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With Affordable Storage Options Dwindling, Where To Store Our Data?

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These days our appetite for more data storage is larger than ever, with video files larger, photo resolutions higher, and project files easily zipping past a few hundred MB. At the same time our options for data storage are becoming more and more limited. For the longest time we could count on there always being a newer, roomier, faster, and cheaper form of storage to come along, but those days would seem to be over.

We can look back and laugh at low capacity USB Flash drives of the early 2000s, yet the first storage drive to hit 1 TB capacity did so in 2007, with a Hitachi Deskstar 7k100, only for that level of capacity in PCs to not really be exceeded nineteen years later.

We also had Blu-ray discs (BD) promise to cram the equivalent of dozens of DVDs onto a single BD, with two- and even four-layer BDs storing up to a one-hundred-and-twenty-eight GB. Yet today optical media is dying a slow death as the sole remaining cheap storage option. NAND Flash storage has only increased in price, and the options for those of us who have large cold storage requirements would seem to be decreasing every day.

So what is the economical solution here? Invest in LTO tapes using commercial left-overs, or give up and sign up for Cloud Storage™ for the low-low price of a monthly recurring fee?

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It’s Not Hoarding, I Swear

Although there are many people today who use just a lightweight laptop with something like 256 GB of storage in it without any complaints, the problem would seem to lie mostly with those who are really into having local and offline data. This can include things like multimedia content, but also project files and resources, which especially in the case of video editing and game development can quickly balloon into pretty serious size requirements.

Over the decades of memory storage, there’s been a near-constant flurry of new innovations and technologies, always with the knowledge that in a decade there would be massively larger forms of storage or at least big price drops to look forward to. This is how my first late 90s PC didn’t have just a zippy Celeron 400 CPU, but also a massive 4 GB HDD.

Compared to the 30 MB HDD in the 386-based system that I had before this was massive, but with multimedia content flooding in courtesy of the filesharing revolution, I quickly had to pop in a 10 GB HDD. By the time that I upgraded to a new PC that was considered small, and I found myself well above 20 GB, before soon joining the 1 TB and later the 5+ TB club. By 2012 HDDs were using 2 TB platters, so this was basically becoming unavoidable.

Meanwhile a lot of files were offloaded or backed up onto optical media, both CDs and DVDs. Although ZIP disks also briefly made an appearance in my PCs, optical discs were simply far cheaper and more universally usable.

The Problem

Sony was the only manufacturer of 128GB writable Blu-Ray discs. Other manufacturers topped out at 100GB.

Even before the current ‘AI’ datacenter-induced tripling of Flash storage costs that’s also affecting USB Flash drives and HDDs, optical media had been slowly phased out for a while. Even without checking sales numbers, you don’t have to be a genius to consider it a bad sign that manufacturers like Pioneer are exiting the optical storage market and big names like Sony ceased the production of recordable Blu-ray discs along with MiniDisc and MiniDV formats.

If you have recently shopped around for internal 5.25″ optical disc drives (ODDs) in particular, you may have noticed that these are becoming increasingly more rare and expensive. Even stand-alone BD player options are becoming more limited, with that distinct ‘final gasp’ vibe that comes with a dying format, as with VHS and kin in the past.

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Part of the problem can probably be attributed to the move away by content distributors – including multimedia, games and software – from physical media to online distribution methods. This takes the form of streaming services, Software-as-a-Service (SaaS), and online game stores. At this point you do not even need a BD player in your home game console, never mind PC, to install games. Neither do you need a BD player connected to your smart TV as you can just join the new brave world of terminal-based subscriptions.

So with demand for optical media massively reduced by this shift, what’s left for those of us who just want to back up our data in peace and without shelling out too much hard-earned cash?

The Future

With the prospect of cheap DVD and BD blanks becoming a thing of the past, or unusable due to a lack of new optical drives to use them with, what options remain? We can look at metrics like cost per GB to see what might conceivably make sense.

The most recent 50-disc spindle of DVD+Rs that I purchased came in at just under €15 for 235 GB, so that’s about 6 cents/GB, and I could have gotten it much cheaper by going for larger spindles and shopping around some. For comparison, SSD storage was more than triple that even before the recent price surge, and HDDs are coming in around that same price tag as well.

A quick look at LTO tapes and drives for sale shows that while tapes for the older LTO-8 standard from 2017 are pretty reasonable, the drives cost an absolute fortune, so you’d have to be pretty lucky to score one without having to pawn off a kidney.

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Add to this that LTO tapes are only really guaranteed for a lifespan of 15-30 years and are incomparably slower due to being a linear format. This makes tape storage only really suitable for the coldest of cold storage, and not for keeping some videos around, or for game development resources that you would like to pop in and quickly query without dying from old age while a tape seeks to the appropriate position.

The Solution?

Even assuming that the current insane surge in pricing for RAM, NAND Flash, and even HDD storage is just a temporary blip, and that by the time 2027 rolls around the RAMpocalypse will just be a bad dream to meme about, the basic economics of cost per storage would still not have changed in any measurable way.

The advantage of optical media, especially DVDs, is that they’re a very simple technology, relatively speaking. While there is some impressive technology in the optical pick-up component of an ODD, over the decades they have become highly affordable commodity devices. Meanwhile the discs are very cheap to produce, being at their core just some plastic with a coating on which the bits are written, while being very durable if kept away from physical harm.

It’s also essentially guaranteed that a DVD+R or BD-R will not have its data altered, something which cannot be guaranteed with a USB Flash drive. Filesystem corruption and electrical issues may damage or even destroy the Flash drive.

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Although it’s easy to say that one should just ‘stop hoarding data’ or subscribe to some cloud storage solution for potentially infinite money per GB, high latency and the possibility of data loss due to a datacenter issue, there are many arguments to be made in favor of keeping local, offline copies, and that this should be done on highly durable media. We just cannot be sure that optical media will remain an option in the future.

What is your take on this conundrum? How do you manage your storage needs in this modern era, and what are your plans for the future? Please feel free to sound off in the comments.

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Samsung Music Studio 7 and 5 Wireless Speakers Debut With Erwan Bouroullec “Dot” Design and High Performance Audio

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Samsung has spent the better part of the last decade dominating the TV market and building a soundbar empire, but dedicated two-channel speakers and a whole home music ecosystem have never really been part of the conversation, until now. With the $499 Music Studio 7 (LS70H) and $299 Music Studio 5 (LS50H), Samsung is making a direct move into wireless whole home audio for 2026, and it’s not doing it quietly.

Following its latest OLED, Neo QLED, MiniLED, and Frame TV launches, these new Wi-Fi speakers, first previewed at CES 2026 and now fully detailed—pair a more refined, room-friendly sound with a distinctive “dot” design from Erwan Bouroullec that actually gives them an identity in a sea of forgettable boxes. Samsung isn’t chasing louder or flashier. It’s aiming for flexible multi-room and true two-channel performance wrapped in something people might actually want to look at for more than five minutes.

What sets Samsung’s Music Studio speakers apart from most competitors is that they can be used both for whole home audio (up to 10 speakers in the home) and also used as part of a multi-speaker home theater audio system (up to 5 speakers).

Music Studio 7 and 5 Shared Features

Here are some key features that the Music Studio 7 and 5 have in common:

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Style: The Music Studio 7 and 5 feature a distinctive “dot” design concept created by renowned designer Erwan Bouroullec. The idea draws from a universal symbol found throughout music and visual art, while remaining rooted in Samsung’s current industrial design language. The result is a speaker that blends into a room naturally—doing its job without screaming for attention, which is how most people actually want their speakers to behave.

Wireless Streaming: Music Studio speakers support both Bluetooth and Wi-Fi streaming, with compatibility for Google Cast, AirPlay, and Roon Ready systems. That gives users real flexibility across platforms without being locked into a single ecosystem.

Voice Assistants and Control: Users can control the Music Studio 7 and 5 via voice commands using Alexa, Google Assistant, and Bixby. Non-voice control is available through onboard controls and the Samsung Sound App (coming soon). There is also a dedicated Spotify Connect button for direct playback. A traditional remote control is not included.

Audio Lab Pattern Control: This technology manages how sound is distributed across channels, reducing overlap and congestion so effects, music, and dialogue remain clearly defined.

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AI Dynamic Bass Control: Designed to deliver deeper, more controlled low frequencies with minimal distortion, this system dynamically adjusts bass output in real time while supporting high-resolution audio up to 24-bit/96kHz.

Active Voice Amplifier Pro: Samsung’s AVA analyzes ambient noise in real time so voice audio remains clear and intelligible. Enabling this feature boosts dialogue from the Music Studio 7 and 5, making it easier to hear over background noise without cranking the overall volume. This is particularly handy for listening to podcasts, audiobooks, weather and news reports in a busy home.

Wireless Dolby Atmos: The Music Studio 7 includes a Dolby Atmos-compatible HDMI eARC connection with up-firing driver for height effects, while the Music Studio 5 offers neither of these things. Both speakers can reproduce Dolby Atmos music over a wireless connection from compatible streaming services, however, the Music Studio 5 virtualizes the height effects while the Music Studio 7 offers a discrete up-firing driver for the height channel. Both speakers can be a part of a Wireless Dolby Atmos system over Wi-Fi when used with compatible Samsung TVs and select streaming sources.

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Pro Tip: Samsung’s Wireless Dolby Atmos implementation is not the same thing as Dolby Atmos FlexConnect. Although the two systems share some features and functionality, they are entirely different implementations.

Eclipsa Audio: Samsung’s Music Studio wireless speakers incorporate Eclipsa Audio, an open immersive surround sound format developed by Samsung in partnership with Google and other companies. Similar to Dolby Atmos, Eclipsa Audio expands on traditional surround sound with the addition of height information. With Eclipsa Audio-encoded content, sound can come from all around and above the listener. This enables a more enveloping and immersive listening experience with sound emanating from all three dimensions, just like in real life. Eclipsa Audio is currently the only immersive surround sound format supported on YouTube.

Q-Symphony: This feature allows the Music Studio speakers to work in tandem with compatible Samsung TVs, soundbars, and Wi-Fi speakers to create a more immersive home theater system. Q-Symphony supports pairing up to five Samsung audio devices and can automatically optimize sound based on speaker placement within the room.

SpaceFit Sound Pro: Samsung’s room calibration technology is built into both Music Studio models via onboard microphones. SpaceFit analyzes your listening environment and adjusts output accordingly. It can recalibrate automatically on a daily basis or whenever the speaker is moved.

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Waveguide: This design technology helps direct and disperse sound more evenly throughout the room, improving coverage so audio remains consistent regardless of where you’re sitting.

Music Studio 7 (LS70H)

Samsung Music Studio 7 (LS70H) Wireless Speaker Closeup

The Music Studio 7 (LS70H) is the flagship of Samsung’s 2026 Wi-Fi speaker lineup, designed to deliver a more immersive listening experience from a single enclosure.

On the outside, it features a curved rectangular form that aligns with the series’ distinctive design language. Inside, Samsung has implemented a 3.1.1 channel configuration, including a built in subwoofer, with left, center, right, and top firing drivers working together to create a convincing sense of height and spatial depth without the need for a full surround system.

The LS70H measures 7.28 x 10.59 x 7.50 inches and weighs 12.35 pounds.

Music Studio 5 (LS50H)

Samsung Music Studio 5 (LS50H) Wireless Speaker Close-up

The Music Studio 5 (LS50H) sits below the Music Studio 7 in Samsung’s 2026 Wi Fi speaker lineup and takes a different design approach, with a rounded top half and rectangular base that feels more decor friendly than most wireless speakers. It can reproduce stereo sound on its own or be paired with a second unit for a wider more enveloping soundstage. Though it has no built-in height speaker, it can reproduce virtualized Dolby Atmos immersive sound.

While it looks different from the Music Studio 7, the LS50H is still engineered to deliver controlled bass with minimal distortion and supports modern connectivity options, including Wi Fi casting, streaming services, voice control, and Bluetooth for seamless everyday use.

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Inside, the Music Studio 5 uses a 2-channel configuration with a 4-inch woofer and dual tweeters, balancing clarity, low end presence, and a form factor that fits more easily into real living spaces.

The LS50H measures 9.88 x 11.18 x 5.39 inches and weighs 5.29 pounds.

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Comparison

Samsung Model  Music Studio 7 (LS70H) Music Studio 5 (LS50H)
Product Type Wi-Fi Speaker Wi-Fi Speaker
Price $499.99 $299.99
Number of Channels 3.1.1 2
Speaker Configuration 3 main channels (Left, center/front, right)
· 
1 Built-in Woofer ·
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1 Up-firing 

2 Tweeters
· 
1 Built-in Woofer
HDMI ARC Yes (eARC) No
Dolby Atmos Yes Yes (virtualized)
Remote Controller No No
Q-Symphony compatible Yes Yes
SpaceFit Sound Pro Yes Yes
Built-in Mic Yes Yes
Group Play Yes Yes
Active Voice Amplifier (AVA) Pro Yes Yes
Connectivity Wi-Fi: Yes 

Bluetooth: Yes
 
Bluetooth Version: 6

Voice Assistants Built-in: Alexa, Bixby 

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Works with: Google cast, Airplay

HDMI IN: No 

HDMI OUT: 1
 
HDMI CEC: Yes

Optical In: 1
 
USB: No

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USB Music playback: No
 
Samsung Sound App: Yes
 
Spotify Connect: Yes 

Roon Ready: Yes

Wi-Fi: Yes
 
Bluetooth: Yes 

Bluetooth Version: 6

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Voice Assistants Built-in: Alexa, Bixby 

Works with: Google cast, Airplay

HDMI IN: No 

HDMI OUT: No 

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HDMI CEC: No

Optical In: 1
 
USB: No

USB Music playback: No 

Samsung Sound App: Yes
 
Spotify Connect: Yes 

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Roon Ready: Yes

Audio Format/AV Decoding Dolby Atmos: Yes 

Dolby TrueHD: Yes 

Dolby Digital Plus: Yes
 
Dolby 5.1ch: Yes 

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DTS:X: No 

DTS 5.1ch: No
 
DTS-HD HRA: No 

DTS-HD MA: No 

DTS Express: No 

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MP3: Yes
 
AAC: Yes 

OGG: Yes 

FLAC: Yes 

WAV: Yes 

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ALAC: Yes

AIFF: Yes

Dolby Atmos: Yes 

Dolby TrueHD: Yes 

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Dolby 5.1ch: Yes 

DTS:X: No 

DTS 5.1ch: No
 
DTS-HD HRA: No 

DTS-HD MA: No 

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DTS Express: No 

MP3: Yes 

AAC: Yes 

OGG: Yes 

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FLAC: Yes
 
WAV: Yes 

ALAC: Yes

AIFF: Yes

Sound Modes Adaptive Sound: Yes
 
Night Mode: Yes
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Voice enhance mode: Yes
 
Stereo: Yes

Adaptive Sound: Yes 

Night Mode: Yes

Voice enhance mode: Yes 

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Stereo: Yes

Dimensions (inches WHD) 7.28 x 10.59 x 7.50 9.88 x 11.18 x 5.39
Weight (lbs) 12.35 5.29
Package Contents Speaker: Yes 

Power Cord: Yes

Speaker: Yes 
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Power Cord: Yes

The Bottom Line 

The Music Studio 7 and Music Studio 5 mark Samsung’s most credible push yet into wireless whole home audio and two-channel audio. What makes them stand out isn’t just the feature list, it’s the combination of design, flexibility, and ecosystem integration. The Bouroullec “dot” design gives them a visual identity most wireless speakers lack, while support for Wi-Fi streaming, Roon, AirPlay, Google Cast, and Q Symphony makes them far more adaptable than the average plug and play box.

Samsung appears to be intentionally blurring categories here. The Music Studio speakers aren’t just lifestyle speakers. They can run in stereo mode, pair with each other for wider stereo separation, handle Dolby Atmos music, slot into a multi room system, or integrate into a home theater setup with Samsung TVs. That kind of versatility is where Samsung is clearly aiming to separate itself.

But there are tradeoffs. No analog input, no USB playback, and no phono stage means traditional sources are completely off the table without workarounds. If your system still revolves around physical media or external components, these aren’t built for you.

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Competition is stiff. Sonos, Bluesound, Denon HEOS, Apple HomePod, and even higher end lifestyle brands like Naim all play in this space, and many offer deeper ecosystems or better support for wired sources. Samsung is betting that its design, TV integration, and Harman backed tuning will be enough to pull people in.

Who are these for? Not the purist with racks of gear and a Thorens spinning in the corner. These are for people building a modern system around streaming, multi room audio, and a Samsung TV who want something that looks good, sounds better than a soundbar on its own, and doesn’t require a weekend to set up.

Samsung isn’t just filling a gap here. It’s trying to create a new lane between soundbars and traditional stereo. Whether that lane gets crowded depends on how good they actually sound – and our initial listening sessions have us optimistic – but for the first time, it feels like Samsung is at least asking the right questions.

Pricing and Availability

Samsung Music Studio 7 (LS70H): $499.99 or less from Amazon  (available in Black)

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Samsung Music Studio 5 (LS50H): $299.99 or less from Amazon (available in Black or White)

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AI agents that automatically prevent, detect and fix software issues are here as NeuBird AI launches Falcon, FalconClaw

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The mantra of the modern tech industry was arguably coined by Facebook (before it became Meta): “move fast and break things.”

But as enterprise infrastructure has shifted into a dizzying maze of hybrid clouds, microservices, and ephemeral compute clusters, the “breaking” part has become a structural tax that many organizations can no longer afford to pay. Today, two-year-old startup NeuBird AI is launching a full-scale offensive against this “chaos tax,” announcing a $19.3 million funding round alongside the release of its Falcon autonomous production operations agent.

The launch isn’t just a product update; it is a philosophical pivot. For years, the industry has focused on “Incident Response”—making the fire trucks faster and the hoses bigger. NeuBird AI is arguing that the only sustainable path forward is “Incident Avoidance”.

As Venkat Ramakrishnan, President and COO of NeuBird AI, put it in a recent interview: “Incident management is so old school. Incident resolution is so old school. Incident avoidance is what is going to be enabled by AI”.

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By grounding AI in real-time enterprise context rather than just large language model reasoning, the company aims to move site reliability engineering and devops teams from a reactive posture to a predictive one.

The AI divide: a reality check on automation

Accompanying the launch is NeuBird AI’s 2026 State of Production Reliability and AI Adoption Report, a survey of over 1,000 professionals that reveals a massive disconnect between the boardroom and the server room.