Emergency services arrived at the scene between Newgate Street and South Church Street on Sunday, September 20, following a crash between a car and a motorbike.

An individual has been rushed to hospital, a spokesperson for North East Ambulance Service confirmed.

Two ambulances were called to the scene, plus an air ambulance.

A member of the public told the Northern Echo that they spotted the air ambulance land in Morrisons car park.

A spokesperson for North East Ambulance Service said: “We received a call at 4.45pm on Sunday 20 September to reports of a road traffic incident on South Church Road in Bishop Auckland.

“We dispatched two ambulance crews to the scene and requested support from our colleagues at the Great North Air Ambulance Service (GNAAS).

“One patient was transported to James Cook University Hospital by air for further treatment.”

Newgate Street was closed for “quite some time” at the junction with Princess Street, with drivers asked to avoid the area.

At around 7pm, a spokesperson for Durham Police said: “Newgate Street is currently closed at the junction with Princes Street following a collision between a car and a motorbike.

“The road is likely to remain closed for some time while emergency services work at the scene.

“We’d ask that motorists avoid the area and find an alternative route.”

German Chancellor Friedrich Merz suffered a bruising electoral setback in two state elections on Sunday, including a historic defeat for his party to the anti-migrant AfD, but vowed to press ahead with potentially painful reforms.

Projections by public broadcaster ARD on Sunday night indicated that Merz’s center-right Christian Democratic Union, or CDU, came in with just 5% in Mecklenburg-Western Pomerania – the lowest result since World War II for the party in any state. 

The anti-migration, Russia-friendly Alternative for Germany Party, or AfD, made significant gains. The projections were based on exit polls and partial counting for ARD television.

Merz acknowledged his party’s result as a ‘disaster,’ but struck a defiant note, rejecting any retreat from his government’s reform agenda. 

He argued that Germany’s economic and political problems made difficult and potentially unpopular reforms more urgent, not less so, and pledged to press ahead.

‘What needs to be done now requires backbone, steadfastness, and patience,’ Merz said in a statement shortly after the exit polls were announced on public television. 

‘I will demonstrate these qualities as chairman of the CDU and, above all, as chancellor of our country.’

In Berlin, projections showed the CDU was to come in second with 19.1%, behind the Left party at 25.3%, according to ARD.

Voters enter a polling station in Schwerin during regional elections in the northeastern federal state of Mecklenburg-Western Pomerania on Sunday 

Ulrich Siegmund, hard-Right Alternative for Germany (AfD)’s main candidate in the Saxony-Anhalt state election, gestures as he addresses supporters at the AfD’s election party following Saxony-Anhalt’s state elections in Magdeburg, eastern Germany, on September 6

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Voters cast their ballots at a polling station in the Charlottenburg district during state elections in Berlin, Germany on September 20, 2026

Merz’s authority was already damaged by CDU’s stinging defeat to AfD in the September 6 election in the small eastern state of Saxony-Anhalt. 

That result shocked many Germans who had believed their country had developed an immunity to nationalism and assertions of racial superiority after confronting the horrors of its Nazi past through education and laws to outlaw persecution.

On Sunday, AfD also made big gains in both states. In Mecklenburg-Western Pomerania, it garnered 37.9% of the vote, and in Berlin it achieved 16.2%, according to ARD. But it was nowhere close to being able to form a regional government.

AfD’s national co-leader, Tino Chrupalla, told ZDF television that ‘the chancellor’s statement today really was more than feeble – he announced that he’d carry on as before, instead of finally drawing the consequences and resigning.’

However, in an apparent reference to the hard-Right party, Merz said that his government’s reforms would be ‘the antidote to the poison of authoritarianism, which is penetrating ever deeper into our society as the fascination with authoritarianism grows.’

The government’s reforms include cuts to income tax for low- and middle-income families, an overhaul of the creaking pension system and a reduction of Germany’s stifling bureaucracy.

Merz, 70, became Germany’s leader 16 months ago with promises to turn around an economy that has barely grown in years. But he has failed to lift a sullen national mood and become deeply unpopular.

The strong showing of AfD in the Saxony-Anhalt election, where it has the best chance yet of forming the country’s first hard-Right regional government since World War II, had further weakened the chancellor’s standing on the national level as well.

In the past two weeks, there had been calls, even from within his own party, for him to be replaced as chancellor, although no top-level allies have called publicly for his departure, and many warned against ‘personnel debates.’

Philipp Amthor, a prominent CDU figure from Mecklenburg-Western Pomerania who now manages relations between the federal and state governments at the chancellery, said Sunday night that one problem in the campaign had been ‘the difficult personnel discussions’ of recent weeks – an apparent reference to the speculation about Merz.

‘It is good and right for these personnel discussions not to be continued now,’ he said.

Not many people will know this famous Cambridge building featured in the film

Hollywood has been knocking on Cambridge’s door for many years – and that’s no surprise with some iconic sights on offer in the city. The city has featured in some big blockbusters such as The Theory of Everything in 2014, following the life of scientist Sir Stephen Hawking.

Trinity College featured in 2015’s The Man Who Knew Infinity, and Cambridge has also featured in 2018’s Red Joan, starring Judi Dench. One popular film that people may not know Cambridge appears in is a Disney film starring Johnny Depp.

This is of course is the iconic Pirates of the Caribbean, where Depp plays the funny, yet clumsy Jack Sparrow. Part of the fourth instalment of the pirate franchise, Pirates of the Caribbean: On Stranger Tides, was filmed at the famous King’s College in Cambridge.

The Cambridge college is one of the most recognisable in the city, as it features in the famous Backs. Many people would have seen the college’s chapel while on a punting tour of Cambridge.

While On Strangers Tides was also filmed in Hawaii and California, filming took place in the United Kingdom for 106 days. King’s College portrayed 1750’s London in some scenes of the film. Sadly, it’s unknown if Depp actually visited Cambridge during filming.

Other UK locations featured in On Stranger Tides include Hampton Court Palace and the Old Royal Naval College in Greenwich.

As well as Pirates of the Caribbean, King’s College has lit up the silver screen in other films. It played the part of St John’s College in Oppenheimer, starring Cillian Murphy, and the college chapel was in the 1981 Chariots of Fire.

Ed Sheeran says his family has ‘abandoned’ him and that he’s ‘found out who his friends are’ amid the Israel-Palestine controversy that has threatened his tour. 

The devastated British pop star, 35, has faced fierce backlash after Macklemore was dropped over his pro-Palestine views.

Macklemore was removed from Ed’s tour after US stadium owner Robert Kraft accused him of hate speech during previous support slots in which the rapper called for a ‘free Palestine‘. 

But Kraft, who is Jewish, banned him from performing at his Gillette Stadium near Boston, sparking an Israel-Palestine row that has left Sheeran feeling ‘abandoned’ by his family. 

The singer struggled to hold back tears on stage last night as he apologised to fans for his handling of the controversy that has threatened to wreck his tour.

He told fans in Philadelphia he wasn’t sure if upcoming dates would go ahead amid the backlash and threats of a boycott against the decision to drop opener Macklemore over the rapper’s support for Palestine.

Sheeran said he had ‘found out who his friends are’, adding: ‘I cannot hide how I feel… any more.’

The singer admitted to making ‘mistakes’ in his handling of the situation and backtracked on his previous vow not to bring politics to his show as he called the situation in Gaza ‘catastrophic and unjustifiable’ and Hamas’s October 7 attacks ‘horrific’.

Ed Sheeran has made his stance clear on the Israel-Palestine conflict after his Loop Tour fell apart amid Macklemore’s ‘Free Palestine’ comments

It comes as the concert was swarmed by pro-Palestine protestors before he took the stage

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In his first stage appearance since the Loop tour was plunged into turmoil, the 35-year-old father of two said he ‘never wanted to be an activist musician’ but the fierce criticism meant he has had to ‘take and make difficult decisions’.

He said: ‘I really didn’t know whether this tour would be carrying on. In these situations, you really find out who your friends are and it’s been a weird week. I just feel like it happened very quickly.

‘In the back of my mind, I saw the ticket sales for this gig and I didn’t see cancellations, I saw people buying tickets for this gig. 

‘Everyone’s telling me to cancel and I’m feeling all of my friends and family and people I know abandon me.

‘I look at the end of the week and I see 50,000 people who haven’t abandoned me. People will say what they want, but I am doing this for you. I love you. I love this.’

Sheeran said his heart had been broken ‘by the scale of devastation and loss of lives’ and became emotional as he told a cheering crowd: ‘I’m so grateful you are here with me tonight.’

He apologised and became visibly emotional again at the end of the show for bringing politics to his concert – something he had vowed not to do.

Sheeran said at the end of the night: ‘The one thing that I would like to apologise for is the first bit of the show where it wasn’t about music and I had to talk.

Sheeran returned to the stage in Philadelphia on Saturday night for the first time since 43-year-old Macklemore, real name Benjamin Haggerty, was axed from the tour (pictured together in 2013) 

‘I understand that people have children here and I understand that families didn’t buy a ticket to hear that first bit of the show, but that was something I felt like I needed to say.’

Sheeran had previously said that ‘those who come to my shows do not expect a political forum’.

The gig at the Lincoln Financial Field marked the first time the star returned to the stage since the rapper Macklemore was dropped as his opening act after taking a vocal stance in favour of a ‘Free Palestine‘.

In a solemn speech at the start of the concert, Sheeran said: ‘I have tried in my career not to be a political commentator of any kind because I want my music and shows to be about unity and not division, about humanity and not politics. But this is a humanitarian issue and I cannot hide how I feel about it anymore.’

‘What happened in Israel at Nova music festival on October 7 was horrific and compounded centuries of Jewish pain.

‘What is happening in Gaza is catastrophic and unjustifiable and disproportionate,’ Sheeran said in a video captured and shared online by a concertgoer.

‘My heart has been broken by the scale of devastation and loss of civilians’ lives, of children’s lives, and the systemic injustice we’re seeing unfold in the West Bank cannot be overlooked,’ he declared.

Sheeran told the audience that he plans to ‘continue my current tour’ despite each of his openers dropping out in solidarity with Macklemore.

Finneas, Billie Eilish’s brother, pulled out of his scheduled appearances in upcoming tour dates, stating that ‘artists must not be silenced when they speak up for the oppressed’

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Activists demanded freedom for Palestine as they gathered outside of Lincoln Financial Field on Saturday night

By the end of the show, Sheeran broke down into tears, telling fans: ‘I’m so grateful. The world is a scary place right now. America is a scary place right now. This gives hope. This gives hope.’

The crowd broke out in applause as Sheeran appeared deeply moved.

‘My shows are about this,’ he said. ‘They are about people coming together that don’t know each other, that have different beliefs. They’re about unity. They’re about love. They’re about family.’

As fans cheered, Sheeran vowed that the controversy would not stop him from performing.

‘You’re jumping around like maniacs with each other and having fun,’ he said. ‘And I will never stop doing this. I will never stop doing this. I love doing this so much.’

It came after Macklemore said Sheeran had spoken to Robert Kraft, who owns Gillette Stadium in Massachusetts through his holding company, the Kraft Group.

‘Ed told me that Kraft said I would not be allowed to perform in his stadium. Ed also told me that Kraft had rallied some of the other stadium owners and collectively they gave him an ultimatum: if Macklemore stays on the tour, you will not be allowed to play in our venues,’ he wrote.

On Tuesday, Sheeran released his own statement on Instagram, saying it wasn’t his decision to remove Macklemore from the tour, but rather the promoter’s.

‘I would never let down the fans who had made plans, nor would I abandon the touring crew and the other support acts and musicians who rely on me for work and to make a living,’ the British singer-songwriter added.

Sheeran said in the lengthy statement that he has ‘personal views on this devastating conflict’, but made the choice ‘not to speak publicly’.

He has faced criticism from other artists, including Pink Floyd co-founder Roger Waters, who bashed him on social media for not taking a stand against the decision.

Ed Sheeran’s cousin last week branded the pop star a ‘coward’ for dropping pro-Palestine Macklemore.

Jethro Sheeran, who at 44 is nine years older than his cousin, responded to the row by saying he was ‘ashamed’ of his relative.

In a furious post on Facebook, he said: ‘Finally it’s all coming out! I’m ashamed of my cousin Ed and what he’s done.

‘Finally the world and all his fans see through him. He’s not a good person, I don’t like his music so I can’t say he’s even a good artist.’

Billie Eilish’s brother, Finneas, pulled out of his scheduled appearances in upcoming tour dates, stating that ‘artists must not be silenced when they speak up for the oppressed’.

Tour openers including Aaron Rowe and the band Lukas Graham, along with Sheeran’s long-time backing folk band Beoga, also withdrew from the endeavour.

In his address to fans on Saturday, Sheeran stated: ‘I’ve had to take and make difficult decisions, and I am making mistakes, and I’m so, so sorry.’

He said: ‘I don’t want to disappoint fans and I’ve never wanted to be an activist musician. But this has put me in the middle of an important and passionate argument about freedom of speech in the most complex political issue on the planet.’

The pop star continued: ‘Our concerts have always been a safe space for everyone, and that matters hugely to me. Honouring my commitment to my fans is also completely central to who I am and that is why I’m here tonight, on my own, and continuing my own tour.’

He went on to say: ‘I am deeply worried about the idea that venues pre-approved content performance. This happens in so many places that I’ve gone around the world, but it should never happen in the free world.’

You could easily walk past and just think it was a normal terraced home

Cambridge is one of Britain’s tourist hotspot, with lots of different places for people to visit. The university colleges are a top choice, but there are also a wide range of museums.

These attractions are not hard to miss, but there is one Cambridge attraction that’s hidden in plain sight. Walking down Gwydir Street, people will be faced with terraced houses.

What some people might not know is there is a museum hidden with one of these terraced houses. This is the David Parr House.

This “ordinary Cambridge terraced house” was home to Victorian working class artist David Parr and his family for more than 125 years. The house is a “rare survival of arts and crafts workmanship in a modest domestic setting, layered with 20th century social history”, as stated on the David Parr website.

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David Parr worked for a Cambridge firm of artworkers known as F.R. Leach & Sons. He hand-painted houses and churches.

In 1886, he bought 186 Gwydir Street and decorated the home over the next 40 years. He decorated it by lamps and candlelight in the style of grand interiors he decorated through work.

When he died in 1927, his home was passed down to his granddaughter Elsie Palmer. She lived in it for over 85 years. Today, the house is open to the public for people to visit.

There are a range of guided tours, workshops and events held at the house. If people want to visit, it costs £15 for people to visit without a guided tour, and £20 with a guided tour.

The house is open on Thursdays, Fridays and Saturdays from 10am until 5pm.

Beyond Brighton pier, several dinghies were having a glorious day, scudding over the waves.

Things were a touch bumpy, too, inside the grim concrete conference centre where the Lib Dems had gathered. The head of Devon County Council gave his opinion of party leader Sir Ed Davey – and it was not pretty.

Sir Ed had ‘allowed other parties to go steaming past us,’ griped Devon’s Julian Brazil. ‘We seem to be peripheral. We’re lacking ambition, we’re lacking courage, we’re not saying things that people can relate to.’

Welcome to conference!

Have the ineffably patient Lib Dems finally twigged that 60-year-old Sir Ed is a bit of a fool?

After the conference’s three-hour lunch interval – three hours, and they don’t even drink – Sir Ed did a question-and-answer session chaired by former Radio 4 journalist Carolyn Quinn. She raised Mr Brazil’s fears that the party was ‘sleep-walking into irrelevance’ under him.

Sleep-walking into inaudibility, too. Sir Ed’s microphone was not working properly.

A tech bod had to creep on stage to pass him a hand-held mic which didn’t pop.

Once Sir Ed could be heard, he replied that he had known Mr Brazil for years, the unspoken suggestion being that Mr Brazil had always been a difficult beggar. Davey called him ‘a good local councillor’.

Translation: Stick to Devon issues, matey, or I’ll encourage your local colleagues to boot you out of your job. This was heard in silence by a hall that was not full.

Guest interviewers at party conferences are not expected to be especially rigorous, but Quinn did not give Sir Ed an easy time. She brought up Labour’s rumoured plan to impose the mansion tax on houses worth a mere £1.5million and noted that Sir Ed’s constituents in prosperous Kingston upon Thames would be ‘very interested’ in that.

Sir Ed, whose whole strategy is built on sucking up to Labour in the hope that he might become deputy prime minister in a future coalition, did not particularly want to slag off the Government. He therefore resorted to moaning about Brexit. That drew, as it always does from Lib Dems, a few warbly cheers.

Quinn upbraided Sir Ed for retreating into comfort territory and instead asked him if he wanted to keep the pensions triple lock. He did, but an apparent majority of hands in the hall did not agree with him. Oops. This was becoming awkward.

Sir Ed, pain corrugating his forehead, said it was plainly a ‘controversial matter’. You could sense the snowy ancients in the hall thinking: ‘He’s a stodgy bore and not even a stodgy bore who agrees with us. Councillor Brazil has a point.’

Other Lib Dem grandees, if one can use that noun, had sniffed this simmering dissent.

Daisy Cooper MP gave the morning’s main speech and she was dementedly energetic, throwing her arms around, striding about the stage, flashing her gnashers, bouncing up and down, shaking her shoulders as if at a disco, and more.

It was not so much a political speech as a Zumba routine. Has gabble-prone Cooper, who radiates all the gravity of a TV gameshow’s scoreboard operator, worked out that a leadership election may soon arise?

Little Josh Babarinde MP, the party’s president, was also making himself very obvious, striding about the conference centre with a floppy-haired assistant in tow.

Wasp-waisted Mr Babarinde came over all macho and said: ‘We’ve got to flip the table over and rise up!’

My, my, such bar-brawl talk from one so weedy. He looks as if he could barely flip a beer mat.

Ms Cooper, like Sir Ed, kept talking about dismantling Brexit. It’s their go-to response when they have nothing else to say.

She managed to get through her ‘keynote’ speech on the economy without mentioning welfare spending or defence budgets.

Instead, she bellowed about reducing regulation on businesses. That would be a splendid idea, no doubt, but the Lib Dems have seldom seen a regulation they did not like.

Two stars from Call the Midwife and House of the Dragon are partnering up on the stage for a lavish new production at The Lowry theatre of a classic musical that’s been hailed as a ‘cocktail of romance and charm’.

Fresh from a record-breaking summer season at London’s Barbican Theatre, High Society has been hailed as a ‘glittering’ new take on the popular 1956 film of the same name, originally starring Bing Crosby and Grace Kelly.

The musical follows an Oyster Bay socialite who plans to wed a pretentious executive when her ex-husband returns onto the scene. It will star Helen George, who plays Trixie Franklin in Call The Midwife, and Freddie Fox, who currently stars as Gwayne Hightower in Game of Thrones prequel House of the Dragon, in the lead roles.

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The musical, which features classic Cole Porter songs including Who Wants To Be A Millionaire, Let’s Misbehave, and You’re Sensational, will be performed at The Lowry on a two-week run from September 22 to October 3 (tickets here), and Helen and Freddie both say taking part in the show is a moment they’ve both been longing for.

“I grew up listening to all the greats like Ella Fitzgerald and Frank Sinatra singing those wonderful Cole Porter melodies,” Helen explains. “Doing this show is really special for me because this is the music that I grew up with and sang along to.”

“I’ve been building up to this since the age of four when I saw my first musical at the National Theatre,” Freddie says as he recalls seeing Guys and Dolls on the stage at a young age. “I absolutely loved it, I learned all the words to all the songs and I sang them to anyone who would listen for a good few years afterwards.

“It’s what started my obsession with musicals and I later became besotted with Cabaret and The Producers, so finally getting to star in one now on stage is the realisation of a boyhood fantasy.”

In the production, Helen, who previously appeared on Strictly Come Dancing back in 2015, takes on the role of Tracy Lord, who the actress describes as being a bit of a ‘White Lotus’ level of appeal to her.

“She’s a very interesting character,” she explains. “One of my first questions was ‘Why would we care about her?’, because on paper she’s got it all. She lives in this fantastic house and there’s so much wealth behind her, but ultimately it’s a story about human relations and Tracy is trying to control her life in the best way that she can.

“It’s a bit like The White Lotus because everybody’s in this world of wealth and fabulousness, and how can we relate to that? But actually we can’t take our eyes off them and there are really relatable themes about love and pain amidst all the fun and fantastic songs.”

Helen adds: “I think what’s interesting about her is that she’s a divorced woman in 1951, which is rare and actually quite brave. It’s interesting to explore the fact that she’s free and independent and only needs a man for love, not money.”

Freddie, meanwhile, will play the sharp-eyed tabloid reporter Mike Connor, who is constantly hunting for scandal and heads to the Oyster Bay house for hopes of his next big scoop. “He’d like to think of himself as a socialist, but he’s probably more of a champagne socialist, to be honest,” Fox laughs.

“He’s a sort of middle-class intellectual and a very good writer, but he has only ever written one book that nobody read, so he has to make money as a journalist – which is something that he hates doing but it pays the bills.

“When he arrives at this fancy-schmancy house in Oyster Bay he’s thinking ‘These people are going to be completely ghastly’ and decides that he wants to hate them all on principle, but then he gets lured by the high society spell.”

Asked if he has any comparable features to the role of Mike, Freddie laughs again as he says: “Well, apart from being slightly left-wing and liking champagne, not really!”

The show comes at a special time of year for Helen, who would normally be on set filming Call The Midwife. However, following its recent 15th series, bosses of the popular BBC show confirmed it was on a hiatus but reassured fans it had not been cancelled. Helen says she is sure she will be back on the show soon enough.

“It’s weird not seeing my friends in the cast [right now],” the actress explains. “Call the Midwife is always going to be a part of me and I hope in my future as well. I’m hoping that my time as Trixie hasn’t come to an end just yet.”

Both Freddie and Helen say the fact that High Society is touring the country following its run in London is essential for audiences across the country to be able to get the same offering and level of shows as those living in the capital.

“Without getting on my soapbox, I think touring productions are so important,” she stresses. “I grew up in Birmingham and I saw so many wonderful touring shows, and that’s what made me want to do what I do now.”

Freddie adds: “Taking a show out of London is what it’s all about for me. Theatre should be for absolutely everybody and I think now more than ever – as we face a kind of technological revolution, the effects of which we can’t quite predict, what with AI and the like – theatre is more important to us than perhaps it ever has been in our history.

“Taking a show on tour and giving people a great night out is just one brick in that enormous wall.”

With a book by Arthur Kopit, High Society will feature a multi award-winning creative team behind it, including renowned director Rachel Kavanaugh and Mamma Mia! choreographer Anthony Van Laast. It will also feature gorgeous costumes designed by Jon Morrell, which is something Freddie is especially excited about.

“The costumes are extraordinary and audiences will leave the theatre feeling like no expense has been spared on making it a truly massive musical extravaganza,” he states.

Both performers say they are excited to get onto the Salford Quays stage for the adaptation of High Society, and say they expect it to be a real slice of very-much-needed escapism for audiences right now.

Helen said: “I come out of the theatre, then I listen to the news and think ‘Oh God, I’m so glad that I’m doing High Society, not something that’s sad or political in any way’.

“This is exactly the sort of show that we need right now, and I think that theatre really comes into its prime when the world feels uncertain – especially with a musical that’s as much fun and as lively and joyful as this one.”

High Society will be at The Lowry from September 22 to October 3. Helen George will not appear in the September 25 and 26 shows. Tickets here.

Carrick, who is feeling the heat after a winless run of four games, welcomed back Luke Shaw from injury at left-back after the England international’s spell out with a thigh problem, while summer signing Carlos Baleba was amongst the substitutes for the first time since his move from Brighton, having arrived at Old Trafford with a pre-existing ankle issue.

Indonesia is home to about 36 per cent of the world’s tropical peatlands, and the degradation and draining of these landscapes has worsened the situation. When parched, the peatlands can burn for weeks, releasing more toxic fine particulate matter and carbon than tropical forest fires. 

The El Niño, which typically brings hotter, drier weather to Southeast Asia, has exacerbated the situation. 

“Indonesia is only about three weeks into its fire season, but we’re seeing fire activity track sharply upward, similar to 2015,” Robert Field, a Columbia University researcher, told NASA Earth Observatory. “The strong El Niño is making the dry season drier over the fire-prone parts of the country and exacerbating burning.”

On Thursday, the World Meteorological Organization (WMO) warned there was almost a 100 per cent chance the weather phenomenon will continue through to February – the strongest level of certainty it has ever given in an El Nino/La Nina update. 

“If this trajectory continues, it may be stronger than anything since our monitoring began – so literally off the charts we have used for the past four decades,” Celeste Saulo, the WMO Secretary-General, told reporters in Geneva. 

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