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Psychological thrillers operate on a different frequency from most movies, trading spectacle for tension, and action for unease. Rather than dazzling you with explosions or action, they disorient you with uncertainty: what is real, what is hidden, and what is about to be revealed.
The best entries in the genre understand that the human mind is far more unpredictable than any external threat. They build suspense through ambiguity and suggestion. You’re hooked by the feeling that something is off, even if you can’t yet explain why.
“I saw you.” This one’s deceptively simple. Set almost entirely around a secluded lakeside cruising spot, Stranger by the Lake follows Franck (Pierre Deladonchamps), a man drawn into a dangerous attraction with Michel (Christophe Paou), whose charm is matched only by the violence he is capable of. Early in the film, Franck witnesses Michel commit a murder. What makes the story so unsettling is what follows: he chooses to stay. The narrative becomes less about uncovering the truth and more about understanding why Franck continues to pursue someone he knows is dangerous.
Director Alain Guiraudie builds tension through repetition. Days pass, routines repeat, conversations circle around the same ideas. By the time the movie reaches its final stretch, the mood has shifted from quiet curiosity to near-total dread, and the consequences feel inevitable.
“I want to understand him.” Red Rooms is a sharp statement on obsession in the digital age. The main character is Kelly-Anne (Juliette Gariépy), a woman who becomes fixated on a high-profile trial involving a man (Maxwell McCabe-Lokos) accused of producing and distributing violent “red room” videos on the dark web. She attends the trial daily, studies the evidence, and begins to blur the line between observer and participant.
The tension builds gradually, driven by what is withheld as much as by what is revealed. Kelly-Anne’s motivations remain ambiguous, her behavior increasingly difficult to interpret. The audience is left to question not just the accused, but those watching him. This was a challenging role to play, but Gariépy is great in the part, believable as someone on a path of self-destruction. Not for nothing, Red Rooms swept the awards at that year’s Fantasia Film Festival.
“My heart is beating… like I’m insane.” This neo-noir gem from master Park Chan-wook transforms a murder investigation into something far more intimate. In Decision to Leave, detective Hae-jun (Park Hae-il) is assigned to a case involving a man who has fallen to his death, and his attention quickly turns to the victim’s wife, Seo-rae (Tang Wei). Is she innocent? Is she manipulating him? And perhaps more intriguingly, does he even want the truth?
While not as ambitious as the director’s masterpieces, Decision to Leave is still satisfyingly labyrinthine, serving up twists and narrative trickery at every turn, along with the sumptuous cinematography Park is known for. His direction here is elegant and assured, constantly shifting in tone and perspective but keeping the intricate storylines totally controlled, ultimately winning the Best Director award at Cannes for his efforts.
“You’re not afraid, are you?” This movie is lean both in terms of runtime (it’s just 94 minutes) and setting, taking place almost entirely on a boat. However, it feels expansive in its psychological scope. A married couple (Leon Niemczyk and Jolanta Umecka) invites a young hitchhiker (Zygmunt Malanowicz) to join them on a sailing trip, setting the stage for a tense and increasingly volatile dynamic. The husband asserts dominance, while the younger man challenges it.
Meanwhile, the wife observes it all with a quiet, ambiguous presence. Power shifts constantly between them, and the film never lets you settle into a clear sense of control or safety. Indeed, what makes Knife in the Water so compelling is its ability to generate tension from minimal elements. Rather than melodrama, it operates on subtle shifts: glances, gestures, small acts of provocation.
“I want to know what happened.” The Vanishing is dark and bleak but undeniably brilliant. During a road trip, a young woman (Johanna ter Steege) disappears without a trace at a rest stop. Years later, her boyfriend, Rex (Gene Bervoets), is still searching for answers, unable to move on without understanding what happened. The film takes an unusual approach by revealing the identity of the abductor early on. Instead of focusing on who committed the crime, it shifts the emphasis to why, and to what lengths Rex is willing to go to find out.
Equally unsettling is the portrayal of the man responsible (Bernard-Pierre Donnadieu). He isn’t presented as a larger-than-life villain. Instead, he appears ordinary, even methodical. That normality is disturbing in its own way. It strips away the comfort of thinking that evil is always obvious or exaggerated.
“I thought I saw a murder.” Blow-Up turns perception itself into the central mystery. Thomas (David Hemmings), a fashion photographer drifting through 1960s London, accidentally captures what he believes may be evidence of a murder while photographing a couple in a park. As he enlarges the images, again and again, the truth seems to emerge… and then slip away. The more Thomas examines the photographs, the less certain he becomes.
Here, reality itself feels unstable, shaped as much by interpretation as by fact. In this sense, the movie resists traditional thriller mechanics, instead going for something a little deeper and more thematic. This comes through clearly in the phenomenal final scene, a pitch-perfect moment that sums up everything that came before. Themes aside, Blow-Up is simply compelling as a snapshot of Swinging London.
“Someone is watching us.” Caché (meaning “hidden”) begins with a simple, unsettling premise: a Parisian couple (Daniel Auteuil and Juliette Binoche) starts receiving anonymous videotapes of their home, filmed from a distance. There are no demands or explanations, just the quiet implication that someone is watching. As the tapes continue, Georges, the husband, becomes increasingly paranoid, suspecting connections to his past.
The film gradually expands beyond the immediate mystery, uncovering buried guilt and unresolved history that complicate any straightforward interpretation. Its conclusions go way beyond the individual characters at the heart of the drama. Michael Haneke directs it all with cold precision, often holding the camera in static shots that force the viewer to question what they’re seeing. In the years since, Caché‘s critical stature has continued to grow, and it’s now frequently ranked among the best movies of the 21st century.
“I’m not afraid of death… I’m afraid of murder.” Francis Ford Coppola delivered this paranoid masterpiece between Godfathers. The Conversation is built on a single recording and the uncertainty surrounding it. Harry Caul (Gene Hackman), a surveillance expert, is hired to record a conversation between a young couple. He analyzes the audio, becoming convinced that their lives may be in danger. Along the way, the film becomes as much a character study as a thriller, anchored by Hackman’s strong performance.
The movie really traps you inside the protagonist’s mind. He’s intensely private, almost emotionally sealed off, yet his work forces him into the most intimate corners of other people’s lives. That contradiction creates a slow psychological fracture. As he becomes more consumed by the recording, his sense of reality begins to shift, and you feel that instability with him.
“I can’t help what I am!” This classic is one of the defining films from Fritz Lang, director of Metropolis and The Testament of Dr. Mabuse. It’s a proto-noir about a series of child murders terrorizing a German city, prompting both the police and the criminal underworld to hunt for the killer. The investigation unfolds across multiple fronts, each with its own methods and motivations. When the killer is finally captured, the narrative shifts in unexpected directions.
M. is almost a hundred years old at this point, so some aspects of it will feel a little inaccessible to modern audiences but, overall, the film holds up. Here, Lang uses sound in an especially effective way. For instance, the killer is associated with a simple whistled tune. In an era when sound film was still new, this was incredibly innovative, and it still works. You hear it, and tension spikes instantly.
“I saw him.” Les Diaboliques begins with a perfect crime, or what appears to be one. A headmaster’s wife (Véra Clouzot) and his mistress (Simone Signoret) conspire to murder him (Paul Meurisse), carefully planning every detail and disposing of the body in a school pool. But when the body disappears, the certainty of their plan begins to unravel. The women, once united, begin to fracture under the pressure, their fear feeding into the growing sense that something is terribly wrong.
The atmosphere plays a huge role. Shot in stark black and white, the film leans into shadows, reflections, and empty spaces. Silence is used just as effectively as sound, making even the smallest noise feel significant. And then there’s the legendary third act. Without relying on spectacle, it delivers a payoff that recontextualizes everything that came before.
January 29, 1955
117 Minutes
Henri-Georges Clouzot
Henri-Georges Clouzot, Jérôme Géronimi
Running Point has found innovative ways to surprise viewers with star-studded onscreen cameos — including Scott Disick and Macaulay Culkin.
The hit Netflix series, which premiered in 2025, follows Kate Hudson as a reformed party girl who gets the chance to prove herself when she is left in charge of her family’s pro basketball team.
In addition to Hudson, Running Point stars Scott MacArthur, Fabrizio Guido, Chet Hanks, Toby Sandeman, Justin Theroux, Drew Tarver, Brenda Song and Uche Agada. The sports comedy has also prided itself on its star-studded cameos.
While speaking to Us Weekly ahead of season 2, several cast members showed support for a potential appearance from Hudson’s stepfather, Kurt Russell. Us suggested Russell play the late Gordon patriarch back in April 2026, which the cast happily cosigned.
MacArthur, who plays Ness, joked that he “always thought” of Russell as his dad anyway, adding, “So I’m all in.” Guido, who portrays Gordon family newcomer Jackie, said he would also love to share the screen with Russell.
“I’ve been around, and I didn’t even think of that. Wow!” he noted, while season 2 guest star Ken Marino added in his own interview with Us, “That’d be fantastic! Yes, that’s perfect. Get that out there!”
Executive producer Jeanie Buss was just as thrilled at the possibilities.
“Oh, that would be amazing. Are you kidding me? Like, that’s a good idea!” Buss noted. “I totally support that.”
The pitch also got the stamp of approval from executive producer David Stassen, who hinted that there have been discussions.
“That’s a great idea,” Stassen said. “And it’s been balled about. We’ve talked about it. If we ever do see him, we could not do better than Kurt Russell.”
Keep scrolling for a comprehensive glimpse into the onscreen cameos:
The actor played a version of himself in season 1.
Season 1 featured an appearance from Scott Disick, who played himself in a scene opposite Kate Hudson.
Brenda Song’s husband, Macaulay Culkin, made a blink-and-you-miss-it cameo as a basketball fan.
The season 2 trailer for the hit Netflix series teased Octavia Spencer’s appearance — potentially as a fictional character.
Season 2 will likely introduce Nicole Richie in a scripted role.
Similar to Scott Disick, reality TV icon Lisa Rinna is seen in the sophomore season of Running Point.
In addition to RJ Decker and Grey’s Anatomy, Scott Speedman will make a cameo on Running Point.
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“Nothing says Happy AAPI Month like appropriating Asian culture,” one user commented of the film that stars Tamera Mowry-Housley, Paul Campbell, and more.
This article covers a developing story. Continue to check back with us as we will be adding more information as it becomes available.
Anne Rice‘s Immortal Universe is about to undergo a rocking transformation. In just under two months, on June 9, Interview with the Vampire will return to AMC and AMC+ for Season 3 with a new name to celebrate a new era — The Vampire Lestat‘s era. Based on the second book in Rice’s The Vampire Chronicles series, it’ll shift the perspective to that of Sam Reid‘s charismatic blood-sucker as he leaves New Orleans behind to begin his new chapter as the first-ever immortal rock star on a multi-city tour that will never be forgotten. With his interview opposite Daniel Molloy (Eric Bogosian), he’ll look to both set the record straight and set hearts ablaze with his tale that’s both electric and haunting.
Ahead of the premiere, AMC has now officially pulled back the curtain with a full trailer showing exactly what to expect from Lestat’s big spotlight. He has a lot to offer Daniel, having seen everything from the French Revolution to the atomic bomb, but for now, he wants to focus on his era. Lestat hit his prime on the stage, drawing thousands of adoring fans as he rocked out to both original tunes and classics like Billy Idol‘s “Dancing with Myself” as heard in the footage. However, he was never satisfied, seeking to draw not just millions, but billions to his shows, all in the name of rewriting the book on who he is. What he may instead find, however, is a bloody reckoning as he’s haunted by the “muses” of his past and his own immortality comes back to bite him.
The new teaser makes one thing certain above all else: This will be IWTV‘s most explosive season to date. Now sitting in the spot once occupied by his former lover, Louis (Jacob Anderson), he’ll be forced to confront his monstrous actions in addition to his heights as a rock god. AMC has gone all out for the occasion, too. Already, AMC Global Media and Lakeshore Records have released two very real singles from the fictional artist’s catalog, “Long Face” and “All Fall Down,” sung by Reid himself and with lyrics and music by the show’s composer, Daniel Hart. Both can be found on the official Vampire Lestat artist page on major digital music platforms, with new tracks rolling out throughout the coming months that will further shape his musical legacy.
October 2, 2022
AMC
Levan Akin, Alan Taylor, Craig Zisk, Emma Freeman, Keith Powell
Jonathan Ceniceroz, Coline Abert, Eleanor Burgess, Ben Philippe
Jacob Anderson
Louis de Pointe du Lac
This article covers a developing story. Continue to check back with us as we will be adding more information as it becomes available.
Jayda Cheaves is poking fun at her recent experience and joking about being the birthday “piñata” following her viral club altercation.
During the early hours of Wednesday, April 22, TSR obtained a clip of Jayda Cheaves apparently at work with her staff at Jayda Cheaves Beauty. The clip sequenced between various staff members calling themselves the “birthday models,” the “birthday photo booth,” and the “birthday reel,” playing off the viral “u the birthday” trend.
Ultimately, the clip ended with Cheaves calling herself the birthday “piñata.”
Social media users slid into TSR’s comment section, dropping their own “birthday” jokes and uplifting Jayda Cheaves for being humble enough to laugh at herself.
Instagram user @iamvee____ wrote, “Wrap this ‘birthday phase’ UP!!!!!!!!!!!!!”
While Instagram user @slaywithdre added, “.. She ate this up , she the food”
Instagram user @mzz_mccoy wrote, “It’s only funny when they think it hurts you..when you laugh at yourself they get mad 😂😂 Keep laughing No scratch no cuts no bruises NO Patches No hospital @jaydacheaves…🗣️YOU THE WOLVERINE 🗣️”
While Instagram user @shmeech added, “Love a girl that doesnt take her self too seriously 😂”
Instagram user @hai.lei wrote, “Never mad at any woman who can turn lemons into lemonade! Dont let them stop none!”
While Instagram user @tynicolle added, “Took me a second to get it . JAYDA PLS😂”
Instagram user @breeeeia wrote, “Love a person that can laugh at themselves 😂. Love Jayda wayda”
While Instagram user @nikkiyanikkiya added, “Marketing things that you been through that would literally break other people is so teaaaaa😮💨”
Instagram user @idesignfine wrote, “😂😂😂and THIS is why she’s THAT GIRL! She knows BUSINESS. YESSS. Lil Jada. Auntee is proud. Be the piñata. 🫶🏾🫶🏾”
While Instagram user @hairbyderrante added, “She ate this lmaoooo 😂😂😂”
Instagram user @kea_lolo wrote, “Lmao 🤣 cause she get beat(cute)”
As The Shade Room previously reported, earlier this month, footage went viral that showed Jayda Cheaves and Dess Dior involved in a physical altercation at a club. In the initial angle of the clip, Dior was seen throwing punches in one area while Cheaves was in another area, apparently held in a headlock by multiple people.
Then, a few days later, another angle of the altercation surfaced, per The Shade Room. This angle showed Cheaves confronting a blonde-haired woman moments before things popped off. Furthermore, it led social media users to speculate that the woman was Emily Huff, her former friend. Additionally, Huff appeared to confirm she was the woman in the video.
More recently, Cheaves responded to social media users who dropped shady comments about the altercation via her Instagram photos.
What Do You Think Roomies?
A new universe of comedy is in the works from a surprising source: one of the creators of the blockbuster video game series Grand Theft Auto. Dan Houser, with writing partner Lazlow Jones, will be launching the Absurdaverse, an interlinked universe of animated satire. A solid lineup of comedic talent will lend their voices to the project. The Absurdaverse, so far, will be composed of a series of animated shorts, all taking place in the same fictional universe, an ongoing animated series, and an open-world video game akin to the Grand Theft Auto series; the latter two are in development.
The new project will feature the voices of Rachel Dratch (Saturday Night Live), Dan Soder (Billions), Yamaneika Saunders (Life and Beth), Steph Tolev (Shifting Gears), and up-and-coming stand-up comedians Ari Matti and Samantha Alton. The array of characters will include a “Chief People Officer” who thinks he’s a DJ (Soder), a conspiracy-minded podcaster (Dratch), and much, much more. You’ll be able to get your first glimpse of the Absurdaverse when the shorts make their debut at the Netflix Is a Joke comedy festival on May 7; the event will also feature live stand-up by Patton Oswalt and several Absurdaverse cast members, including Soder, Matti, Saunders, Tolev, and host Annie Lederman.
A British video game writer and producer, Dan Houser founded Rockstar Games with his brother, Sam Houser. He made his game-producing and writing debut with Grand Theft Auto: London 1969, an expansion pack to the first Grand Theft Auto game, and went on to become a driving creative force behind the subsequent GTA games. He also wrote and produced their Western-themed game Red Dead Redemption and its sequel, the private school satire Bully, and the noir-themed Max Payne 3. Although he and his brother eschewed the spotlight, they were depicted in The Gamechangers, a BBC2 docudrama; Dan was portrayed by Ian Attard (Bridgerton), and Sam was portrayed by Daniel Radcliffe. They were also both named to Time magazine’s list of the 100 Most Influential People in 2009. He departed Rockstar in 2020.
The Absurdaverse animated shorts are produced by Dave Newberg (#1 Happy Family USA), with character designs by Kendra Melton (The Venture Bros). They are animated by Cutting Class Media.
The Absurdaverse animated shorts will premiere at the Netflix Is a Joke festival on May 7, 2026; the accompanying animated series and video game are in development. Stay tuned to Collider for future updates.
Rebel Wilson’s legal showdown with Charlotte MacInnes is off to a fiery start.
The case is unfolding at the Federal Court in Sydney, and centers on claims Wilson made about her “The Deb” co-star, including allegations that producer Amanda Ghost had sexually harassed MacInnes.
Front and center in the opening arguments was the accusation that Wilson also worked to push her claims into the public domain. MacInnes’ legal team alleged the actress used PR channels to circulate and reinforce damaging narratives.

Rebel Wilson was poised to make her directorial debut with the film “The Deb.” However, the moment has been overshadowed by mounting legal trouble.
The “Pitch Perfect” star appeared in court on Monday, April 20, as proceedings officially began in the defamation lawsuit filed by her co-star. Wilson was originally labeled a “bully” by the opposing side. However, MacInnes’ lawyers have followed up with the even more explosive claim that she allegedly engaged a crisis PR effort to push damaging narratives beyond the set.
Wilson is being accused of hiring publicist Melissa Nathan of The Agency Group to orchestrate a smear campaign targeting producer Ghost, as Deadline reported.

Wilson’s issues with MacInnes date back to when the younger actress raised concerns about an interaction she had with producer Ghost.
The incident in question allegedly took place in 2023 following an outing at Bondi Beach, where MacInnes and Ghost were said to have shared a bath in their swimsuits.
Wilson later claimed on Instagram that MacInnes initially expressed discomfort over the situation, but then reversed her stance. The “Pitch Perfect” star went further, suggesting her co-star had changed her account after receiving professional opportunities from the producer.
“The fact that this girl has been employed now by this ‘producer’ in the lead role of a production called GATSBY (ART Boston) and given a record label, should be all the proof you need as to why she has now changed her story,” Wilson wrote in a 2024 post.

According to a report on ABC News Australia, MacInnes pushed back hard against Wilson’s version of events in court, with her legal team arguing that the actress’s claims have caused serious reputational harm.
Representing MacInnes, Sue Chrysanthou SC disputed Wilson’s account, telling the court that the younger actress only went home with Ghost after suffering a medical episode while swimming and needing assistance to run a hot bath.
Chrysanthou argued that Wilson’s public allegations painted a deeply damaging narrative, one that went far beyond a private disagreement and into reputational territory that could impact MacInnes’ career.
She further alleged that the “Pitch Perfect” star attempted to reinforce that narrative by contacting third parties to publish anonymous claims that reflected negatively on her client.

Wilson’s legal team has hit back at MacInnes’ allegations, arguing that the actress’s concerns about the situation were still valid regardless of how events unfolded.
Wilson’s attorney, David Sibtain SC, told the court that even if Ghost had experienced a medical episode, it would not negate the possibility that MacInnes felt uncomfortable in the moment.
He went on to frame the case around Wilson’s understanding of events rather than the specifics of what actually occurred inside the Bondi apartment, emphasizing that the key question is whether she believed misconduct had taken place and acted accordingly.
According to Sibtain, the focus should not be on proving sexual misconduct, but on whether Wilson was acting on information she had been given when she raised concerns about the producer.

Wilson’s defense team also doubled down on the claim that MacInnes later shifted her account of the alleged incident, arguing there were clear motivations behind that change.
In court, Sibtain pointed to the influence and industry standing, suggesting that MacInnes may have felt pressure to revise her position.
“It’s Ms. Wilson’s position that she changed her story because Ms. Ghost was a powerful person who expressed a very early interest professionally in Ms. MacInnes,” he said. “She had the power to make her dreams come true.”
Sibtain further pushed back against claims that Wilson’s statements caused lasting harm, rejecting the idea that MacInnes’ career had been derailed.
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“I hope i wake up from this nightmare soon,” she wrote.
Alan Osmond’s son, American Idol alum David Osmond, is remembering his late father and reflecting on their shared multiple sclerosis diagnosis.
“Last night, my dad passed away. To be honest… I’m still trying to process it,” David, 46, shared via Instagram on Tuesday, April 21, alongside multiple photos of him and Alan, who died on Monday, April 20, at age 76.
“It’s hard to put into words what a life like his really means. He wasn’t just my father. He was an immense example of strength, of kindness, of how to treat people, and how to show up when it matters most,” David, who competed on season 8 of American Idol, added.
Alan was diagnosed with multiple sclerosis in 1987 and lived with his symptoms for nearly four decades. David, one of the singer’s eight children with wife Suzanne Pinegar, was diagnosed with the same disease in 2005.
“He was my buddy, and I shared so much in common with him. The love of music, yes, but strangely, we even shared the same diagnosis of MS,” David wrote. “We knew each other’s frustrations in that without even saying a word. Just a long hug, and we understood each other in a rare and beautifully unique way. Having a dad who led by example through the battle with resilience and determination, never EVER giving up, and encouraging me to do the same, was such a gift.”
“He’s larger than life in my heart and mind. His creativity, his faith, his ability to lead and inspire. There are so many things I’ll miss. The conversations, the laughter, the simple moments that didn’t feel big at the time but now mean everything,” David continued. “What I’m realizing is that the greatest gift he gave me wasn’t just in what he said or did, but in who he was. I feel him in every step that I take. And that’s something I’ll carry with me for the rest of my life.”
“My heart is broken, but it’s also full of immense gratitude. Grief for the tragic loss of his physical presence, but joy in the knowledge that he is now free,” he concluded. “I love you, Daddy-O! Thank you for everything.”
Alan was the eldest member of the pop group The Osmonds, which also featured his brothers Wayne, who died in January 2025 at age 73, Merrill, 72, Jay, 71, Donny, 68, and Jimmy, 63. His sister, Marie Osmond, also found fame as a singer and actress.
“This is one of the earliest pictures I have of my brother Alan and me. Even back then, you can see that he had his arm around me, watching over me,” Donny wrote in an Instagram tribute to his older brother on Tuesday. “That’s who he was. My protector. My guide. The one who quietly carried so much responsibility so the rest of us could shine.”
Marie shared in her own post, “As his only sister, I know I had a different relationship with him than he had with his brothers, and I must say I loved that! He was always very protective of me (not so sure I love that one) but he was always there if I needed him!”
Social media users can’t stop mentioning Karrueche Tran after Chris Brown slid in another woman’s comment section.
Earlier this week, Instagram user @destnyshalom took to the platform to share a video showing off her new pixie cut. “This is your sign it’s time to get that pixie cut 🩵,” she captioned the video. Then, as the internet users and comments rolled in, so did Chris Brown. That same day, he slid into her comment section, writing, “🔥🔥🔥🔥🔥”
As of Wednesday, April 22, his comment has racked up over 36,000 likes and even caught the attention of Bow Wow. Bow replied to Brown, writing, “you must be stopped [laughing emoji]”
Peep the woman’s clip and their comments below.
To note, this apparently isn’t the first time Chris Brown has shown the woman some love.
Social media users immediately entered TSR’s comment section after noticing Chris Brown slid into the woman’s comment section. Many couldn’t help but note that the woman resembles Brown’s ex, Karrueche Tran.
Instagram user @sexii_leecii wrote, “Somebody said he only got one type—- and it’s KARRUECHE 😂😂😂”
While Instagram user @deandraadrina added, “Chris love a lil fried sushi.”
Instagram user @dariodmusic wrote, “Bro is strict with his type 😂”
While Instagram user @keena.sw added, “He wants every karrueche variant known to man”
Instagram user @ace_timeismoney wrote, “Man’s collecting the infinity stones of Blasian Karrueche clones 😂😂😂”
While Instagram user @therealbrayzi added, “All I know is she better secure them damn usher & CB tickets for her & the gang lol😂”
While Instagram user @iatetoomanykrabbypatties added, “The pixie overly eats tho 😍🤏🏾”
Instagram user @droppsofhoney wrote, “Chris Brown been searching for Karrueche in these women for a long time & STILL haven’t found another 1😂”
As The Shade Room previously reported, in March, a TikToker took to the platform and shared a clip while vibing to Chris Brown’s song ‘Under The Influence.’ Additionally, she added the on-screen caption, “shout out to the girl who said i look like karreuche cus even tho i don’t see it, you just confirmed im chris browns type and that really does something for my confidence”
@kalifornhea my celebrity look alike list just got longer lmaooooo 🤭 #fyp #lookalike #chrisbrownofficial #breezybowl #viralvideo ❤️🔥
Chris Brown apparently peeped his mention and went on to seemingly confirm the woman’s sentiments. This left one TikTok user writing, “Chris once again confirming that he’s searching for Karrueche in all these women ”
What Do You Think Roomies?
Genre:
Romantic Comedy, Comedy, Drama, Fantasy, Romance
Release Date:
September 11, 2026
Director:
Susanne Bier
Cast:
Nicole Kidman, Sandra Bullock, Maisie Williams, Lee Pace
A multi generational family of witches, cursed to be loveless for centuries, attempts to break the spell by confronting dark secrets and sacrificing for each other.
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