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NewsBeat

Heading to Azerbaijan for a weekend break conjures up a magic carpet extravaganza

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Heading to Azerbaijan for a weekend break conjures up a magic carpet extravaganza

The clinching argument for a long weekend to Baku, Azerbaijan’s ancient capital on the Silk Road, was that for one weekend only almost all the streets in the medieval Old Town would be covered by hand-woven carpets. There would be hundreds of them, laid head-to-head in a magical mosaic of colour and artful designs.

I also fancifully conjectured that Shakespeare might have been considering the festival when, in The Tempest, he poetically extemporised how “the earth’s a carpet laid before the sun”. Well, Baku certainly took his word literally. The capital was transformed into a giant installation of colourful knots, threads and weaves covering its cobbled streets. Dealers, weavers, stitchers, collectors and historians gathered from 19 nations to debate and celebrate this ancient artistry, as some carpets, we learnt, were first woven more than 2,000 years ago.

The capital was transformed into a giant installation of colourful knots, threads and weaves
The capital was transformed into a giant installation of colourful knots, threads and weaves (International Carpet Festival)

It was an academic forum alongside a place for thousands of visitors to enjoy the festival’s dramatic street theatre, surreally coinciding with the Baku marathon, the country’s first international race with the full 26-mile course. One artist painted serene faces onto rugs on an easel, next to a pop-up children’s football pitch entirely composed of rugs. Earlier in the day, experts from Japan and Nepal pitched arguments about the carpet’s role in aiding the GDP of their countries as well as defining their national identity.

This carpet fest was imaginative and startling, mirroring how Baku has redefined itself via its architecture: putting medieval and modernist masterpieces side by side. This is a country that has deliberately placed art and culture at the centre of its development, latterly funded by its oil fortune. It has given Azerbaijan a standout national identity, distinct from its grey, Soviet-controlled existence before 1991, when Perestroika loosened Russian hegemony. But it is only in the last 25 years that its economy has taken off, combining taste, style and fiscal growth, aided by a formative partnership with BP.

Azerbaijan is certainly more present on the world stage. It straddled the world of petroeconomics and environmental policies when it hosted Cop 29 in 2024. It is now a fixture in the Formula One calendar and hosted the European winter sports championships this year.

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Not exactly a magic carpet, but the overnight jet leaving Heathrow at 10pm allows you to arrive in Baku at 6am. Three nights is a perfect amount of time for a taster of the capital. Not only is the carpet museum in Baku the largest in the world, but it is even shaped like a folding rug. It shares the skyline with one of the great masterpieces of modernist architecture: Zaha Hadid’s Heydar Aliyev Centre, also designed to look like a surface that has been lifted, folded, and frozen in motion – very similar to the ripples of a carpet, a comparison that is made often. While a carpet is flexible and soft, the building imitates its folds with rigid concrete and steel. It is impossible to overestimate how in Azerbaijan, carpets are a major traditional art form.

The Heydar Aliyev Centre is often compared to a carpet
The Heydar Aliyev Centre is often compared to a carpet (Getty Images / iStockPhoto)

Read more: What happened when I took a pilgrimage through the Andalucian art trail

A weekend is the ideal length of time for walking around the safe and easy city. In Baku, you can go from exploring medieval stone walls straight to futuristic parametric design in under 20 minutes. This walled city is a dense mix of Islamic, Persian and local Shirvan styles, with caravanserais, mosques and narrow lanes. Among the key monuments is the 12th-century Maiden Tower, which is well worth the climb for a panoramic view of the Palace of the Shirvanshahs, a Unesco-listed masterpiece.

Reflecting the oil boom of the early 20th century are landmarks such as the Ismailiyya Palace, a Venetian Gothic revival building, the Azerbaijan State Philharmonic Hall with its Italian Renaissance influence and Baku City Hall, with its Beaux-Arts design. They are demonstrative of a time of optimism, when European architects reshaped the city into a kind of Paris of the East.

Back to the carpet festival, though, where Emin Mammadov was presiding over the affair. He is a dashing entrepreneur and chair of the carpet board, whose turbocharged ambition is to grow the festival, which is now in its third year. Surprise and quality are his watchwords, as modern and ancient swirl together like patterns on a traditional carpet, all contrasting and combining.

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A woman weaves at the International Carpet Festival
A woman weaves at the International Carpet Festival (International Carpet Festival)

“We are inviting the world to see that carpets are the key to understanding art and economies through symbolism and natural displays. We all connect through a vision of creativity and fellowship as we invite the world to join this beautiful celebration of art and artisans and prove the art of the possible,” he explained.

There is talk of expansion and more partnerships for next year’s festival. It might include carpets’ role in Hollywood films, in poetry (Shakespeare has no monopoly) and live debates about the role women play as skilled craft practitioners. There is also discussion of how artists from Holbein to Velasquez were transfixed by the woven wonder of wool and silk. Carpets – red, magic or even flying – have always transfixed the imagination.

In Disney’s Aladdin, the magic carpet is a central character, not just a prop. It becomes a symbol of freedom, imagination and movement beyond physical space. In The Grand Budapest Hotel, director Wes Anderson builds a world saturated with patterned interiors – especially carpets, wallpapers, and textiles – which reinforce the film’s obsession with design, memory and artificial perfection. There is even an entry into the horror film genre. In The Shining, the Overlook Hotel’s geometric carpets are iconic in their own right. Their impossible, maze-like patterns echo the film’s psychological disorientation and hidden spatial logic.

Aida Mahmudova, an acclaimed artist in Baku as well as an alumna of London’s Central St Martin’s
Aida Mahmudova, an acclaimed artist in Baku as well as an alumna of London’s Central St Martin’s (Geordie Greig / International Carpet Festival)

This year, the link between painting and carpets was a key theme. One of the most dramatic revelations was the work of Aida Mahmudova, an acclaimed artist in Baku as well as an alumna of London’s Central St Martin’s, whose eclectic works combine powerful abstraction and something similar to Frank Auerbach’s encrusted, tactile, painted masterpieces.

Her paintings have a softer palette of colours than Auerbach’s, which ripple and engage with a passionate intensity. Her pictures have been made into carpets, cross-fertilising the art forms and spinning a modern twist to this ancient craft. Another highlight is the work of Assel Sabircangizi, or Assol, a Kazakh artist creating stunning portraits by brushing and spraying oil paint onto existing carpets. They make for epic pictures, which reinvent Mughal portraiture for the modern age.

The festival sets out to surprise and steers away from the stereotypical image of endless negotiations with sellers in the souk. This is the moment to see carpets as art and investment, but, most importantly, to alter cliched preconceptions by revealing national and regional identities in carpets.

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The work of Asol, who reinvents traditional portraiture
The work of Asol, who reinvents traditional portraiture (International Carpet Festival)

Read more: Why Malta should be your next escape

In the Old City, with its echoes of Prague, it is delightful just to sit back and let the world go by in its maze of labyrinthine streets. Drinking the local wines and vodka in its tiny bars, or trying baklava in a tea room, is heavenly. Spinach and lamb pancakes and glassfuls of tea make enticing fare. Luxury shopping in the new town offers more brands than Bond Street, only cheaper. Value for money is a definite plus.

The advantage of a short visit is that the city is easy, and colourful, and the cultural diet offered ranges from high to low. The only frustration is that there is much more to do – locals will tell you to visit the snow-capped mountains for skiing, to chill on the sandy beaches, to try the jazz, and lemon, and pomegranate festivals, and also take a road trip. The country boasts nine climate zones, from subtropical to desert to freezing mountain tops.

A modern transformation is still taking place in Baku
A modern transformation is still taking place in Baku (Getty Images/iStockphoto)

A modern cultural transformation is still taking place in Baku. One of the key figures is Anar Alakbarov, assistant to the president and executive director of the Heydar Aliyev Foundation.

“Art creates a space for us all to value the past, but to also re-evaluate and enhance the present, which invests in the future. Beauty and a celebration of art has been a way of life here with carpets and ceramics. We learn from that and continue that tradition,” he said, before heading for the coast to take part in the marathon.

Leaving Baku early in the morning, I gazed out from my taxi at the two 21st-century Flame Towers. Nearby are the stone palaces, more than 500 years old. Few would argue with Shakespeare when he celebrated the intrinsic combination of power and passion seen through a carpet – and the impressiveness of a trip to Baku is similarly irrefutable. Is there a more magnificent ice breaker when someone asks me what I got up to at the weekend?

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How to do it

Flights to Baku from London Gatwick with Azerbaijan Airlines take around five-and-a-half hours, starting from £375.

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why things get taken out of context online and why it matters

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why things get taken out of context online and why it matters

You are scrolling through your feed when a screenshot appears showing a public figure saying something surprising or controversial. Within minutes, it is everywhere. Some are angry, others defend it, memes parody it, and arguments spread across platforms.

Later, you discover the person never quite said that exact quote. The words came from a longer interview, the clip was shortened or an incorrect caption was added. But the screenshot has travelled faster and further than the original video ever did. What people reacted to was a version of the message created through circulation, rather than the message as originally delivered. Sound familiar? This pattern can be seen across nearly every viral moment, from political speeches to celebrity interviews.

Research in media and communication studies has long shown that meaning rarely remains fixed once a message enters circulation.

My work examines how these small shifts accumulate as messages move through digital environments. I describe this process as “message drift”, where content becomes separated from its original context as it is clipped, reposted and reframed across digital platforms.

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Message drift rarely occurs in a single dramatic moment. Rather, it emerges through a series of small transformations. Evidence suggests this is driven both by limited user attention, and by platforms that prioritise content which is quick to consume and easy to share. Studies of digital attention show that people engage with information in short, fragmented bursts. Social media platforms tend to amplify content that is easily processed and widely circulated.

My research suggests that audiences interpret statements through contextual cues such as captions, commentary and surrounding visuals. The same words can appear sarcastic, alarming or definitive depending on how they are presented.

During the defamation trial between actors Johnny Depp and Amber Heard, short clips and reaction edits spread rapidly across TikTok and other platforms, with viewers often forming strong opinions from fragments of much longer courtroom proceedings. Different clips, captions and reposts pushed audiences toward opposing interpretations of the same events. Fan culture on social media further intensified online reactions around the case.

The circulation of AI-generated images during the 2024 US election cycle also demonstrated how quickly visual content can detach from its original context. Edited campaign images, parody posts and reposted screenshots spread rapidly across platforms and were repeatedly mistaken for authentic political material. Fabricated visuals were shared and debated at speed before people could verify where they came from or whether they were real.

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What is AI slop? Why you are seeing more fake photos and videos in your social media feeds


Short clips of political speeches are frequently shared with captions that emphasise a particular interpretation, even when the full speech suggests a different tone or meaning. For instance, in 2021, images of a crowded House of Commons circulated online with captions claiming MPs were debating their own pay. The image was used to suggest MPs were paying more attention to their own salaries than to other political issues. In reality, at least one of the images was taken during a different debate and mislabelled.

It’s good to be sceptical of what you see online.
Andrii Iemelianenko/Shutterstock

In older media environments, such as broadcast television, newspapers or official press releases, authority depended on who said something and where it appeared. Online, authority increasingly depends on repetition. The version of a message encountered first, or most frequently over time, often becomes the version people treat as the most accurate or authoritative account.

In my own ongoing research, I have asked participants to respond to edited clips, screenshots and images to test how they interpret messages in different formats. When these differing versions conflict, participants have defended their initial interpretations and challenged others, causing disagreement to escalate into argument.

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Why this matters

Conflict is not always about competing interpretations of a single statement, where people disagree about what the same message means. Instead, it often arises because people encountered different versions of that statement in the first place.

Digital platforms themselves further intensify this. Studies of online behaviour show that emotionally engaging content is more likely to attract attention and be shared. These versions are more likely to dominate what audiences encounter. As a result, simplified or emotionally charged versions of messages often travel further than the original. It is quicker to process, easier to repeat and more likely to trigger emotional reactions, all of which are linked to higher engagement.

Over time, this can contribute to wider problems in online communication, including polarisation and misinformation. New digital tools, such as generative AI, make it easier to produce realistic but altered images, video and audio at speed and scale, increasing the likelihood that misleading or context-shifted content can circulate widely.

Next time you come across a clip that you have the urge to share or comment on, ask yourself a few key questions. Where did this message first appear? What context might be missing? And how many different versions of it might now be circulating?

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Understanding message drift does not resolve these problems on its own, but it can help people recognise what is happening when online debates escalate.

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County Durham veteran raises funds with 100-mile walk challenge

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County Durham veteran raises funds with 100-mile walk challenge

David Bell, 66, took on the challenge in support of Anxious Minds, a charity supporting ex-serving personnel and their loved ones across the North East.

The retired fusilier began training earlier this year before walking an average of 20 to 30 miles per day.

David Bell, 66, completes a 100-mile charity walk to raise funds for Anxious Minds, which supports veterans and their families (Image: Supplied)

His journey concluded outside Anxious Minds‘ counselling services in Wallsend.

Anxious Minds CEO, Edward Dean, said: “It is absolutely amazing what you can do when you put your mind to it.

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“David has done an amazing thing, both to support the charity and the veterans we serve.

“We cannot thank him enough from the bottom of our heart.”

David Bell, 66, completes a 100-mile charity walk to raise funds for Anxious Minds, which supports veterans and their families (Image: Supplied)

Mr Bell’s 100-mile effort has helped raise funds to provide “life-changing” mental health support to veterans and their families.

Anxious Minds serves individuals across the wider region.

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The charity offers counselling services and mental health support for veterans and their families.

David Bell, 66, completes a 100-mile charity walk to raise funds for Anxious Minds, which supports veterans and their families (Image: Supplied)

Its dedicated veteran support work aims to address the unique pressures faced by military personnel returning to civilian life.

The organisation has received multiple awards for its services, including the Making a Difference Award at the 2025 Markel 3rd Sector Care Awards and the English Veteran Awards’ Leader of the Year title in 2024.

It also earned gold in the Health and Wellbeing category at the English Veteran Awards in 2022.

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Cambs primary school where ‘impeccably behaved’ pupils achieve ‘remarkably well’

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Cambridgeshire Live

The report emphasises that by the time children are at the end of Year 6, they leave as ‘kind and considerate young people’, ready to make ‘positive contributions to their community’

A primary school has been rated ‘strong standard’ in all areas accessed by Ofsted. John Clare Primary School in Helpston, Peterborough has been praised by inspectors for its “‘remarkably well’ achieving pupils who display “impeccable” behaviour.

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The school underwent an Ofsted inspection in April and has been rated ‘strong standard’ across seven areas. These areas are: Inclusion, leadership and governance, achievement, curriculum and teaching, attendance and behaviour, personal development and wellbeing and early years.

Inspectors praised the school for having an “ambitious and coherent curriculum” which means all pupils achieve “remarkably well” as well as “learn and develop to an equally impressive standard”.

The report emphasises that by the time children are at the end of Year 6, they leave as “well-rounded, kind and considerate young people, ready to make positive contributions to their community”.

A spokesperson for John Clare Primary School said: “I am absolutely delighted with this outcome. Ofsted saw what I see every day at school, confident, supportive and ambitious learners who thrive in our safe and supportive school environment.”

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Inspectors praised leaders’ ambition to guide each pupil to become a ‘good human’ and highlighted that students’ behaviour is “impeccable”.

The report adds: “From youngest to oldest, they work in classrooms that are highly conducive to learning. Staff expect pupils to live up to their high expectations and pupils do just that. The school is not only filled with hard work and concentration, but fun, smiles and laughter.

“Pupils delight in the company of their friends, with kindness characterising these relationships. The oldest pupils keep a keen eye on their younger ‘buddies’, helping them to navigate the ways of the school as they begin their first steps in education.”

John Clare Primary School has five mixed-age classes: Buttercross for reception and year one, Woodgate for years one and two, Broadwheel for years three and four, Swaddywell for years four and five as well as Torpel for year six.

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The spokesperson for John Clare Primary School added: “The report reflects the closeness in the school and our ambition to nurture confident and considerate learners. Our pupils are truly at the heart of every decision we make, and I am proud that Ofsted has recognised this. It’s a pleasure to work alongside dedicated teachers and staff members who constantly exceed expectations, helping us to better our school year on year.”

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Knicks rally from 29 down, beat Spurs for 3-1 finals lead

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Knicks rally from 29 down, beat Spurs for 3-1 finals lead

NEW YORK (AP) — A record-breaking comeback, capped off by what could go down as a legendary play.

The long road back to the top of the NBA is almost complete for the New York Knicks, and the step they took Wednesday night was unforgettable.

The Knicks came from 29 points down and moved to the brink of their first championship since 1973 by beating the San Antonio Spurs 107-106 on OG Anunoby’s tip-in with 1.2 seconds remaining.

“That has to be the most iconic shot in the history of New York basketball,” Knicks coach Mike Brown said.

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It’s certainly high on the list — as high as Anunoby leaped when Jalen Brunson’s long 3-point shot bounced on the front of the rim, with his right hand stretching high to softly flick it in.

“Right hand from God,” Knicks center Karl-Anthony Towns said.

The Knicks, who have just two titles in their 80-year history and hadn’t even been in the finals since 1999, have three chances to win the title, starting with Game 5 on Saturday night in San Antonio.

It looked impossible early, when the Spurs rolled to a 27-point halftime lead. But Brunson helped bring the Knicks back with 36 points and Anunoby finished with 33.

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No team had come from more than 24 points down in a finals game, when Boston did it against the Lakers in 2008, since the NBA began keeping detailed play-by-play for all four quarters in 1997. The Spurs led 81-52 in the third quarter.

“We’re a resilient group. We’ve been through a lot,” Anunoby said. “We’ve come back plenty of times when we’re behind. Just staying with it, weathering the storm, not being too down or angry or frustrated.”

The only bigger comeback on record in any playoff game was 31 points by the Los Angeles Clippers against Golden State in Game 2 of a first-round series in 2019.

“You look at it when you’re down 29 of, ‘OK, let’s get it to 20.’ There’s three minutes left in the third quarter, we’re down 18, you’re thinking, ‘Let’s get it to 10,” forward Josh Hart said.

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“In the fourth quarter, you’re like, this is winning time. Anything can happen.”

And it did.

The Knicks had their 13-game winning streak snapped in Game 3 and seemed headed for a second straight defeat throughout the first half, when Victor Wembanyama and the Spurs opened the biggest halftime lead by a visiting team in the finals.

But the young Spurs, who made 11 of their first 16 3-pointers, went cold in the second half, going 3 for 17 behind the arc as the Knicks outscored them 58-30.

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“We got on our heels — we missed some shots,” Spurs coach Mitch Johnson said. “It’s disappointing, to say the least.”

Delirious fans inside Madison Square Garden sang along to Journey’s “Don’t Stop Believin’” a few minutes after watching something that seemed almost impossible.

Wembanyama had 24 points and 13 rebounds but shot just 9 for 25 from the field.

Road teams had won the first three games, only the second time that had happened in the finals. San Antonio was well on its way to making it 4 for 4.

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Knicks scrap watch party and fans have nothing to cheer early

President Donald Trump wasn’t at this game — Taylor Swift was — but the same restrictions remained around Madison Square Garden as when he attended Game 3. That angered the Knicks, who decided not to go forward with plans to hold an outdoor watch party outside the arena.

Inside the building in the first half, there wasn’t much for the hosts to be happy about, either.

But the Knicks gave themselves a chance by limiting the Spurs to 14 points on 4-for-20 shooting in the third quarter, using a 13-0 run to get back in it and cutting it to 90-75 heading to the fourth.

These Knicks, who erased a 22-point deficit in the fourth quarter against Cleveland in Game 1 of the Eastern Conference finals, just don’t quit. Even when the comeback seemed for naught when Stephon Castle was fouled after the Knicks had taken the lead and made two free throws to put San Antonio back ahead with 30 seconds left, the Knicks had one more rally in them.

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Dylan Harper scored 21 points and De’Aaron Fox and Devin Vassell each had 18 for the Spurs, who will try to regroup and send the series back to New York for Game 6 on Tuesday. Only one team — Cleveland in 2016 — has recovered from a 3-1 deficit in the finals.

“I think it began before (the fourth quarter),” Wembanyama said of the Spurs’ collapse. “I can’t really explain it right now. I don’t know. … We clearly weren’t the most hungry in the second half.”

Fans booed Wembanyama when he came on to the floor to warm up about an hour before the game and the Knicks tried to get rough with him, with Mitchell Robinson called for a flagrant foul for hitting him above the shoulders and Jose Alvarado reviewed for one after going below the belt.

Wembanyama — who was also called for a flagrant — stood up OK against the Knicks but will regret the two free throws he missed with 1:47 left and San Antonio leading 104-103.

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The Spurs broke to a 12-2 lead, giving them a double-digit advantage in the first quarter of all four games. They kept pouring it on and led 41-22 after one, then extended it to 57-32 when Julian Champagnie’s 3-pointer made them 11 for 16 behind the arc.

___

AP NBA: https://apnews.com/hub/NBA

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Serena Williams: American’s Queen’s campaign in doubt after Victoria Mboko injury

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Amanda Anisimova of United States reacts following victory over Laura Siegemund

Earlier on Wednesday, Amanda Anisimova sailed past Siegemund as she returned to the grass for the first time since her heavy Wimbledon final defeat last year.

The American reached her first Grand Slam final at the All England Club but suffered an excruciating 6-0 6-0 loss against Poland’s Iga Swiatek.

It was the first time a woman had won a Wimbledon final with a double bagel – the name given to a victory without dropping a game – since Dorothea Lambert Chambers in 1911.

But the 24-year-old Anisimova, a finalist at Queen’s last year, showed why she is so effective on grass with a commanding 6-1 6-3 win over world number 44 Siegemund.

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“It was an incredible year for me last year,” said Anisimova, who also finished as runner-up to Aryna Sabalenka at the 2025 US Open.

“A lot of highs, a lot of low moments where there were some tough lessons I had to learn, but those are the ones that shaped me as a person and a athlete.

“I’m trying to carry that into this year – everything that I learned.”

The second seed, who received a first-round bye, will face fellow American Iva Jovic in the quarter-finals.

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Eighteen-year-old sixth seed Jovic defeated her good friend Alexandra Eala, 21, for the second time in two weeks with a 6-2 6-2 victory on Andy Murray Arena.

“There is no bad blood. We were just talking in the locker room. It’s all good. We’re back to being friends now off the court,” said Jovic, who also beat Eala in the first round of the French Open.

The final singles match of the day, between former Wimbledon semi-finalist Donna Vekic and Czech player Marie Bouzkova, was suspended because of rain with Vekic 6-5 up in the first set.

On Thursday, all three remaining British players play their last-16 matches – Emma Raducanu facing in-form Sorana Cirstea, Katie Boulter taking on Romanian Jaqueline Cristian and Harriet Dart playing lucky loser Kamilla Rakhimova – after her initial opponent Belinda Bencic pulled out with a “small” ankle injury.

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Trump takes credit after ex-Cameron aide makes run-off for California governor

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Trump takes credit after ex-Cameron aide makes run-off for California governor

Mr Trump had previously alleged electoral fraud over the delay in counting ballots, which is notoriously slow in California, because of the predominance of postal voting, the verification process and the size of the state’s population, with some 23 million eligible voters.

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Declan Rice reveals what Thomas Tuchel demanded from England stars against Costa Rica | Football

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Declan Rice reveals what Thomas Tuchel demanded from England stars against Costa Rica | Football

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In The Mixer’s World Cup special

Everything you need to know about the World Cup – England updates, the games to watch and stories you missed – in five minutes, at 1pm, every day.

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Horoscope today: Your daily guide for Thursday, June 11, 2026

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Horoscope today: Your daily guide for Sunday, April 5, 2026

Aries (March 21st – April 20th)

You wake with fire in your belly, but as the day unfolds you crave emotional honesty more than action. Something stirs around home or private matters, and you see what you need to feel secure. A calm conversation strengthens resolve. Remember, a steady step outruns a rushed stride.

Taurus (April 21st – May 21st)

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Today you notice patterns in friendships and who truly supports you. Choices about how much energy to give or hold back become clear. Listen to intuition when old issues surface, and remember, patience gathers the richest fruit.

Gemini (May 22nd – June 21st)

Your mind races, but the Moon encourages you to slow and feel what really matters. Conversations today clarify lingering tension in relationships. Small practical actions have greater impact than grand gestures today. Keep in mind, clear thinking often lights the path better than hurried action.

Cancer (June 22nd – July 23rd)

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Your heart feels tender and protective today, especially around home and family. Old issues surface for healing. When you act with gentle confidence, solutions appear. A kind word opens more doors than force, and today you prove it with grace.

Leo (July 24th – August 23rd)

Energy and creativity surge, but emotions require attention, my friend. A small domestic matter or personal issue asks for your focus. Make the time! A conversation surprises you with the clarity shown. Remember, slow and steady often wins the game of influence.

Virgo (August 24th – September 23rd)

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Details matter, but today you notice the bigger emotional picture too. Someone’s advice or perspective shifts your thinking. A practical step in work or home brings peace of mind. A well-placed effort clears the hardest path.

Libra (September 24th – October 23rd)

Balance calls your attention, especially in partnerships and close friendships. Small gestures smooth tensions, and honest conversations unlock understanding. Take care not to overcommit emotionally. Steady hands steer the heaviest load, and today you demonstrate that.

Scorpio (October 24th – November 22nd)

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You sense hidden currents in relationships and finances. Intuition guides decisions, but clarity comes through conversation or reflection, my dear Scorpio. Focus on where control matters and where it doesn’t today. Patience digs deeper than force ever could.

Sagittarius (November 23rd – December 21st)

Adventures call, yet emotional matters demand attention first. Conversations reveal who is supportive and what is best to leave behind. A small action now brings a sense of freedom and clarity. Measured steps often lead to the most rewarding journeys.

Capricorn (December 22nd – January 20th)

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Professional or personal structures need review as the moon moves into Taurus. You see clearly where effort pays and where to step back. Conversations about responsibilities bring insight. Steady effort beats hurried ambition, so focus carefully and act with purpose.

Aquarius (January 21st – February 19th)

The Sun in Gemini sees ideas and emotions mingle, offering you new solutions to old problems. A discussion helps resolve tension with friends or colleagues. Take one careful step today toward long-term plans, please. A patient mind reaches further than a hurried one, and today you know it.

Pisces (February 20th – March 20th)

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Intuition flows strongly, and small domestic or personal matters need more attention. One heartfelt conversation reveals a clear way forward you thought you’d never find at the beginning of the week. A calm approach steadies the wildest waves, guiding you toward clarity.

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Formula 1 agrees to engine design change after criticism

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Mercedes' Kimi Antonelli leads the field at the start of the Monaco Grand Prix

Formula 1 has agreed a two-step plan to change engine design in response to criticism of this year’s new rules.

Drivers have complained that the near 50-50 split between internal combustion and electrical power this year and need for energy management has diminished the challenge in qualifying.

Four-time champion Max Verstappen was so upset by the new engines he said he would quit F1 if changes were not made, but all other drivers were in agreement the issue needed to be addressed.

The engine suppliers have agreed to change the ratio to 60-40 in favour of the internal combustion engine by 2028 and will do so in two steps.

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The compromise agreement comes after a month of talks in which Ferrari and Audi were leading a push to prevent the move to 60-40 being made in one step for 2027.

A statement from governing body the FIA said: “The proposed changes are intended to address issues related to energy management and fuel energy-flow characteristics and make qualifying more flat-out while not impacting the positive and exciting racing generated by the new regulations.”

The agreed plan will see the split changed to 58-42 in 2027 before moving to 60-40 in 2028.

The changes will be made by increasing the fuel-flow to the internal combustion engine (ICE) by 5% in 2027 and 13% in 2028.

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This will increase the power from the ICE from about 400kW (536bhp) this year to 420kW (563bhp) in 2027 and 450kW (603bhp) in 2028.

Power produced by the electrical part of the engine will be reduced from 350kW (470bhp) this year to 300kW (402bhp) from next year.

The maximum power available in overtake mode, which gives a driver within one second of a car in front the ability to recover and use an extra 0.5MJ of energy per lap will remain at 350kW.

But the maximum harvesting power of the electrical part of the engine will be increased from 350kW this year to 375kW in 2027 and 400kW in 2028.

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This last move will allow teams to recover energy more quickly, reducing the amount of time spent doing so.

The biggest criticism of the new cars this year has been the engines were energy starved because it was too difficult to recover sufficient energy around a lap to meet the maximum allowance.

In the early races, this led to unusual behaviour, such as drivers lifting off the throttle and coasting on qualifying laps, as well as recovering energy while on full throttle.

This diminished the ‘flat-out’ nature of qualifying and led to bitter criticisms from some drivers.

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Two-time champion Fernando Alonso has said fast corners have become the “charging station for the car” as a result of the new rules.

A first step to address the criticisms was made after the opening three races, when the maximum amount of energy that could be recovered on a lap was reduced, and the power of recovery when on full throttle was increased.

All the drivers have agreed this was a welcome change but only a small step in the right direction.

In addition to the rules agreement, the FIA has informed the power-unit manufacturers of the ranking of engine performance.

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This is important because it opens the door to manufactures deemed to be more than 2% behind the most powerful engine to upgrade their engines this year and next.

The FIA has not published its verdict, but sources have said Red Bull have been found to have the most powerful engine.

Only the power of the internal combustion engine is measured. The effectiveness of the recovery and deployment of the electrical system is not taken into account.

Mercedes have been awarded one permissible upgrade this season and another next, while all other manufacturers – Ferrari, Audi and Honda – can make two in both this season and 2027.

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Those permitted upgrades are also allowed to spend extra money under the engine budget cap, on a sliding scale depending on the performance deficit.

Honda was classed as the worst engine, as expected, but a source close to the FIA said they had been categorised in the bracket of 8-10% behind the most powerful.

That means they miss out on the extra chunk of funding that had been made available to any manufacturer classed as more than 10% behind, which was as much as $19m (£14m).

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Marcus Rashford already gave green light to Man United reunion after ‘Barcelona ditch transfer’

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Marcus Rashford’s hopes of joining Barcelona permanently this summer look to be in tatters with his next club as yet unclear

Manchester United forward Marcus Rashford has already given the green light for a potential move to Real Madrid and a reunion with Jose Mourinho. His comments have resurfaced after the England striker’s time at Barcelona looks to have come to an end.

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The 28-year-old scored 14 goals and bagged 14 assists for the Catalan giants as they won La Liga and the Spanish Super Cup. His loan exploits have not been deemed enough to keep him at the club, however.

Could a sensational move to Barcelona’s bitter rivals Real now follow? Former United boss Mourinho is set to take charge of Los Blancos this summer for a second time. This could perhaps sweeten the deal for Rashford, while the club have been rumoured with a swoop for the United star.

Speaking in 2021, Rashford expressed interest in playing in La Liga, something he has now achieved with Barcelona. “I would never say no,” he said on the possibility of playing in Spain.

“Other than United? I’m a big fan of Real Madrid and Barcelona, because they’ve always had great players and played attractive football. Everybody watches Real Madrid and Barcelona.”

Rashford played regularly for Mourinho during the Portuguese’s spell at Old Trafford between 2016 and 2018, becoming one of the Premier League’s in-form attackers. However, he fell out of favour with former United boss Ruben Amorim and was loaned to Aston Villa for six months in January 2025.

He joined Barcelona in the summer of 2025. Rashford was available to Barca for £26million as part of his loan agreement, but the Spanish champions have turned down the chance to make his move permanent, according to reports in Spain. It comes after Barcelona signed Anthony Gordon for £70m from Newcastle United instead.

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Marca has said that Gordon was chosen ahead of Rashford due to the winger’s ability to put in a defensive shift. They said the latter’s defending was his ‘weakest point’, and also pointed to their three-year age gap, with Gordon still only 25. Rashford’s reported £315,000-a-week wages were also said to be a concern.

Barcelona reportedly informed United that they were only willing to pay half of Rashford’s suggested fee, rounding out around £13m, which United wouldn’t entertain. It seems the player’s relationship with Barcelona is now all but over.

The Catalan side have also shown interest in a free transfer for Bernardo Silva following his Man City exit. And reports suggest they are ready to offer over £100m for Atletico Madrid’s former City forward, Julian Alvarez.

Following the news that he would not be making a permanent move to Spain, Rashford deleted all references to Barcelona from his social media channels.

His next move could be Real or a host of other clubs said to be interested, including Arsenal, Chelsea, Tottenham Hotspur and Bayern Munich.

However, he could be forced to take a dramatic pay cut in order to secure a permanent move away from United. An Old Trafford comeback is also uncertain having not played for his boyhood club since December 2024.

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