By Kevin C. Neece
| Published 16 seconds ago

Stephen King’s Mr. Harrigan’s Phone, a lesser known film based on one of the legendary horror author’s novellas, is streaming now on Netflix. The film was released in 2022, but begins in 2003 when a young man named Craig (Jaeden Mardel) befriends an older, retired businessman named John Harrigan, played by Donald Sutherland.

Their relationship begins when Craig is asked to read to Mr. Harrigan three times a week, with Harrigan eventually offering advice to the younger man.

After they both get iPhones, Harrigan warms up to the technology and the two connect more. But after the businessman’s death, in true Stephen King fashion, the titular device seems to continue to carry a connection to its former owner.

As Craig struggles with the mysterious and gruesome power he now seems to hold in his hand, he unravels the truth about Mr. Harrigan.

An Unfairly Overlooked Modern Classic

The novella Mr. Harrigan’s Phone originally appeared in a collection by Stephen King that was published in 2020. The collection, If It Bleeds, also includes the novellas The Life of Chuck, Rat, and the title story. At the time, Publisher’s Weekly said the stories represent King “at his finest” and Kirkus Reviews said the collection is “not a bad place to start” for new readers.

Of course, Mr. Harrigan’s Phone is far from the first of Stephen King’s works to be adapted for the screen. From his first novel Carrie, which was published in 1974, a wide swath of King’s novels have ended up as movie adaptations, TV series, and miniseries—sometimes more than once. His many titles adapted to film and television include It, Christine, The Shining, Pet Sematary, The Tommyknockers, The Stand, Hearts in Atlantis, Misery, and many more.

Not all of those Stephen King adaptations have been well received or successful, but many have become cinematic classics along with their award-winning literary counterparts. Mr. Harrigan’s Phone was published in April of 2020, at the start of the pandemic, which might have hurt its chances to find an audience as people worried more about real life and finding more family-friendly and lighter media fare. The fact that the original novella was not as well known might also have played a role in the film finding less of an audience.

Whatever the case, Mr. Harrigan’s Phone is a modern classic Stephen King story that should interest both his fans and those who are not yet familiar with his work. Among his less gory works, it is more psychological horror than the jump scares and bloody violence most often associated with the genre. It’s also not the first time the author has told a story about mobile phones.

From Mobile To Morose

Well before Stephen King wrote Mr. Harrigan’s Phone, he explored the horror potential of mobile devices in the 2006 novel Cell. In that story, an artist attempts to find his son after a mysterious signal broadcast over mobile phones has turned most humans into vicious, mindless monsters. The novel was well received by critics and was later adapted into a film directed by Eli Roth in 2016.

While that novel represented Steven King’s take on a zombie epidemic, Mr. Harrigan’s Phone is less brutal. Still, it does bridge the gap between life and death, a story element hardly unknown to the master of the macabre. As early as Pet Sematary, which featured deceased pets returning from their graves in horrific fashion, King has crossed the boundaries between the living, the dead, and the living dead. Such stories don’t just scare us; they examine our relationship with grief, mortality, and our fears about loss and dying.

Stephen King’s Brush With Death

Stephen King himself might not have lived to write Mr. Harrigan’s Phone if a distracted driver had been just slightly more distracted when he veered off the road and hit the author in 1999.

Despite the small irony of the man who wrote a book (Christine) about a killer car being run down on the side of the road, the accident was a major physical and emotional setback for King. Still, he pulled through to a remarkable recovery and has remained one of the more prolific, honored, and admired writers working today.

Though Mr. Harrigan’s Phone is not as well known as other films based on Stephen King’s work, its intriguing premise might well make it attractive to viewers who are a little less interested in, say, demon clowns. If you’re curious, you can stream Mr. Harrigan’s Phone on Netflix right now.

The 1980s was a great decade for mainstream classics that still endure, like Poltergeist, Ferris Bueller’s Day Off and Back to the Future.

But there are plenty of fantastic ’80s movies that we love today that were not received quite as well upon release.

Watch With Us has put together a ranked list of five of the most misunderstood movies of the 1980s — movies that critics didn’t get, audiences didn’t get or have just been completely lost to time.

First up on our list is Innerspace, an irreverent sci-fi comedy starring Dennis Quaid as a man who is shrunk down to microscopic size.

Related: 10 Greatest 1986 Movies, Ranked

There are some years, like 1939, 1967 and 1999, that are famous for the movie masterpieces that were released during those pivotal periods. 1986 isn’t one of those years, but that doesn’t mean there weren’t any classics released during that time. On the contrary, those twelve months gave the world such beloved fan-favorites as Ferris […]

5. ‘Innerspace’ (1987)

Aviator Lt. Tuck Pendleton (Quaid) volunteers for a top-secret experiment in which Tuck is shrunk down to microscopic size in a submersible pod. Once both Tuck and the submersible are miniaturized, they are transferred into a syringe intended for injection into a rabbit. However, the lab is attacked by rivals who want to steal the ambitious technology for themselves. To protect the experiment, Tuck ends up injected into the body of an unsuspecting hypochondriac named Jack Putter (Martin Short). As Tuck struggles to be rescued from Jack’s body, his colleagues are still impeded by the thieves.

Innerspace is a fantastic ’80s comedy that is way too overlooked, which director Joe Dante attributes to poor marketing of the film at the time of release, despite generally favorable reactions from audiences. Dante further notes that the film began to receive more attention after it hit home video, and since then, it’s become a low-key cult favorite by those in the know. Innerspace is a must-watch for its infectious, madcap energy that seamlessly blends comedy, sci-fi and adventure, hinged on a hilarious dynamic between Short and Quaid.

4. ‘Halloween III: Season of the Witch’ (1982)

Hospital emergency room doctor Dr. Daniel “Dan” Challis (Tom Atkins) and a woman named Ellie Grimbridge (Stacey Nelkin) team up to uncover a nefarious plot to kill the world’s children on Halloween. Small-town costume creator Conal Cochran (Dan O’Herlihy) has plans to implement a deadly Celtic ritual through popular Halloween masks and a hypnotic TV ad jingle. Can Dan and Ellie stop Cochran before his deadly plan is set into motion?

John Carpenter and his producer, Debra Hill, wanted to give their Halloween franchise a fresh spin, so they ditched Michael Myers and reimagined it as an anthology with a new story for each installment. Halloween III: Season of the Witch was set to be the first in a line of brand-new stories, but unfortunately, audiences only wanted the killer they knew and loved, and Halloween III was a bust. The movie has since gained a cult following that appreciates its unique tone, fun standalone story and unforgettablely bleak ending.

3. ‘Body Double’ (1984)

Jake Scully (Craig Wasson) is a struggling actor in Los Angeles, and if things couldn’t get any worse, he gets dumped by his girlfriend. However, it seems like things are finally turning around for him when he’s offered the opportunity to house-sit an incredible mansion in the Hollywood Hills. One night at home, Jake looks through the owner’s telescope and witnesses a woman in a house nearby being murdered. Jake is determined to find the truth of what happened to him, leading him down into the seedy underworld of LA porn with an adult actress named Holly Body (Melanie Griffith).

When Brian De Palma’s Body Double debuted at the box office in 1984, it was not well received by audiences, and critics were torn on the film’s shocking, explicit content. In the years since, however, the movie has grown to be considered one of De Palma’s greatest works, with both fans and critics reassessing the merits of the film’s aesthetic and sexual indulgences. The subversive meta-commentary about movie-making and voyeurism (mirroring the clear inspiration from Rear Window) and highly stylized thrills are just part of what makes Body Double such a masterful work.

2. ‘Star 80’ (1983)

Based on the tragic story of Playboy model Dorothy Stratten, who was murdered at the hands of her husband, Paul Snider, in 1980, Star 80 is directed by Bob Fosse and stars Mariel Hemingway as Stratten. Dorothy has the misfortune of first encountering Snider (played by Eric Roberts) in high school while working at a Dairy Queen, and Snider instantly recognizes Stratten as a star in the making. After successfully wooing her, Snider gets Dorothy to move to Los Angeles with him, where he becomes her manager and lover. Deluded into believing he is Dorothy’s only path to success, Snider becomes more and more controlling over the young woman’s life.

Star 80 had a mixed reaction from critics at the time, likely due to the extremely unsettling subject matter and Roberts’ chilling performance. Star 80 almost feels like a movie we shouldn’t be allowed to watch, but it’s really a fascinating and non-exploitative portrait of control, abuse and misogyny, giving nuanced color to Dorothy Stratten’s life and death. Ultimately, Roberts may have been too good at portraying a malignant creep, which some felt literally kept him from receiving a much-deserved Oscar nod for his performance.

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1. ‘The King of Comedy’ (1982)

Rupert Pupkin (Robert De Niro) wants to be a successful comedian like his idol, legendary talk show host Jerry Langford (Jerry Lewis). Unfortunately, Pupkin is an asocial and self-obsessed loser, but you wouldn’t know it from the way he talks and acts about himself and his “comedy skills.” In his efforts to be noticed by Langford, Pupkin goes to increasingly unsettling lengths to not just get Langford to read his material, but to get closer to him, too. When showing up at Langford’s house doesn’t work, Pupkin resorts to drastic measures — kidnapping Pupkin and enlisting the help of Masha (Sandra Bernhard), another disturbed Langford fan.

The King of Comedy was deeply misunderstood when it came out in 1982, receiving a lukewarm reception from critics and effectively bombing at the box office. Over time, viewers have come to regard The King of Comedy as an underrated gem among Martin Scorsese‘s impressive filmography; a disquieting film that cannily aligns you with an extremely unlikable protagonist that nevertheless mirrors behaviors we’d rather overlook in ourselves and in others. It presents a damning look at celebrity obsession that now feels eerily prescient, and features one of De Niro’s greatest performances.

Prince Harry and Meghan Markle are once again fueling speculation about the state of their marriage after a series of separate public appearances highlighted what some observers see as increasingly different priorities. While neither the Duke nor Duchess of Sussex has publicly addressed any relationship concerns, recent weeks have seen the couple focus on markedly different projects.

A new analysis published by the Daily Mail is raising questions about whether Prince Harry and Meghan Markle’s increasingly separate public lives could signal deeper differences behind the scenes.

Last weekend, Harry attended the NBA Finals in San Antonio, where he was spotted sitting alongside U.S. Army veteran JP Lane rather than among the celebrity-filled courtside section. The appearance aligned with the prince’s continued focus on veterans and charitable initiatives, including preparations for future Invictus Games events.

On the same day, Harry also shared a video message promoting the upcoming Invictus Games in Düsseldorf, praising Germany for “setting a powerful example of what it means to honor service … with dignity and enduring commitment.”

Meanwhile, Meghan shared a collection of personal family photos on Instagram captioned “Spring into Summer,” featuring snapshots of home life, nature scenes, and moments with the couple’s children.

Harry And Meghan Continue To Pursue Different Professional Paths

The contrast between Harry’s philanthropic work and Meghan’s growing lifestyle brand has become a recurring topic among royal watchers.

Since stepping back from royal duties in 2020, Harry has largely focused on causes tied to veterans, mental health, and charitable advocacy, while Meghan has increasingly expanded her presence in the lifestyle and business space through media projects, social media content, and consumer ventures.

The difference was also evident during the couple’s April visit to Australia. While Harry spent much of his time participating in events connected to veterans and community outreach, Meghan simultaneously generated headlines for fashion-related content and business partnerships connected to her growing brand portfolio.

Though the couple frequently appears united during major public engagements, their individual pursuits have increasingly reflected separate professional identities.

Privacy Questions Continue To Follow The Sussexes

Another recent discussion point centered around Meghan’s social media activity involving the couple’s children.

The Duchess shared a photo featuring daughter Lilibet shortly before appearing at an event focused on online safety and the impact of social media on young people. The timing prompted debate online, particularly given Harry’s long-standing concerns about privacy and the dangers of intrusive media coverage.

The Duke has repeatedly spoken about protecting his family from public scrutiny, often citing the experiences of his late mother, Princess Diana, as a driving force behind his views.

While neither Harry nor Meghan has commented on the criticism, the differing reactions once again highlighted the balance the couple continues to navigate between privacy, public life, and their evolving personal brands.

New Claims Challenge Narrative That Meghan Markle ‘Manipulated’ Prince Harry

The Daily Mail analysis also comes just days after a new royal book pushed back against long-running claims that Meghan manipulated Harry into walking away from royal life. In “Divide & Rule,” author Catherine Mayer disputes suggestions that the Duchess of Sussex entered the Royal Family with a secret plan to eventually pull Harry away from his relatives and royal duties.

According to Mayer, critics including royal biographer Tom Bower and royal photographer Arthur Edwards have promoted a theory that Meghan convinced Harry she would embrace life as a working royal while privately envisioning a very different future.

However, Mayer said her own reporting uncovered a more nuanced reality. “My own research, which has included conversations with deeply informed sources, produced a different picture,” Mayer wrote.

Rather than portraying Meghan as a calculating mastermind, Mayer described the Sussexes as “two people, naively optimistic that they could develop their own interpretations of the royal job, thrown off balance as they hit resistance and swiftly developing a siege mentality.”

Prince Harry And Meghan Markle Were Recently Hit With Another Royal Setback

Harry and Meghan have also been dealt another symbolic blow from the Royal Family. According to recent claims, palace officials are planning to remove the remaining traces of the Sussexes from Frogmore Cottage, the Windsor property gifted to the couple by Queen Elizabeth II following their 2018 wedding. The home underwent renovations and personal modifications during Harry and Meghan’s time there, but reports suggest efforts are now underway to restore the residence to its pre-Sussex appearance.

Insiders reportedly claimed the move came as a surprise to Harry and Meghan, particularly given what it could signal about their ongoing estrangement from the Royal Family. The reported decision has fueled further speculation that relations between the Sussexes and the Firm remain strained despite periodic hopes of reconciliation.

Separate Interests Don’t Necessarily Signal Trouble

Despite ongoing speculation, there is no indication from Harry or Meghan themselves that their marriage is in trouble. Like many high-profile couples, the pair have developed individual careers and interests while continuing to appear together at key family and professional milestones.

Still, as Harry remains focused on charitable causes and Meghan expands her lifestyle empire, their contrasting public personas continue to attract attention and fuel conversations about the next chapter of their relationship.

Titus Welliver is making his long-awaited return to crime drama after his time as Harry Bosch came to an end on Prime Video. Welliver’s newest series, The Westies, will premiere on MGM+ next month, and the first trailer has just been released for the show. The eight-episode crime drama is set in the early 1980s, as the construction of the Jacob Javits Convention Center threatens to bring a huge financial windfall to Hell’s Kitchen, where the Westies, an Irish-American organized crime gang, are trying to hold their ground.

The cast of The Westies includes J.K. Simmons as Eamon Sweeney, Welliver as Glenn Keenan, Jessica Frances Dukes as Birdie Polk, Tom Brittney as James “Jimmy” Roarke, Stanley Morgan as Mickey Flanagan, Sarah Bolger​​​​​​​ as Bridget Walsh, Allen Leech asBrendan Cahill, Hamish Allan-Headley as John Gotti, Vincent Walsh as Eddie Breen, and Hilary McCormack as Erin Malone.

What Can We Expect from ‘The Westies’?

Co-creator Chris Brancato, who created the series with Michael Panes, said the trailer shows “J.K. and Titus” alongside the rest of the cast in a world where the Irish gang is tied to the Gambinos while also facing problems from within. “It also teases the fact that within the Westies, there’s going to be drama and conflicts to come,” Brancato said.

That internal conflict will be driven partly by the younger Westies’ interest in cocaine trafficking, which the older generation fears could bring more heat, more prison time, and more informants. Brancato also teased the gang’s conflict with John Gotti and the Gambino crime family.

“The series as a whole depicts the Westies’ internal divisions, which really came as a result of the younger Westies decision to traffic in a drug that was very big in the 80s, which was cocaine. The older Westies are against it, for fear that it might land people in jail or cause them to rat on others. That’s a side plot that occurs throughout the season, as well as the Westies conflict with John Gotti [Hamish Allan-Headley] and the Gambino crime family, which at the time was led by a guy named Paul Castellano. Eventually, John Gotti took over the Gambino crime family, but that’s stuff for Season 2.”

Welliver also told Collider last year that his character was bent, and was the opposite of Harry Bosch. “[Keenan’s] a beat cop. He still walks the streets, but he’s corrupt. His moral compass has been completely compromised. He’s a very, very complex and deeply nuanced character.”

The Westies premieres July 12 on MGM+.

Stephen Baldwin is opening up about a Hollywood setback that he claims cost him a major movie role. 

The actor recently revealed that he was originally cast opposite Jennifer Aniston in the 1998 romantic comedy “The Object of My Affection” before being unexpectedly dismissed just days into filming. 

According to Baldwin, the reason had nothing to do with professionalism or performance issues. Instead, he says he was told his comedic delivery was creating an unexpected problem on set.

Speaking on his podcast “One Bad Movie,” Stephen Baldwin recalled landing the role of Aniston’s boyfriend in “The Object of My Affection,” which also starred Paul Rudd.

The actor said everything appeared to be going smoothly until the second day of production when a producer paid an unexpected visit to his trailer.

“After the second day of shooting, after lunch this producer comes to my trailer and goes, ‘There’s a problem,’” Baldwin recalled.

What came next caught him completely off guard. “He goes, ‘You can’t be funnier than Jennifer.’ I go, ‘Is this a joke? This is a comedy movie!’” the 60-year-old shared. 

Baldwin said he was stunned by the criticism, especially given the project’s genre. He also made it clear that he wasn’t attempting to embarrass anyone by sharing the story years later.

Baldwin Says He Was Asked To Change His Performance

According to Stephen Baldwin, he never learned exactly where the directive originated.

The “Bio-Dome” actor explained that he was instructed to tone down his performance and stop delivering scenes that generated so many laughs. He compared the experience to being “castrated comedically.”

Despite his reservations, Baldwin returned to work the following day and attempted to adjust his approach. 

He said he went back to set and “tried not to be me,” hoping the changes would resolve the issue.

Ultimately, however, the effort wasn’t enough. Baldwin revealed that he was eventually “let go” from the production altogether, ending what could have been one of the most significant opportunities of his career.

The role later went to actor John Pankow, best known for his work on “Mad About You.”

Stephen Baldwin Missed Out On A Film That Developed A Loyal Following

Released in 1998, “The Object of My Affection” follows a social worker played by Jennifer Aniston who becomes pregnant and develops romantic feelings for her gay roommate, portrayed by Rudd.

While the film achieved only modest box office success at the time, it later found a dedicated audience and developed a cult following.

In recent years, publications such as Parade and InStyle have ranked it among the best breakup movies ever made. The project also came at an important time in Aniston’s career. 

Following the film, she gradually expanded beyond romantic comedies by taking on more dramatic and unconventional roles, including “Office Space” and “The Good Girl.”

Aniston would later reunite with Rudd on “Friends” before the pair shared the screen again in the 2012 comedy “Wanderlust.” Today, she is best known for starring in Apple TV+’s hit drama “The Morning Show.”

Baldwin’s Career Took A Different Path After The 1990s

While Jennifer Aniston’s star continued to rise, Stephen Baldwin’s career evolved in a different direction. 

During the 1990s, he appeared in films including “The Usual Suspects,” “Threesome,” and “Bio-Dome.” As the years progressed, he became increasingly involved in reality television.

His credits eventually included “The Mole,” “Celebrity Big Brother,” “The Celebrity Apprentice,” “I’m a Celebrity…Get Me Out of Here!,” and “Special Forces: World’s Toughest Test.”

More recently, Baldwin made headlines for comments unrelated to acting. In March, he posted a message on Instagram that appeared to reference aliens and the future of America following the Academy Awards.

“After aliens come it’ll be a whole new different America and the leadership as I type these words is counting on you buying this movie ticket while they receive the box office Marty Supreme,” he wrote.

Stephen Baldwin And His Brother Alec Walk Away Unhurt After Dramatic Hamptons Crash

Months before the message, Baldwin and his brother Alec were involved in a frightening car accident in the Hamptons after the latter’s Range Rover crashed into a tree while the pair were traveling together. 

According to a report from The Blast, Alec was behind the wheel when the vehicle swerved off the road and struck a tree. 

Authorities later determined that wet road conditions and a turning commercial garbage truck contributed to the incident. 

Fortunately, neither of the brothers suffered any injuries. After the crash made headlines, Alec addressed the situation on social media, claiming a garbage truck he described as being “the size of a whale” cut in front of him, forcing him to react quickly. 

He also joked that he had damaged his wife’s vehicle. Police confirmed that no one was hurt and no citations were issued.

Mystikal has reportedly been sentenced to 20 years in prison after pleading guilty to a 2022 sexual assault.

RELATED: Victim Claims Mystikal Forced Her To Pray With Him To Rid Her Body Of “Bad Spirits” Before Allegedly Raping Her

Mystikal Reportedly Sentenced To 20 Years In Prison For 2022 Sexual Assault Case

According to NBC News, Mystikal, whose government name is Michael Lawrence Tyler, was sentenced on Tuesday, June 16. Per the outlet, the victim in his case reportedly spoke to the court ahead of his sentencing and asked the judge to give him the maximum time allowed.

Social Media Reacts

Social media users entered TSR’s comment section with reactions to Mystikal being sentenced to 20 years.

More On Mystikal Reportedly Pleading Guilty To 2022 Sexual Assault

As The Shade Room previously reported, the incident reportedly occurred in July 2022 at Mystikal’s home in Louisiana. A woman reportedly accused the artist of forcing her to pray with him before he allegedly raped her. Subsequently, Mystikal was arrested and charged with first-degree rape, false imprisonment, and domestic abuse. Per NBC News, the victim also accused Mystikal of “punch[ing] her, chok[ing] her, pull[ing] out her braids, and forcibly rap[ing] her.”

To note, the artist’s first-degree charge was ultimately downgraded to third degree after an apparent plea deal.

Per NBC News, days before his sentencing, Mystikal reportedly tried to withdraw his guilty plea, citing he “did not have sufficient opportunity to fully consider the consequences.”

Nonetheless, he reportedly told the victim, “If I did that to you, I deserve the max sentence,” ahead of his sentencing being read. Per the outlet, Mystikal previously pled guilty to sexual battery and was sentenced to six years in prison in 2003. In 2016, “first-degree rape and second-degree kidnapping charges” were brought up against the rapper. However, they were reportedly dismissed, per AP News.

RELATED: Mystikal Faces Up To 20 Years In Prison After Pleading Guilty To Third-Degree Rape Following 2022 Arrest (VIDEO)

The idea of a Family Guy movie has been floating around for years, and according to creator Seth MacFarlane, the project remains very much on his mind, even if fans may have to wait for the perfect moment before it becomes a reality.

During a recent interview with The Hollywood Reporter, MacFarlane was asked about the long-rumored feature film adaptation of the hit animated series. While he stopped short of announcing any concrete plans, he revealed that he has had the concept mapped out for quite some time.

“The Family Guy feature film is something that’s still always in the back of my head. I’ve always had a pretty clear idea of what it’s going to be. It’s that arrow in the quiver that I keep for when everything else goes to shit.”

When asked whether a movie could happen while Family Guy is still actively airing on television, MacFarlane made it clear that the show’s continued success wouldn’t prevent a film from happening.

“Oh, yeah. I always kind of assume that if I have a really dismal professional failure, like I produce a movie or a show that just fails so badly, the only thing that can cleanse the palette of the audience is the Family Guy movie. That’s when I’ll do it.”

While MacFarlane’s comments were delivered with his trademark humor, they also offer another reminder that a Family Guy movie isn’t off the table. In fact, the creator’s remarks suggest he has maintained a specific vision for the project for years and is simply waiting for the right opportunity to bring it to life.

Peter Griffin [credit: Hot Ones]

The prospect of a theatrical Family Guy film has been discussed for nearly two decades. Fans have long wondered what a feature-length adventure starring Peter Griffin, Stewie, Brian, and the rest of Quahog would look like on the big screen. Although the franchise released Stewie Griffin: The Untold Story in 2005, it was ultimately a direct-to-video project rather than a true theatrical movie.

With Family Guy continuing to attract audiences and remaining one of television’s most recognizable animated comedies, there is certainly no shortage of interest in seeing the franchise make the jump to theaters. Whether MacFarlane’s “arrow in the quiver” is unleashed sooner or later remains to be seen, but fans can take comfort in knowing that the idea is still alive.

For now, the long-awaited Family Guy movie remains one of the most intriguing projects that has yet to leave development limbo.

Lindsay Hubbard had a harsh wake-up call for Amanda Batula that didn’t air on Summer House: The Aftermath.

Lindsay, 39, confronted Amanda, 34, about her controversial relationship with West Wilson during the Summer House season 10 bonus episode, which aired Tuesday, June 16, on Bravo.

After the episode aired, Lindsay wrote via Threads, “Not seen/didn’t make the edit: I told Amanda at the end of that convo, in order to be friends with me, I need my friends to show ‘integrity, character, and better decision-making skills. And until that happens… unfortunately, there’s no place for people like that in my life.’”

Lindsay and Amanda filmed their scenes for Tuesday’s bonus episode on May 13, after the Summer House season 10 reunion, which filmed a month earlier.

In March, Amanda and West, 31, revealed that they were dating after weeks of speculation, much to the surprise of their castmates and Bravo fans alike. Amanda separated from estranged husband Kyle Cooke in January, while West previously dated Amanda’s friend, Ciara Miller.

“You and West made a very adult decision and now you have to deal with the very adult consequences that come with that. You can’t just be the ostrich who puts their head in the sand,” Lindsay told Amanda during the conversation.

“I am going through it and I feel it every day,” said Amanda. “I made some poor decisions.”

During the conversation, Lindsay also accused West of cheating.

“West, he’s already out there embarrassing you. You know who he was on the phone with this morning? Meija [Moreno],” Lindsay claimed, referring to West’s ex.

Lindsay alleged, “He f***ed Meija in March. He cheated on you and cheated on her.”

“This man is f***ing you up,” Lindsay continued.

“Yeah. Which I’m now realizing,” Amanda responded. “I wake up with the most anxiety about how I’ve f***ed up my entire life every single day.”

Related: Summer House’s Lindsay Is ‘Still Upset’ With Amanda, Not Speaking to West

The fallout from Amanda Batula and West Wilson’s romance is continuing to plague the Summer House cast — and Lindsay Hubbard is still trying to navigate her friendships after the scandal. “Lindsay is not talking to West or Amanda,” a source exclusively tells Us Weekly, noting that West, 31, did “reach out to her” after […]

Amanda continued, “What’s so hard to stomach and process is I just want to be [loved]. I fought so hard for that with Kyle and I felt it so much from West. I just feel really f***ing stupid.”

Lindsay then warned Amanda, “The only way to save yourself in this moment is to separate yourself from the sinking ship that West Wilson is. Be the Rose on the Titanic. Let go of the hand.”

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Us Weekly confirmed on Monday, June 15, that West will not be returning for Summer House season 11.

“It was a mutual decision between the network and West,” a source exclusively told Us, adding that West went into the season 10 reunion “already feeling like his time on the show was coming to an end.”

“It became even clearer that there wasn’t a long-term fit anymore,” the insider added. “He is at peace with the decision and is focusing on his podcast and other business ventures.”

Former “The Bachelor” star Colton Underwood is getting candid about his sexuality. In a new interview, the reality TV star and father of one admitted to previously having sexual encounters with married, straight men, noting that he believed their hook-up sessions would stay private because they both had a lot at stake. Elsewhere, in the interview, Underwood, who recently finished his stint on Peacock’s “The Traitors,” discussed being labeled “The Virgin Bachelor,” revealing that he was nervous people would look into his personal life as a result.

On the Tuesday, June 16, episode of “We Need to Talk,” Underwood opened up about navigating his life prior to coming out as gay in 2021. Speaking with the podcast host, Underwood admitted to “experimenting” with guys, hoping to better understand what he was feeling.

“I was careful on how I did everything,” he said.

In order to protect himself, Underwood said that he only hooked up with “married men.” He added, “[Married] ‘straight’ men.”

According to Underwood, while he was in the closet, he followed this one rule. “… that would be the only time I would ever hook up with men was if they were married… because they had more to lose than I did,” he said.

Colton Underwood Looks Back On Being Labeled ‘The Virgin Bachelor’ During His Run On Reality TV

Before becoming one of the most-talked-about reality stars of the last decade, Underwood played football at Illinois State before joining the practice squad of several NFL teams, including the Philadelphia Eagles and Oakland (now Las Vegas) Raiders.

After hanging up his cleats for good, Underwood joined the world of unscripted television, landing a spot on Becca Kufrin’s season of “The Bachelorette.” A year later, he was leading season 23 of “The Bachelor” in 2019.

On the “We Need to Talk” podcast, Underwood said that he wished he were more “vulnerable” and open about his struggles with his sexuality while filming the iconic dating series. “I think there could have been something just interesting in that conversation,” he said.

Underwood wasn’t exactly thrilled about his storyline on “The Bachelor” being about his virginity. However, that’s what the producers rolled with. “… I hated it ’cause I didn’t want that pressure, and then I also didn’t want people digging in because at that time I had hooked up with men,” he said.

Colton Underwood Said There Were ‘Many Reasons’ Why He Was Still A Virgin

Underwood’s struggle with his sexuality wasn’t the only reason he was a virgin at the time. According to him, his faith played a big role in that. Additionally, the reality star didn’t want to share more details about his personal life because he was still trying to learn about himself, revealing that he believed that if he slept with a woman, he’d become straight.

“I just was so good at convincing myself that the next step I will become straight. I need to get engaged. I need to get married. I need to lose my virginity. All of these different things were sort of steps to becoming straight,” he said.

Underwood Came Out As Gay To Robin Roberts In 2021

Underwood revealed that he was a gay man during an emotional sit-down interview with “Good Morning America” mainstay Robin Roberts in 2021.

“I’ve ran from myself for a long time. I’ve hated myself for a long time,” he said. “And I’m gay. And I came to terms with that earlier this year and have been processing it. And the next step in all of this was sort of letting people know.”

Another Celebrity Recently Came Out As Gay After Years Of Living In The Closet

According to a previous report from The Blast, rock singer Caleb Shomo recently opened up about the journey he underwent to accept himself as a “proudly gay man.”

While speaking with “Vanderpump Rules” alum Katie Maloney on her podcast, “Disrespectfully,” Shomo also recalled the moment he told his wife of 14-years that he was part of the LGBTQ+ community.

“I was just bawling my f-cking eyes out, trying so hard to verbalize,” he said. “And I really struggle to verbalize things, and this is obviously such an intense thing, and I’m feeling so nervous and so scared in the situation that it was really, really difficult to verbalize, and I didn’t verbalize it very well.”