Jonathan Newdick’s Puss & Mew was unveiled this week at a ceremony at York Distillery in front of the Sheriff of York and other guests.
The two-foot-tall work is based on an 18th Century gin vending machine which flouted the strict licensing laws designed to stop people drinking so much.
We understand this is the only ‘working’ Puss & Mew in the country since the 18th Century. An original wooden Puss & Mew is available to view at the Beefeater Gin Museum in London.
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When curious visitors deposit a coin in the slot in the cat’s mouth, a bell rings and a shot of gin flows from a pipe in the cat’s paw into a waiting glass below.
Stuart Jarman with the Puss N New at York Distillery (Image: Pic supplied)
The interactive artwork was unveiled at York Distillery – York Gin’s boutique distillery, tasting room and gin school in Middleton’s Hotel – on Tuesday June 6.
Visitors will be encouraged to use it to reimagine the experience of 18th Century gin drinkers.
Using the Puss N Mew at York Distillery (Image: Pic supplied)
The 1736 Gin Act restricted the sale of gin during the ‘Gin Craze’ – when there was a moral panic about the excessive consumption of the spirit.
However, an inventive individual named Captain Dudley Bradstreet found a loophole in the law – by creating the ‘Puss & Mew’ what is thought to be the world’s first vending machine.
Bradstreet installed a cat-shaped wooden sign on the outside of his building. A gin drinker approached and asked: “Puss puss… (have you any gin)?”
Then if in luck, they would then hear a cat’s ‘Mew’ from inside – meaning gin was available.
Jonathan Newdick with the Puss N Mew at York Distillery (Image: Pic supplied)
The buyer would slip a coin in the cat’s mouth…and the thirsty patron then received a measure of gin that the seller poured through a pipe, hidden the cats paw – into the buyer’s waiting cup.
Artists Impression of a Puss and Mew (Image: Pic supplied)
By serving the public anonymously Bradstreet avoided identification and the police did not have authority to enter the building. This “spirit of ingenuity and mischief” forms the conceptual backbone of the sculpture, says Mr Newdick.
“It’s been quite challenging because of its function. It’s the first time I’ve created
Artists Impression of a Puss and Mew (Image: Briony Godivala)
a sculpture which also has a mechanism. It makes a sound and delivers a
measure of gin – that took a bit of skill and a bit of luck. It’s also the first time I’ve
made something the public can physically interact with..”
He added that the piece is designed to evoke a sense of curiosity and unease, echoing the unpredictable nature of cats themselves.
“You get a bit of a feeling like when you approach any cat – slightly nervous, slightly intrigued. There’s a sense of mystery to it, and the mischievous look on its face is challenging you to have another nip!”
The sculpture has been created using cold-cure patinated bronze and Jesmonite. It is
Jonathan Newdick with the Puss N Mew at York Distillery (Image: Pic supplied)
mounted on a teak base designed for durability and engineered with longevity and public interaction in mind, combining traditional craftsmanship with the hidden mechanical elements.
York Gin said the project represents a unique collaboration between heritage storytelling, contemporary design, the city’s ongoing creative culture as well as York’s and gin’s love of cats – the York Gin logo has a cat called Rutterkin sitting on the city walls.
Emma Godivala from York Gin said: “I know that Jonathan doesn’t often take new commissions, so I was thrilled to capture his imagination with this slightly bonkers idea. We’ve wanted to recreate a real Georgian-era Puss & Mew for a few years now.
The Puss and Mew Sculpture (Image: Matthew Kitchen)
“Jonathan’s cat has moved stealthily from the 18th into the 21st century, into the
world of the modern gin lover, the cat lover, and something sinister in between. We
can’t wait for Puss to serve some of our Old Tom gin to visitors at York Distillery!”
The Puss and Mew Sculpture (Image: Matthew Kitchen)
The Puss & Mew continues Jonathan Newdick’s long-standing creation of the city’s “Mystery Cats” – a collection of feline sculptures he has carefully embedded in York’s streetscape and folklore for nearly 50 years.
Around 50 cat statues adorn York’s buildings – documented in The Mystery Cats of York book. Thousands of visitors follow the cat trail each year – and the new sculpture will feature in the new edition of the book.
This new work is expected to be included in the next edition of The Mystery Cats of York book, further cementing its place within the city’s public art heritage.
The sculpture will be accessible to the public at York Distillery when experiences and classes are not being held.
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