broderick) skips school for one perfect day in Chicago, dragging along his anxious best friend (Alan Ruck) and his tightly wound girlfriend (Mia Sara). From here, we get a series of escalating antics as Ferris evades authority, particularly a vindictive school principal (Jeffrey Jones) determined to expose him.

On the surface, Ferris Bueller’s Day Off is a carefree comedy. Beneath that, it’s a meditation on youth, anxiety, and self-assertion. Ferris embodies confidence and freedom, while his friend Cameron represents paralysis and fear. The day becomes a turning point, forcing Cameron to confront his emotional stagnation. In hindsight, the movie has very much become a cultural touchstone. Its style, humor, and fourth-wall breaks influenced countless teen comedies. More importantly, its message remains intact: joy requires risk.

Advertisement

3

‘Hannah and Her Sisters’ (1986)

Mia Farrow, Barbara Hershey, and Dianne Wiest smiling for the camera in Hannah and Her Sisters.
Mia Farrow, Barbara Hershey, and Dianne Wiest in Hannah and Her Sisters.
image via Orion

“I don’t know what I’m supposed to do with my life.” Hannah and Her Sisters weaves together the intersecting lives of three sisters (played by Mia Farrow, Barbara Hershey, and Dianne Wiest) and their extended family over several years. Through these characters and their overlapping relationship, the movie dives deep into themes of infidelity, ambition, insecurity, and even existential dread. Conversations drive the narrative, shot through with neurosis and melancholy humor. Comedy arises naturally from discomfort and self-awareness rather than punchlines.

Fundamentally, Hannah and Her Sisters captures the messiness of adult life without cynicism, allowing characters to be flawed without being cruel. The result is one of the most fully realized ensemble dramas of its era. Its structure feels modern, its observations sharp but compassionate. Decades later, the movie still feels intimate, perceptive, and quietly wise. It understands that meaning is often found not through grand revelation, but through small acts of connection.

Advertisement

2

‘Top Gun’ (1986)

Val Kilmer as Iceman in 'Top Gun'

“I feel the need… the need for speed.” Top Gun is one of the most straightforwardly entertaining action movies of the ’80s, an unabashedly muscular and kinetic blockbuster with a hearty slice of military propaganda. Tom Cruise turns in one of his most iconic performances as naval aviator Pete “Maverick” Mitchell. We follow him as he trains at an elite fighter pilot school, competing with rivals while struggling with his own recklessness and unresolved grief.

From here, the movie blends together romance, heated personal rivalry, and jaw-dropping aerial combat, building toward the ultimate test of the characters’ mettle. In this, Top Gun is unapologetically mythic. The relationships are simple but effective, the performances sturdy, the big action set pieces well-choreographed. The movie’s style influenced music videos, advertising, and blockbuster pacing for years, and its sheer confidence has solidified its place as a defining cultural artifact of its era.

Advertisement

1

‘Aliens’ (1986)

The Alien Queen backlit on a spaceship in Aliens
The Alien Queen in Aliens 
Image via 20th Century Fox

“Get away from her, you bitch.” Aliens picks up decades after the original, following Ellen Ripley (Sigourney Weaver) as she returns to the planet where her crew was slaughtered, this time accompanied by a squad of marines. Their military operation quickly devolves into survival horror as the team is overwhelmed by xenomorphs. The plot shifts the franchise from horror to action without sacrificing tension. Combat sequences are relentless, but character development remains central, particularly Ripley’s transformation into a protector figure.

On top of that, the movie ups the ante by serving up the alien queen, a feat of monster design that’s somehow just as ingenious as (if not better than) H.R. Giger‘s original alien. For all these reasons, Aliens is widely regarded as one of the greatest sequels ever made. It expanded its universe while deepening its themes of motherhood, trauma, and resilience. For many, it remains the pinnacle of the franchise.


Advertisement
mv5bzjiyngjhyzytn2i1my00otvhlweymzitztvjndmzotvkywvixkeyxkfqcgc-_v1_.jpg

Aliens

Advertisement


Release Date

July 18, 1986

Runtime
Advertisement

137 minutes

Director

James Cameron

Advertisement

Writers

James Cameron

Advertisement


Advertisement


Advertisement

Source link

Advertisement
Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Entertainment

Oprah Responds To Ozempic Claims After Paris Fashion Week

Published

on

Oprah Winfrey on the red carpet

Oprah Winfrey has pushed back against claims that her “very careful walk” at Paris Fashion Week earlier this month was linked to her use of weight-loss medication.

The media mogul became one of the most talked-about celebrities at the prestigious fashion event after returning to the runway circuit following several years away.

Oprah attended the show alongside her longtime friend Gayle King, with the pair drawing attention for their stylish outfits and front-row appearance.

What really captured the public’s attention, however, was Oprah’s noticeably slimmer figure and her slow, careful walk while arriving at the venue.

Advertisement

This moment quickly went viral online and sparked speculation about her continued use of GLP-1 weight-loss drugs such as Ozempic.

Oprah Winfrey Drew Attention With Careful Walk At Paris Fashion Week

Footage from Paris Fashion Week went viral on social media after Oprah was seen arriving at the Chloé show in early March 2026.

A short clip of the moment spread across social media, showing the veteran broadcaster stepping out of a car and making her way toward the venue with very small, cautious steps.

The unusual walk immediately sparked debate online, with fans speculating about the possible reasons behind it.

On X, one user suggested it could be a combination of Oprah’s footwear choice and past knee procedures.

Advertisement

“Oh, that’s why,” the user wrote. “She shouldn’t be walking on heels after knee replacement. That’s why she walking funky.”

Fans Speculated Ozempic Was Behind Oprah’s Viral Walk

Oprah Winfrey on the red carpet
Lumeimages / MEGA

Among the many theories floating online about Oprah’s walk, one suggested it might be linked to her use of weight-loss medication such as Ozempic.

“Ozempic ate her leg muscles,” one user opined on X, with another asking, “What in the Ozempic Oprah is going on here?”

The talk show icon first confirmed that she was using weight-management medication during a December 2023 interview with PEOPLE, just weeks before her 70th birthday.

Oprah described the availability of clinically authorized weight-loss treatments as a major breakthrough.

Advertisement

“The fact that there’s a medically approved prescription for managing weight and staying healthier in my lifetime feels like relief. Like redemption. Like a gift, and not something to hide behind and once again be ridiculed for,” she said.

Oprah Winfrey Explains ‘90-Year-Old’ Walk

Ron Sachs – CNP for NY Post / MEGA

Oprah addressed the viral moment during a subsequent interview, where she reacted to online comments comparing her walk to that of a nonagenarian.

Behind-the-scenes footage of the conversation was posted on Instagram by a fan on Friday and later reposted by the billionaire broadcaster herself.

Despite the online theories about Ozempic, Oprah said the explanation for her walk was much simpler.

She clarified that she normally wears glasses or contacts and was struggling to see clearly as she walked into the event.

Advertisement

“I didn’t know where I was walking, I could not see,” she explained, and recalled repeatedly telling security: “I can’t see. Tell me where I’m walking.”

Oprah Linked Weight Loss Medication To Her Sobriety

Oprah Winfrey on the red carpet
Janet Gough / AFF-USA.COM / MEGA

Two years after discussing her weight-loss medication in an interview with PEOPLE, Oprah spoke with the outlet again in December 2025.

In the conversation, she revealed that sobriety had become an unexpected, but welcome byproduct of the treatment.

“I could [once] outdrink everyone at the table,” Oprah joked, reflecting on how much her habits have changed since starting the medication.

The media personality made the remarks while promoting “Enough: Your Health, Your Weight, and What It’s Like to Be Free,” a new book she co-authored with obesity expert Dr. Ania M. Jastreboff about the science behind weight and obesity.

Advertisement

Oprah Winfrey ‘Gained 20 Pounds’ When She Stopped Weight Loss Medication

RCF / MEGA

Oprah says she learned an important lesson after briefly stepping away from her weight-loss medication.

Despite maintaining a healthy diet and workout routine, the entertainment icon said she gained about 20 pounds during the 12 months she spent off the treatment.

The experience came after Oprah suddenly decided to stop taking GLP-1 injections less than six months after she had first started using them.

“I tried to beat the medication,” she admitted.

Although some predicted she would regain the weight quickly after stopping treatment, Oprah said the pounds returned gradually but steadily.

Advertisement

This outcome ultimately convinced her that the medication may be necessary for the long term.

“It’s going to be a lifetime thing,” she said.

Advertisement

Source link

Continue Reading

Entertainment

Paulina Porizkova Admits She ‘Gained Like 15 Pounds’ Turning 60

Published

on

Paulina Porizkova at movie premiere

Model Paulina Porizkova has never been shy about sharing the way her body looks. Her Instagram page is full of photos and videos featuring her discussing body positivity and aging gracefully. In one of her latest videos, Paulina posed in pink undergarments and got candid about her weight gain over the past few years.

Paulina Porizkova Answers ‘How Do You Look So Fabulous At 60?’

Paulina Porizkova at movie premiere
MEGA

In an Instagram video set to MANCINI’s “Music To Watch Girls By,” Paulina shared a video of herself standing in front of the camera in pink lace undergarments. “How do you look so fabulous at 60?” text at the bottom of the video read.

“Well, it’s all just in good light and posing,” she responded. “The reality is this. I am 60 years old. This is what it looks like and also in the last few years, I’ve gained like 15 pounds and this tummy is not going anywhere. Also it carried two children.”

She went on to say that it “doesn’t matter how many Pilates lessons” she does, adding, “The skin is just the skin. But you know what? I like myself better this way.”

Paulina Says ‘Gravity Takes Its Toll’

Paulina Porizkova at movie premiere
MEGA

In the video, Paulina highlighted her saggy skin. In the caption, she emphasized that her “perfect” body was just “smoke and mirrors, folks.”

“That’s how you make it look good for a moment. The truth is, gravity takes its toll. But! Gravity has also built your strength so you can hold your head higher than ever,” she wrote. “I first bought this lingerie set seven years ago for someone who couldn’t have cared less about the lingerie, he just needed me to be twenty years younger.”

Advertisement

Paulina Shares A Sweet Shout-Out To Fiancé Jeff Greenstein

Paulina even gave a sweet shout-out to her fiancé, writer Jeff Greenstein, in her caption. She said that even though she can “barely fit into” her old lingerie set, “it’s entirely worth to put it on just to see the look on my love’s @sjeffgreenstein face.”

“And so with all the obvious so-called-flaws of age, I have never felt sexier and more at home in my skin,” she added, crediting @oliverotcasek for the “vintage” robe that she can be seen wearing in the video. She capped off the caption with the hashtags “Between JLo and Betty White,” “This Is 60,” “Sexy Has No Expiration Date,” “Lingerie,” and “No Filter (ever!).”

Fans Applaud Paulina’s Body Positive Message

Paulina Porizkova
MEGA

Many fans praised Paulina for sharing the truth about aging. “This 53-year-old feels seen. While I admired you in the 80s, when I was basically a teen/adolescent, I adore you today. Legend. This is how matriarchy and fulfillment are done,” one fan commented.

Another follower shared, “It is a privilege to get old. And beautiful changes come with that privilege. We should embrace them!! But let’s be honest. You, at 60, even with that little tummy, look better than most 25-year-olds. You really do!! Look around.”

A third fan wrote, “I love that we get to love our bodies at this age (whoa, I’m 69 today!), not apologize or try to be something else. I love my Crowley wrinkly skin, skin pouches, and wiggle jiggles. This body is amazing for what it’s endured. Your beauty is eternal, Paulina!! The light you shine is what is the real beauty!”

Paulina Porizkova Had A Hip Replacement In 2024

Paulina Porizkova
MEGA

In several of her “Get Ready With Me” videos, Paulina has highlighted the scars from her hip replacement surgery. She shared a look at her “from bikini to hospital chic” in January 2024, giving fans a look at her “long overdue” hip replacement.

“It turns out I was born with congenital hip dysplasia- and because of that, the cartilage in my hips is worn out. And I don’t mean worn out as in ‘worn down.’ No. There is none left.
The three doctors I’ve visited all recoiled when they saw my X-rays,” she wrote at the time.

Advertisement

She assured fans that she was being well-cared for following the surgery, writing, “I have my Jeff at my side, my mom and papa Joe, my boys and a slew of friends volunteering to come and bring me soup.” In the comments, many fans shared their own surgery experiences and wished her a speedy recovery.

Source link

Advertisement
Continue Reading

Entertainment

10 Saddest Best Picture Oscar Winners of All Time, Ranked

Published

on

Donald Sutherland and Timothy Hutton having a serious talk outside in cold weather in Ordinary People. 

If you work your way through every movie to have won Best Picture at the Academy Awards, you’re inevitably going to encounter a fair few downbeat films. Going back to the earliest Oscar ceremonies, even, you’ve got the likes of Wings and All Quiet on the Western Front, with the former being a romantic melodrama set during World War I, and the latter also being a World War I movie, but a considerably more harrowing one; more dramatic/tragic than melodramatic.

Both kinds of movies can be tearjerkers, or generally sad, so it’s for that reason that some of the movies below are emotionally intense historical dramas, and others don’t tell true stories, but prove moving because of what they deal with and what they explore thematically. It is hard to rank these, since what one finds sad can be subjective, and comparing real-life stories to entirely fictional ones is a little challenging as well, but an attempt was made regardless. Sorry if that attempt makes you sad.

Advertisement

10

‘Ordinary People’ (1980)

Donald Sutherland and Timothy Hutton having a serious talk outside in cold weather in Ordinary People. 
Donald Sutherland and Timothy Hutton having a serious talk outside in cold weather in Ordinary People.
Image via Paramount Pictures

It was impressive that Robert Redford won a Best Director Oscar for his first directorial effort, Ordinary People, and the movie also won Best Picture. It is, to put it bluntly, a family drama about grief, because it revolves around the aftermath of a young man’s death, with his parents and now sole surviving brother struggling to maintain any sense of normalcy following such a tragedy.

Raging Bull came out the same year, and might’ve been a more deserving winner, but if that movie had won, it probably wouldn’t be here, since it’s just a whole lot heavier in a kind of empty and despairing way, rather than being a somewhat more approachable tearjerker the way Ordinary People is. It’s still not an easy film to watch, by any means, but it says enough about perseverance and how to grapple with grief to keep it feeling more bittersweet, rather than just outright bitter.

Advertisement

9

‘Casablanca’ (1942)

Humphrey Bogart as Rick Blaine in 'Casablanca'
Humphrey Bogart as Rick Blaine in ‘Casablanca’
Image via Warner Bros. Pictures

Good old Casablanca. It’s an honestly difficult to beat film, however you choose to define it, as it does everything a movie of its time could possibly do, and then a little more, somehow. It’s about an apathetic and heartbroken man who, in the early stages of World War II, spends his time in the titular city being generally miserable, but then he’s reconnected with the woman he loves, and finds himself torn between doing what he wants and what is likely right for the greater good.

It does all that with more nuance – or at least care on a writing front – than you might expect for a film of its age. Casablanca hits all the emotional beats it does largely because it’s flawlessly written, and so everything else kind of flows and also excels from there. Out of all the Best Picture winners from the first half of the 20th century, it’s quite possibly the most moving.

Advertisement

8

‘Gladiator’ (2000)

Maximus walking toward a vision of the afterlife during the ending of Gladiator (2000)
Maximus walking toward a vision of the afterlife during the ending of Gladiator (2000)
Image via DreamWorks Distribution LLC

As an epic and an action movie rolled into one, Gladiator ends up being pretty broad and maybe even a bit conventional in terms of the story it tells, but at least it tells that story effectively. It’s essentially a revenge story set during the era of the Roman Empire, but if you’re after strict history, that’s not really what this wants to be about. Some historical figures play a part in the narrative, though the protagonist is fictional.

Much of Gladiator, even with its historical setting, is fictional, which is possibly okay if you’re more after spectacle, action, and a well-paced viewing experience.

Advertisement

Lots of other things are fictional, which is possibly okay if you’re more after spectacle, action, and a well-paced viewing experience. Where it goes emotionally might seem obvious, and not just in hindsight, either, yet it’s all in the execution, like so many movies that work wonders with ideas or narrative beats that, on paper, might not sound all too exciting.

7

‘Everything Everywhere All at Once’ (2022)

Everything Everywhere All at Once - 2022 (1) Image via A24
Advertisement

You have to admire the ambition here, above anything else, and even if you’re not particularly wild about the movie itself. Everything Everywhere All at Once is the Best Picture winner that fits into the most genres in Oscar history, and it feels like it does so quite comfortably. There’s a good excuse to do that here as well, since Everything Everywhere All at Once is all about the multiverse and differing selves in different universes.

It can jump between being a martial arts movie, an existentialist comedy, and a genuinely touching family drama (plus so many other things) at pretty much any point it wants, and it still feels coherent. Well, coherent in its own way. It’s utter chaos by the standards of any other movie, Best Picture-winning or otherwise, but Everything Everywhere All at Once successfully establishes its own rules then plays by them, all the while proving capable of catching you off-guard with all the emotional scenes because of how playful it is elsewhere. You may well be moved by a pair of rocks sitting in the middle of nowhere, pondering existence and the meaning – or lack thereof – of life. People with sausages for fingers being sad. Is that allowed? In Everything Everywhere All at Once, apparently so. There’s also a Ratatouille spoof that’s hilarious, then heartbreaking, and then hilarious again. It really is an everything kind of movie.































































Advertisement

Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?

Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country

Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite

Advertisement

🌀Everything Everywhere

☢️Oppenheimer

🐦Birdman

🪙No Country for Old Men

Advertisement

01

Advertisement

What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.





02

Advertisement

Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?





03

Advertisement

How do you like your story told?
Form is content. The way a story is shaped changes what it means.





04

Advertisement

What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?





05

Advertisement

What do you want from a film’s ending?
The final note is the one that lingers. What do you want it to sound like?





06

Advertisement

Which setting pulls you in most?
Where a film takes place shapes everything — mood, stakes, what’s even possible.





07

Advertisement

What cinematic craft impresses you most?
Every great film has a signature — a technical or artistic element that makes it unmistakable.





08

Advertisement

What kind of main character do you root for?
The protagonist is the lens. Who you choose to follow says something about you.





09

Advertisement

How do you feel about a film that takes its time?
Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.





10

Advertisement

What do you want to feel walking out of the cinema?
The best films leave a mark. What kind of mark do you want?





The Academy Has Decided
Your Perfect Film Is…
Advertisement

Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

Parasite

Advertisement

You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

Everything Everywhere All at Once

Advertisement

You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.

Oppenheimer

Advertisement

You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

Birdman

Advertisement

You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

No Country for Old Men

Advertisement

You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.

Advertisement

6

‘The Lord of the Rings: The Return of the King’ (2003)

The Lord of the Rings_ The Return of the King - 2003 (1) Image via New Line Cinema

The Lord of the Rings: The Return of the King really gets to hit the ground running, since it’s the third part in a trilogy, and furthermore, it’s not the sort of sequel that was only made because the first movie was successful. The Lord of the Rings was helmed as one huge three-part film, and even if the other two would’ve been worthy Best Picture winners, they were “merely” nominated.

Advertisement

So, The Lord of the Rings: The Return of the King was a big old win for the trilogy as a whole, or at least you can view it that way. Since it concludes everything, it manages to feature many of the most exciting sequences of the whole trilogy, and it’s almost inevitable that you’ll be moved by some aspect of the multi-scene ending (or “epilogue” might be the more accurate word) found here.

5

‘West Side Story’ (1961)

Tony and Maria singing on a balcony in West Side Story Image via United Artists

West Side Story might well be the saddest Best Picture winner that’s not based on a true story, or doesn’t have some kind of historical event depicted at its center (like being about a tragic occurrence in history, but with fictional characters taking part). It’s instead a spin on Romeo and Juliet, except set in New York City during the 1950s.

Advertisement

Well, if you want to be technical, that does make it set in the past in a way. And West Side Story is about a gang war that’s supposed to reflect real-world prejudices and conflicts, just not about specific real-world events. Like you’d expect for something that reworks Romeo and Juliet, it’s unbelievably sad, and it’s the sort of thing that doesn’t get any less sad when you’re watching it for, say, the second, third, or fiftieth time.

4

’12 Years a Slave’ (2013)

Chiwetel Ejiofor as Solomon wears a straw hat as he picks cotton in the field in 12 Years a Slave.
Chiwetel Ejiofor as Solomon wears a straw hat as he picks cotton in the field in 12 Years a Slave.
Image via Searchlight Pictures

Based on the memoir of the same name, written by Solomon Northup, 12 Years a Slave is about Northup’s experiences after being kidnapped and sold into slavery between the years of 1841 and 1853. Nothing is sugar-coated and everything is brutal and heavy, all to emphasize the horror of the situation, with the commitment to accuracy throughout much of the film clearly making it all the more harrowing.

Advertisement

It’s one of those Best Picture winners that’s not a nice or cathartic sort of tearjerker. 12 Years a Slave might make you feel more hollow over anything else, but that’s by design, and any sort of different approach likely wouldn’t have had quite the same impact. It’s a movie that’s very much worth watching the one time, and an unsurprisingly difficult one to think about watching again.

3

‘The Deer Hunter’ (1978)

Meryl Streep looking at Robert De Niro at a funeral in The Deer Hunter
Meryl Streep looking at Robert De Niro at a funeral in The Deer Hunter
Image via Universal Pictures

The emphasis on historical accuracy was praised regarding 12 Years a Slave, so some might question the idea of The Deer Hunter also ranking quite high here. It captures the horror of war generally speaking in an impressively devastating manner, especially regarding the psychological impact of it on the soldiers who survive their time in combat, but specifically about the Vietnam War… yes, there are some serious liberties taken.

Advertisement

Maybe that’s okay, to some extent, because The Deer Hunter differs from 12 Years a Slave on account of it being about characters who didn’t literally exist in real life, with the characters here being used to explore possible real-life experiences some U.S. soldiers might have had before, during, and after serving in Vietnam. Also, The Deer Hunter is unapologetically a tragedy in every way, even in the classical sense, so it commits all three hours of its runtime to being about as sad as an American-made Vietnam War movie could possibly be.

2

‘Titanic’ (1997)

See, one of the undeniable things about Titanic is that it’s really not afraid to be a tearjerker. It wants you to care about the central romance, and then it wants you to feel a whole host of emotions when the young people in love – plus so many others – face the inevitable tragedy that is always going to happen in a movie called “Titanic.” It’s not even a spoiler if you know nothing about history, given the opening scenes have the wreck of the Titanic being explored.

With this film, you’ve got an impactful fictional story being told, via the two main characters, and then there’s all the harrowing real-world tragedy of Titanic, and some characters here who are based on actual people. James Cameron found a way to more or less make two emotionally devastating movies in one (and at well over three hours in length, it genuinely doubles the runtime of numerous films out there).

Advertisement

1

‘Schindler’s List’ (1993)

The girl with the red coat among a crowd in Schindler's List
The girl with the red coat among a crowd in Schindler’s List
Image via Universal Pictures

It wouldn’t have been easy to work on Schindler’s List, it’s not easy to watch Schindler’s List, and it’s not easy to talk about Schindler’s List. It has to be that way, though, and it’s comparable in its quality and approach to something like 12 Years a Slave, with both being about horrific times in human history, with Schindler’s List being set during World War II and largely functioning as an exploration of the Holocaust.

In that sense, it’s unflinching, even if it also does attempt to highlight an act of heroism that happened among all the unspeakable horror. If it’s bittersweet, then Schindler’s List is not evenly bitter and sweet, since the horrors inherent to this story are what stick out the most, and what the majority of the film’s runtime is dedicated to… though the contrast, at least by the end, does ensure the movie is sad in a variety of ways. It’s got the time to hit you on more than a few emotional fronts, too, since Schindler’s List is also quite a long film.

Advertisement


schindlers-list-film-poster.jpg

Advertisement

Schindler’s List


Release Date

December 15, 1993

Advertisement

Runtime

195 Minutes

Writers
Advertisement

Thomas Keneally, Steven Zaillian


Advertisement

Advertisement


Advertisement

Source link

Continue Reading

Entertainment

Look Instantly Slimmer in These 17 Tummy-Control Work Pants

Published

on

Us Weekly has affiliate partnerships. We receive compensation when you click on a link and make a purchase. Learn more!

When going into the office, it’s always important to dress professionally. However, finding pieces to wear that are both flattering and comfortable is a frequent challenge, especially where fits and materials are concerned. Luckily for you, we discovered 17 work pants on Amazon that are both slimming and feature tummy control-friendly details — and come in colors and fits that are especially versatile.

These pants are perfect for wearing from the workplace to cocktails with your coworkers — and can even dress up more casual tops outside of your desk cubicle. Elements like stretchy fabric, elastic waistbands and high-waisted fits create silhouettes that are as flattering for your figure as they are functional. With pairs starting at under $20, they also won’t break the bank! Below, prepare to clock in with tummy control office pants that are poised to earn their place in your work wardrobe.

Advertisement

17 Slimming Pants With Tummy Control From Amazon

1. Affordable Buy: These high-waisted work pants feature an elastic waistband and four-way stretch fabric. Plus, the style — which is especially budget-friendly, totaling less than $20—includes a straight-legged shape with pockets that’s both accommodating and functional.

2. Practical Pockets: This pair of practical pull-on slacks includes a slimming bootcut silhouette with side pockets to hold your essentials. They also come in a range of neutral colors, forming a clean base for anyone’s office wardrobe.

3. Slim Silhouette: A straight-legged pair of trousers is a versatile work staple, like this slimming style. A high waist and pleated front accents complete the pair with a clean, comfy finish.

4. Stretchy Style: These super stretch work pants are crafted with slimming, stretchy fabric that fits like a glove. Added power mesh paneling provides built-in tummy control for a streamlined fit.

Advertisement

5. Effortless Dressing: Take the stress out of getting dressed with pull-on pants. This soft, wide-legged pair can be easily slipped on and includes built-in mesh that smooths out your midsection.

A guest wearing pink knit, white pants outside Line of Oslo on August 22, 2017 in Oslo, Norway.


Related: Belly Bulge? 13 Amazon Dress Pants With (Hidden!) Tummy Control

You know that moment when your favorite work pants fit great everywhere except the lower belly? You button them up, glance in the mirror and start tugging at your blouse to compensate. It’s a frustrating routine, especially for women over 40 whose midsections have simply decided to shift. The good news: Amazon dress pants with […]

Advertisement

6. Straight-Legged: The slim fit on these straight-leg work pants creates an instantly flattering silhouette. Its four-way stretch also forms a smooth, non-rumpled shape that’s professional and polished.

7. Natural Waist: These Lee trousers sit on your waistline for a fit that is comfy and naturally flattering. Soft fabric and durability also make them easy to wear from day to night.

8. Soft Fit: A snug fit across the hips and thighs makes these black work pants instantly flattering. The cotton twill style’s also naturally structured, while remaining stretchy and soft.

9. Ready To Work: This pair of stretchy slacks can smoothly fit your figure with ease. Four pockets that can hold items like a phone, wallet, and keys complete the piece with a practical finish.

Advertisement

10. Curve-Friendly: Designed with curvier body types in mind, these bootcut pants are made with a fuller hip and thigh fit. Subtly flared hems and a contoured waist add a secure and stylish touch.

11. Crossover Waist: These business-friendly slacks are made with a high, crossover waistline that adds a stylish edge with a smooth feel. The pull-on style’s seamless lines ensure a flattering fit all day long.

12. Sculpted Shape: Extra-wide elastic and a contoured waistband allow these work pants to provide a secure hold in the office. The pair’s soft front tummy control panel creates a smooth, flattering silhouette—one that’s so popular, it’s been purchased by over 2,000 shoppers.

13. Clean and Simple: All-over stretch makes these pants easy to wear from day to night. A high-waisted shape ensures a simple, smooth fit that’s just as versatile.

Advertisement

14. Business-Ready: The vertical pleats on these elevated, wide-leg trousers make them perfect for any workplace. This pair’s stretchy fabric and pull-on shape also provide day-long comfort.

15. Flattering Fit: A high-waisted cut makes these high-waisted pants automatically flattering, while its flat front and ankle-length hems remain professional for officewear. The polished slacks are also versatile enough to wear to a date night or happy hour, too.

16. Stretchy Slacks: Pull-on pants are given added comfort in this style. The pair is made with stretchy, smooth fabric that forms a wrinkle-free fit and moves with you throughout the day.

17. Slimming Fabric: With a fitted waist and front tummy control panel, these work pants are truly flattering. The pair’s knit fabric further smoothes, sculpts, and lifts your figure for added comfort.

Advertisement

Source link

Continue Reading

Entertainment

Prime Video’s 85% RT Crime Thriller Falls to a ‘Pirates of the Caribbean’-Style Adventure on the Charts

Published

on

aaron-eckhart-collider-quiz

Prime Video currently hosts some of the best movies and shows on streaming. This is reflected in the current charts, with the top ten reading like a must-watch list of 2026 favorites. Topping the charts at the time of writing is Young Sherlock, a series based on the young adult thriller novel series Young Sherlock Holmes by Andrew Lane, which shot straight to the streaming summit following its March 4 debut. Featuring the acting talent of Hero Fiennes Tiffin, Natascha McElhone, Joseph Fiennes, and Colin Firth, as well as the veteran instincts of director Guy Ritchie, Young Sherlock‘s success should come as little surprise.

But just behind Young Sherlock in the charts are a pair of titles vying for second position, with the most recent debutante finally climbing into position #2. Directed by Frank E. Flowers, The Bluff is Prime Video’s answer to the Pirates of the Caribbean franchise, with a swashbuckling epic that has viewers hooked. Featuring Priyanka Chopra Jonas and Karl Urban in lead roles, the movie opened to mixed reviews, earning a 57% score from critics on review aggregator Rotten Tomatoes; however, its popularity on streaming platforms is undeniable, with it estimated to have earned 300.3 million minutes of viewing so far.

The unfortunate series to lose its second-place spot in the charts, thanks to The Bluff‘s success, is the Aldis Hodge-led Cross, which debuted its second season last month. After a pulse-racing seventh episode, the series will return on Wednesday, March 18, with the Season 2 finale. As excitement builds for the tense final installment of this thrilling second season, Cross will be hoping to reclaim its position in the Prime Video charts.

Advertisement
aaron-eckhart-collider-quiz


From Harvey Dent to the President: The Films of Aaron Eckhart — The Collider Movie Quiz!

Aaron Eckhart has played a wide array of roles in his 30+ year career. How many of these movies do you know?

Advertisement

Young Sherlock is unsurprisingly topping the charts, and The Bluff and Cross are proving popular in second and third, but what else is also in vogue on Prime Video? Shadow Force, an action drama written and directed by Joe Carnahan, is bouncing back from box office disaster in 2025 with success on streaming; the video game adaptation Fallout continues its long run in the top ten; and The Wrecking Crew fends off competition to hold steady in the charts.

The Bluff and Cross are available on Prime Video. Stay tuned to Collider for more streaming updates.


the-bluff-poster.jpg
Advertisement


Advertisement

Release Date

February 25, 2026

Runtime

101 Minutes

Advertisement

Director

Frank E. Flowers

Advertisement

Advertisement

Advertisement


Advertisement

Source link

Continue Reading

Entertainment

Virgin River Cast Guesses How Much Time Passed Between Seasons

Published

on

The Virgin River cast tried to guess how much time passed on the show from season 1 to season 7.

Based on Robyn Carr’s book series, Virgin River follows the lives of residents living in a small town in Northern California, including Mel (Alexandra Breckenridge) and Jack (Martin Henderson). The hit series, which premiered in 2019, also stars Colin Lawrence, Annette O’Toole, Tim Matheson, Benjamin Hollingsworth, Sarah Dugdale, Zibby Allen, Marco Grazzini, Mark Ghanimé and Kai Bradbury.

Netflix’s hit series is seven seasons in – but it seems like way less time has passed for the residents of Virgin River.

“It’s been [around] six months,” Hollingsworth exclusively told Us Weekly. “It was what everyone figured out it was, which is nuts.”

Advertisement
Mel-and-Jack-Virgin_River_n_S6_E10_00_14_10_18R_Crop


Related: How Much Time Has Passed on ‘Virgin River’ Since Season 1? Timeline Explained

While Virgin River is Netflix’s longest-running scripted series, viewers have been left confused about how much time has actually passed on the show. Based on Robyn Carr’s book series, Virgin River follows the lives of residents living in a small town in Northern California, including Mel (Alexandra Breckenridge) and Jack (Martin Henderson). The hit series, […]

Grazzini had a different suggestion, sharing with Us in a separate interview, “It’s been about a year and a half, right? Because, if you think about it, it’s been about a year and a half from season one because that’s when Charmaine got pregnant.”

Advertisement

He continued: “Now her twins are a couple months old so let’s call it nine months plus five months. Just over a year.”

Allen’s suggestion fell somewhere in the middle.

“I think it’s been a year and a half — like a year and three months,” she noted to Us. “I know the writers told us once and I just forgot.”

Allen, who has been on the show since season 3, went on to share why she is “a bit worried” about season 8 after that shocking finale. Season 7 of the Netflix hit, which premiered on Thursday, March 12, saw Brie (Allen) and Brady (Hollingsworth) finally getting on the same page about being together. Their bliss was short-lived, however, as Brady ended up in a motorcycle crash that left his fate unclear.

Advertisement

“We’ve speculated a lot about, what’s it going to be? Is he going to be OK?” Allen exclusively told Us. “It’s so unfortunate that things never seem to go totally right with Brady.”

Allen confirmed she didn’t know what the plan was, adding, “I’m not going to lie, I’m a bit worried. I want them to have a moment or longer than just a moment — because they had one moment on the motorcycle before his accident. I want to give him a chance [at happiness with Brie] so we’ll see what happens.”

In a separate interview, Hollingsworth poked fun at Brady never winning in his professional or personal life. “That’s pretty much on par for Brady’s luck,” Hollingsworth quipped to Us. “I guess I just can’t have nice things. I guess Brady just can’t have nice things.”

Hollingsworth also hinted that he knows where Brady will end up in season 8. Allen, however, argued that the cast would need to wait until the show goes into production to get the full picture.

“I know as much as Ben — and it’s not as much as he’s letting on,” she joked. “The writers always let us give us a pitch of what the character arc is going to be for the upcoming season. But that’s when they’re beginning to write the new season. So things often — and always do — actually change and shift. It’s always a bit of a mystery to us until we get the actual scripts.”

Virgin River is currently streaming on Netflix.

Advertisement

Source link

Continue Reading

Entertainment

What Kandi Burruss Told Riley Not To Let Happen On ‘Next Gen: NYC’

Published

on

Kandi Burruss and Riley Burruss.

Real Housewives of Atlanta” star Kandi Burruss may no longer be on Bravo, but her daughter, Riley Burruss, is just getting her reality TV career started.

Last summer, Riley appeared in the first season of the network’s latest reality series, “Next Gen: NYC.” There, she showcased her life in the city with some of her closest friends, including other “Real Housewives” offspring.

Of course, Bravo fans are familiar with Riley Burruss, as she was featured on “RHOA” alongside her mother and the rest of her family. However, it’s a different ball game when you’re in the driver’s seat, according to Kandi.

Kandi Burruss Gave Her Daughter Riley Sound Advice Before She Began Her Reality TV Career With Bravo

Kandi Burruss and Riley Burruss.
Bravo | Charles Sykes

Season 2 of “Next Gen: NYC,” which follows Riley, Kim Zolciak-Biermann’s daughter, Ariana, Teresa Giudice’s child, Gia, and Meredith Marks’s son, Brooks, will air on Bravo in the coming months.

Speaking with PEOPLE, Kandi revealed how she prepped her daughter for life in the Bravo bubble.

Advertisement

“Well, I just told her don’t be on there [and] say anything that you ain’t going to stand behind. You got to make sure you keep it honest on this show,” Kandi said. “And even if you say something they don’t like, just own it and keep it pushing.”

Kandi, who spent 14 years on “Real Housewives of Atlanta,” knows a thing or two about dramatic feuds. She explained to her daughter that while conflict is the name of the game, there’s one thing she wouldn’t want to happen on the series.

“Don’t let them rewind no tapes on you like how they do [with] people on the shows. We not doing that,” Kandi said.

Kandi Burruss Was A Little Nervous For Her Daughter To Star In ‘Next Gen: NYC’

Riley Burruss cast picture from "Next Gen NYC."
Bravo | Bronson Farr

Season 1 of “Next Gen: NYC” finished with a bang, and Riley was at the center of the show’s drama.

In a 2025 interview, Kandi revealed she was apprehensive about her daughter being center stage on the up-and-coming program.

Advertisement

“People already be trying to say crazy stuff about my child online and other celebrity kids,” Kandi said. “When it’s her out front, it’s like really nothing I could do to shelter her.”

Kandi explained that, in the past, the cameras mainly followed her. “It ain’t about me [this time],” Kandi shared. “You’re not just catching a stray. It’s like people can really just focus on you and say whatever they want to say and for sure so I’m scared. Oh Lord. I’m scared of what she gonna be doing on there, child.”

Riley Opened Up About Her Experience Filming By Herself For The First Time

Riley Burruss during an episode of "Next Gen NYC."
Bravo | Heidi Gutman

Thankfully for Kandi, the first season wasn’t as bad as she thought it might’ve been. In fact, Riley previously shared how “proud” she was of herself for making it through on her own.

“I think the thing I’m most proud of is how well I articulated myself [throughout the whole season]. At first, I thought that I didn’t do as great. In the moment, you’re emotional, you’re not really realizing how it’s going,” Riley shared.

Riley explained that following in her mom’s footsteps meant more to her than people likely realized, adding, “I’m glad that I can make an impact somewhere.”

Advertisement

She also echoed the advice her mother had given her before the cameras began rolling. “She told me, ‘Just be yourself, be honest, be real and just figure out what you want to do [in real-time]. As long as you’re honest, you will be OK — don’t lie about anything,’” Riley added.

Kandi Burruss Says She’s Still Funding Daughter Riley’s New York City Lifestyle

Riley Burruss
MEGA

According to a previous report from The Blast, Kandi discussed her finances with Bravo figurehead Andy Cohen on an episode of “Watch What Happens Live.”

During their conversation, the mother of three said that her daughter, Riley, relies on her more than she’d like.

“Riley runs through my pockets,” she said, adding that Riley’s two-bedroom NYC apartment is one of her biggest expenses.

“That girl…” Kandi finished.

Advertisement

Kandi Is No Longer Filming ‘RHOA,’ But She Wants The Show To Succeed

Red carpet photo
ZUMAPRESS.com / MEGA

While Burruss is no longer holding a peach on “RHOA,” the singer and songwriter said in a previous interview that she was still rooting for the show’s success.

“I think it’s important to continue to support the franchise even though I’m not there because I was there for 14 seasons, and I want them to be successful,” she said, per The Blast. “I want ‘Real Housewives of Atlanta’ to continue on another 15 years.”

Source link

Advertisement
Continue Reading

Entertainment

25 Years Later, Heath Ledger’s Cult Fantasy Romance Exits the Realm of Free Streaming

Published

on

aaron-eckhart-collider-quiz

HBO began the year by once again enrapturing viewers in the world of Game of Thrones with the release of the new series, A Knight of the Seven Kingdoms. Following Sir Duncan the Tall (Peter Claffey) and his squire, Egg (Dexter Sol Ansell), the show delivers a smaller-scale, lower-stakes adventure in Westeros that focuses less on the fantastical elements and political machinations of the flagship show and more on how a lowly hedge knight gets by and makes a difference in such an unforgiving land. It’s also much different tonally, taking a more optimistic and comedic approach in between the drama through its pure-hearted main character. The approach brings to mind another, more anachronistic medieval story featuring the late great Heath Ledger in one of his most underrated roles.

Released in 2001, A Knight’s Tale casts Ledger as a low-born squire named William Thatcher who, like Dunk, has just lost his master. To prove his worth and change his fate, he assumes the identity of a noble knight to participate in jousting tournaments, making waves in the medieval world as he racks up a series of wins and earns the respect of legendary figures like Edward the Black Prince (James Purefoy). Most of all, though, he becomes infatuated with the noblewoman Jocelyn (Shannyn Sossamon) and aims to win her hand in marriage over his rival, Count Adhemar of Anjou (Rufus Sewell), while cementing his legend as more than just a simple peasant. Mixing comedy, romance, and action alike, the film is available to watch right now for free on Tubi, but not for much longer.

A Knight’s Tale will be one of the many titles leaving the ad-supported streamer’s catalog after March 31, leaving just over two weeks to catch Brian Helgeland‘s film before it rides off into the sunset. Helgeland, who would go on to helm the baseball biopic 42 starring Chadwick Boseman and, more recently, Finestkind with Jenna Ortega, both wrote and helmed the medieval story just two years before his team-up with director Clint Eastwood on the Oscar-winning Mystic River hit the big screen. His starry cast also featured the talents of Mark Addy, Paul Bettany, Laura Fraser, and Alan Tudyk, who would reunite with the filmmaker on 42.

Advertisement
aaron-eckhart-collider-quiz


From Harvey Dent to the President: The Films of Aaron Eckhart — The Collider Movie Quiz!

Aaron Eckhart has played a wide array of roles in his 30+ year career. How many of these movies do you know?

Advertisement

‘A Knight’s Tale’ Has Formed a Legend of Its Own

Critics and audiences initially weren’t rocked by Ledger’s romantic 14th-century adventure, but it still managed to earn a respectable $117.5 million at the box office. The perception of A Knight’s Tale has grown in the years since then, too. It currently holds a 79% from viewers on Rotten Tomatoes and has been recognized as a worthwhile action comedy comfort watch, elevated by the Oscar winner and his co-stars’ performances. Although still overshadowed by Ledger’s legendary turns in Brokeback Mountain and The Dark Knight, it’s carved itself a spot in his filmography as one of the films that helped elevate him into the icon he was.

A Knight’s Tale departs Tubi at the end of the month. Stay tuned here at Collider for more on the biggest titles coming to and leaving streaming throughout the month.


018351_poster_w780.jpg
Advertisement


Advertisement

Release Date

May 11, 2001

Runtime

133 minutes

Advertisement

Director

Brian Helgeland

Advertisement

Writers

Brian Helgeland

Producers
Advertisement

Tim Van Rellim, Todd Black, Brian Helgeland

Advertisement

Advertisement


Advertisement

Source link

Advertisement
Continue Reading

Entertainment

25 actors who have shockingly never won an Oscar (including an 8-time nominee)

Published

on


It’s always an honor to be nominated…

Source link

Continue Reading

Entertainment

Feel Like a Hamptons Rich Mom in These 17 Loose, Slimming Tops

Published

on

Us Weekly has affiliate partnerships. We receive compensation when you click on a link and make a purchase. Learn more!

There’s something about “rich mom” style that feels especially appealing once spring rolls around. Think breezy tops, polished silhouettes and the kind of effortless outfits you’d expect to see strolling through the Hamptons with an iced coffee in hand. The goal is to create relaxed but refined looks that pair beautifully with white jeans, linen trousers or a flowy midi skirt.

The good news is, you don’t need a closet full of designer labels to capture that aesthetic. Amazon is quietly stocked with loose, flattering tops that create that same elevated feel without the luxury markup. From airy blouses to drapey tunics and soft knits, these pieces skim the body in all the right places while delivering that understated, “I just threw this on” polish. Ahead, shop 17 slimming spring tops that nail the rich-mom look.

Advertisement

Loose and Slimming Rich Mom Tops at Amazon

1. Swiss Dot Sweetheart: This floaty blouse captures that easy Hamptons elegance in one simple piece. Soft Swiss dot fabric, fluttery butterfly sleeves and delicate crochet trim create a romantic feel without trying too hard. The relaxed silhouette skims over the midsection beautifully, making it the kind of flattering top you’ll reach for with white jeans all season long.

2. Easy Tunic: Some tops just make getting dressed effortless. This breezy batwing tunic drapes loosely through the body, creating a silhouette that feels comfortable yet polished. The V-neckline and flowy fit pair perfectly for a flattering silhouette.

3. Coastal Stripes: Striped tops practically belong in a Hamptons wardrobe, and this oversized polo-style blouse nails the look. The dolman sleeves keep things relaxed, and a split neckline and contrast stripe details add a modern twist. Style it with crisp white denim and loafers for instant coastal polish.

4. Lace-Trim Romance: If your wardrobe leans feminine, this delicate top is a dream. Sheer Swiss dot fabric, crochet lace accents and subtle pom-pom details create plenty of visual interest without feeling fussy. The airy fit keeps it light and breezy — ideal for those early spring days when you want something pretty but comfortable.

Advertisement

5. Waist-Skimming Chiffon: This chiffon blouse offers the best of both worlds: movement and shape. The smocked waist gently defines your figure, and batwing sleeves keep the overall feel relaxed. Of course, the boat neckline adds a touch of elegance, making the entire piece look far more expensive than it actually is.

(Photo by Moritz Scholz/Getty Images)


Related: Dress Like a Montecito Rich Mom in These 19 Loose and Airy Tops

Ready to channel rich mom elegance without depleting your bank account? You’re in luck! Amazon has countless easy-to-style pieces that fit the rich mom aesthetic. We’re talking breathable linen tops, tailored button-downs and chic oversized knits that will have you looking like Meghan Markle and the rest of the Montecito moms! From school drop-off to […]

Advertisement

6. Butter Yellow Beauty: Butter yellow is having a major moment, and this oversized tunic feels especially luxe in the soft shade. The deep V-neckline adds a little drama when paired with those airy lantern sleeves (they bring volume in the prettiest way). Cinch the drawstring waist when you want a bit more shape, or leave it loose for an easygoing feel.

7. Subtle Knot Detail: A small detail can make a big difference. The knot-front accent on this soft V-neck top adds just enough shape to keep things flattering without sacrificing comfort. It’s slightly sultry yet still totally daytime-appropriate — perfect for dressing up simple denim.

8. Artful Texture: This woven blouse feels like something you’d find in a charming seaside boutique. Wooden-style neckline accents, colorblocked ruffle sleeves and subtle pleating create an artsy mix of textures. The loose silhouette keeps the overall look breezy and forgiving.

9. Textured Tunic: This top feels relaxed in the best possible way. Open-knit sleeves and mixed textures draw the eye upward. Plus, the roomy tunic length makes it easy to pair with everything from skinny jeans to tailored trousers. The vibe is beachy, but still polished enough for brunch.

Advertisement

10. Bell Sleeve Beauty: Equal parts comfortable and polished, this blouse slips on as easily as a T-shirt but looks far more elevated. The mesh panel detail adds dimension, while 3/4 bell sleeves bring soft movement to the silhouette. It’s the kind of piece that instantly makes basic pants feel dressier.

11. Hamptons Classic: A silky button-down always reads polished, and this one channels serious “rich mom on vacation” energy. The smooth satin fabric catches the light beautifully, creating that luxurious look even when styled casually. Wear it half-tucked into linen pants for the ultimate off-duty elegance.

12. Luxe Knit: If cozy knits are your comfort zone, this elevated version deserves a spot in your closet. The ribbed texture adds subtle structure to the relaxed dolman sleeve silhouette. It’s one of those tops that feels incredibly comfortable yet still looks thoughtfully styled.

13. Lantern Sleeve Charm: Romantic details give this blouse its standout appeal. Soft pleats at the sleeves add volume and movement, while the button-down design keeps the look classic. The overall effect feels feminine and refined — ideal for dressing up jeans or wide-leg trousers.

Advertisement

14. Peplum Polish: This top is full of flattering details. A drawstring waist, flared peplum hem and tie-front design each gently define your shape. The structured collar keeps everything looking crisp and put together.

15. Silky Button-Up: Some pieces simply look expensive, and this silky button-up is one of them. The drapey fabric glides over the body, creating an elegant shape that feels both relaxed and refined. With so many color options available, it’s easy to find one that fits your spring wardrobe.

16. Off-Shoulder Romance: A little shoulder moment never hurts. This pleated off-the-shoulder blouse features puff sleeves and ruffled details that bring a soft, romantic feel to any outfit. It’s especially pretty styled with wide-leg pants or a flowy skirt.

17. Cape Chic: This dramatic blouse makes a statement in the most elegant way. The cape-like batwing sleeves create gorgeous movement. Satin fabric gives it a luxurious sheen, and the high-low hem adds extra dimension, making it a standout piece for dinners, events or simply elevating your everyday style.

Advertisement

Source link

Continue Reading

Trending

Copyright © 2025