Related: This $8 Summer-to-Fall Top ‘Feels Like Cashmere‘ and ‘Very High-End‘
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Choosing bottoms is easy, but finding a wear-everywhere top is the hard part. Luckily, Kristen Bell makes it simple, rocking the dreamiest baby blue sweater style that pairs well with literally any bottoms. Better yet, the look is only $24!
Bell dropped an Instagram Reel that made Us pause mid-scroll to admire her luxe-looking sweater. Baby blue, slouchy in all the right places and stunning with denim, the chic style makes dressing expensive seem effortless.
Get the Zeagoo Sweater Top for $24 (was $28) at Amazon! Please note, prices are accurate at the date of publication but are subject to change.
Like Bell’s, this Zeagoo Sweater Top nails the loose-but-tailored silhouette. It’s made from a lightweight, breathable knit fabric that has a bit of stretch, so it drapes without clinging. In other words, it’s mega comfortable and flattering, too.
The ribbed crew neckline keeps things classy, as does the dusty blue color. One five-star shopper wrote, “I wanted a lightweight sweater that would look good under a blazer, and this sweater is perfect . . . I can see this pairing well with jeans or leggings and giving a more polished look to the outfit.”
Another happy fan summed up the appeal: “Holy smokes! This feels high-end. Beautiful and great fit!”
A soft blue knit isn’t a statement piece, but rather a layer you reach for when you want to look pulled together without trying. It’s comfortable enough for a long weekend, refined enough for the office and priced low enough that adding a second color feels reasonable.
Get the Zeagoo Sweater Top for $24 (was $28) at Amazon! Please note, prices are accurate at the date of publication but are subject to change.
Looking for something else? Explore more stylish sweaters, and don’t forget to check out all of Amazon’s Daily Deals for more great finds!
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No one can deny that Netflix wields an impressive sci-fi library, but it’s the few out of the many that feel so carefully made that every single episode can stand as something defiantly special. The best of Netflix sci-fi hits do so much more than introduce time travel, strange technology, apocalyptic mysteries, or alien threats; they use those amazing tropes to explore identity, survival, fear, grief, connection, and the choices that genuinely change lives. These few out of the streaming platform’s extensive catalog represent brilliance, with each installment feeling purposeful, even as the quieter scenes that may initially seem a bit redundant ultimately contribute something significant to the larger narrative, characters, or their world.
Iconic gems like the complex sci-fi watch, Dark, which ensures viewers must pay close attention to every single detail within each of its episodes in order to find what is hidden, and the survival thriller, The Eternaut, which transforms what could have been a generic apocalyptic event into a tense story about ordinary people trying to survive a world that has suddenly become unknowable and dangerous, are just two in Netflix’s sci-fi library that host episodes where every one is a true masterpiece. Compiled on this list are five worthy works of science fiction out of Netflix’s impressive catalog that are not just imaginative, but also controlled, unforgettable, and genuinely brilliant from episode to episode.
The gripping Netflix series The Eternaut definitely belongs on this list of sci-fi shows that wield masterful episodes because, with just six installments, it transforms the end of the world into something horrifyingly personal. Set in Buenos Aires after a deadly snowfall that kills anyone who comes into contact with it, the adapted series follows Juan Salvo (Ricardo Darín) and the people sheltering with him as they quickly realize that survival depends on improvised protective clothing, disciplined cooperation, and isolation; only Juan can’t remain indoors since he desperately needs to find his daughter Clara (Mora Fisz).
The Eternaut can be easily defended as a true masterpiece. Not one of its episodes acts as narrative waste; instead, each captivating chapter pushes survivors further into the mystery while excellently raising the stakes. The Eternaut is definitely a chilling slow-burn with careful progress that doesn’t seem to ever lag, as it uses twists and gradual reveals to deepen its mystery and make the true scale of the threat all the more terrifying. The adapted series is consistently fantastic, with each installment another necessary step into a much larger nightmare. The Eternaut is genuinely able to keep its viewers entertained due to its powerful, high-quality momentum episode after episode, marking it as a well-balanced masterpiece that’s a perfect fit for this list of Netflix’s brilliant sci-fi gems.
This series is honestly one of Netflix’s most thoughtful sci-fi shows to ever exist. Set in a technologically advanced future where highly sophisticated robots live alongside human beings and possess families, emotions, occupations, and legal protections, the captivating 2023 anime, Pluto, centers around one of the world’s most advanced robots, Europol investigator Gesicht (Shinshu Fuji), who is assigned to investigate a sequence of murders beginning with the destruction of the beloved Swiss robot, Montblanc (Hiroki Yasumoto).
Out of the five on this list, Pluto is definitely the easiest literal case for an amazing series with absolutely no disposable chapters. The anime takes its time, with even the story’s first episode never rushing forward through its setup of the central mystery. Pluto hosts only installments that truly matter, working as double construction as each one solves or complicates a piece of the case, while also asking a much larger ethical question. Pluto is an animated marvel, but its masterpiece status does not rely on its spectacle alone. In actuality, the series is at its most brilliant in its quieter and more emotional scenes, when it dives deep into war, prejudice, hatred, and what it truly means to be human. Even seemingly small conversations can completely reshape how audiences understand a conflict or character. Across eight memorable episodes, Pluto delivers truly masterful works of fiction, making it a remarkable sci-fi series that is worthwhile.
Arcane is a beloved Netflix animated series that is genuinely one of the clearest examples of Netflix’s most masterful shows, that wields episode after episode of high-quality content. The sci-fi drama, set between the shining city of Piltover and the oppressed underground of Zaun, follows Vi (Hailee Steinfeld) and Powder, later known as Jinx (Ella Purnell), who are ripped apart by a childhood tragedy. As the sisters grow up on opposite sides of an escalating conflict, an incredibly smart inventor, known as Jayce Talis (Kevin Alejandro), helps develop the revolutionary technology known as Hextech, all the while tensions thicken between Zaun and Piltover.
Arcane is one of Netflix’s most visually stunning works of fiction. Each one of its episodes changes the characters or their world in a way that directly affects what comes next, making it fantastically tough to pinpoint a single chapter that could be removed without weakening the entire series. Even the show’s much quieter episodes are packed full of political tension, significant character development, and quality details that become increasingly important as the series moves forward. Arcane simply doesn’t just use its installments to move characters toward the next major spectacle; instead, the breathtaking animated series ensures every chapter has a narrative and emotional purpose of its own. It’s one of Netflix’s very best and an easy fit for any list of the platform’s sci-fi shows, where every episode is absolutely masterful.
Among some of Netflix’s most ambitious gems is a sci-fi series unlike any other in TV history. The quality masterpiece, Sense8 centers around eight strangers—Will Gorski (Brian J. Smith), Riley Blue (Tuppence Middleton), Sun Bak (Bae Doona), Nomi Marks (Jamie Clayton), Kala Dandekar (Tina Desai), Wolfgang Bogdanow (Max Riemelt), Lito Rodriguez (Miguel Ángel Silvestre), and Capheus Onyango (Toby Onwumere)—who, despite being separated by oceans, are mentally and emotionally linked, able to share memories, feelings, skills, and terrifying danger.
Sense8 is a true sci-fi spectacle, acting not only as a pure celebration of love, understanding, and what makes humanity beautiful, but also a thrilling exploration of identity, psychic connection, and survival that frequently finds new ways to bring its protagonists together despite them living so very far apart. It’s a truly powerful series, with each of its episodes expanding the idea that being truly seen by someone else can be its own form of desperate survival. Sense8 is no doubt one of Netflix’s most rallying shows, as it rose from cancellation through the pure devotion fans held for the amazing series. The series is a spectacular gem that is simply too underrated for its status as a genuine masterpiece. Sense8’s boldness and will to go where very few TV shows have makes it a quality pick for this list of shows with truly masterful installments.
Dark is a complex sci-fi drama that brilliantly wields its episodes as if they’re carefully placed pieces of an incredibly large design. The captivating German series kicks off with the disappearance of children in the small town of Winden. This sets off an investigation that gradually exposes generations of strange events surrounding the town’s nuclear power plant, buried family secrets, and a mysterious passage capable of connecting different periods of time. As the mystery grows, the lives of several families become irrevocably intertwined, revealing that nearly every relationship, character, and seemingly minor event plays a role in a much larger cycle of cause and effect.
Dark is an extremely intricate masterpiece, and each of its episodes holds that very title simply because not one of the show’s chapters stands as wasteful. The series is incredibly complex, and tends to handsomely reward its audience for paying close attention to what may initially seem like insignificant conversations, relationships, objects, and background details, often becoming exceedingly important several installments—or even entire seasons—later. There is definitely no passive viewing with a series like Dark, as its episodes frequently reveal and establish new pieces of the larger, puzzling mystery. With very careful construction, the show delivers extraordinary chapters that can be reasonably announced as masterpieces, ones that maintain an impressive level of quality across three seasons. Dark makes certain that every detail within its compelling story matters, marking it a Netflix sci-fi banger that is a clear example of a 10/10 viewing experience that easily earns its spot on this list.
2017 – 2020-00-00
Netflix
Jantje Friese
Baran bo Odar
Louis Hofmann
Jonas Kahnwald
Lisa Vicari
Martha Nielsen
Director Michael Mann’s crime classic Heat remains as influential as ever, with a long-awaited sequel finally inching toward production. The star-studded movie will be headlined by Leonardo DiCaprio and Christian Bale, and several other A-listers who’ve jumped at the opportunity to work with Mann as he enters the final stages of his career. In the three decades since Heat’s release, scores of other filmmakers have borrowed liberally from its samurai-like depiction of crime and punishment in Los Angeles. Christopher Nolan’s The Dark Knight is perhaps the most prominent example of a movie that was influenced directly by Heat, but there have been several more low-key movies as well, including the recent Crime 101. Now, one of the most overlooked cops-and-robbers alternatives to Heat is available to stream for free.
We aren’t talking about Den of Thieves or its sequel, Den of Thieves 2: Pantera. The two films, starring Gerard Butler, have proven to be quite popular at home, and have grossed a combined total of around $150 million worldwide. We’re talking, instead, about a heist thriller that was released just one year after The Dark Knight, and was headlined by Matt Dillon, Jean Reno, and Laurence Fishburne.
We’re talking about director Nimród Antal’s Armored. The movie follows a gang of robbers whose attempt to steal $42 million from an armored truck goes awry. Produced on a reported budget of $20 million, the film was only able to gross $23 million worldwide. It now sits at a 42% score on the aggregator website Rotten Tomatoes, where the consensus reads, “This B-grade thriller has a good cast and director but is undone by plot holes and messy conclusion.” The Heat comparisons feel warranted, but the movie should also appeal to fans of Guy Ritchie’s Wrath of Man, which revolves around a similar heist gone wrong. Interestingly, the film was shot by Andrzej Sekuła, who worked with Quentin Tarantino on Reservoir Dogs — another heist classic — and Pulp Fiction. You can watch Armored on Pluto TV this month, and stay tuned to Collider for more updates.
December 4, 2009
88 minutes
Reality TV star Tom Sandoval may very well be eyeing his next potential project after Danny Booko and Nia Sanchez walked away from Bravo’s The Valley.
“I mean, I think I would be open to it,” Tom, 44, exclusively told Us of potentially joining the cast of The Valley on Saturday, September 12, while at the Celebrity Travel Lounge presented with Travel By Peta.
“I think I’d be open to it,” Tom reiterated of possibly joining the show.
Tom, who fans first met on the 2013 inaugural season of Vanderpump Rules, is close to many cast members of The Valley, which in addition to Danny and Nia originally included Brittany Cartwright, Jesse Lally, Jax Taylor, Kristen Doute, Michelle Lally, Zack Wickham, Janet Caperna, Jasmine Goode, Jason Caperna and Luke Broderick. (Jax, 47, exited the show after season 2 amid his contentious divorce, while Vanderpump alums Lala Kent and Tom Schwartz joined the show in season 3.)
News broke on September 1 that Danny, 42, and Nia, 36, were walking away from the hit series amid public backlash over Danny’s behavior on the show, including his drinking to excess and the ways in which he spoke to his wife or declined to help with parenting duties. (The pair, who wed in 2015, share four children.)

Tom Sandoval Getty Images
“We will not be returning to The Valley. We’re incredibly grateful for this experience but our priority is protecting our peace and our family. We are fully committed to each other and our beautiful children,” the pair wrote in a joint statement shared via Instagram at the time. “We want to thank everyone for all the love and support you’ve shown us. Thank you to Bravo and the team for everything. We are looking forward to what the next chapter brings.”
Sandoval told Us that he’s currently close to many of the remaining cast members, revealing why fans have yet to see him appear on the hit reality TV series.
“I would say [I’m close to] Zach, Jesse, Jason, Janet, Luke, Schwartz — obviously — [and] Jasmine,” Sandoval told Us on Saturday. “I’m cool with all of them. You just don’t see me around a lot because, at this point, you know, I like my privacy.”
Sandoval continued of his relationship with BFF and former business partner Schwartz, “Me and Schwartz are doing great. I just hung out with him and [his girlfriend] Kiana [Carroll] this past weekend. It was great. They came to my house, I made them cocktails [and] we had a great time. Great time.”
All three seasons of The Valley are currently streaming on Peacock.
Death, taxes, and an endless stream of Sherlock Holmes adaptations — these are the realities of life. In the last couple of decades, fans have received Guy Ritchie’s swashbuckling film series starring Robert Downey Jr., his more recent Young Sherlock show on Prime Video, an Enola Holmes trilogy on Netflix, and the acclaimed modern-day reimagining starring Benedict Cumberbatch. There have been other adaptations of Sir Arthur Conan Doyle’s legendary stories, but one movie often slips under the radar for several reasons. For starters, it was critically panned and commercially unsuccessful, but more importantly, audiences had simply too many alternatives to choose from. That said, the overlooked Sherlock Holmes adaptation is now available to stream for free to those who have the courage to check it out.
It was released in 2018, only three years after Mr. Holmes, in which Ian McKellen played an aging Sherlock who must solve his final case while combating a deteriorating mind. The acclaimed BBC series starring Cumberbatch had ended its run only a year earlier. In other words, the appetite for new Sherlock Holmes content was still alive. However, the 2018 movie ended up grossing $42 million worldwide against a reported budget in a similar range, proving that audiences weren’t going to turn up for every adaptation. It must be mentioned that this movie wasn’t a classic take on the material at all; in fact, it appeared to be presenting the character as if he exists in the world of Borat.
We’re talking about Holmes & Watson, starring Will Ferrell and John C. Reilly. The duo had previously proven their chemistry in cult hit comedy films such as Talladega Nights: The Ballad of Ricky Bobby and Step Brothers. Holmes & Watson wasn’t able to continue the successful streak, earning a poor 10% score on Rotten Tomatoes. The aggregator website’s consensus reads, “The lowest and vilest alleys in London do not present a more dreadful record of the adventures of Sherlock Holmes and Dr. Watson than does Holmes and Watson.” The movie had quite a stacked cast, including Rebecca Hall, Rob Brydon, Bella Ramsey, Ralph Fiennes, Hugh Laurie, and Steve Coogan. Coogan hilariously said a year after the film’s release, “In 20 years’ time, when all the dust has settled and people are able to look at that film objectively, they’ll still think it’s shit.” You can watch Holmes & Watson on Pluto TV this month, and stay tuned to Collider for more updates.
December 25, 2018
90minutes
Etan Cohen
Etan Cohen, Arthur Conan Doyle
Howard Stern is reportedly having a hard time understanding why listeners are unhappy with the major changes surrounding “The Howard Stern Show.”
SiriusXM recently removed his Howard 101 channel, while his longtime radio program is being reduced to just one new live episode each week.
The shakeup has also included significant cutoffs, leaving only a small team behind. However, Howard Stern appears to be looking forward rather than dwelling on the backlash.

Stern has reportedly been paying close attention to the response surrounding the changes to his longtime radio show. However, sources claim he does not fully understand why fans and former employees are so frustrated.
According to a report, an insider said Stern “reads everything, EVERYTHING, and he wants to control what’s being reported.”
The source added that the broadcaster was “apoplectic” over the negative response to the removal of Howard 101 and the decision to cut his live schedule to one day each week.
For longtime listeners, the disappearance of Howard 101 represented another significant change. The channel had been dedicated largely to older Stern interviews and memorable segments. Howard 100 will remain his sole SiriusXM channel and continue carrying his current program.
Despite the criticism, Stern has previously made it clear that having a lighter workload appeals to him. “I do like my days off,” he said while discussing the flexibility of his latest SiriusXM agreement.

The removal of Howard 101 is only one part of a much larger overhaul surrounding Stern’s program. SiriusXM officially removed the channel from its lineup on September 1, with Radio Andy taking its former spot.
The changes also included a drastic reduction in the size of Stern’s team, with 56 employees being dismissed in total. This leaves the Howard Team with just nine staff members as the program prepares for its latest phase.
“The Howard Stern Show” would be moved to a single new live broadcast each week. New episodes will air on Monday mornings rather than following the schedule listeners were accustomed to.
Taken together, the staff reductions and loss of Stern’s longtime archival channel, these changes represent a major shift for a show that has maintained a substantial presence for years.

While some listeners are unhappy about the recent changes, Stern appears particularly excited about what comes next.
His new HBO Max agreement will give viewers access to a video version of his weekly SiriusXM program.
Stern described the partnership as an opportunity to finally show audiences more of what happens during his broadcasts.
“For years, my SiriusXM show has offered only brief video peeks,” he said. “HBO convinced me to pull back the curtain and let the world watch.”

Stern’s new deal with HBO Max means viewers will get to see his celebrity interviews, musical guests, and interactions with his staff rather than simply listening to them.
The comedian has called bringing his program to HBO Max a “career highlight.” An insider also claimed he sees the agreement as a victory over critics who believed his broadcasting career was nearing its end.
“Howard is in a really good mood with his new HBO deal. He feels that it is a big middle finger to all his critics who either want him done or think that he is done,” the source told the Daily Mail.
The arrangement does not mean Stern is abandoning SiriusXM. His Monday program will continue airing live on the satellite radio service, with the edited video edition arriving on HBO Max later that week.

While some listeners have struggled to embrace Stern’s reduced schedule, his wife appears to be enjoying one major benefit, which is having her husband around more often.
“It’s actually great for me, because he’s now going to start only working one day a week — so I get more Howard at home, and he’s still connected to the world, so it’s a win-win for all of us,” Beth explained, per The Blast.
Beth Stern said the broadcaster’s move to working only one day each week means “more Howard at home.” Rather than seeing the lighter workload as a negative development, she believes it gives Stern a chance to remain professionally active without spending a lot of time working.
According to her, the career shakeup offers the best of both worlds. Stern gets to continue doing the show that has defined much of his career, while his reduced radio commitments leave the couple with considerably more time together at home.
When Star Trek: Strange New Worlds was in early development, co-creator Akiva Goldsmith announced that the show would follow the episodic format of Star Trek: The Original Series. From the premiere onwards, it’s obvious that the creative team has embraced this ethos — each week has a new enemy and adventure awaiting the crew of the Enterprise. There has been plenty of criticism of the New Trek shows for straying too far from the formula introduced by franchise creator Gene Roddenberry. Both Star Trek: Discovery and Star Trek: Picard eschewed standalone stories for shorter seasons and serialized storytelling, and both shows have already concluded. But to say that Star Trek: Strange New Worlds takes the franchise back to its roots is to disregard the fact that the show was created in the New Trek era. Strange New Worlds combines the best aspects of New Trek, merging it with classic beloved series like The Original Series.
In the opening scenes of Strange New Worlds, we see that Captain Christopher Pike (Anson Mount) is still struggling with the revelations about his future and impending death that he learned about in Star Trek: Discovery. This is an essential aspect of his character, though that premonition doesn’t necessarily define him. Pike doesn’t magically “get over” his struggle either — instead, he works through his trauma, all the while learning that he’s not alone in suffering. Other members of the crew are also recovering from their personal pain. Security Chief La’an Noonien-Singh (Christina Chong) grew up under the terror of the Gorn, lost her entire family to the aliens, and was tormented by those around her for being a descendant of the notorious genetic superman, Khan Noonien Singh. Cadet Nyota Uhura (Celia Rose Gooding), a prodigy on her first Starfleet mission, has a similar story. She was slated to go to university when her parents and brother were all killed in a shuttle accident. Uhura’s well-established plan for her life unraveled, and she lost her sense of belonging before her grandmother guided her toward joining Starfleet.
These stories help Pike contextualize his own pain and his place in the universe. This is a common theme among the characters — secrets and backstories are slowly revealed, bringing the characters closer, but not all of these revelations are conveniently wrapped up in one episode. The creators leave viewers hanging, weaving mysteries from episode to episode. Though each installment of Star Trek: Strange New Worlds has a self-contained story and spotlights some of the characters, there are also underlying threads like Pike coping with his trauma and the histories of the crew that are discovered but not concluded.
Star Trek: Strange New Worlds’ ability to straddle the line between Old and New Trek is in keeping with the rest of the shows in the franchise. Star Trek: Deep Space Nine was at its best in the latter seasons when the main arc was the Dominion War. The show perfectly encapsulated an umbrella storyline with episodic storytelling about the crew’s day-to-day lives and duties. This style of writing also influenced Star Trek: Enterprise, and many will argue that Enterprise’s multi-episode arcs were its most memorable. Even Star Trek: Voyager, which was as episodic as it gets, had the through-line of the crew attempting to return home — several of the episode plots were informed by this main mission.
Star Trek: Strange New Worlds is also able to balance the styles and tones of the two eras. The bright optimism and aura of kindness of the original are obvious in the production design and the character interactions. Though there’s darkness bubbling under the surface of several character arcs, the show doesn’t wallow in it. Pike doesn’t keep the horror of his future to himself; he shares it with his friends. Uhura tells the senior staff about her family’s demise and is accepted for it as well as encouraged to make the best choices for herself. The crew of this Enterprise is much more sheltered than those aboard Discovery or La Sirena, but they’re also living in an era when the Federation is at its most powerful.
The hallmark of the New Trek shows is that these series give the diverse cast plenty of screen time. Star Trek: The Original series was very much a Kirk (William Shatner), Spock (Leonard Nimoy), and “Bones” McCoy (DeForest Kelley) show. They were given the most screen time and characterization. Strange New Worlds also has a trio of familiar characters with Pike, young Spock (Ethan Peck), and Number One (Rebecca Romijn) taking the lead, but the show still takes the time to let the rest of the cast shine and grow. For a franchise that’s always attempted to be ahead of the curve in terms of representation, this is a welcome change.
What Star Trek: Strange New Worlds has achieved is creating a show that has married the classic style of Star Trek: The Original Series with the over-arching storytelling and sensibilities of the newer shows. The show allows for plenty of growth for its diverse cast, not just the three leads, and has a hopeful tone that’s been missing from the world and the franchise of late. While Star Trek: Strange New Worlds feels like Old Trek, it is still a product of New Trek, which makes it a unique and vital part of the franchise.
Jenelle Evans has found an interesting solution for an ex who leaves his problems behind.
The “Teen Mom” alum recently revealed how she handled David Eason’s abandoned vehicle after their relationship went sideways.
Jenelle Evans has spent years navigating a complicated relationship with David Eason, including marriage, separation, divorce, reconciliation rumors, and coparenting. The former couple co-parents their 9-year-old daughter, Ensley.

Evans recently shared a photo of a black SUV sitting inside her garage. She claimed the vehicle belonged to Eason, who had allegedly left it at her house after their relationship ended. Rather than waiting for him to retrieve it, Evans decided that the vehicle was no longer her responsibility.
Her message to anyone facing a similar situation was remarkably straightforward. “If your ex abandoned his vehicle at your house, get it towed,” Evans wrote. She added “#NotMyProblem” over the photo, making her feelings about the situation particularly clear.
On her Instagram story, Evans also appeared to reference another former partner, August Keen, asking, “August, is yours next?” with a laughing emoji. In a follow-up selfie, she celebrated that the situation was finally off her “to-do” list.
Evans made it clear that she no longer planned to keep accommodating someone else’s responsibilities. Another interesting part of her post was that it was set to the classic 2004 hit tune from rapper Jay-Z, “99 Problems.”

Eason’s vehicle situation was not exactly new territory for the former couple. Their divorce settlement had already assigned him responsibility for a BMW that became another point of disagreement.
Eason was awarded the BMW in their July 2025 divorce settlement. He was also ordered to take over any remaining car payments connected to the vehicle. Evans later filed for Eason to be held in contempt of court.
She claimed he had refused to pay debts he was legally responsible for after their split, including the BMW. The 38-year-old had previously addressed the issue on X, writing, “I’m not paying to ship a BMW [laughing emoji] that’s why he agreed to take it.”
She added that the arrangement was included in a legal court document and suggested that Eason follow the rules, as shared by US Magazine. Their relationship has remained complicated since their February 2024 separation after years of being on and off.

Evans and Eason welcomed their daughter Ensley in January 2017 before marrying eight months later. They eventually separated in February 2024 after nearly a decade of being on and off.
Their divorce was finalized in July 2025, but the former couple later sparked reconciliation rumors after being spotted together. Evans subsequently explained that their relationship was about coparenting rather than getting back together romantically.
In her TikTok video, the “Teem Mom 2” star acknowledged that fans were worried about her allowing Eason back into her life. She said things initially felt positive.
According to Evans, he was “very sweet and caring” and tried to hold her hand and touch her frequently. She later said the change happened within a month, when Eason developed an “attitude” and began “name-calling” when frustrated.
She said the behavior reminded her of what she had dealt with for nine years and made her recognize familiar red flags. Evans said the behavior reminded her of what she had experienced throughout their relationship. “That was the sh-t I was dealing with for nine years, and I refuse to still put up with it now,” she said.
@jenellelevanss Life Update Part 2 💔🙄 I’m done protecting everyone else’s feelings at the expense of my own. I’m finally ready to talk about this situationship I had with my ex. Leave before it gets worse. 🫶🏼
Evans said her breaking point came after her ex allegedly made insulting comments toward Ensley before school. She claimed the comments continued in the car until she turned around to reassure their daughter that she was “beautiful, gorgeous and smart.” Evans then said she ordered Eason to leave her house.
According to her account, he turned the car around and returned before demanding that she take the children to school herself. She said she could barely walk or drive because she was in pain.
When they returned home, Evans alleged that Eason began packing his belongings, dumping out her purse and going through her things. She said she threatened to call the police because there was a no-contact order between them.
She claimed Eason immediately became scared and left, leaving his belongings behind. Evans said he still had not asked for them, which she described as strange.
The incident came during a difficult period for Evans, who had undergone knee surgery in April and was later diagnosed with complex regional pain syndrome.
Evans said dealing with Eason’s behavior during that period made her feel like she was watching her past repeat itself. “I was seeing everything happen all over again before my f-cking eyes,” she said.

The MTV star focused on redefining her life since her divorce. That included a major physical transformation, but she has also described the period as an emotional reset focused on healing and rebuilding.
She underwent a full mommy makeover after three pregnancies and losing more than 15 pounds through diet and exercise. “I also thought it would be the best time because I got my tubes tied and I’m not having any more kids,” Evans said.
The procedure included a tummy tuck to repair diastasis recti and the removal and replacement of her saline breast implants. The Las Vegas resident had the procedure done with Dr. Rachel Mason. In 2025, The Blast revealed that Evans viewed her divorce as a “reset button” and chose the makeover as part of entering a new chapter.
She said she wanted to move away from the “fear, chaos, anxiety” of her previous life and create more “peace” and “safety” for herself and her children. The physical recovery was difficult, especially during the first two weeks, but Evans said she did not regret her decision.
Jenelle Evans ticked a mark on her “to-do list,” but what is next?
Collider is proud to announce that we’re teaming up with IFC to offer Los Angeles an advanced opportunity to see The Stunt Driver, starring Jay Baruchel, ahead of its official release date this month. The movie, which celebrated a premiere as part of this year’s Toronto International Film Festival lineup, reunites Baruchel with Goon writer-director Michael Dowse in a comedy drama based on the true underdog story of Ken Carter (Jay Baruchel), the world champion stunt driver who, in the seventies, tried to jump a mile over the St. Lawrence River in a rocket car.
If you’re in the Los Angeles area or have the means to get there, don’t miss out on this early screening, which is taking place on Thursday, September 17th. The screening is located at the AMC Century City and will begin at 7:00 p.m. Our own Steve Weintraub will moderate the Q&A after the movie. Read on for more information on how you can enter for your chance to win free tickets to this advanced screening and Q&A.
We guarantee you don’t want to miss out on this special fan event! Come see The Stunt Driver in theaters early, plus an exclusive Q&A conversation with Dowse. This event will go fast, so don’t wait to claim your tickets! For your chance to win free tickets to the event, hit this link to provide us with your email address. The theater will fill up quickly, so grab your seats before they’re gone. Be sure to let us know if you’d like to bring a guest with you, and RSVP as soon as possible to secure your spot.
The Stunt Driver is set in the mid-70s and recounts the true and incredible underdog story of Canada’s Ken Carter, the world champion stunt driver, who battles personal demons and public doubt to attempt what everyone considers impossible — a mile-long jump across the St. Lawrence River in a rocket-powered car. The movie also stars Ed Helms (The Office) as Dick Keller, the car’s designer and technician, and Ben Foster, as Evel Knievel. In the vein of Free Solo or Fitzcarraldo, this is an underdog story about one man’s singular blinding passion to complete the impossible, to finish what he started. What’s both funny and tragic is that his mile-long jump, to anyone with two eyes, is completely impossible.
The Stunt Driver opens in theaters on September 25. Check back with Collider for more special event screenings.
September 25, 2026
99 minutes
Michael Dowse
Jenelle Evans says she done “playing games” when it comes to ex David Eason.
“If your ex abandoned his vehicle at your house, get it towed,” Evans, 34, wrote via her Instagram Story on Saturday, September 12, over a photo of a black SUV in her garage.
Eason, 38, was awarded a BMW in his July 2025 divorce settlement with Evans and was ordered to take over any remaining car payments. Three months later, Evans filed for her ex to be held in contempt of court, claiming that he refused to pay the debts he was legally responsible for after their split, including the BMW, The U.S. Sun reported in October 2025.
The Teen Mom alum added on Saturday, “#NotMyProblem.”
Evans also appeared to shout out ex August Keen, whom she dated from August 2024 to early 2025.
“August, is yours next?” she wrote with a laughing emoji.
In a follow-up post, Evans shared a selfie and wrote, “Sooo happy that’s off my ‘to-do’ list.”
Evans previously threw shade at Eason over the BMW in September 2025, writing via X, “I’m not paying to ship a BMW 😂 that’s why he agreed to take it. That’s on him, and it’s in a legal court document, so I suggest he obey by the rules 😊.”

Evans and Eason welcomed daughter Ensley in January 2017 and tied the knot eight months later. The pair later separated in February 2024 after nearly a decade of being on and off.
Months after their divorce was finalized in July 2025, Evans and Eason sparked reconciliation rumors when they were spotted together on multiple occasions earlier this year.
The former reality star clarified where she stands with her ex-husband in a TikTok video earlier this week, explaining that she and Eason are “coparenting” Ensley, 9. (Evans is also a mom to son Jace, 17, with ex Andrew Lewis and son Kaiser, 12, with ex Nathan Griffith.)
Evans then acknowledged fans’ concerns about her reuniting with Eason after past legal drama and reassured viewers that she’s “done” with him romantically.
“Everything was nice at first, [he was] very sweet and caring,” Evans said. “He was trying to hold my hand and touch me a lot. That all went away within a month.”
Evans claimed that Eason developed a new “attitude” and began “name-calling” when he was frustrated.
“That was the s*** I was dealing with for nine years and I refuse to still put up with it now,” she said. “I don’t know if he was being manic at some points but it showed me a lot of red flags I’ve recognized for years.”
Evans noted, “I’m always a believer of second chances, unfortunately. I do that with my exes. That’s my track record. Everybody knows that. This time, at least it only took a few months to see the dramatic change in his behavior. Ladies, don’t put up with that.”
The historical drama genre is gaining traction with hits like Bridgerton and The Gilded Age building huge audiences. Among more recent releases, The Hardacres stands out for its uplifting story and unique perspective, combining the new-money aspect of The Gilded Age with the societal tensions of My Brilliant Career to create something new. The BritBox series, which recently concluded its second season, has endearing characters, an unshakable family bond, and surprising twists that will leave viewers wanting more.
Based on C. L. Skelton‘s novels, The Hardacres follows a family who earns an unexpected fortune in the late 1800s. Rather than being set in their ways or chasing blind ambition, the Hardacres seek to use their new wealth to benefit their community as they adjust to their new lives. Consisting of only 12 episodes so far, The Hardacres is a quick watch, but it’s a heartwarming and surprising story that’s worth every minute.
The Hardacres is set in 1890s Yorkshire, where the titular family works as dockworkers, including Sam (Liam McMahon) and Mary (Claire Cooper); their three children, Joe (Adam Little), Liza (Shannon Lavelle), and Harry (Zak Ford-Williams); and Mary’s mother, Ma (Julie Graham). When Sam is injured, the family falls on hard times, forcing them to make tough decisions. The Hardacres not only find a way to survive, but out-earn their previous wages, enabling them to invest their money and, with a stroke of good luck, acquire a fortune that catapults them into a new life. After embracing their new circumstances, they expand their business and buy a manor house, trying to make their way into a society that doesn’t want them. Though the Hardacres’ humble beginnings shock both high society and their new staff alike, the down-to-earth family is undeterred and unwilling to change who they are.
As Sam risks profits to improve working conditions on the docks, Joe struggles to meet his father’s expectations, straining their relationship. Meanwhile, Mary is snubbed by society, while Liza grows close with their new neighbor, Adella Fitzherbert (Holly Sturton), despite her uptight family. The youngest son, Harry, pursues an education, which sends him away for much of Season 1, though he plays a more consistent role in Season 2. The clash between the Hardacres’ past and their new status offers both drama and humor, making the historical drama a must-watch.
While there are plenty of rags-to-riches stories, The Hardacres is unique because the central family never forgets where they came from, remaining grounded by trying to improve other people’s lives. Whether through creating healthier working conditions, offering literacy classes, or simply treating their servants as equals, the Hardacres remain humble despite their rise to prominence, which sets the show apart from other series in the genre that often concentrate on societal tensions rather than letting characters bridge those divides.
The Hardacres is a heartwarming story of good fortune and hard work, but the most important part is the characters and the loving family dynamic they share. Whether they face ruin or hold a considerable fortune, the family supports each other, contributing to the series’ positive tone. Too many period dramas get caught up in conflict and don’t offer the same wholesome moments that The Hardacres thrives on. Of course, there are plenty of arguments, from Joe and Sam’s different visions for their business to Mary and Ma’s contrasting opinions of how their lives should look, but when things go awry, the Hardacres ultimately come together as a family. With lovable characters and an uplifting tone, The Hardacres is a show like no other, making it an ideal watch for anyone who enjoys historical dramas.
October 7, 2024
Channel 5
Rachel Carey
Emma Reeves
Liam McMahon
Sam Hardacre
Claire Cooper
Mary Hardacre
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