Some mornings, you’re staring into your closet with five minutes to spare and zero inspiration. You’ve got errands to run and dinner plans to make, and the last thing you want is to create an outfit from scratch. Thankfully, these one-and-done outfits do all the work for you.

A matching top and bottom takes the guesswork out of getting dressed, making you look polished in a matter of minutes. Read: You can actually have time to enjoy that morning coffee. These 19 two-piece sets cover everything from lounge days to date nights, so we bet they’ll earn permanent spot in your rotation. See our comfy favorites, which happen to start at just $7 a set. We know, it’s shocking.

19 Comfy Outfit Sets for Busy Mornings — From $7

1. Our Favorite: Packing for a trip gets easier when one set works double duty. Wear this sleeveless mock-neck outfit solo on warm days and layered on cooler ones.

2. Everyday Outfit: Grocery runs, weekend sports games, kid pick-ups — this casual tee and shorts set handles it all.

3. Date Night: Striped patterns and a relaxed silhouette give this day-to-night set a cool, unhurried vibe. It’s loose around the tummy for an extra-flattering fit.

4. Classy Act: Want a country club aesthetic? This knit outfit set nails it with luxe-looking fabric and contrast hems, which we credit for elevating the whole outfit.

5. Rich Mom: This cap-sleeve top and pleated pants combo reads ‘designer’ straight off the hanger, thanks to the clean lines and sophisticated drape.

Related: Look Instantly Polished in These Loose, Billowy Button-Ups — From $8

Choosing between trousers and jeans is easy, but selecting the right spring-ready top can be a challenge — especially on a Monday morning when you’re rushing out the door. Instead of hoping for the perfect button-up shirt to would magically appear, we suggest checking out these polished spring blouses that will solve the getting-ready dilemma fast. […]

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6. Skirt Set: If you’re tied of winter neutrals, this colorful tee-and-skirt duo adds some personality back into your rotation.

7. Coffee Run: This wide-leg pants set splits the difference between loungewear and real clothes, ensuring you look pulled together without overthinking it. It’ll be your Starbucks run go-to.

8. Flattering Find: Ribbed materials are secretly slimming, elongating your torso and creating a longer, leaner silhouette. This two-piece wonder does so without effortlessly.

9. Yacht Wife: Stripes give this tee and shorts outfit a nautical, high-end flair. It should be much pricier than $27.

10. Sporty-Chic: When you want athleisure that doesn’t look like gym clothes, this stretchy top and jogger set is the answer. The drapey fabric and colorful options give the set a polished appearance, which we love.

11. Transitional Weather: Spring mornings call for long sleeves. This top and sweatpants set keeps you comfortable through transitional seasons and unpredictable shifts.

12. Vacation Mode: This tank and shorts set costs just $18, which is a total bargain in our book. Add sandals and a tote, and you’ve got a complete vacation look.

13. Effortless Elegance: The delicate floral tank gives this stylish number a dressy appeal. The print does the heavy lifting, so you can skip accessories completely.

14. Simple Stunner: Sometimes, a comfy tee and shorts are all you want. This matching set proves that simple style can still be sharp, especially with its dainty ruffle hems.

15. Boho Babe: Conceal the tummy with this boho-style lantern-sleeve set that features an oversized sweatshirt and shorts that keep it from looking frumpy.

16. Packing MVP: Sweat-wicking fabric sets this tank and flowy pants outfit apart from basic cotton options. It deserves a spot in any carry-on.

17. Under $35: Wear this refined knit set to a casual work meeting or weekend brunch — and nobody will guess it cost under $100, let alone under $35. The stripes keep it sleek.

18. Trendy Texture: Self-conscious about cellulite? This smoothing two-piece outfit is made with textured fabric that minimizes insecurities, making you feel like your confident self.

19. Flower Girl: A floral tee and sweatpants sounds casual, but this springy lounge set is actually so elevated. It bridges the gap between cozy and cute.

Related: These Sophisticated Gemstone Hues Are Much More Flattering Than Pastels

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There’s a time and place for pastels, but if we’re being honest, these lighter shades have a way of washing out your skin tone. If that’s also your issue, you’re in good company. This spring, we’re reaching for clothes featuring gemstone-like hues instead — think deep topaz, rich amethyst and earthy green — the kind […]

Taking a book and turning it into a motion picture is a practice almost as old as cinema itself. Since the days of Georges Méliès, who offered his cinematic takes on literary classics like Cinderella and From the Earth to the Moon, filmmakers have been taking stories from the page to the big screen, experimenting with how the differences between the written word and the cinematic language can be most effectively combined.

Sometimes, the books adapted belong to authors that have since passed away. Other times, the authors are still alive and kicking and commend these cinematic adaptations of their work, no matter how involved they were in their making. On a few noteworthy occasions, however, authors have been quite vocal about their intense dislike for a certain movie adaptation of a book of theirs. From novelists like Stephen King to comic writers like Alan Moore, these are authors who clearly didn’t think the cinematic medium did their work justice. For fairness’ sake, entries will be limited to only one per author. Otherwise, a list of this nature would end up being composed purely of King and Moore adaptations.

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‘Tales from Earthsea’ (2006)

Image via Toho

Ursula K. Le Guin was one of the greatest and most important American writers of her generation, known mainly for her work in speculative fiction. The collection of fantasy stories and essays known as Tales from Earthsea is perhaps her best-known work, and for good reason. Fans couldn’t have possibly been more excited when a Studio Ghibli adaptation of the first four books in the series was announced, which would be Gōro Miyazaki‘s (son of Hayao Miyazaki) directing debut. The rest is history, just not particularly pleasant history.

There are those who would go so far as to call Ghibli’s Tales from Earthsea one of the worst anime movies of all time. Le Guin herself probably would never have gone that far, but she did state that Miyazaki misunderstood the spirit of her books so terribly that she felt like the film told a completely different story from the source material. You’d be hard-pressed to find an Earthsea book fan who would disagree.

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‘Charlotte’s Web’ (1973)

Image via Paramount Pictures

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E. B. White, perhaps best-known as the creator of Stuart Little, was one of the greatest American children’s literature authors in modern history. He also wrote Charlotte’s Web, an illustrated book that, before being turned into a live-action film starring Dakota Fanning in 2006, was turned into a Hanna-Barbera musical cartoon in 1973.

Audiences today mostly remember it fondly as one of the movies that proved 1970s animation was by no means bad, but White wasn’t fond of the film at all. On the contrary, though the author was slightly involved in the movie’s story, he was generally displeased with the final product, calling it “a travesty.” He hated the fact that the movie was a musical, which he felt didn’t gel well with what he had written.

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‘Rawhead Rex’ (1986)

Image via Empire Pictures

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Legendary British horror author Clive Barker is perhaps best known as the man who wrote the Hellraiser series. When it came time to turn the book into a film, he decided to write and direct it himself. The reason? Rawhead Rex, an adaptation of Barker’s short story of the same name directed by George Pavlou, from a screenplay by Barker himself.

The movie was a colossal failure, and is still remembered as one of the worst horror movies of the ’80s. Barker, obviously, felt that the elements were all there on the page for Rawhead Rex to have been quite a thrilling film. He felt, however, that Pavlou’s direction fell short, failing to provide the stylish oomph that would have made the movie as strong as the source material.

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‘I Know What You Did Last Summer’ (1997)

Image via Columbia Pictures

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Following the success of Wes Craven‘s 1996 slasher classic Scream, many terrible rip-offs followed. Jim Gillespie‘s I Know What You Did Last Summer may be iconic, but there’s no way of denying that it’s just that: a terrible Scream rip-off. It didn’t have to be that way, though. The movie wasn’t based on a horror novel, but rather a well-regarded 1973 YA thriller by Lois Duncan.

Duncan’s daughter, Kaitlyn Arquette, was shot to dead in 1989. In a 2002 interview, the author revealed that as the mother of a murdered young woman, she was absolutely appalled by the fact that her novel had been turned into a silly, cheap slasher. It’s difficult to blame her, made even more difficult by the fact that the film isn’t even a good slasher to begin with.

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‘Willy Wonka & the Chocolate Factory’ (1971)

Image via Paramount Pictures

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As one of the most important voices in the modern history of children’s literature, Roald Dahl is someone who needs no introduction. Another person who needs no introduction is Willy Wonka, and fittingly, Willy Wonka & the Chocolate Factory, one of the best fantasy movie masterpieces of all time, has a reputation that precedes it. A lesser-known part of that reputation, however, is that Dahl hated the film.

In fairness, Dahl hated the vast majority of the movies based on his work, thinking that Hollywood had a tendency to twist his stories into things he had never intended. His dislike for Willy Wonka, however, was particularly strong. He disowned the movie and declared himself “infuriated” by its plot deviations, its being a musical, and its shifting the narrative’s focus from Charlie to Wonka. The original book purist, Dahl would have vastly preferred it if director Mel Stuart had stuck far more closely to what was already on the page, even if this has proven to age as one of the best family movies of all time.

5

‘The NeverEnding Story’ (1984)

Wolfgang Petersen‘s first English-language film, The NeverEnding Story is one of the most iconic family films of the ’80s, even if some find it to traumatizingly dark that its “family film” status is not uncontested. It was based on German writer Michael Ende‘s 1979 book of the same title, and it was a hit both with critics and at the box office.

Someone it wasn’t a hit with, however, was Ende himself. The author only got to see the script days before the movie’s premiere, and claimed to have been “horrified” by what he saw. He felt that Petersen completely changed the essence and spirit of the book, and later called the film a “gigantic melodrama of kitsch, commerce, plush and plastic.”

4

‘Percy Jackson & the Olympians: The Lightning Thief’ (2010) and ‘Percy Jackson: Sea of Monsters’ (2013)

Image via 20th Century Studios

Of the many book series that tried to be the next Harry Potter, few came as remarkably close with something as original, fun, and genuinely high-quality as Rick Riordan‘s Percy Jackson & the Olympians book series. But out of every book-to-film adaptation that’s nothing like the books, few cases are as egregious as The Lightning Thief and Sea of Monsters, the movies based on the first two installments in the saga.

Riordan was extremely vocal about how he felt about these movies. He said the writing was terrible, and not just because it deviated tremendously from the source material. He shared email recommendations for script changes that he sent to the people behind the movies—recommendations that clearly went unheard. Most of all, the author was bothered because he knew that these adaptations would anger and disappoint fans. It’s no wonder why Riordan became far more directly involved with the new Disney+ TV series adaptation of Percy Jackson.

3

‘Mary Poppins’ (1964)

Image via Walt Disney Studios Motion Pictures

Mary Poppins is widely recognized as one of the most perfect live-action Disney movies of all time, a marvelously magical and beautifully nostalgic musical bolstered by Julie Andrews and Dick Van Dyke‘s lead performances. It’s based on Autralian-British writer P. L. Travers‘ Mary Poppins book series, and Walt Disney‘s repeated decades-spanning attempts to buy the film rights to her books made for such an arduous production process that it became the subject of the Tom Hanks and Emma Thompson-starring Saving Mr. Banks.

Contrary to what the ending of Saving Mr. Banks depicts, however, Travers did not, in fact, like what Disney did with her books. Travers famously cried at the movie’s premiere due to how distorted and saccharine her story and characters had become as a result of their Disney-ification. She hated the animated segments, she objected to the musical numbers, and she disliked the casting of Julie Andrews in the titular role. Audiences, of course, have disagreed with Travers over the course of the film’s existence; but one can only sympathize with her sadness.

Image via 20th Century Studios

Another author who famously hates pretty much any and every film that’s ever been made about their work is Alan Moore. The writer is of the vehement opinion that it’s impossible to turn a comic book into a film that properly captures its essence, and as a result, adaptations of his work—from Zack Snyder‘s Watchmen to James McTeigue‘s V for Vendetta—rub him the wrong way. But out of every movie adaptation of his oeuvre, Moore had the most contempt for Stephen Norrington‘s The League of Extraordinary Gentlemen.

In all fairness to Moore, this is far and away one of the most abysmal superhero movies ever made, so it’s difficult to blame him for disliking it. What really added salt to the wound, however, was the lawsuit brought forward against 20th Century Studios by Larry Cohen and Martin Poll, who claimed that the studio had plagiarized their script. Moore got tangled up in the whole ordeal, and that only made League all the more of an unpleasant experience.

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‘The Shining’ (1980)

Image via Warner Bros. Pictures

As one of the authors whose work is most often adapted by Hollywood, and not often with good results, Stephen King is someone with a long track record of being critical of big-screen adaptations of his work. But the most notorious King adaptation that he despised, and perhaps the most notorious case of an author hating a movie based on their work, is Stanley Kubrick‘s The Shining. Based on the third novel King ever wrote, many think of this ’80s classic as one of the greatest horror movies ever made, complete with one of the scariest movie villains of all time—but the author himself disagreed.

King’s dislike for Kubrick’s movie has become a subject of study itself, with fans having spent the last 46 years diving deep into why King might have felt such an aversion to this version of The Shining. He once said that it was the only adaptation of his novels that he could truly remember hating, calling it “maddening, perverse, and disappointing.” He admitted to Kubrick’s brilliance as a director, but felt that the film twisted the message and essence of what he had written as an allegory for alcoholism (with many autobiographical elements) into something he couldn’t recognize. Knowing King’s deeply personal connection to the story, it becomes impossible to blame him for hating what even the film’s biggest fans must admit is vastly different from the source material.

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The Shining

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Release Date

June 13, 1980

Runtime

144 minutes

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Director

Stanley Kubrick

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The Valley’s Kristen Doute is opening up about sex with Luke Broderick after baby.

“I mean, we’re trying. It’s just hard,” Kristen, 43, exclusively shared with Us Weekly while celebrating season 3 of Bravo’s hit reality show. “It’s not like I don’t find him to be the most attractive person in the world, which I do, or that I don’t want that for us. But I’m just tired all the time, and I’m in survival mode. I’m just hyperfocused on [our baby] Kaia.”

During the season 3 premiere of The Valley on Wednesday, April 1, viewers watched Kristen’s fiancé open up to costar Jesse Lally about life after becoming a dad.

“Our relationship is completely lacking intimacy, which is tough,” Luke shared in the episode. “She shuts down every advance. At what point do you stop trying?”

Related: ‘Vanderpump Rules’ Cast: Then and Now

While some things never change, the cast of Vanderpump Rules is used to a shake-up … and a touch-up. Vanderpump Rules was introduced to Bravo viewers during a special episode of The Real Housewives of Beverly Hills in January 2013. Season 1 starred Lisa Vanderpump, Stassi Schroeder, Scheana Shay, Jax Taylor, Katie Maloney, Tom Sandoval […]

During a lunch date with Nia Sanchez, Kristen also admitted that she hasn’t had a date night with her man in nearly three months and acknowledged that she isn’t in love with her body after giving birth.

“We’ve always had a healthy sex life,” she explained in a confessional interview. “But sex made a baby, and sex doesn’t exist.”

In a separate interview with Us, Luke acknowledged that things have improved since filming wrapped.

“You know, it’s a roller-coaster becoming new parents,” he shared. “I hope all new parents can identify with that. It’s still an up-and-down thing. We do improve. We move past things and something else comes up. So, overall, yes, things have improved.”

As for wedding planning, Luke said there haven’t been any major updates since welcoming a baby. That doesn’t mean a special ceremony isn’t going to happen in the future.

“Ball’s in her court. I have also put a line in the sand that I am a hard no on a wedding that’s going to cost six figures before we have a house that we own,” he explained. “So that’s my line.”

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Related: Tom Schwartz Weighs In on Amanda Batula and West Wilson Relationship Drama

Getty Images (3) The Valley star Tom Schwartz is weighing in on the drama between the Summer House cast amid Amanda Batula and West Wilson’s controversial — and confirmed — romance. “I hope it’s not crashing down, because they have such a beautiful dynamic in that house,” Tom, 43, exclusively told Us Weekly of his […]

Through all the ups and downs of life, both Luke and Kristen are happy to have the support of their close friends Nia and Danny Booko.

“Nia and Danny, all my friends that have had babies, women online are super supportive,” Kristen shared with Us. “Our relationship took a back seat, but we know that that’s something we have to put more energy into.”

The Valley airs on Bravo Wednesdays at 8 p.m. Stream new episodes the next day on Peacock.

Jen Shah has opened up about serving time at a Texas prison with convicted sex trafficker Ghislaine Maxwell, revealing that Maxwell showed “no remorse” for her late boyfriend Jeffrey Epstein’s victims.

“I had limited interactions with her,” the Real Housewives of Salt Lake City alum, 52, told People in an interview published on Wednesday, April 1. “I chose that. I chose to keep my distance.”

After pleading guilty to conspiracy to commit wire fraud in connection with a telemarketing scheme, Shah served time at the same Bryan, Texas, federal prison camp where Maxwell, 64, and convicted fraudster Elizabeth Holmes were also incarcerated.

Shax described Maxwell’s “experience” in prison as “very different” than anything she or Holmes, 42, endured.

“[Maxwell] is treated very differently there,” Shah said. “I didn’t have a lot of interaction with her … She would come over and talk to us or I would see her … She made it very publicly known, at least to Elizabeth and I, that there’s no remorse there.”

The Bravo star went on, “Again, I obviously don’t know all the details of the case or whatever but we know enough. It was a lot when the [Epstein] victims would be on TV and talking, she [showed] just complete disregard for them. This was when they were pouring their hearts out in front of Congress for the [Epstein Files] to be released.”

“To see that kind of behavior when there are real victims that you’re seeing and what they’ve gone through, and to be so dismissive of that, that just didn’t sit right with me,” Shah added.

Maxwell was sentenced to 20 years behind bars following her 2022 conviction on charges of conspiracy to entice minors to travel to engage in illegal sex acts, conspiracy to transport minors to participate in illegal sex acts, transporting a minor to participate in illegal sex acts, sex trafficking conspiracy, and sex trafficking of a minor. (Maxwell maintains her innocence and has publicly appealed to President Donald Trump for a pardon.)

Shah insisted that both she and Holmes “definitely” chose to keep their distance from Maxwell once they noticed her alleged ambivalence toward Epstein’s victims. (Epstein died by suicide at age 66 in August 2019 after being arrested on federal sex crimes charges.)

“I just feel like there should be a level of remorse for the victims,” Shah argued. “And she made it very publicly known — at least to Elizabeth and I — that there’s no remorse there. She outrightly said it.”

Shah raised concern over Maxwell’s alleged favorable treatment in prison, claiming that the former socialite received privileges that other inmates had no access to.

“[Maxwell] was treated very well there. She was afforded things that nobody else was afforded, like private workout sessions, special meals, bottled water,” Shah told People. “Everybody witnessed it, and I know that firsthand because I worked in [recreation] so I would have to clean things up. I was also asked for certain equipment because she was going to go work out late at night.”

Shah went on to say, “There’s a process you have to go through to schedule your legal calls. She would not have to go through the same process.”

In response to Shah’s allegations, a spokesperson for the Bureau of Prisons told People that its staff is “committed to maintaining the highest standards of integrity, impartiality, and professionalism in the operation of its facilities.”

“Staff are required to treat all inmates equitably, in accordance with law, policy, and institutional security and safety protocols. Any deviation from this standard undermines public trust and the fair administration of justice,” a BOP statement read. “Violations of this policy are subject to a full range of disciplinary actions, up to and including removal from federal service and potential criminal prosecution.”

Us Weekly has reached out to the Bureau of Prisons for comment.

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Related: Inside ‘RHOSLC’ Alum Jen Shah’s Life After Being Released From Prison

The Real Housewives of Salt Lake City alum Jen Shah is a free woman. After serving less than three years of her six-and-a-half-year sentence for her role in a long-running nationwide telemarketing fraud scheme, the Bravo star was released from the Federal Prison Camp in Bryan, Texas, on December 10, 2025. “Jen Shah has demonstrated […]

Shah seemingly had a much friendlier rapport with former Theranos CEO Holmes, who was found guilty on four counts of fraud and conspiracy to commit fraud against investors in 2022.

“Lizzie and I are good friends,” Shah told the publication. “As another high-profile prisoner, there are just certain things you’re both dealing with, so you naturally come together in those instances.”

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For her part, Shah insisted that she is working to repay the $6.6 million she owes in restitution for allegedly defrauding elderly clients as part of a telemarketing scheme.

“I’d like to say that I’m sorry and I’m here and accepting responsibility and have made it my mission as part of my consequences to make sure that people are paid back through the restitution,” she said. “These people deserve to be made whole.”

If you or someone you know is a human trafficking victim, contact the National Human Trafficking Hotline at 1-888-373-7888.

Editor’s Note: The following contains spoilers for The Rookie Season 8, Episode 13.The LAPD’s Mid-Wilshire Division is currently facing a crisis in The Rookie Season 8, and it might open a pathway for a former rookie to make his return. Seth Ridley (Patrick Keleher), the failed former rookie of Lucy Chen (Melissa O’Neil) and John Nolan (Nathan Fillion), from Season 7, came back this week in the latest episode, “The Thinker,” seeking reinstatement in the LAPD’s field training officer program. Although he did not achieve that goal in “The Thinker,” Seth has genuinely proven he wants to make a fresh start, and his actions in this episode prove that he has earned a redemptive arc in The Rookie.

LAPD’s Recruiting Crisis Opens a Path for Seth Ridley’s Return

Sgt. Tim Bradford (Eric Winter) reveals in “The Thinker” that the LAPD is facing an employment crisis, with rising retirements and declining recruits. Also, a bunch of other Mid-Wilshire officers literally win the lottery, signaling their collective resignation and sparking a big recruitment drive. Enter Seth Ridley, who made his presence known at the function and wishes to be reinstated into the LAPD. Despite Seth getting his lower leg amputated due to a shotgun wound in the Season 7 episode, “The Return,” John did encourage him to continue in law enforcement, provided that he is totally honest from that point forward.

Obviously, Lucy and Tim were not happy about this development with Seth, but Officer Miles Penn (Deric Augustine) was more than willing to endorse giving Seth a second chance. The LAPD needs officers on the streets, meaning that Seth presents a strong case for getting his job back. As John pointed out in “The Return,” Seth’s saving John’s life earned him a lot of goodwill in the department. Seth also saved Mile’s life and aided in the arrest of a dangerous fugitive earlier in Season 8 in “Baja.” All those factors should be taken into account for Seth’s potential return to the LAPD.

Seth Has Earned His Redemption Arc in ‘The Rookie’

Seth did commit some grievous acts as a rookie in Mid-Wilshire. However, he took John’s words to heart, and his personal and professional lives suffered massively as a result. Case in point, Seth hit rock bottom when the character initially returned in “The Red Place.” However, hitting rock bottom and Miles’ pep talk in that episode clearly affected Seth, as he finally took steps to stop feeling sorry for himself and own up to his mistakes. Although Miles is biased, he fully vouches for Seth and believes he deserves a second chance, which counts for a lot.

Later in the episode, Tim and Lucy request that Seth take a polygraph test as a condition for considering the former rookie’s reinstatement. Seth did take the polygraph test, with many harsh truths coming to light, including the incident in the Season 7 episode, “Wildfire,” where Seth failed to inform Tim and Lucy that they were entering a dangerous zone during a wildfire evacuation, endangering their lives. Seth also admits to fabricating his cancer diagnosis. Seth passes his polygraph, but Tim explains that Seth’s admissions regarding the wildfire incident are problematic, as they would have to be reported to Internal Affairs, hurting his chances of reinstatement into the FTO program.

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The latest Pentagon storyline isn’t the only espionage the show has planned.

Although Lucy and Tim laid out why Tim’s actions of saving John’s life do not make up for his past mistakes, the revelation came off like a punch in the gut. Seth was completely honest and owned up to his past errors. Instead, Lucy and Tim basically utilized the session as entrapment against Seth to block him from ever returning to the force, despite Lucy and Tim both recognizing Seth’s sincere efforts and showing genuine respect for Seth’s honesty. Their actions in this episode came off more like payback against Seth, rather than a justified punishment. Although Tim is in charge of the recruitment drive, he and Lucy shouldn’t have been allowed to oversee the polygraph test, as they are biased parties.

Seth Ridley’s Exit Felt Less Than Final

Image via Disney/Mike Taing

Despite Lucy and Tim’s ruling, something tells us that we have not seen the last of Seth Ridley. His appearance in “The Thinker” came off as less than final, suggesting the issue of his potential return to the FTO program could still be revisited in the near future. The LAPD is still suffering from a lack of recruits, so Seth could easily slide back into the FTO program with any number of explanations, despite his past mistakes.

Seth’s run in The Rookie proved compelling as a flawed character and pathological individual. However, now that Seth has seen the result of his actions, it would be even more fascinating if he received the opportunity to turn his life around. Miles and John already forgave Seth and believe him worthy of a second chance, and his actions in “The Thinker” prove he’s worked on fixing lying to protect himself. Seth’s run on the show will always feel incomplete if he never gets the opportunity to fulfill his redemption arc. Hopefully, Seth will get that opportunity later as The Rookie Season 8 continues on ABC.

The Love on the Spectrum cast went through a lot of changes throughout season 4, from engagements to breakups.

During the Netflix show’s new season, which premiered on Wednesday, April 1, viewers checked in on the cast as they offered glimpses into their personal lives. Madison Marilla documented her move to be closer to Tyler White, which came shortly before they got engaged.

“We have not even started [wedding planning] yet. We want to wait until the time is right,” Madison exclusively told Us Weekly about enjoying life as a newly engaged couple. “I know we’re going to do a very big wedding. We will have all our family and friends and cast mates there.”

Madison teased plans to wear “a big ball gown with lots of bling and lots of tulle,” while Tyler promised to be sporting his signature cowboy hat.

“With the logistics of TV, we’ve had to keep the engagement a secret, which made it hard to plan,” he told Us, noting that the “entire” Love on the Spectrum family will be invited to celebrate their big day.

Despite getting engaged, there are some milestones they are saving for after their wedding. The pair revealed to Us they are still living “down the road” from each other.

“We’re saving moving in together until we’re married,” Tyler noted, to which Madison replied, “We’re saving all that until marriage.”

While Madison and Taylor prepare to tie the knot, Connor Tomlinson made a different decision about his future when he chose to end his romance with Georgie Harris.

“It was my decision to end things. Georgie and I … this season was the longest time we spent with each other,” he told Us. “The more we did, the more we came to realize we’re just two different people. Good people, yes, but not each other’s people.”

He continued: “What she wanted, I couldn’t give her. What I wanted, she couldn’t give me. We both decided it was for the best.”

The exes have remained in touch, with Georgie reaching out for Connor’s birthday. Looking ahead, Connor is excited to meet his person, who he described as “understanding, kind, smart, sophisticated, talented and pretty.”

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Connor isn’t the only single star on the show — Logan Pereira is still looking for love after briefly finding a connection during season 4.

“I have been thinking about dating after that date,” Logan shared with Us. “I’m looking for somebody that has the same interest as me. Maybe somebody that likes model trains and somebody with really nice hair — even if it’s not curvy or straight. Also somebody that has the same connection with me and likes cheesecake and red velvet cake.”

Love on the Spectrum is currently streaming on Netflix.

Over the course of the 21st century, filmmakers around the world have been treating audiences to some of the greatest, most creative, and most original science fiction movies that the Seventh Art has ever seen. From time travel comedies to dramatic thrillers to massive superhero blockbusters, the 21st century’s greatest sci-fi films are about as close as cinema can possibly come to true perfection.

These films—some of them already considered classics, others guaranteed to achieve that status not too far into the future—display why science fiction has remained one of cinema’s most popular genres since the very beginning of the 20th century, even before cinema was considered an art form or even a storytelling medium. They’re exceptional masterpieces, proof that this is a genre that will never get old.

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‘Nirvanna the Band the Show the Movie’ (2025)

Image via NEON

Canadia’s national filmography is filled to the brim with excellent, often awfully underappreciated masterpieces. One of the country’s most recent international sensations is the brilliant Nirvanna the Band the Show the Movie, a legacy sequel of the web series Nirvana the Band the Show and the mockumentary sitcom Nirvanna the Band the Show.

Armed with only an RV, a bottle of Orbitz, and a flawless understanding of fair use laws, Matt Johnson and Jay McCarrol created a love letter to Toronto and late-2000s pop culture, a genius parody of Back to the Future, and one of the best sci-fi masterpieces of the last 15 years. Full of man-on-the-street-type moments bound to make anyone and everyone go “how the hell did they pull that off?”, Nirvanna the Band the Show the Movie has already joined the ranks of the greatest Canadian films ever made.

9

‘The Prestige’ (2006)

Image via Warner Bros. Pictures

No list of the best sci-fi anything of the 21st century could possibly be complete without at least mentioning Christopher Nolan, a man who has re-defined the genre and constantly set a new standard for all Hollywood blockbusters. Between Batman Begins and The Dark Knight, he made The Prestige, a sci-fi thriller that’s always been hugely acclaimed yet still somehow underrated.

It’s the perfect film for people who love thrillers packed with plot twists. A rousing tale of rivalry and revenge fueled by strong yet subtle steampunk elements, it’s undoubtedly one of Nolan’s greatest works. Christian Bale and Hugh Jackman‘s fantastic performances are the perfect foundation for this character-driven story, made all the more fascinating by one of the strongest endings in its director’s filmography.

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‘Spider-Man: Across the Spider-Verse’ (2023)

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After Spider-Man: Into the Spider-Verse took the world by storm in 2018, expectations for its sequel rose sky-high. Somehow, Across the Spider-Verse managed to surpass those expectations and then some. It’s downright one of the most perfect movies of the last 5 years, simultaneously a love letter to the Spidey mythos and a nuanced study of the superhero genre as a whole.

Of course, it doesn’t hurt that the movie has the most impressive and jaw-dropping visuals of any animated film ever made. The excellent sound design and Daniel Pemberton‘s score definitely don’t hurt, either. In fact, almost everything about Across the Spider-Verse is pretty much perfect, making it a must-see for Marvel fans, Spidey fans, and virtually anyone who enjoys a well-made sci-fi film.

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‘Interstellar’ (2014)

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As if he still had anything to prove in regards to being one of the leading voices of Hollywood sci-fi going into 2014, Christopher Nolan decided to further enshrine himself in that title by making Interstellar. It’s one of the most perfectly-directed sci-fi epics ever made, but the main reason why it works as well as it does is that it is, first and foremost, a character-driven story about a girl and her father.

But though Interstellar is certainly most interested in its characters’ internal conflicts, it’s also a technically impressive epic that leaves nothing much to be desired. The visual effects, the performances, the sound design, the delectably long runtime, the best score of Hans Zimmer‘s career… What more could a diehard fan of sci-fi cinema possibly want from a movie?

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‘Arrival’ (2016)

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Denis Villeneuve was already a well-established filmmaker going into 2016, but the movie that established him as one of the most exciting voices in Hollywood sci-fi was Arrival. This is an alien invasion flick unlike any other, dealing with themes of language, communication, and memory with a deeply emotional story. By the time Arrival cuts to the credits, there won’t be a dry eye in the house.

Villeneuve’s direction is pretty much flawless, which makes it unsurprising that Arrival earned him his first Oscar nomination. It’s also one of the most perfectly-written sci-fi movies ever, with some enthralling character writing and a plot that keeps growing increasingly mind-bending as it goes on. It doesn’t feel like any other alien invasion film in history, and that uniqueness is enough to make it obligatory viewing for fans of the genre.

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‘Everything Everywhere All At Once’ (2022)

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There are Oscar winners that feel like frontrunners in the awards race since months before they even come out; but then, there are others which feel like they come out of the blue and end up sweeping. There’s no contemporary example more perfect than Everything Everywhere All At Once, a quirky and ambitious indie sci-fi action dramedy that ended up winning a whopping seven Academy Awards.

On paper, Everything Everywhere seems like it shouldn’t work. Its thematic breadth is enormous, its sense of humor is undeniably offbeat, and its elements of campy silliness are potent and abundant. But what soon proved to be one of the most chaotic movies of all time also proved to be one of the greatest sci-fi epics of the 21st century, a thrilling and beautifully touching tale about parenthood, love, aging, and everything bagels.

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‘Children of Men’ (2006)

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Mexican filmmaker Alfonso Cuarón is no stranger to genre cinema, but his strongest genre work happens to be in science fiction. Children of Men is a masterpiece, a dystopian action thriller that unfortunately underperformed at the box office, but has since become a cult classic so huge that it’s arguably more mainstream that it is cult by this point.

It’s one of the most thrilling movie masterpieces of all time, full of impressively shot sequences and permeated by a nail-biting atmosphere of suspense. Bleak though its tone may be, it’s also beautifully hopeful, celebrating faith and humanity’s resilience in the face of a crisis. Excellently performed and strikingly shot by frequent Cuarón collaborator Emmanuel Lubezki, it’s dystopian science fiction at its ver best.

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‘Mad Max: Fury Road’ (2015)

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After three decades away from the action genre and from the Mad Max franchise that he revolutionized low-budget Australian cinema with, George Miller made his triumphant return with Mad Max: Fury Road. This wasn’t just a return to form for the filmmaker, nor was it just the best installment in the franchise thus far: We’re talking about one of the most perfect sci-fi action movies of the 21st century.

The over-the-top world-building is a delight, the non-stop adrenaline shots that are all the action sequences (which comprise the vast majority of the film’s relentless runtime) are a blast, and the visuals prove that the sky’s the limit when Miller is given a proper budget. Exciting, emotionally compelling, and packed with some of the most memorable action scenes of the century, Fury Road is one for the cinematic history books.

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‘Dune: Part Two’ (2024)

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For the longest time, it seemed that it was simply impossible to turn Frank Herbert‘s world of Dune into a film franchise that lived up to the source material’s legacy. Along came Denis Villeneuve and proved that belief embarrassingly wrong. But while the Canadian director’s first Dune is already amazing enough, it’s Dune: Part Two that smashed every expectation any fan might have had going in.

It’s this generation’s The Empire Strikes Back, a stunning sci-fi franchise epic that expands the scope of its world tremendously and has the guts to conclude with an ending that’s nothing if not dark-toned. Just two years after its release, it can already be considered one of the best sci-fi movies of all time, one with virtually no flaws to talk about. Greig Fraser‘s stunning cinematography, Hans Zimmer’s haunting score, all the amazing performances, the flawless way in which Villeneuve and co-writer Jon Spaihts understand the essence of Herbert’s work, and—of course—Villeneuve’s hugely imaginative direction. There’s basically nothing not to love about this masterpiece.

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‘Eternal Sunshine of the Spotless Mind’ (2004)

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By the time 2004 rolled in, Charlie Kaufman had already established himself as the greatest, most intelligent, and most talented screenwriter working in Hollywood. But as if any more proof were needed, he wrote what some may call the single greatest sci-fi screenplay ever written, Eternal Sunshine of the Spotless Mind, directed by Michel Gondry. The result? The most perfect science fiction movie of the 21st century thus far.

Rather than focusing on its sci-fi elements, Eternal Sunshine leverages them as tools to elevate its story about a crumbling relationship and the power of memories. It’s a raw, emotionally powerful, thematically hard-hitting exploration of the very concept of romantic love, concluding with one of the best endings of any sci-fi film from the 2000s. Many great sci-fi movies have been released since, but none quite as exceptional as this 21st-century masterpiece.